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All event listings are accurate at time of press and subject to change For venue details, see directories, p58 Send events to [email protected] by Nov 9 Nov 1 Clive Chin The Chinese-Jamaican brings the usicBACK, Velvet Highway reggae. See Clubhouse, p58. Hard rockers show emo power. RMB 50 (includes a drink). 9pm. RMB 40, RMB 30 (advance, Bed Bar (8400 1554) students). 9pm. Tiny Salt Coffee Club (5900 0969) Dongzi M Say farewell to autumn with Low Wormwood, Lidong Band acoustic folk. RMB 40, RMB 30 Xi’an grunge rockers return from (advance, students). 9pm. their national tour, and Ningxia Tiny Salt Coffee Club (5900 0969) folksters support. RMB 50, RMB 40 (advance, students). 9pm. Jiang Xin, Silkfloss, Rolling Rolling, MAO Livehouse (6402 5080) The Ghost Spardac, Shishahai, Milk & Coffee, Yu Yang The Core Punk rock followed by electronica. Bop with this Norwegian jazz RMB 60, RMB 50 (advance, quartet. RMB 50. 9pm. Yugong students). 9pm. MAO Livehouse Yishan (6404 2711) (6402 5080) Wu Zhuoling Long Shen Dao Acoustic folk from the south. Chinese reggae band brings RMB 30, RMB 20 (students). 9pm. one love to Wudaokou. RMB 50. D-22 (6265 3177) 9.30pm. 13 Club (8261 9267) Nov 2 Luo Qi, Chaine, Thin Man, Clueso Dr. Feelgood, Yan German indie rockers pay a visit. Former Cobra star Luo Qi joins Nov 21: Owl City RMB 50. 9pm. Yugong Yishan fellow musicians from the good (6404 2711) old days of Chinese rock. RMB 80, A one-man pop orchestra. See listing, p68. Nov 3 RMB 70 (advance), RMB 150 (VIP). 8.30pm. The Star Live (6425 5677) Lu Xin Pei, Streets Kill Strange ast month, four days before the Modern Sky Music Animals, Criminal Minds Skyscraper Festival was set to start, the performances of all 14 scheduled The weekly “Zoomin’ Night” Blues rock quartet turns on the continues with noise rockers and jam. Free. 9.30pm. Jiangjinjiu Bar foreign bands were cancelled, all due to the same “unforeseen hardcore punk. RMB 30, RMB 20 (8405 0124) L (students). 8pm. D-22 (6265 3177) Nov 7 circumstances.” I’m guessing it was the British punk band Buzzcocks, Nov 4 Al Quimia since their name in Chinese, “嗡嗡鸡,” literally means “vibrating MUSIC Hoochie Coochie Gentleman Brazilian jazz with bossa nova, chicken.” Blues invades Nanluogu Xiang. samba and pop elements. RMB 20, Assuming all the evil foreign musicians scheduled this month Free. 9pm. Salud, Nanluogu Xiang free (before 9.30pm). 10.30pm. (6402 5086) Ginkgo Restaurant & Bar (6402 7532) actually make it to town, November will feature some impressive No Name Trio line-ups. Starting in Dongcheng, Yugong Yishan stages Swiss Gypsy jazz trio visits Houhai. Free. Buyi 9.30pm. Luce (8402 4417) Ningxia folk rockers pay a regular pianist Nik Bärtsch and his funky jazz ensemble Ronin on visit. RMB 30. 9.30pm. Jiangjinjiu The Real Deal, Larry’s Pizza Bar (8405 0124) November 12 (see photo, below), Brooklyn keyboard trio Au Revoir Ska punk straight out of Montreal. RMB 50, RMB 40 Camel, Old Fashion, Wu & The Side Simone on November 20 (see Feature, p66) and the synth pop hands (advance). 8.30pm. Effects, The Beginning of Autumn of Owl City on November 21 (see photo, above). In addition, local MAO Livehouse (6402 5080) Indie rock meets funky blues. RMB 40, RMB 30 (students). 10pm. psychedelic band The Ruins turn ten years old on November 14 Nov 5 D-22 (6265 3177) with an album release; expect support from fellow veterans including Gray, Inverter, Qing Jiang Careless, Candy Monster, Load up on grunge. RMB 30, Steely Heart, Nucleus Zuoxiao Zuzhou and X.T.X. RMB 20 (students). 9pm. D-22 Friends gather in the name of Across Nanluogu Xiang to the Gulou and Andingmen ’hood, (6265 3177) punk and grunge. RMB 40, RMB 30 Jordan Thomas Mitchell (students). 10pm. 2 Kolegas Mongolian warriors Hanggai greet MAO Livehouse on November Original compositions on sax. Free. (6436 8998) 13, followed by a battle on November 15 by Beijing’s best rappers, 9.30pm. Ginkgo Restaurant & Bar Chen Chi Chen (6402 7532) including In3’er and Little Ray, to decide the niubi and the shabi. Cheer, the Taiwanese indie pop Nov 6 star, sings acoustic melodies. MAO gets more elegant on November 21, when the once-punk siren Tickets at 400 810 3721 or 6417 AOK 0068. RMB 280-1,380. 7.30pm. Wang Yue (Gia) turns bossa nova with her solo debut release (see Pop rock warms up the weekend. Capital Gymnasium (6835 8306) RMB 50. 9pm. Yugong Yishan photo, p68). But if you still feel like dancing, Sunny Dee returns to (6404 2711) Shuangzi & The Boxers, Chinatown, Ginkgo on the same night with Afrobeats of Afrokoko Roots. Good Nuclear Fusion-G Birdstriking, Don Vito, Le Singe Industrial metal accompanies back- alternatives are also available at the nearby Jiangjinjiu Bar, where Blanc, Face by Face talking emcees. RMB 60, RMB 50 Alternative rockers meet post-punk (advance). 9pm. MAO Livehouse the rowdy Redbucks perform bluegrass every Monday – prepare recruits. RMB 40. 10pm. (6402 5080) to be late for work on Tuesday. D-22 (6265 3177) The west side story of Wudaokou couldn’t be any more dynamic with its dirty, grungy and punk attitude. 13 Club shows loyalty to metal with a tribute to Guns N’ Roses on November 7 and a black metal night on November 20. Bring earplugs, and a helmet – or try to get out if you can’t take it. In case you do get out, just pass through that disgusting public toilet and make it to D-22. The ongoing “Zoomin’ Night” series (every Tuesday) brings some of the strangest yet most inspiring musicians. For some classic rock & roll sweat, return on November 28 to rock with 24 Hours and Guai Li (see photo, p68). Having said all that, never forget the outdoor fun of 2 Kolegas. Local electronica weirdo Sulumi takes his Shanshui crew (iLoop, LIman) to the drive-in cinema on November 21 for a party. What’s more, it only costs 30 kuai – isn’t it nice to have some budget fun after the heavy spending of the October holiday? Get out before Nov 12: Ronin Swiss neo-jazz funk. See listing, p67. Beijing gets frozen. Wang Ge that’smags www.thebeijinger.com Novemberwww. 200 thatsbj.com9 / the Beijinger Sept. 200565 FEATURE SIMONEAu Revoir Simone say bonjour SAYS to Beijing by Wang Ge MUSIC reamy, sweet, hip and relaxing – Au Revoir Simone have Iceland. “We played in front of 600 people and it was all very exciting,” the kind of sound you want to hear as you wake up in the Erika recalls. “The best part of being on tour is having the oppor- Dmorning, or something to pop in your car stereo during a tunity to play music and becoming a better musician by learning from traffic jam (quite practical for a Beijinger). new people. So far we have seen so much of the world and I feel like Heather D’Angelo, Erika Forster and Annie Hart founded a different person than when we started the band.” Au Revoir Simone in Erika’s apartment in 2003. With vintage “The kindest thing someone said to me about it was that we all keyboards rescued from garage sales and a wooden drum machine had nice hair,” adds Annie. inherited from a movie set, the three Brooklynites started their With the release of third album, Still Night, Still Light, the three- musical journey. It’s taken them from their shared love of key- some will tour China to share their stylish art-folk gloriousness boards – unsurprising considering Erika and Heather have both with Beijing and Shanghai. The girls visited Hong Kong last year been playing piano since their childhoods to play for fashion designer Agnes B, but – to easy-listening electro-pop populated by “The kindest thing Erika had her own encounter with the vast experimental characters. land back in 2005. “I traveled in China as Since everyone in the band plays someone said to me was an assistant to two photographers,” she the same instrument, the challenge that we all had nice hair” says. “We spent only one day in Beijing, and lies in collectively writing songs without the rest of the time we traveled in Shanxi making any individual feel left out. The three work together to fin- province to Datong, Pingyao, and visited Wutai Mountain and ish songs, even if one person comes up with the idea. “That’s one Yungang caves. It was a really amazing trip. We woke up every of the best things about being in Au Revoir Simone!” says Heather. morning at dawn and took pictures of so many special places.” “There is no leader, just the group.” Having achieved both commercial success and critical Luckily, the Brooklyn neighborhood has proven friendly to their acclaim, the members of Au Revoir Simone have gained some creative minds. “Living among a community of other artists and perspective as well. “For me, being an indie musician means musicians made it seem normal to start a band and focus more on taking matters into your own hands to get whatever done to accomplish that than having a more typical job,” Heather explains. “It’s a little your artistic vision,” says Annie. For Erika, on the other hand, it’s not intimidating to embark on a creative career because it isn’t easy or only about the approach to making songs. “It’s also because we have predictable. But if you have faith in your own ideas and the courage our own label and have been able to independently fund our record- to see them through, the results can be very rewarding.” ings, but I don’t think that makes us better or worse than any other WILMER SARAH PHOTOS: The band started off playing shows in bars and clubs in Manhattan, band or business model.” Yet for Annie, even after six years, she’s still but it wasn’t all singing-in-the-park from day one.
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    THE SAXOPHONE IN CHINA: HISTORICAL PERFORMANCE AND DEVELOPMENT Jason Pockrus Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 201 8 APPROVED: Eric M. Nestler, Major Professor Catherine Ragland, Committee Member John C. Scott, Committee Member John Holt, Chair of the Division of Instrumental Studies Benjamin Brand, Director of Graduate Studies in the College of Music John W. Richmond, Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School Pockrus, Jason. The Saxophone in China: Historical Performance and Development. Doctor of Musical Arts (Performance), August 2018, 222 pp., 12 figures, 1 appendix, bibliography, 419 titles. The purpose of this document is to chronicle and describe the historical developments of saxophone performance in mainland China. Arguing against other published research, this document presents proof of the uninterrupted, large-scale use of the saxophone from its first introduction into Shanghai’s nineteenth century amateur musical societies, continuously through to present day. In order to better describe the performance scene for saxophonists in China, each chapter presents historical and political context. Also described in this document is the changing importance of the saxophone in China’s musical development and musical culture since its introduction in the nineteenth century. The nature of the saxophone as a symbol of modernity, western ideologies, political duality, progress, and freedom and the effects of those realities in the lives of musicians and audiences in China are briefly discussed in each chapter. These topics are included to contribute to a better, more thorough understanding of the performance history of saxophonists, both native and foreign, in China.
  • Oideion 3 (2003)

    Oideion 3 (2003)

    OIDEION The performing arts world-wide 3 edited by WIM V AN ZANTEN Nederlandse Vereniging voor Etnomusicologie "Arnold Bake" Department of Cultural Anthropology and Development Studies Leiden University, the Netherlands 2003 This volume was published by the Dutch Society for Ethnomusicology 'Arnold Bake' Editor: Wim van Zanten Editorial. Board: Ben Arps Saskia Kersenboom Emmie te Nijenhuis Rembrandt F. W olpert ISBN 90-808399-1-4 NUR: 664 Subject headings: ethnomusicology, performing arts, music, theatre Front cover design: Nelleke Oosten Printing: Copy- & Printshop F.S.W., Leiden University AH correspondence should be addressed to: Secretariat Nederlandse Vereniging voor Etnomusicologie "Arnold Bake", c/o Department of Cultural Anthropology and Development Studies, Faculty of Social Sciences, Leiden University, P.O. Box 9555, 2300 RB Leiden, the Netherlands http://www .abake.nl/ Copyright 2003 Nederlandse Vereniging voor Etnomusicologie "Arnold Bake", the Netherlands CONTENTS EDITOR'S PREFACE i.v KI MANTLE HOOD The musical river of change and innovation; The fourth John Blacking Memorial Lecture, ESEM, Rotterdam, 14 September 1995 1 EVERT BISSCHOP BOELE Teaching a multimusical soundscape; Non-Western music in Dutch basic education teaching materials 9 JEROEN DE K.LOET To seek beautiful dreams; Rock in China 29 JAN VAN BELLE Dafsaz in Tajik Badaxshan; Musical genre and rhythmic pattern 48 HANNEM. DEBRUIN What practice? Whose practice? 62 MA TTIIEW ISAAC COI-IEN Details, details: Methodological issues and practical considerations in a