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Creating, Innovating, Disrupting Through A&B Organisations

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Creating, Innovating, Disrupting Through A&B Organisations Creating, innovating, disrupting through A&B organisations 1 Creating, innovating, disrupting through A&B organisations AUTHORS: KEA European Affairs: Elisa Grafulla, María Iglesias. Brussels, July 2014. “Connecting Arts & Business, the European value of Arts & Business” is a project funded with support from the European Commission. This publication reflects only the authors’ view, and the Commission cannot be held responsible for any use that may be made of the information contained therein. Co-funded by the Culture Programme of the European Union 2 CONTENTS 1. ACKNOWLEDGMENTS ............................................................................................................................................................................................... 5 2. FOREWORD .......................................................................................................................................................................................................................... 6 3. ARTS & BUSINESS ORGANISATIONS ...............................................................................................................................................................7 4. TYPOLOGY OF ARTS & BUSINESS INITIATIVES ................................................................................................................................ 9 4.1 Cultural and creative partnerships ............................................................................................................................................................................................................................... 9 4.1.1 Corporate patronage, sponsorship and match funding ..................................................................................................................................................................... 10 4.1.2 Arts membership programmes .................................................................................................................................................................................................................................. 12 4.1.3 Corporate art collections, creation of museums and centres for the arts, funds and foundations ....................................................... 12 4.1.4 Cross-sectoral innovation actions/artistic interventions ................................................................................................................................................................. 13 4.2 Training for A&B ............................................................................................................................................................................................................................................................................. 14 4.2.1 Training for the arts ............................................................................................................................................................................................................................................................... 15 4.2.2 Training for the businesses .......................................................................................................................................................................................................................................... 16 4.3 Awareness-raising, research and advocacy actions on A&B ................................................................................................................................................. 16 4.3.1 Awards................................................................................................................................................................................................................................................................................................ 16 4.3.2 Auctions of cultural projects...................................................................................................................................................................................................................................... 16 4.3.3 Conferences, workshops, other activities ...................................................................................................................................................................................................... 17 4.4 ClaSsification of the 37 A&B initiatives described in Annex I according to the proposed typology ........................................................... 18 5. THE A&B ECOSYSTEM ............................................................................................................................................................................................ 19 6. CONCLUSIONS ............................................................................................................................................................................................................... 20 7. REFERENCES .......................................................................................................................................................................................................................21 ANNEX I: 37 ARTS & BUSINESS INITIATIVES ....................................................................................................................................................... 23 BELGIUM ............................................................................................................................................................................................................................................................................................................... 24 Arteconomy ............................................................................................................................................................................................................................................................................................. 24 “Black Box”.......................................................................................................................................................................................................................................................................................... 24 “A unique platform” ................................................................................................................................................................................................................................................................... 25 Prométhéa .................................................................................................................................................................................................................................................................................................. 27 The Bruocsella Club .................................................................................................................................................................................................................................................................. 27 Concours des Caïus (Caïus Competition) ........................................................................................................................................................................................................... 27 Workshops for cultural organisations looking for private support ...........................................................................................................................................29 Prométhéa Symposium of Corporate Sponsorship ..................................................................................................................................................................................29 DENMARK ........................................................................................................................................................................................................................................................................................................... 30 Center for Cultural and Experience Economy - CKO .................................................................................................................................................................................... 30 CKO Growth Fund .................................................................................................................................................................................................................................................................... 30 FRANCE ................................................................................................................................................................................................................................................................................................................. 33 Admical ......................................................................................................................................................................................................................................................................................................... 33 Oscars Admical ............................................................................................................................................................................................................................................................................
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