Spring 2019 Catalog
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Wearing Our Identity – the First People's Collection
Wearing our Identity – The First People’s Collection Texts of the exhibition Table of content Introduction 2. Fashioning identity 2. 1 – Wearing who I am 3. 1.1 – Wearing where I come from 3. 1.2 – Wearing life’s passages 3. 1.3 – Wearing my family 6. 1.4 – Wearing my rank 7. 2 – Wearing our culture 10. 2.1 – Wearing our traditions 10. 2.2 – Wearing our legends 15. 2.3 – Wearing our present 16. 3 – Wearing our history 17. 3.1 – Wearing our honour 18. 3.2 – Wearing our struggles 20. 3.3 – Wearing our resilience 21. 4 – Wearing our beliefs 23. 4.1 – Wearing our universe 23. 4.2 – Wearing animal power 24. 4.3 – Wearing spiritual respect 25. 2 Wearing our Identity – The First People’s Collection © McCord Museum, 2013 0 – Introduction Wearing Our Identity The First Peoples Collection Questions of identity lie at the heart of many debates in today’s rapidly changing world. Languages and traditions are threatened with extinction. When this happens, unique knowledge, beliefs and histories are wiped out. First Peoples understand well the challenges and tensions that can erode a sense of self and belonging. Yet, they have shown remarkable resilience in both preserving ancient identities and forging new ones. Whether building on the rich textures of the past or fearlessly transforming contemporary fashion, First Nations, Inuit and Métis use clothing to communicate the strength and meaning of their lives. An exploration of First Peoples dress is a compelling and emotional experience – one that must follow interwoven threads of community and spirituality, resistance and accommodation, history and innovation. -
Resume (Adobe PDF Format)
DINAH LENNEY 2136 Princeton Avenue Los Angeles, California 90026 (323)664-8186 email: [email protected] www.DinahLenney.com EDUCATION Bennington Writing Seminars, MFA in Creative Nonfiction and Literature Yale University, Bachelor of Arts, American Studies. Neighborhood Playhouse School, Certificate of Acting. PROFESSIONAL ACADEMIC EXPERIENCE WRITING Assistant Professor of Literature and Creative Writing, appointed June, 2012, University of Southern California Visiting Faculty December, 2012, University of California, Palm Desert Fulltime Lecturer, 2009 to 2012, Master of Professional Writing Program, University of Southern California, Los Angeles, California. Guest Artist and Faculty, July, 2012, Centrum Writers’ Conference, Port Townsend, Washington. Instructor, Union Station Homeless Services Centennial Place 2011, Memoir Writing, Poets and Writers Grant. Mentor, 2010, The Loft Literary Center, Minneapolis, Minnesota. Core Faculty, 2008 -2013, Bennington Writing Seminars, Bennington, Vermont. Core Faculty, 2008 -2013, Rainier Writing Workshop, Tacoma, Washington. Part-time Lecturer, 2008-2009, Master of Professional Writing Program, University of Southern California, Los Angeles, California. Visiting Lecturer, October 2008, Scripps College, Memoir Lecture and Reading. Mentor, January, 2008 to August, 2008. PEN USA Emerging Voices Program. Associate Faculty, June 2007, Bennington Writing Seminars, Bennington, Vermont. Visiting Lecturer, 2007, UCLA, Los Angeles, California. Intro to Memoir: Fining Your Own True voice. Instructor, February -
Teri Greeves: Beadworking and Belonging
EDUCATION GUIDE Teri Greeves: Beadworking and Belonging “If my mother can understand what I’m doing, with a native eye, then it’s successful…” “By speaking about the history and values of my people through my work, I can help bring balance into the world my children will grow up in.” - Teri Greeves Lesson Overview In this lesson, students will study the work of bead artist Teri Greeves. After watching the Craft In America Origins episode segment featuring Greeves, students will examine how her beadworking signifies and honors her Kiowa heritage. Students will look for examples of decorated garments in their own life experience that indicate belonging to a group. Following this, students will hand embellish an item of wear with an image symbolic of a particular group. Grade Level: 8-12 Estimated Time: Six 45-minute class periods Craft In America Theme/Episode: Origins Background Information: Beadworking has been found in cultures all around the world. Early beads were made of shells, seeds, animal teeth, porcupine quills, and other objects found in nature. Kiowa artist Teri Greeves learned beadworking from the women in her family and from others on the Shoshone and Arapaho’s Wind River Reservation in Wyoming. Greeves helped her mother in a family-owned trading post where beadworking was honored as a valuable and culturally significant art. Although she has a deep respect for tradition, Greeves opts for “pictorial” work rather than the traditional floral or geometric designs. She depicts stories of the Kiowa people, but from a contemporary perspective. The artist often applies beadwork to modern-day objects such as umbrellas and sneakers. -
Executive Summary
CALIFORNIA’S WETFISH INDUSTRY: ITS IMPORTANCE – PAST, PRESENT & FUTURE Executive Summary In major measure, California’s fishing industry was founded on “wetfish.” So called traditionally because these fish were conveyed from ocean to can with minimal preprocessing, “wet from the sea”, sardines, mackerels, squids and anchovies, as well as coastal tunas, have represented the lion’s share of commercial fishery landings in the Golden State since before the turn of the 20th Century. Today sardines, jack and Pacific mackerel, anchovy and market squid are called, for management purposes, Coastal Pelagic Species (CPS). Another link among these species: all are harvested primarily with round-haul nets (lampara and purse seine). The complex of fisheries that comprises the wetfish industry has shaped the character of California’s culture in addition to the infrastructure of California’s fishing industry. The immigrant fishermen of Asian, Italian, Slavic and other nationalities introduced new fishing gear and helped to build the fishing ports of San Pedro and Monterey, as well as San Diego and San Francisco. Although changed in many ways, the wetfish industry today remains an essential, critically important part of California’s fishing industry as a whole. In the year 2000, the wetfish fishery complex produced about 455.5 million pounds (227,734 short tons) of fish, 83.6 percent of total commercial fishery landings in California, valued at $38.9 million ex-vessel, or 29.3 percent of total value of all fisheries in California. This report is subdivided -
Use of Productivity and Susceptibility Indices to Determine the Vulnerability of a Stock: with Example Applications to Six U.S
Use of productivity and susceptibility indices to determine the vulnerability of a stock: with example applications to six U.S. fisheries. Wesley S. Patrick1, Paul Spencer2, Olav Ormseth2, Jason Cope3, John Field4, Donald Kobayashi5, Todd Gedamke6, Enric Cortés7, Keith Bigelow5, William Overholtz8, Jason Link8, and Peter Lawson9. 1NOAA, National Marine Fisheries Service, Office of Sustainable Fisheries, 1315 East- West Highway, Silver Spring, MD 20910; 2 NOAA, National Marine Fisheries Service, Alaska Fisheries Science Center, 7600 Sand Point Way, Seattle, WA 98115; 3NOAA, National Marine Fisheries Service, Northwest Fisheries Science Center, 2725 Montlake Boulevard East, Seattle, WA 98112; 4NOAA, National Marine Fisheries Service, Southwest Fisheries Science Center, 110 Shaffer Road, Santa Cruz, CA 95060; 5NOAA, National Marine Fisheries Service, Pacific Islands Fisheries Science Center, 2570 Dole Street, Honolulu, HI 96822; 6NOAA, National Marine Fisheries Service, Southeast Fisheries Science Center, 75 Virginia Beach Drive, Miami, FL 33149; 7NOAA, National Marine Fisheries Service, Southeast Fisheries Science Center, 3500 Delwood Beach Road, Panama City, FL 32408; 8NOAA, National Marine Fisheries Service, Northeast Fisheries Science Center, 166 Water Street, Woods Hole, MA 02543; 9NOAA, National Marine Fisheries Service, Northwest Fisheries Science Center, 2030 South Marine Science Drive, Newport, OR 97365. CORRESPONDING AUTHOR: Wesley S. Patrick, NOAA, National Marine Fisheries Service, Office of Sustainable Fisheries, 1315 East-West -
Appendix A. Species List and Threatened Or Endangered Species
Appendix A Great egrets rely on wetlands for feeding and nesting. © Mark Wilson Species Lists and Threatened or Endangered Species ■ Bird Species of the Complex ■ Mammal Species of the Complex ■ Reptile and Amphibian Species of the Complex ■ Fish Species of the Complex ■ Butterfly Species of the Complex ■ Threatened or Endanged Species Appendix A Bird Species of the Complex Conscience Lido Oyster Target Bird Species Amagansett Morton Sayville Seatuck Wertheim Point Beach Bay Rock s=Spring (Mar–May) S=Summer (Jun–Aug) A=Autumn (Sep–Nov) W=Winter (Dec–Feb) *=Birds documented breeding at the Complex Red-Throated Loon s AW s AW s AW s AW s AW s AW s AW s AW Gavia stellata Common Loon (Sc) s AW s AW s AW sSAW s AW s AW s AW sSAW Gavia immer Horned Grebe s AW s AW s AW s AW s AW s AW s AW s AW Podiceps auritus Red Necked Grebe s AW s AW Podiceps grisegena Eared Grebe s AW Podiceps nigricollis Pied-billed Grebe*(St) s AW s AW s AW s AW sSAW sSAW sSAW* Podilymbus podiceps Great Cormorant s AW s AW s AW s AW s AW s AW s AW s AW Phalacrocorax carbo Double-crested Cormorant sSAW sSAW sSAW sSAW sSAW sSAW sSAW sSAW Phalacrocorax auritus Brown Pelican S S Pelecanus occidentalis Northern Gannet s AW s AW s AW s AW s AW Morus bassanus Brown Booby S Sula leucogaster American Bittern* (Sc) s AW s AW s AW s AW sSAW* s AW sSAW* Botaurus lentiginosus Least Bittern*(St) sSA* sSAW* Ixobrychus exilis Great Blue Heron s AW sSAW sSAW sSAW sSAW sSAW sSAW sSAW Ardea herodias Great Egret sSA sSA sSAW sSA sSA sSA sSA sSAW Casmerodius albus Snowy Egret sSA sSA sSA sSA -
UC San Diego UC San Diego Electronic Theses and Dissertations
UC San Diego UC San Diego Electronic Theses and Dissertations Title A historical perspective of California recreational fisheries using a new database of "trophy" fish records (1966-2013), combined with fisheries analyses of three species in the genus Paralabrax Permalink https://escholarship.org/uc/item/1g40s1h0 Author Bellquist, Lyall F. Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO A historical perspective of California recreational fisheries using a new database of “trophy” fish records (1966-2013), combined with fisheries analyses of three species in the genus Paralabrax A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Marine Biology by Lyall F. Bellquist Committee in charge: Brice Semmens, Chair Richard Carson David Checkley Philip Hastings Ed Parnell 2015 Copyright Lyall F. Bellquist, 2015 All rights reserved. The Dissertation of Lyall F. Bellquist is approved, and it is acceptable in quality and form for publication on microfilm and electronically: ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ Chair University of California, San -
Kirkus Reviews
Featuring 285 Industry-First Reviews of Fiction, Nonfiction, Children'sand YA Books KIRKUSVOL. LXXXIII, NO. 12 | 15 JUNE 2020 REVIEWS Interview with Enter to Win a set of ADIB PENGUIN’S KHORRAM, PRIDE NOVELS! author of Darius the Great back cover Is Not Okay, p.140 with penguin critically acclaimed lgbtq+ reads! 9780142425763; $10.99 9780142422939; $10.99 9780803741072; $17.99 “An empowering, timely “A narrative H“An empowering, timely story with the power to experience readers won’t story with the power to help readers.” soon forget.” help readers.” —Kirkus Reviews —Kirkus Reviews —Kirkus Reviews, starred review A RAINBOW LIST SELECTION WINNER OF THE STONEWALL A RAINBOW LIST SELECTION BOOK AWARD WINNER OF THE PRINTZ MEDAL WINNER OF THE PRINTZ MEDAL 9780147511478; $9.99 9780425287200; $22.99 9780525517511; $8.99 H“Enlightening, inspiring, “Read to remember, “A realistic tale of coming and moving.” remember to fight, fight to terms and coming- —Kirkus Reviews, starred review together.” of-age… with a touch of —Kirkus Reviews magic and humor” A RAINBOW LIST SELECTION —Kirkus Reviews Featuring 285 Industry-First Reviews of Fiction, Nonfiction, Children’s,and YA Books. KIRKUSVOL. LXXXVIII, NO. 12 | 15 JUNE 2020 REVIEWS THE PRIDEISSUE Books that explore the LGBTQ+ experience Interviews with Meryl Wilsner, Meredith Talusan, Lexie Bean, MariNaomi, L.C. Rosen, and more from the editor’s desk: Our Books, Ourselves Chairman HERBERT SIMON BY TOM BEER President & Publisher MARC WINKELMAN John Paraskevas # As a teenager, I stumbled across a paperback copy of A Boy’s Own Story Chief Executive Officer on a bookstore shelf. Edmund White’s 1982 novel, based loosely on his MEG LABORDE KUEHN [email protected] coming-of-age, was already on its way to becoming a gay classic—but I Editor-in-Chief didn’t know it at the time. -
Proquest Dissertations
LingitX Haa Sateeyi, We Who Are Tlingit: Contemporary Tlingit Identity And The Ancestral Relationship To The Landscape Item Type Thesis Authors Martindale, Vivian F. Download date 11/10/2021 05:50:12 Link to Item http://hdl.handle.net/11122/8961 NOTE TO USERS Page(s) missing in number only; text follows. Page(s) were scanned as received. 217 This reproduction is the best copy available. UIY1I LINGITX HAA SATEEYI, WE WHO ARE TLINGIT: CONTEMPORARY TLINGIT IDENTITY AND THE ANCESTRAL RELATIONSHIP TO THE LANDSCAPE A Dissertation Present to the Faculty of the University of Alaska Fairbanks in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY By Vivian F. Martindale, M.A. Fairbanks, Alaska May 2008 UMI Number: 3337644 Copyright 2009 by Martindale, Vivian F. All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. ® UMI UMI Microform 3337644 Copyright 2009 by ProQuest LLC. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 E. Eisenhower Parkway PO Box 1346 Ann Arbor, Ml 48106-1346 Abstract Divergent views on the Tlingit ancestral relationship to the landscape of Southeast Alaska often leads to conflicts between Western-orientated government agencies, public entities, and the Tlingit people themselves. -
Form in Northwest Coast Art BILL HOLM
CHAPTER2 Form in Northwest Coast Art BILL HOLM y subject is form in Northwest Coast Indian art, sculptural styles of the Northwest Coast can be seen to and of course it is much too big a subject to deal be at least partially derived from a two dimensional space Mwith at all adequately in one paper. Without division through a continual process of refining positive form there is no Northwest Coast Indian art. Its form, the negative form. Early silhouette figures with incised fea two and three dimensional shapes and their characteristics, tures and detail are perhaps the immediate forerunners of their relationship to one another, their relationship to the fully sculptural work on the Northwest Coast. At the same whole composition, and the fmal composition itself, time that the two dimensional art tradition was developing, enable us to recognize Northwest Coast art as an entity. I propose that it diverged into a number of different styles, The Northwest Coast is a long coast with many sub each retaining some of the basic conceptual features, styles, and the art extends over a long time period; there such as the raised positive-recessed negative concept, and are many variations and it is difficult to discuss them all some formal features such as crescent and T-shaped reliefs at one time. Some of these statements I shall make are (or cuneiform reliefs as Suttles prefers to call them), the not fully thought out. I know I don't have all the answers so-called Northwest Coast eye of varying forms, and yet. -
Joyce J. Scott: Sharing Memories and Shaking Things Up
! ! ! ! EDUCATION GUIDE Joyce J. Scott: Sharing Memories and Shaking Things Up “For me, it’s important to imbue the work with something that will resonate and follow somebody home…because I think art has the ability, if not to cure or heal, at least to enlighten (you), slap you in the head, wake you up.” - Joyce J. Scott Lesson Overview In this lesson, students will study the sculpted beadwork of artist Joyce J. Scott. Students will watch the Messages segment, featuring Scott, from the Craft In America DVD or online. The class will examine how Scott draws viewers to her work by making her pieces beautiful, with the hope that viewers will then consider the serious issues of race, class, and gender discrimination presented within the pieces. Students will consider these issues through Scott’s work. Finally, students will determine a point of view and invent a piece with an attractive surface appeal and an underlying serious topic. Craft In America Theme/Episode: Messages Grade Level: 8-12 Estimated Time: Three 45-min. class periods of research, discussion & planning, followed by four or more 45-minute studio periods Background Information: Baltimore artist Joyce J. Scott was five years old when she began learning needlework from her artistic mother, Elizabeth Talford Scott. Elizabeth Talford Scott used needlework out of necessity for mending worn clothes and linens. She turned the mending into an opportunity to make the items beautiful with decorative accents including crochet and embroidery. In addition to the knowledge of traditional needlework techniques, Joyce J. Scott learned from her mother the importance of memories and family history through story telling. -
2013-2015 Cherry Point Final Report
Intertidal Biota Monitoring in the Cherry Point Aquatic Reserve 2013-2015 Monitoring Report Prepared for: Cherry Point Aquatic Reserve Citizen Stewardship Committee Prepared by: Michael Kyte Independent Marine Biologist and Wendy Steffensen and Eleanor Hines RE Sources for Sustainable Communities September 2016 Publication Information This Monitoring Report describes the research and monitoring study of intertidal biota conducted in the summers of 2013-2015 in the Cherry Point Aquatic Reserve. Copies of this Monitoring Report will be available at https://sites.google.com/a/re-sources.org/main- 2/programs/cleanwater/whatcom-and-skagit-county-aquatic-reserves. Author and Contact Information Wendy Steffensen North Sound Baykeeper, RE Sources for Sustainable Communities Eleanor Hines Lead Scientist, Clean Water Program RE Sources for Sustainable Communities 2309 Meridian Street Bellingham, WA 98225 [email protected] Michael Kyte Independent Marine Biologist [email protected] The report template was provided by Jerry Joyce for the Cherry Point and Fidalgo Bay Aquatic Reserves Citizen Stewardship Committees, and adapted here. Jerry Joyce Washington Environmental Council 1402 Third Avenue Seattle, WA 98101 206-440-8688 [email protected] i Acknowledgments Most of the sampling protocols and procedures are based on the work of the Island County/WSU Beach Watchers (currently known as the Sound Water Stewards). We thank them for the use of their materials and assistance. In particular, we thank Barbara Bennett, project coordinator for her assistance. We also thank our partners at WDNR and especially Betty Bookheim for her assistance in refining the procedures. We thank Dr. Megan Dethier of University of Washington for her assistance in helping us resolve some of the theoretical issues in the sampling protocol Surveys, data entry, quality control assistance and report writing were made possible by a vast array of interns and volunteers.