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The Sculptures in St Mirren's Ohapel, Paisley Abbey, Repre 44 PROCEEDINGS OF THE SOCIETY, DECEMBER 10, 1900. II. THE SCULPTURES IN ST MIRREN'S OHAPEL, PAISLEY ABBEY, REPRE- SENTIN ACT E MIRACLED GTH SAN MIRINT S F SO ; ALSO INCISED SEPULCHRAL SLABS, RECENTLY DISCOVERED IN THE ABBEY CHURCH, PAISLEY THOMAY B . S ROSS, ARCHITECT, F.S.A. SCOT. The acts or miracles of St Mirin, illustrated by the accompanying drawings, arc sculptured 011 the inside of the east wall of the chapel dedicated to St Mirin, adjoining the south transept of the Abbey Church of Paisley. The chapel, which originally opened into the tran- sept by two wide arches, is a building of considerable importance, being 48 fee 3 inchet s2 fee 2 lon inche2 ty b g s wide, vaulted wit a hston e roof, imitative of groining, in the manner so frequent in Scottish buildings of the fifteenth century. It is lighted by two tracer!ed windows of four lights each, one in the east gable and the other in weste th . Beneat e easth ht windo shows w(a fign ni e heigh .th 1)t a , t of abou 6 feet t e abovsculpture th e floor e e th edescribedb ar , o t s . act e representee sTh ar paneln te scenesr n di o s bottod ,an framep mto t da with continuous mouldings running from e chapelsid th o sidt ef o e . The scenes are thus all of one height, but they vary in width, and they t coved ono e whol th r e space. Beginnin norte th ht lefe ga sideth t r o , hand, there are three scenes occupying a space of 3 feet 11 inches, the nblana fee8 inchesf 2 kto , after whic e remaininth h g 0 spac1 f o e feet 1 inch is occupied with seven scenes. blane th kn I spac masonr e courseo eth tw polishef f mads o o si y p u e d f singlo t sculpturee estonesou th stonet height e t th cu bu ,e n si sar . What these sculptures might represent was for long a subject of un- certainty. Charles Mackie, in his History of Paisley, says of them: comparinn "O g these figures with other Catholi f opinioco relicsm a n I , that they represent the works of Charity and Mercy, which not un- frequently ornament the altar-pieces of Catholic chapels." 1 He further 1 Historical Description Ableye o(h Townd f an of Paisley, Charley b s Mackie. 69 . ,p *f£LOF_S1MIRlN Fig . Chape1 . t MirinS f o l , Paisley Abbey, showing positio Sculpturese th f no . 46 PROCEEDINGS OF THE SOCIETY, DECEMBER 10, 1900. quotes a detailed description of each scene from Crawford, the Renfrew- shir n ethei historianmw sa sceneo wh , s fro e confessionalmth , priests administering extreme unction a pries, t pardonin a gtransgressor a , holdin n altare horne th ma th hole f th y ,so g yb family, etc. The writer of the notice of the abbey in the Baronial Antiquities failed to discover what they represented, even although he refers to the miracles of St Mirin as recorded in the Aberdeen Breviary. He characterises them e wor ath f s"ancienn o ka d rudan te age,d an " '' probably," he says, " they existed before the chapel itself, and were fragments of an earlier edifice." Vere Toth y Rev r CameroD . n Lees belong credie sth f firso t t detect- ing the real meaning of these sculptures by showing that they illustrate the legend of St Mirin as narrated in the Aberdeen Breviary,1 compiled by Bishop Elphinston about 1484. The history of St Mirin (Merinus or Meadhran) has grown very dim, but from what is known, mostly wrapped up in fable, from the lives of some of his better-known contemporaries, and from the topography of Scotland, some idea can be obtained of the man; but we need not dwell much on this, as, beyond what is told by Dr Lees2 and Cosmo Innes,3 ther s nothini e addo gt . Suffic y tha t Mirit sa heri S et o t en wa f noblo s e birth. While still mothe s atakes hi yout wa y nb o e t r h h e Monasterth f Bangoryo Countn i , y Down d placean , d unde care th re of St Congal, its abbot and founder. In course of time St Mirin became prior, and the date of this is approximately fixed by the follow- ing circumstance t FiniaS . f Movilleno , County Down, visited Bangor, and in the absence of St Congal was received by St Mirin, then prior. St Finian die n 578i d thao s ,t MiriS t prio s nwa r before thiss i date t I . supposed that he came to this country about the end of the sixth century, and there are six places bearing his name in Scotland—viz. (1) Inch- murrin islann a , n Locdo h Lomond t Mirin'S ) (2 ;s Well, Kilsyth) (3 ; 1 The Abbey of Paisley, by J. Cameron Lees, D.D., p. 211. Appendid an 2, IMd.,26 . xp IV. 3 Begistrum Monasterii De Passelet, p. iv. SCULPTURES IN ST MIRREN'S CHAPEL, PAISLEY ABBEY. 47 Knock Mirren, Coylton Parish, Ayrshire ) Kir(4 ; k Mirren, Kelton Parish, Kirkcudbright; (5) The Burn of Mirran, in the Parish of Edzell; ) Paisley(6 ; where, accordin e Breviaryth o t t glength "A , , fulf o l sanctity and miracles, he slept in the Lord at Paisley, in whose honour the church there is dedicated to God." His day is the 15th September. Coming now to the sculptures and beginning at the left hand, and identifying r Lee theD s pointe s ha msa d oute e havth w , en i (fig) 2 . e panecentrth t Mirin'f S lo e s mother presentint S o t r littl n ghe eso Congal; her rank and importance are indicated by a crown or coronet on her head, a richly embroidered cloak and some four attendants behind. t CongaS onls attendante ha ly on . The e subjecseconth f o dt t paneCongaS s i l l puttin e religiougth s t habiMiriS t Miriin S o tn (figrepresente. s i 3) . s kneehi n dso before mitree habith e th d t abous ti saint ovepu o shoulderss o t rhi wh , . Behind St Congal is a monk bearing a crazier and another reading the office from a book; behind Mirin is a monk as if in the attitude of saying t CongaAmenS d d betweean an ,l ther m a reliquarhi n s ei r ambro y y divided into small compartments. Three other figuree th s p filu l background. e thirth t MiridS n I scene nse takine w (fig ) 4 g, oversighe th f o t Monastery of Bangor. He is represented with a nimbus, standing beside the west front of a handsome Gothic church, with a lofty canopied door- way, on which the iron straps of the hinges and the large lock are wrought with minute care. In the gable, which is surmounted with a carved finial a larg s i , e traceried window carveA . d finial terminates the line of buttresses on the one side, and on the other side in e correspondinth g plac a heae d crowned wit a hmitr e look t froou sm the church. Above the clouds over St Mirin are two angels, and behind hi mmona t MirinS k o stretchint . m ar Betwee s ghi n thes thero tw e e is a most curious figure—the grotesque bust of a man standing on a pedestal. May this be the representation of a heathen god, or of the heathendom whic e Churc overthroo hth t s hwa w1 e blanTh k space occurs here d the e havan ,nw e certain sculptures Fig. 2. The Mother of St Mirin presenting her little Son to St Congal. Fig. 3. St Goiigal putting the religious habit on St Mirin. VOL. XXXV. Fig. 4. St Mirin taking oversight of the Monastery of Bangor. SCULPTURES IN ST MIRREN*S CHAPEL, PAISLEY ABBEY. 51 relating to St Mirin's encounter with an Irish king, which forms the fourth Ereviarye lessoth thu s i f no d s an translate, Dy db r Lees :— " Mirin afterwards proceeded to the camp of a certain king of Ireland for the purpose of establishing the Catholic faith upon a firmer footing, where the e tiiukinge th th wif e t f a , beino e g nea r confinementhe r sorels wa , y distressed variouy b s pain d sufferingsan s e kinTh g . having hear f Mirin'o d s arrival, would not permit him to enter his camp ; but (011 the contrary) treated him with utter contempt; which the blessed Mirin perceiving, he prayed God that that accursed king might feel the pains and pangs of the suffering wife, which immediately happened, as he had besought the Lord ; so that for three days mans a d y an night shouceaseo o t h st t dno kingdoms chiefbefore hi th f l so e al . But the king, seeing himself so ignominiously humbled by God, and that no remedy was of any avail, sought Mirin's lodging, and most willingly granted all that he had previously desired. Then blessed Mirin by his holy prayers freed the king entirely from his pains." In the first scene of this grotesque and laughable incident (fig. 5) we have a youth stepping briskly out of the palace door with a birch in his hand to beat St Mirin away, who is kneeling in front of him.
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