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Biographical Description for the Historymakers® Video Oral History with James Earl Jones
Biographical Description for The HistoryMakers® Video Oral History with James Earl Jones PERSON Jones, James Earl Alternative Names: James Earl Jones; Life Dates: January 17, 1931- Place of Birth: Arkabutla, Mississippi, USA Work: Pawling, NY Occupations: Actor Biographical Note Actor James Earl Jones was born on January 17, 1931 to Robert Earl Jones and Ruth Connolly in Arkabutla, Mississippi. When Jones was five years old, his family moved to Dublin, Michigan. He graduated from Dickson High School in Brethren, Michigan in 1949. In 1953, Jones participated in productions at Manistee Summer Theatre. After serving in the U.S. Army for two years, Jones received his B.A. degree from the University of Michigan in Ann Arbor in 1955. Following graduation, Jones relocated to New York City where he studied acting at the American Theatre Wing. Jones’ first speaking role on Broadway was as the valet in Sunrise at Campobello in 1958. Then, in 1960, Jones acted in the Shakespeare in Central Park production of Henry V while also playing the lead in the off-Broadway production of The Pretender. Geraldine Lust cast Jones in Jean Genet’s The Blacks in the following year. In 1963, Jones made his feature film debut as Lt. Lothar Zogg in Dr. Strangelove, directed by Stanley Kubrick. In 1964, Joseph Papp cast Jones as Othello for the Shakespeare in Central Park production of Othello. Jones portrayed champion boxer Jack Jefferson in the play The Great White Hope in 1969, and again in the 1970 film adaptation. His leading film performances of the 1970s include The Man (1972), Claudine (1974), The River Niger (1975) and The Bingo Long Traveling All-Stars and Motor Kings (1976). -
King and Country: Shakespeare’S Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company
2016 BAM Winter/Spring #KingandCountry Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board BAM, the Royal Shakespeare Company, and Adam E. Max, Vice Chairman of the Board The Ohio State University present Katy Clark, President Joseph V. Melillo, Executive Producer King and Country: Shakespeare’s Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company BAM Harvey Theater Mar 24—May 1 Season Sponsor: Directed by Gregory Doran Set design by Stephen Brimson Lewis Global Tour Premier Partner Lighting design by Tim Mitchell Music by Paul Englishby Leadership support for King and Country Sound design by Martin Slavin provided by the Jerome L. Greene Foundation. Movement by Michael Ashcroft Fights by Terry King Major support for Henry V provided by Mark Pigott KBE. Major support provided by Alan Jones & Ashley Garrett; Frederick Iseman; Katheryn C. Patterson & Thomas L. Kempner Jr.; and Jewish Communal Fund. Additional support provided by Mercedes T. Bass; and Robert & Teresa Lindsay. #KingandCountry Royal Shakespeare Company King and Country: Shakespeare’s Great Cycle of Kings BAM Harvey Theater RICHARD II—Mar 24, Apr 1, 5, 8, 12, 14, 19, 26 & 29 at 7:30pm; Apr 17 at 3pm HENRY IV PART I—Mar 26, Apr 6, 15 & 20 at 7:30pm; Apr 2, 9, 23, 27 & 30 at 2pm HENRY IV PART II—Mar 28, Apr 2, 7, 9, 21, 23, 27 & 30 at 7:30pm; Apr 16 at 2pm HENRY V—Mar 31, Apr 13, 16, 22 & 28 at 7:30pm; Apr 3, 10, 24 & May 1 at 3pm ADDITIONAL CREATIVE TEAM Company Voice -
Summer Shakespeare, Outside and Urban
June 4, 2010 Summer Shakespeare, Outside and Urban By STEVEN McELROY Joseph Papp first presented free Shakespeare performances in Central Park more than 50 years ago. Today, like heat advisories and smelly subway stations, Shakespeare among the elements is intrinsic to summer in the city. While Papp‟s legacy — the Public Theater presentations at the Delacorte in Central Park — is the best known of the productions, there are myriad offerings from smaller companies, and some of them are already under way. For some purveyors of outdoor theater, the appeal lies partly in one of Papp‟s original goals, to bring Shakespeare to the people. Hip to Hip Theater Company, for example, performs in parks in Queens. “To these people the Delacorte might as well be in Montana,” said Jason Marr, the artistic director. “It appeals to my political sense that we are doing something in the community and for the community.” Several artistic directors said that when admission was free and audiences could wander in and out as they pleased, they were more likely to sample Shakespeare or other classical plays, even if they were unfamiliar. “It brings people in who would not go to see Shakespeare, no matter what level of education,” said Ted Minos, the artistic director of the Inwood Shakespeare Festival. Such settings can also enrich the Shakespeare experience. “Many of the plays have natural outdoor themes because they were all performed outdoors originally, and that‟s something not to forget,” said Stephen Burdman, the artistic director of New York Classical Theater. “Shakespeare‟s language is so nature-oriented, whether he‟s going on and on about fishing, which he does, or we learn about the Forest of Arden” in “As You Like It.” “You hear the frogs croaking and the crickets chirping,” Mr. -
A View from the Bridge
41st Season • 400th Production SEGERSTROM STAGE / MAY 17 - JUNE 26, 2005 David Emmes Martin Benson PRODUCING ARTISTIC DIRECTOR ARTISTIC DIRECTOR presents A VIEW FROM THE BRIDGE BY Arthur Miller SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN COMPOSER/SOUND DESIGN Ralph Funicello Angela Balogh Calin Chris Parry Karl Fredrik Lundeberg FIGHT CHOREOGRAPHER ASSISTANT DIRECTOR PRODUCTION MANAGER STAGE MANAGER Ken Merckx Sharyn Case Jeff Gifford *Jamie A. Tucker DIRECTED BY Martin Benson HONORARY PRODUCERS CORPORATE PRODUCER Barbara and William Roberts American Airlines Presented by special arrangement with Samuel French, Inc. A View from the Bridge • SOUTH COAST REPERTORY P1 CAST OF CHARACTERS (In order of appearance) Alfieri ....................................................................................... Hal Landon Jr.* Eddie ........................................................................................ Richard Doyle* Louis .............................................................................................. Sal Viscuso* Mike ............................................................................................ Mark Brown* Catherine .................................................................................... Daisy Eagan* Beatrice ................................................................................ Elizabeth Ruscio* Marco .................................................................................... Anthony Cistaro* Rodolpho .......................................................................... -
2012 Illinois Shakespeare Festival Program School of Theatre and Dance Illinois State University
Illinois State University ISU ReD: Research and eData Illinois Shakespeare Festival Fine Arts Summer 2012 2012 Illinois Shakespeare Festival Program School of Theatre and Dance Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/isf Part of the Theatre and Performance Studies Commons Recommended Citation School of Theatre and Dance, "2012 Illinois Shakespeare Festival Program" (2012). Illinois Shakespeare Festival. 25. https://ir.library.illinoisstate.edu/isf/25 This Book is brought to you for free and open access by the Fine Arts at ISU ReD: Research and eData. It has been accepted for inclusion in Illinois Shakespeare Festival by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. 'The Snyder Comyanies yresentin3 ponsors of the ... ~ 012 1([inois Shake~eare 'FestivaO ~ g~~ i) (~ JILILINOIS1 Sponsored by SHAKESPEARE (~..- - -..,.-D-ER~) THE SNYDER COMPANIES FIESlflVAL APARTMEITTS I HOTRS I INSURANCE I REAL ESTATE 2012 ·.· ]Jfft JCa,J()f! As You Like It by William Shakespeare June 27, 28,July 1, 6, 8, 12, 14, 20, 27, August 1, 5, 7, 11 Othello by William Shakespeare June 26, 29, 30, July 5, 7, 13, 15, 21, 25, 28, 31, August 3, 9 The Rivals by Richard Brinsley Sheridan July 18, 19, 22, 24, 26, 29, August 2, 4, 8, 10 Comedy of Errors by William Shakespeare (Theatre for Young Audiences) July 11, 14, 18, 21, 22, 25, 28, August I, 4, 8, 11 Three Wills and a Shakespeare (Green Show Performances) Every night of the Festival! DEB ALLEY DICK FOLSE JANET WILSON Artistic Director Managing Director Producer The 2012 Illinois Shakespeare Festival is made possible in part by funding and support provided by individuals, businesses, foundations, government agencies, and organizations. -
Andrei Serban's Hamlet
Patricia LENNOX Patricia Lennox ‘‘Romanian’’ Shakespeare on the New York Stage ,, ‘‘Romanian Shakespeare on the New York Stage: Andrei Serban’s Hamlet To search for reviews of European Shakespeare productions on the American stage is to be reminded that almost every Shakespeare performance seen in the US is the product of a director whose native language is English. With a couple of notable exceptions (Bergman, Strehler, Ninagawa) there are almost no reviews or press releases for non-English Shakespeare performances in the extensive files at the New York City’s Library for the Performing Arts.1 Although European Shakespeare productions seldom cross the Atlantic, fortunately their innovative ideas frequently do. American directors have been absorbing and recycling European influences in their Shakespeare productions for decades, but especially the eastern European work during the mid-twentieth century. Occasionally there is an even more direct influence – a European director will migrate to ,, New York for an extended ‘‘visit . When this happens, particularly when the visit gradually morphs into a long-term residence, usually due to a combination of financial success and political exile, the work that results raises questions about international creative boundaries and national identity. This is the case for Rumanian-born director Andrei Serban, who came to the US intending to stay for a couple of months, but who, thirty years later, is still there and a citizen. What makes his position unique is the continuing identification for over three decades of Serban as a Romanian director. This paper considers how this dual identity as Romanian/American may have been a factor in the ,, critical reception of Serban’s ‘‘disastrous 1999 production of Hamlet. -
Aquila Theatre's Mission Is to Make Classical Works
Aquila Theatre’s mission is to make classical works accessible to the greatest number. A play becomes ‘classical’ because we recognize that after a time it transcends the original culture it was created for. It retains the power to provoke the central question of what it means to be human. As a company dedicated to the classics, we feel a responsibility to acknowledge and explore newfound classical works. Aquila was founded in London in 1991 by Peter Meineck. In 1997, Aquila became a US non-for-profit organization and is currently based in New York. Aquila’s programs include: PRODUCTIONS IN NEW YORK CITY: Aquila is a major part of New York's theatrical landscape, producing a regular season of plays. Aquila recently produced: The Trojan War: Our Warrior Chorus, based on the writings of Homer, Aeschylus, Euripides, Sophocles and reimagined through the experiences of modern day military veterans at Brooklyn Academy of Music; Romeo and Juliet, The Adventures of Sherlock Holmes and Philoctetes at GK ArtsCenter in Brooklyn, a staged workshop production of A Female Philoctetes at BAM Fisher’s Hillman Studio as part of our YouStories program, Euripides’ Herakles at BAM, Shakespeare’s Macbeth at the GYM at Judson, Shakespeare’s A Midsummer Night’s Dream, Mary Shelley’s Frankenstein, Pirandello’s Six Characters in Search of an Author, Shakespeare’s As You Like It and Ibsen’s An Enemy of the People at the Skirball Center for the Performing Arts at New York University, and Joseph Heller’s Catch-22 and Homer’s The Iliad: Book One Off-Broadway at the Lucille Lortel Theatre. -
Mertz, Luesther T
Angel of the Arts LUESTHER T. MERTZ, 1906-1991 Founder of the LuEsther T. Mertz Funds in the THE NEW YORK COMMUNITY TRUST Theater’s ‘Angel of the Arts’ I just know a good idea “ when I see one. — LuEsther Mertz” ong before she was a beloved New York arts patron or had a butterfly named for her, LuEsther Turner was the studious daughter of a Methodist Lminister from Rossmoyne, Ohio, who lost both of Audiences at the Public Theater, Lincoln her parents when she was young. She studied Center, and other prime New York venues at Syracuse University to be a librarian and was known for her love of poetry—she could stop in might be surprised to learn what they owe the middle of a conversation, friends recalled, to a modest, poetry-loving woman from Ohio and recite a complete poem appropriate to the who aspired to work in a library. moment. In 1927, LuEsther married a visionary Indeed, if not for LuEsther T. Mertz, businessman, Harold E. Mertz, whom she had known since high school. They had two there might be no New York Shakespeare children, Joyce and Peter, and raised their family Festival and much less of Broadway as we in Port Washington, Long Island. know it. She co-founded the enormously Harold, a magazine publishing executive, began a sideline business with LuEsther and successful Publishers Clearing House Joyce in 1953. Realizing that magazines needed in 1953 and established funds and a cheaper way to get subscription renewals foundations that have enriched the city and than door-to-door sales, he hit on a simple but untested idea—direct mailings to sell beyond for nearly 60 years. -
The Public Theater Announces 2021-22 Season
LINK TO HEADSHOTS & ARTWORK THE PUBLIC THEATER ANNOUNCES 2021-22 SEASON THE VISITOR WORLD PREMIERE MUSICAL MUSIC BY TOM KITT LYRICS BY BRIAN YORKEY BOOK BY KWAME KWEI-ARMAH & BRIAN YORKEY CHOREOGRAPHY BY LORIN LATARRO DIRECTED BY DANIEL SULLIVAN CULLUD WATTAH WORLD PREMIERE PLAY BY ERIKA DICKERSON-DESPENZA DIRECTED BY CANDIS C. JONES JOE’S PUB RETURNS THIS FALL WITH JUSTIN VIVIAN BOND, LAURIE ANDERSON, TOSHI REAGON, BRIDGET EVERETT, SANDRA BERNHARD, JAZZMEIA HORN, TAYLOR MAC, AND MORE; ALL TUESDAY TICKETS ONLY $10 UNDER THE RADAR 2022: JANUARY 12-23 OUT OF TIME WORLD PREMIERE PLAYS BY JACLYN BACKHAUS, SAM CHANSE, MIA CHUNG, NAOMI IIZUKA, AND ANNA OUYANG MOENCH COMMISSIONED AND PRODUCED BY NAATCO CONCEIVED AND DIRECTED BY LES WATERS PRESENTED BY THE PUBLIC THEATER THE CHINESE LADY BY LLOYD SUH THE BARRINGTON STAGE COMPANY AND MA-YI THEATER COMPANY PRODUCTION DIRECTED BY RALPH B. PEÑA PRESENTED BY THE PUBLIC THEATER SUFFS WORLD PREMIERE MUSICAL BOOK, MUSIC, AND LYRICS BY SHAINA TAUB CHOREOGRAPHY BY RAJA FEATHER KELLY DIRECTED BY LEIGH SILVERMAN THE VAGRANT TRILOGY NEW YORK PREMIERE PUBLIC THEATER COMMISSION BY MONA MANSOUR DIRECTED BY MARK WING-DAVEY FAT HAM NEW YORK PREMIERE CO-PRODUCTION WITH NATIONAL BLACK THEATRE BY JAMES IJAMES DIRECTED BY SAHEEM ALI SUZAN-LORI PARKS’ PLAYS FOR THE PLAGUE YEAR, A GROUNDBREAKING NEW WORK WRITTEN AS A PLAY A DAY DURING THE PANDEMIC, TO BE PRESENTED PUBLIC THEATER COMMISSION ALTAR NO. 1 – ATEN BY DANIEL ALEXANDER JONES TO BE RELEASED DIGITALLY SEPTEMBER 22 MOBILE IN CORRECTIONS RETURNS THIS FALL & HUNTS POINT CHILDREN'S SHAKESPEARE ENSEMBLE TO PRESENT TWELFTH NIGHT JOSEPH PAPP FREE PREVIEWS RETURN FOR ALL PRODUCTIONS August 12, 2021 – Public Theater Artistic Director Oskar Eustis and Executive Director Patrick Willingham announced the line-up today for The Public’s 2021-22 Season, returning to their landmark home on 425 Lafayette Street after the year-long pandemic shutdown with a robust slate of new productions and ongoing programming. -
Julius Caesar
Julius Caesar C u r r i C u l u m G u i d e for teachers and students a companion to the folger shakespeare Library edition i nside this G u i d e Shakespeare is for everyone! Overview from folger education Julius Caesar synopsis Characters in Julius Caesar From one classroom teacher to another Tips for teaching shakespeare Teaching shakespeare FAQs 2 Lesson Plans Famous Lines and Phrases from Julius Caesar Julius Caesar fact sheet Suggested additional resources About the folger O n t h e co v e r : Julius Caesar, folger shakespeare Library. see more images of Julius Caesar from the folger collection at www.folger.edu/digitalcollection. Image 1) hugo Kaeseberg and J.c.G. feldweg after Julius Kleinmichel. Shakespeare, Julius Cäsar, act III scene 2. Print, 1879. folger shakespeare Library. Image 2) 2003 children’s shakespeare festival. folger shakespeare Library. Image 3) John Gregory. Julius Caesar bas relief. Marble, 1932. folger shake- speare Library. Image 4) Julius Caesar. MGM Promotional Program, 1953. folger shakespeare Library. At the Folger, we love to see students take Shakespeare and make it their own. We believe that Shakespeare is for everyone and that students of all ability levels can successfully engage with his works. s hakespeare is f O r e v e r y O n e ! hakespeare isn’t an antiquated art form. his plays are full of explosive family ssituations, complex relationships, and deep emotions that today’s students can— and do—relate to. at the folger shakespeare Library, we love to see students take shakespeare and make it their own. -
Greek Drama Bklt.Qxd
GREEK DRAMA : TRAGEDY AND COMEDY COURSE GUIDE Professor Peter W. Meineck NEW YORK UNIVERSITY Greek Drama: Tragedy and Comedy Professor Peter Meineck New York University Recorded Books ™ is a trademark of Recorded Books, LLC. All rights reserved. Greek Drama: Tragedy and Comedy Professor Peter Meineck Executive Producer John J. Alexander Executive Editor Donna F. Carnahan RECORDING Producer - David Markowitz Director - Matthew Cavnar COURSE GUIDE Editor - James Gallagher Design - Edward White Lecture content ©2005 by Peter Meineck Course guide ©2005 by Recorded Books, LLC 72005 by Recorded Books, LLC Cover image: Greek mask and birds © Photos.com #UT072 ISBN: 978-1-4193-6366-5 All beliefs and opinions expressed in this audio/video program and accompanying course guide are those of the author and not of Recorded Books, LLC, or its employees. Course Syllabus Greek Drama: Tragedy and Comedy About Your Professor ................................................................................................... 4 Introduction ................................................................................................................... 5 Lecture 1 Why Athens? ......................................................................................... 6 Lecture 2 The Play’s the Thing: How Greek Drama Came Down to Us and a Typical Day at the Greek Theatre .................................................... 10 Lecture 3 The Origins of Greek Drama ............................................................... 14 Lecture 4 The Tragic Theatre -
Re-Public-Q9v4.Pdf
CiNE RE-PUBLIC The CiNE Collective’s Portfolio for New York’s Joseph Papp Public Theater For the purposes of this published portfolio, CiNE is: Wayne Chambliss, Co-founder, Nomea, LLC Judy Chang, Dramaturg Gordon Dahlquist, Playwright Jim Findlay, Founder, Collapsable Giraffe Prem Krishnamurthy, Principal, Project Projects David Levine, Author and Project Lead Doris Mirescu, Director Gus Powell, Gus Powell Photography Writer and Project Lead: David Levine. Supplemental research provided by Jamee Freedus The following portfolio expands on an August 2004 letter of application for the posi- tion of artistic director at New York’s Joseph Papp Public Theater. The position became available when George C. Wolfe, the Public’s third artistic director, announced that he was stepping down after eleven years at the theater’s helm.1 Unbeknownst to CiNE at the time, the Public’s executive search committee had already retained the services of Albert Hall and Associates, LLC, to conduct their Facing page: “Public search for a new artistic director. While the engagement of for-profit consultants was Theater” shifts from being a proper neither surprising nor objectionable, the explanation, provided by board chairman name to being a Kenneth B. Lerer, managed to be both: “It doesn’t make any sense,” Lerer told the Vil- caption, a caption lage Voice, “to do this search in public.”2 that describes an unlimited range Now, think about that for a second. of daily activities. It’s called “the Public Theater.” Photo: Gus Powell The building is leased from the city for one dollar a year. Design: Prem So what’s in a name? Krishnamurthy 147 cine What’s In a Name? Joseph Papp, possessed of the unshakeable belief that seventeenth-century plays are vital to the life of a twentieth-century city, inaugurated the New York Shakespeare Festival in the band shell of New York’s abandoned East River Park.