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An Analysis of the Books and a Study of Henry VII and His Life at Court.1
The Chamber Books of Henry VII and Henry VIII, 1485-1521: An Analysis of the Books and a Study of Henry VII and his Life at Court.1 Margaret Condon, Samantha Harper and James Ross The books of the King’s chamber of receipt and expenditure, alongside the associated financial memoranda, known colloquially as the Chamber Books, are a source of unique significance for the history of late fifteenth and early sixteenth century England. They are the only surviving personal account of medieval monarchs; although earlier kings did channel significant sums through more direct channels than the bureaucratic Exchequer, such as the Wardrobe, these lack the detail and immediacy of the Chamber Books, which also match such sources in noting state expenditure, sometimes on a massive scale. The Chamber records of Edward IV, on whose system Henry VII’s chamber was based (and improved), would have been presumably comparable but these do not survive. Thus, the Chamber Books record unparalleled insight into the hobbies, interests, personal and professional relationships, health, and habits of Henry VII and to a lesser extent that of Henry VIII, as well as information about their court, diplomacy and statecraft. Henry VII has never caught the popular interest in the way his predecessor or successor have. He has traditionally been seen as a liminal king – his reign an adjunct to studies of the medieval monarchy and/or the Wars of the Roses or as a precursor to the fully fledged Tudor state and the Tudor revolution in government.2 This lack of attention to the king is reflected in the academic historiographical lacuna that exists for his reign, notably on the politics of the reign and more personal aspects of his kingship. -
4. Caribbean Responses to the Royal Navy
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES History The Royal Navy in the Caribbean, 1756-1815 by Siân Williams Thesis for the degree of Doctor of Philosophy September 2014 Abstract Intersecting the fields of naval, imperial and Caribbean history, this thesis examines the Royal Navy’s interactions with the inhabitants of the British Caribbean islands between 1756 and 1815. Traditional histories of the Royal Navy in the Caribbean have focused on operational matters, producing narratives that neglect examination of the navy as a socio-cultural force in the region. This thesis aims to address this imbalance by focusing on the navy as a unique social group with multiple roles, which was a constant presence in the Caribbean during a particularly turbulent period at the height of the sugar industry. -
INTRODUCTION by /VNH'^EW I Hi: 1C, AJ
, ,i INTRODUCTION BY /VNH'^EW I hi: 1C, AJ Ho, '7(>.> The text for this Even/man's Library ! Izaak \7ahori s Com- edition of The^ plete Angler follows in the main that of the fifth edition; I6763 the last revised by the author. Andrew Lang's original Introduction to the cJsssic of *the Contemplative Man's 5 Recreation is included. EVERYMAN'S LIBRARY: Larger Format All new volumes and all revised and reprinted volumes in Everyman's Library are now pro- duced in crown octavo. These are published at four prices (except in the U.S.A.) according to length and nature of the work. Volumes at * the lowest price are in red wrapper, marked in catalogues; the second price in blue wrapper f; the tnird price in green wrapper ; the highest price in yellow wrapper $. 3838 799*1 VI 24 62-07649 VI?J ton The coraplcat airjler APR LIBRARY 70 ESSAYS & BELLES-LETTRES Everyman, I will go with thee, and be thy guide. In thy most need to go by thy side IZAAK WALTON, born at Stafford in 1593, the son of a yeoman. Owned a small business in London, but retired at age of fifty and lived at Win- for forty years in the country. Died chester in 1683. IZAAK WALTON THE COMPLETE ANGLER INTRODUCTION BY ANDREW LANG LONDON J. M. DENT & SONS LTD NEW YORK E.P.DUTTON&COINC All rights reserved by J, M, DENT & SONS LTD Aldine House Bedford Street London Made in Great Britain at The Aldine Press Letchworth Herts First published in this edition 1906 Last reprinted 1958 INTRODUCTION To write on Walton is, indeed, to hold a candle to the sun. -
The Reminiscences of Alexander Dyce Alexander Dyce
THE REMINISCENCES OF ALEXANDER DYCE ALEXANDER DYCE FROM AN ENGRAVING BY C. H. JEENS. REPRODUCED BY COURTESY OF THE VICTORIA & ALBERT MUSEUM. THE Reminiscences OF Alexander Dyce EDITED, WITH A BIOGRAPHY BY RICHARD J. SCHRADER OHIO STATE UNIVERSITY PRESS Copyright © 1972 by the Ohio State University Press All Rights Reserved Library of Congress Catalog Card Number 75-157716 Standard Book Number 8142-0160-1 Manufactured in the United States of America FOR MY PARENTS CONTENTS FOREWORD x i ALEXANDER DYCE 3 EDITORIAL PRINCIPLES 2 9 THE REMINISCENCES 3 3 PREFACE TO CHAPTER I 35 CHAPTER ONE : Early Years 39 SCOTLAND. % MARY ANN PATON. J SIR DAVID OCHTERLONY. % MRS. SMOLLETT. $ STRAW BERRY-HILL J LORD WALDEGRAVE. % CUMNOR PLACE (FROM MY DIARY). PREFACE TO CHAPTER II 5 1 CHAPTER TWO: The Stage 55 PART I : MAJOR CHARACTERS 5 5 EDMUND KEAN AND HIS WIFE. { CHARLES KEAN. % JOH N KEMBLE. $ MRS. CHARLES KEMBLE (MISS DE CAMP), t MRS. SIDDONS. PART 2 : MINOR CHARACTERS 9 9 GIOVANNI B. BELZONI. % MRS. MARY ANN DAVENPORT) WILLIAM FARREN, &C. $ MRS. GIBBS. % MRS. DOROTHY Vlll CONTENT S JORDAN. | JAMES KENNEY AND HIS LAST DRAMATIC PRODUCTION, t JOHN HENDERSON'S AND CHARLES MACKLIN'S SHYLOCK ; GEORGE F. COOKE'S RICHARD THE THIRD, SIR PERTINAX MACSYCOPHANT, AND SIR ARCHY MACSARCASM; MACKLIN AND D [ . ] . % MADEMOISELLE MARS. % CHARLES MATHEWS THE ELDER. $ JOSEPH S. MUNDEN. % MRS. PIOZZI AND CONWAY THE ACTOR. { MRS. ELIZABETH POPE (MISS YOUNG) J HOLCROFT'S "FOLLIES OF A DAY OR TH E MARRIAGE OF FIGARO" ; CHARLES BONNOR. J MISS JANE POPE, T GEORGE RAYMOND. PREFACE TO CHAPTER III 12J CHAPTER THREE: The Clerisy 131 THOMAS TAYLOR, THE PLATONIST. -
THE Importance of Bibliography in an Advanced State of Literature Is Unquestionable. to Avail Ourselves Properly of the Labours
83 THE BIBLIOGRAPHY OF GENEALOGY AND TOPOGRAPHY. THE importance of Bibliography in an advanced state of literature is unquestionable. To avail ourselves properly of the labours of our pre• decessors, and to avoid the useless triRing of perpetual beginnings, it is necessary to ascertain in what state they have left their work. Some portion of the present Miscellany will be devoted to that object. Imperfect as the Topography of England is, as a whole, still the mul• titude of books belonging to. this class is amazing: and their number has been much swelled since any systematic catalogue was published of it. Hereafter we shall proceed to notice them in counties. We shall now take a retrospect of what the past twelvemonth has produced, The more important original articles which have appeared during the year in the Archeeologia and the Gentleman's Magazine are noticed. Those in the 8th volume of the Collcctanea Topographica et Genealogica ate not introduced; but a Synoptical Table of the whole Contents of that work has been appended to the last Number. GENEALOGY. Hrsronrss of Noble British Families, with Biographical No• tices of the most distinguished individuals in each; illustrated by their Armorial Bearings, Portraits, Monuments, Seals, etc. Im• perial folio, l 842. Parts I. and II. price 3l. 3s. each. This magnificent commencement of a gigantic undertaking is published anony• mously, but announced in Prospectuses to be the work of Henry Drummond, esq. of Albury. It is stated in the Introduction to be formed on the same plan as the Histories of the Celebri Famiglie Italiane compiled by Count Litta 0£ Milan. -
Durham E-Theses
Durham E-Theses The British archaeological association: its foundation and split Wetherall, David Michael How to cite: Wetherall, David Michael (1991) The British archaeological association: its foundation and split, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/6303/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk Abstract THE BRITISH ARCHAEOLOGICAL ASSOCIATION: ITS FOUNDATION AND SPLIT David Michael Wetherall Thesis submitted for Master of Arts degree. Durham University, Department of Archaeology, 1991. The thesis investigates the foundation of the British Archaeological Association (BAA) at the end of 1843, and its development over the next couple of years. In September 1844 the BAA held a week-long archaeological congress at Canterbury, the details of which are discussed. Although it was deemed a great success by those who participated, a number of influential antiquarians on the BAA's Central Committee did not attend. -
Books in Multiple Volumes PHILLIP J
PHILLIP J. PIRAGES Books in Multiple Volumes PHILLIP J. PIRAGES Fine Books and Manuscripts 1709 NE 27th Street, Suite G McMinnville, OR 97128 P: (503) 472-0476 Toll Free: (800) 962-6666 F: (503) 472-5029 [email protected] www.pirages.com Special Issue Catalogue: Sets and Books in More Than Two Volumes Please send orders and inquiries to the above physical or electronic address, and do not hesitate to telephone at any time. At this time, we are not accepting visits from new clients. Established clients may request a visit, but must contact us in advance. In addition, our website is always open. Prices are in American dollars. Shipping costs are extra. We try to build trust by offering fine quality items and by striving for precision of description because we want you to feel that you can buy from us with confidence. As part of this effort, we want you to understand that your satisfaction is unconditionally guaranteed. If you buy an item from us and are not satisfied with it, you may return it within 30 days of receipt for a refund, so long as the item has not been damaged. Most of the text of this catalogue was written by Cokie Anderson and Kaitlin Manning. Jill Mann is responsible for photography and layout. Essential administrative support has been provided by Tammy Opheim. We are pleased and grateful when you tell someone about our catalogue and when you let us know of other parties to whom we might send our publications. And we are, of course, always happy to discuss fine and interesting items that we might purchase. -
Examples of People Allowed to Become the Subject of Collective Adoration, Prurient Journalism, and Mass Merchandise by the Rise of The
Contents Preface 3 Introduction 4 Chapter 1: The Martial Hero as a Celebrity 7 Chapter 2: Structuralism and Celebrity in Eighteenth-Century Britain 22 Chapter 3: Context, Character, and the Importance of the Public Image 36 Conclusion 52 2 Preface Acknowledgements My most earnest thanks to Kevin Linch, David Tebb, Pam Bingley, and Alex Bamji for their kindness and understanding. Abbreviations BMS British Museum Satires BMPD British Museum Prints and Drawings BMCM British Museum Coins and Medals BMPE British Museum Prehistory and Europe ECCO Eighteenth Century Collections Online Conventions All quotes are ad verbatim. 3 Introduction In 1808, the eminent poet Samuel Coleridge had little praise for his early nineteenth-century peers. In the April of that year he remonstrated to his literary counterpart Matilda Betham on the „sad, sad, state of the present […] the rage for personality – of talking & thinking ever and ever about A. and B. and L. – names, names, always names!‟1 With these words Coleridge paid tribute to the partiality of his generation to gossip and to celebrate the individual; yet, it was not merely in his era that the Georgian British populace displayed such a penchant for granting certain figures public prominence. Within the boundaries of the many wars fought between 1739 and 1815 the martial hero was frequently the subject of this type of popular discussion and adoration; at certain times, such adulation led him to transcend his military status to become the leading celebrity of his day. Indeed, the eighteenth century is recognised by many scholars as the birthplace of celebrity, for it witnessed the rise of the Habermasian public sphere, the print media, a consumer culture, and the waning of the Hanoverian court as the nucleus of patronage.2 However, none see the foremost military heroes of its plethora of wars as contemporary exemplars of the phenomenon. -
Structure of the Ordinary Ix
DICTIONARY OF BRITISH ARMS GENERAL EDITOR (1940–95) SIR ANTHONY WAGNER, K.C.B., K.C.V.O., M.A., D.Litt., F.S.A. sometime Garter King of Arms Dedicated to the memory of Lieutenant-Colonel George Babington CROFT LYONS DICTIONARY OF BRITISH ARMS MEDIEVAL ORDINARY VOLUME THREE Editors T. WOODCOCK, L.V.O., B.A., LL.B., F.S.A. Norroy and Ulster King of Arms SARAH FLOWER Assistant Editor THE HON. JANET GRANT Technical Editor TREVOR CHALMERS, Ph.D. Published by THE SOCIETY OF ANTIQUARIES OF LONDON MMIX First published 2009 by The Society of Antiquaries of London Burlington House Piccadilly London W1J 0BE www.sal.org.uk © The Society of Antiquaries of London 2009 The right of Thomas Woodcock and Sarah Flower to be identified as the authors of this work has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except as permitted under current legislation, no part of this work may be photocopied, stored in a retrieval system, published, performed in public, adapted, broadcast, transmitted, recorded or reproduced in any form or by any means, without the prior permission of the copyright owners. ISBN 978-0-85431-293-1 British Library Cataloguing in Publication Data A CIP catalogue record for this book is available from the British Library. Text preparation by Trevor Chalmers Text conversion by The Boydell Press, Woodbridge Printed and bound in Great Britain by CPI Antony Rowe, Chippenham Contents Acknowledgements vi Foreword vii History of the Project since 1996 viii Structure of the Ordinary ix Compilers xvii Sources Alphabetically by abbreviation xxvii Terminology Abbreviations and selected word list xxxviii Index of Headings liii The Ordinary Chief–Fess 1 Index of Names 521 Acknowledgements The Papworth Project has been supported by many institutions and individuals. -
Richard III As a Fop: a Foolish Myth
Richard III as a Fop: A Foolish Myth ANNE F. SUTTON One frivolous and almost unbelievable myth constructed about Richard III is that he was a fop or dandy, who took more than the usual interest in clothes and display. The myth has an amusing historiography – and it has had an effect on views of Richard’s morals and life style. After a brief and bright twinkle in Shakespeare’s eye in the early 1590s, it became a steady glow in the work of popular historians from the later eighteenth century and continued into the late twentieth century. It will be resurrected, no doubt, by someone in the twenty-first century. It has a number of contributory strands: the dramatic tradition of Shakespeare feeding into that of the popular and academic historians; the lack of sound knowledge and appreciation of the dress of the past again feeding into the work of historians; and thirdly, the tendency of some writers to despise the past, both for its dress and its morals. So, how did Richard III come to be called a fop? It all derives ultimately from Shakespeare’s visualisation of the amazed reaction of a deformed Richard when he succeeds in persuading a woman to marry him. I’ll be at charges for a looking-glass, And entertain a score or two of tailors, To study fashions to adorn my body: Since I am crept in favour with myself, I will maintain it at some little cost.1 It is a moment most brilliantly evoked on stage (1944) and film (1954) in Laurence Olivier’s impersonation of Richard III, who from that moment was decked in extravagant fashions.