Pressemitteilung Nataly Dawn

Total Page:16

File Type:pdf, Size:1020Kb

Pressemitteilung Nataly Dawn FKP Scorpio Konzertproduktionen GmbH Große Elbstr. 277 a ∙ 22767 Hamburg Tel. (040) 853 88 888 ∙ www.fkpscorpio.com PRESSEMITTEILUNG 28.03.2013 NATALY DAWN im Mai auf Tour Die Singer-Songwriterin NATALY DAWN ist ein ganz außergewöhnliches musikalisches Talent aus den Vereinigten Staaten von Amerika. Viele mögen die Künstlerin als die weibliche Hälfte des Duos Pomplamoose kennen. Gemeinsam mit Jack Conte gründete die Amerikanerin 2008 dieses Musikprojekt, das insbesondere über das Internet große Aufmerksamkeit erfuhr. Als Tochter von Missionaren verbrachte NATALY DAWN einen Großteil ihrer Kindheit in Europa, bevor sie nach Amerika zurückkehrte, um dort an der Universität Kunst und Französische Literatur zu studieren. Dort lernte sie dann auch Jack Conte kennen und begann, mit ihm Musik zu machen. 2009 veröffentlichte NATALY DAWN bereits ihr Solo-Album „Her Earlier Stuff“. Im Februar diesen Jahres erschien nun ein weiteres Solo-Album mit dem Titel „How I Knew Her“. Ihre große Fangemeinde unterstütze NATALY DAWN bei der Finanzierung der Aufnahmen, 100.000 Dollar für „How I Knew Her“ wurden über die Crowdfunding-Plattform Kickstarter gesammelt. Die neue Platte wurde von ihrem ehemaligen Bandkollegen Jack Conte produziert und gemeinsam mit einer ganzen Reihe hochkarätiger Gastmusiker in den Prairie Sun Studios in Kalifornien aufgenommen. Dabei wurden die Aufnahmen mit der kompletten Band in einem Raum gemacht, um der Platte einen ganz besonderen Flair zu verleihen. Der autobiographische Charakter der Songs wird so noch einmal ganz besonders unterstrichen. Mit ihrem neuen Solo-Album geht die Amerikanerin nun auf Solo Tour und bezaubert das Publikum mit ihrer außergewöhnlichen Stimme. Für zwei Termine gastiert sie dabei auch in Deutschland: 26.05.2013 Berlin - Privatclub 27.05.2013 Hamburg - Prinzenbar Präsentiert wird die Tour von OhFancy! Tickets gibt es für 12 Euro zzgl. Gebühren auf fkpscorpio.com, unter der Hotline 01805 853653 (0,14 €/Min/Mobilfunk max. 0,42 €/Min.), auf eventim.de und an allen bekannten CTS VVK-Stellen. FKP Scorpio Konzertproduktionen GmbH Große Elbstr. 277 a ∙ 22767 Hamburg Tel. (040) 853 88 888 ∙ www.fkpscorpio.com PRESSEKONTAKT PRESSEMATERIAL Factory 92 Bild- und Textmaterial finden Sie unter Ansprechpartner: www.fkpscorpio.com/de/pressebereich Jan Clausen Tel.: 040 389 07 38 12 [email protected] .
Recommended publications
  • The Fan Data Goldmine Sam Hunt’S Second Studio Full-Length, and First in Over Five Years, Southside Sales (Up 21%) in the Tracking Week
    BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 24, 2021 Page 1 of 30 Leader; Travis Denning Makes History INSIDE The Fan Data Goldmine Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debuts at No. 1 on Billboard’s lionBY audienceTATIANA impressions, CIRISANO up 16%). Top Country• Spotify’s Albums Music chart dated April 18. In its first week (ending April 9), it earnedLeaders 46,000 onequivalent the album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingStreaming to Nielsen Giant’s Music/MRC JessieData. Reyez loves to text, especially with fans.and Ustotal- Countryand Airplay Community No. 1 as “Catch” allows (Big you Machine to do that, Label especially Group) ascends Southside‘Audio-First’ marks Future: Hunt’s seconding No.a phone 1 on the number assigned through the celebrity when you’re2-1, not increasing touring,” 13% says to 36.6Reyez million co-manager, impressions. chart andExclusive fourth top 10. It followstext-messaging freshman LP startup Community and shared on her Mauricio Ruiz.Young’s “Using first every of six digital chart outletentries, that “Sleep you canWith- Montevallo, which arrived at thesocial summit media in No accounts,- the singer-songwriter makes to make sureout you’re You,” stillreached engaging No.
    [Show full text]
  • Life Is Hard's Indie Artist Guide to Music Marketing
    Life is Hard’s Indie Artist Guide to Music Marketing The Importance of Music Marketing The biggest problem independent artists’ face is obscurity. You can have extraordinary songs, but if nobody is listening to them you will never achieve major success. It’s more than just having a great product or a catchy tune, you need to promote your brand. People need to get to know you, and they need to be inspired by you. As an artist, you need to connect with your audience in a personal way. The good news is we are living in amazing times where technology has made this process so much easier than in the past. The barriers to entry have been lowered so that you don’t have to rely on a producer or a major label to reach an audience. Within the past 16 years we have experienced the emergence of the internet, email, social media, DIY distribution channels, affordable home recording software and equipment, and many more tools at our disposal. So be encouraged and embrace the possibilities. The sky is the limit! One last thing on this topic… Don’t be overly protective of sharing your music, taking on an attitude of “they will have to pay to hear my music.” The main goal is to get it out there in the public domain, regardless of whether you have to sell it, or give it away. If your music is good, people will pay for it, regardless. You will make money! Copyrighting your Music Songwriters need to protect their music.
    [Show full text]
  • Billboard Magazine
    HANGING OUTWITH During the Hangout, Goulding chatted But enough musicians have picked up face to face with 60 fans who took turns on the service that Google has kicked in being onscreen. Some wept during theirnew features. In December, it introduced chats as they asked Goulding such personal On Air, the ability to record and rebroadcast questions as "How do you know you're in Hangouts. When selected, a video recording love?" One young fan turned his webcam of the session is automatically uploaded to around to give Goulding a tour of his tinythe artist's YouTube channel, where he or dorm room. A mother and her daughter she can choose to edit and publish the con- THE BAND in Australia showed her the view of thetent later. And in August, Google launched weather there from their window. Studio Mode, an enhancement specifically "It's a very warm experience," Boguckidesigned for recording music. Instead of re- New social video services help artists develop says. "That's not easy to achieve in digital." cording a video on a narrow frequency band The use of online video to promote art-used for voice chats, Studio Mode captures a niehrinad sanni ehsin witiavanisratarart ar:II1 airshi intim% ists in any mainstream fashion dates back wider audio spectrum designed to mimic the I.;IUbUI I CAI -11111U I UldllUllbIllpb VVIIII IIICII Id to the days of Myspace, Bogucki says. quality of a professional recording studio. "Back then, video was expensive to pro- Major acts have taken to Hangouts, in- duce," he says. "Nobody could do it unless cluding Bruno Mars, whose Oct.
    [Show full text]
  • AND BEYOND 2 Bolic: America Elected Its First Black President
    Arts & Entertainment A weekly guide to music, theater, art, culture, books and more, edited by Elizabeth Schwyzer by Elizabeth Schwyzer 008 was a year of global shifts. Some were sym- AND BEYOND 2 bolic: America elected its first black president. Others were literal: China suffered the most devastating earthquake in decades. The most dramatic shift of 2008 was economic: The burst of the U.S. housing bubble and widespread failures in finan- cial regulation swept economies around the globe into crisis. Beyond the worlds of politics and financial markets, a subtler but no less radical shift was tak- ing place. In time, it would touch one billion people across the plan- et. It’s epicenter was the Silicon Valley. YouTube made the video star On a Wednesday evening, Stan- ford music program graduate Jack Conte (class of ‘06) is giv- ing a talk in the studio beneath Bing Concert Hall on campus. A small group has gathered to listen as Conte discusses his lat- est creative projects, including his band, Pomplamoose, formed with fellow Stanford grad Nataly Dawn in 2008 (the duo has a gig on campus Nov. 1). Dressed in a close-fitted tee and a trucker hat, with a boyish face and a lean frame, Conte looks closer to 20 than 30, though a bushy beard Jeffrey Marini lends him a certain hipster gravi- tas. Stanford grads “In 2008, if somebody sent Nataly Dawn Pomplamoose rejects record labels in favor of the Internet you a YouTube link to a cat video and Jack with 500,000 views, you’d watch Conte founded low-budget music videos on the has built on the popularity of its lightfully ironic cover of “Video it, ‘cause that would be some Pomplamoose then-relatively new video-sharing Beyoncé cover with more rendi- Killed the Radio Star” includes funny shit!” he exclaims, stab- in 2008.
    [Show full text]
  • Hats Off to Beach Blanket Babylon
    Hats Off to Beach Blanket Babylon By Jeanne Storck July 13, 2010 at 9:00 AM A San Francisco institution, Beach Blanket Babylon has been dishing up its comic cabaret extravaganza at the Club Fugazi (get directions) in North Beach since 1974. The show ranks as the longest running musical revue in theater history and, despite its age, still keeps things current. Search Articles Come to the Cabaret Dreamed up by artist and director Steve Silver over 35 years ago, BBB Search coming soon! as it's fondly known, hangs on a breezy, feather-light plotline driven by Browse by Category music, word play and sight gags in which a zany Snow White sets off on Browse by Month a quest to find her prince. She whirls Photo by Larry Merkle/David Allen. through Rome and Paris and a nonstop parade of all the celebrities du jour: Oprah, Lady GaGa, Tiger Woods, Madonna in her trademark pink Gauthier corset, and the Washington crowd — Hillary, Bill, Sarah, Barack and many more. JetBlue Deals Despite the small cast of only twenty, characters and costumes change every minute or two. When you think of how the writers weave the latest news into the complicated musical lineup, Flights, cruises and vacations — oh plot turns and costume changes, the feat boggles the mind. But just wait until you see the hats. my! Find great deals on all JetBlue Travel Deals. Hat Tricks Make travel planning easy. Book a If you go for only one reason, go for the hats. Over the years, they've gotten bigger, better and JetBlue Getaways vacation package more gravity defying.
    [Show full text]
  • Anastasios Thesis FINAL
    Interrogating Composition in the Age of Remix: the role of format in musical composition Anastasios Sarakatsanos post-viva submission for the degree of Doctor of Philosophy Royal Holloway, University of London 2016 Abstract This thesis is concerned with composing audiovisual mashup pieces that involve filmed music performance and remix practices. I present here a number of audiovisual mashups I composed by separately filming and recording clips that were produced in other contexts and by later subsuming them into a new compositional form. These pieces, produced between 2011 and 2016, range from music clip inserts and music videos featured in television programmes, to urban development documentaries and self-commissioned projects. Focusing on hybrid audiovisual art-forms closely related to music videos, I examine the work of contemporary audiovisual artists, Ophir Kutiel (‘Kutiman’), Jack Conte (‘Pomplamoose’) and Mark Johnson (‘Playing for Change’), focusing on projects produced between 2008 and 2014, in relation to their composition techniques and methods of production and distribution. My research has included an examination of the way that music functions in this particular audiovisual context. As well as presenting my portfolio of compositions, I also perform a close textual analysis of certain specific samples from the portfolio, identifying the methods and techniques I adopted and adapted from the aforementioned artists and reflecting on their use and effects in my own compositions. Over the last decade, there has been a noticeable increase in the number of music artists who include video in their work and make it available through online streaming of their music, especially on audiovisual platforms such as YouTube.
    [Show full text]
  • The Edison Project the Edison Project
    THE EDISON PROJECT THE EDISON PROJECT Lead Authors: Erin Reilly, Jonathan Taplin, Francesca Marie Smith, Geoffrey Long, Henry Jenkins 18 Havas is the global The Annenberg Innovation research and innovation Lab is a high-energy, center within Havas. In fast-paced Think & Do the offices of Los Angeles, Tank in the Annenberg Seoul, Tel Aviv, Bogota School of Communication and Shanghai. 18 develops and Journalism at the research projects, strategic University of Southern partnerships, and business California. We define opportunities for Havas innovation as a social, and its client portfolio. collaborative process We work to be 18 months involving artists, scientists, ahead at the convergence of humanists and industry media, content, technology, professionals working and data science. We scout together on new problems new talent and startups, and opportunities raised by activate supporting technological and cultural academic research, develop change. Our mission actionable insights, and is to foster real-world facilitate deal-making innovation at the dynamic through local learning intersection of media and expeditions. culture. Copyright 2016. University of Southern California. All rights reserved. CONTENTS INTRODUCTION I ACKNOWLEDGEMENTS VI THE NEW METRICS + MEASUREMENT: 8 Erin Reilly THE NEW FUNDING + BUSINESS MODELS: 33 Jonathan Taplin and Anjuli Bedi THE NEW SCREENS 51 Francesca Marie Smith THE NEW CREATORS + MAKERS 69 Geoffrey Long, Rachel Joy Victor, Lisa Crawford, Malika Lim, and Juvenal Quiñones, with Ritesh Mehta and Anna Karina Samia CONCLUSION: IMAGINING POSSIBLE FUTURES 92 Henry Jenkins The Edison Project • I INTRODUCTION Thomas Edison invented both the phonograph and the kinetoscope more than 100 years ago. But the business of distributing music and movies hasn’t really changed that much in 100 years.
    [Show full text]
  • Born for This: How to Find the Work You Were
    For Kenneth L. B. Dauer, my brother and friend Contents Cover Title Page Copyright Dedication Plan of Attack Terms of Engagement 1: Flip the Script OBJECTIVE: Choose the Winning Ticket to Your Career Lottery 2: Your Money and Your Life OBJECTIVE: Have Both 3: Always Bet on Yourself OBJECTIVE: Beat the House 4: Prison Break 101 OBJECTIVE: Master the Right Skills 5: The Answer in Your Inbox OBJECTIVE: Find Your Thing 6: Life Coaching from Jay-Z OBJECTIVE: Expand Your Options, Then Limit Them Next Steps: A Menu of Options 7: Side Hustle OBJECTIVE: Make More Money 8: You, Inc. OBJECTIVE: Build a Small Empire 9: How to Become a Firefighter (or Whatever You Want) OBJECTIVE: Play the Game That Will Increase Your Odds 10: The Self-Employed Employee OBJECTIVE: Become Indispensable 11: DIY Rock Star OBJECTIVE: Recruit a Small Army of Fans and Supporters 12: How to Do Everything You Want OBJECTIVE: Refuse to Choose 13: Winners Give Up All the Time OBJECTIVE: Pursue the Right Opportunities (and Say Farewell to the Wrong Ones) Appendix 1: Tool Kit Appendix 2: “Here’s How I’ll Make You a Lot of Money” (Email Pitch) Appendix 3: Never Lose at Tic-Tac-Toe (Bonus Lesson!) Index A headline from the Onion proclaimed, “Man Convinces Himself He Has the Job of His Dreams.” The job, as you might expect from a satirical newspaper, is a soul-crushing and tedious one. Yet because the man sees no alternative, he decides he really likes it. “It’s wonderful that I’m trapped here for the foreseeable future,” he says.
    [Show full text]
  • Corpus Antville
    Corpus Epistemológico da Investigação Vídeos musicais referenciados pela comunidade Antville entre Junho de 2006 e Junho de 2011 no blogue homónimo www.videos.antville.org Data Título do post 01‐06‐2006 videos at multiple speeds? 01‐06‐2006 music videos based on cars? 01‐06‐2006 can anyone tell me videos with machine guns? 01‐06‐2006 Muse "Supermassive Black Hole" (Dir: Floria Sigismondi) 01‐06‐2006 Skye ‐ "What's Wrong With Me" 01‐06‐2006 Madison "Radiate". Directed by Erin Levendorf 01‐06‐2006 PANASONIC “SHARE THE AIR†VIDEO CONTEST 01‐06‐2006 Number of times 'panasonic' mentioned in last post 01‐06‐2006 Please Panasonic 01‐06‐2006 Paul Oakenfold "FASTER KILL FASTER PUSSYCAT" : Dir. Jake Nava 01‐06‐2006 Presets "Down Down Down" : Dir. Presets + Kim Greenway 01‐06‐2006 Lansing‐Dreiden "A Line You Can Cross" : Dir. 01‐06‐2006 SnowPatrol "You're All I Have" : Dir. 01‐06‐2006 Wolfmother "White Unicorn" : Dir. Kris Moyes? 01‐06‐2006 Fiona Apple ‐ Across The Universe ‐ Director ‐ Paul Thomas Anderson. 02‐06‐2006 Ayumi Hamasaki ‐ Real Me ‐ Director: Ukon Kamimura 02‐06‐2006 They Might Be Giants ‐ "Dallas" d. Asterisk 02‐06‐2006 Bersuit Vergarabat "Sencillamente" 02‐06‐2006 Lily Allen ‐ LDN (epk promo) directed by Ben & Greg 02‐06‐2006 Jamie T 'Sheila' directed by Nima Nourizadeh 02‐06‐2006 Farben Lehre ''Terrorystan'', Director: Marek Gluziñski 02‐06‐2006 Chris And The Other Girls ‐ Lullaby (director: Christian Pitschl, camera: Federico Salvalaio) 02‐06‐2006 Megan Mullins ''Ain't What It Used To Be'' 02‐06‐2006 Mr.
    [Show full text]
  • Download the Transcript
    SPI Podcast Session #188– Patreon – A Potential Alternative to Generating an Income Online With Jack Conte and Tom Merritt Show notes: smartpassiveincome.com/session188 This is the Smart Passive Income podcast with Pat Flynn, Session #188. I don’t know why, but 88 is just such a beautiful number. Intro: Welcome to the Smart Passive Income podcast, where it’s all about working hard now so you can sit back and reap the benefits later. And now your host – flaming hot Cheetos was his lunch every day during the 10th grade, yikes! – Pat Flynn. Pat: What’s up everybody? Pat Flynn here. Thank you so much for joining me today, and if you didn’t know already one of my favorite numbers is 88 because that’s how many miles per hour you need to go in order to time travel so the flux capacitor does its thing. I’m a huge Back to the Future geek. Any reference opportunity I have, I take it, so thank you for that. Today is a really important episode because I think a lot of you may be struggling with monetization or looking for a different method of doing it other than just selling information products or getting sponsors. This could be the next best thing for you, or the best thing for you. We’re going to be talking about a platform out there called Patreon.com, which is essentially a way for you to collect recurring funds from your fans, based off the creation of your content. It’s essentially recurring funding for artists and creators.
    [Show full text]
  • A Masterpiece M +++++ Mojomagazine U S I C W E E K
    Cover11.01.13_cover template 07/01/13 15:49 Page 1 1 0 6 3 1 6 7 7 9 6 6 6 7 7 9 THE BUSINESS OF MUSIC www.musicweek.com 11.01.13 £5.15 A masterpiece +++++ Mojo Magazine Project1_Layout 1 07/01/2013 15:48 Page 1 the multi award winning album Re-released on January 28th On multiple formats DELUXE 3 CD DIGI PACK ;:9876548382:18350/.:/-:4,8:/30+0.6*:6*)(7 ;:'.38*86582:*018:&83-/376.%85:-3/7:4,8:$#"":4/(3 ;:'.38*86582:46!85:-3/7:4,8:9(7/(35:58550/.5 e '9:':: $$0.* ;:9876548382:18350/.:/-:4,8:/30+0.6*:6*)(7 ;:'.38*86582:*018:&83-/376.%85:-3/7:4,8:$#"":4/(3 ;:'.38*86582:46!85:-3/7:9(7/(35:58550/.5 ;:9/(+,5:6.2:(446!85:-3/7:4,8::38055(8 ;::/-:,8:9/58)(2:0*7 :): 0%,68*:/**0.5 ;:0.*: e 9 9: ' :/.: e : e ':': : e 9 9:6.2 DELUXE 18350/.5:6*5/:6160*6)*8: e **:18350/.5:6160*6)*8:-/3:5438670.+ ,8:6*)(7:0**:)8:*6(.%,82:04, 6:-(**:763!840.+::&3/7/40/.6*:%67&60+. 6%8)//!%/7*884//2 6% 0.%*(20.+::0.4831085:6.2:.640/.6* 884//276%%/7 :621834050.+:&3855:625/.*0.8 FM MW Inside Cover 2 indd 1 07/01/2013 15:32 Cover_v3_cover template 08/01/13 19:22 Page 1 01 9 776669 776136 THE BUSINESS OF MUSIC www.musicweek.com 11.01.13 £5.15 NEWS BIG INTERVIEW ANALYSIS 02 10 12 Newly-promoted Universal Petula Clark discusses seven Music Week’s six page Music International boss Max decades in showbiz - and what it’s investigation into last Hole on his ambitions for EMI like to meet Elvis and John Lennon year’s record sales BMG: we’re still majorly hungry MUTE AND VIRGIN BOUGHT OVER CHRISTMAS - BUT THE RIGHTS GROUP’S NOT DONE YET ACQUISITIONS A bigger shock was BMG’s acquisition of Mute Records, the David Bowie announced a TALKING MUTE I BY TIM INGHAM shock new album this label sold by founder Daniel week - but his catalogue is Mute founder Daniel Miller up for grabs in the licensed back the label’s name he battle to acquire Miller to EMI in 2002 for £23m.
    [Show full text]
  • This Article, Written by ASL Founder And
    ASL 1951–2011 Celebrating Contents 60 years Cover: 1951 portrait of ASL founder and "rst head Stephen L. Eckard (ASL 1951–71) Back cover: Gregory Dray ’15 London, 2011 Greg used famous landmarks in the capital to create “London” on the back cover. He joined ASL two years ago in Grade 7; he has a brother, 6 At Home Abroad 1Commencement 0 2011 14History in the Making Owen ’19. Greg’s favorite subject is science. This summer, Greg and his family returned to Timothy C. Jacobson explores the The Class of 2011 at Stephen L. Eckard writes for the their former home in Connecticut. He says of in!uence of ASL’s surroundings Westminster Central Hall Anglo-American News in 1951 his time at ASL, “Joining the School turned out to be a lot of fun. It’s been a great experience and I’m grateful for the opportunity. It’s been cool to live in a city for two years.” Accents, Fall ’11 The American School in London, founded in 1 Recollections 6 of ASL20 Through the Ages 1951, is an independent, non-pro"t, college © The American School in London preparatory day school for students in Studying at ASL De"ning moments throughout the The American School in London Kindergarten through Grade 12. The student One Waverley Place Jennifer Nelson ’81 traces School’s 60-year history body comprises 1,350 boys and girls who London NW8 0NP represent more than 50 nationalities. ASL students from the 1950s United Kingdom T +44 (0)20 7449 1200 Our mission is to develop the intellect and F +44 (0)20 7449 1350 character of each student by providing an [email protected] outstanding American education with a www.asl.org global perspective.
    [Show full text]