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10.09.2015 Mediation Cause List
10.09.2015 SUPPLEMENTARY LIST SUPPLEMENTARY LIST FOR TODAY IN CONTINUATION OF THE ADVANCE LIST ALREADY CIRCULATED. THE WEBSITE OF DELHI HIGH COURT IS www.delhihighcourt.nic.in' INDEX PRONOUNCEMNT OF JUDGMENTS ------------> J- 1 TO 02 REGULAR MATTERS -----------------------> R- 1 TO 65 FINAL MATTERS (ORIGINAL SIDE) ---------> F- 1 TO 17 ADVANCE LIST --------------------------> 1 TO 91 COMPANY -------------------------------> 92 TO 92 APPELLATE SIDE (SUPPLEMENTARY LIST)----> 93 TO 108 (FIRST PART) ORIGINAL SIDE (SUPPLEMENTARY I)--------> 109 TO APPELLATE SIDE (SUPPLEMENTARY LIST)----> - TO (SECOND PART) SECOND SUPPLEMENTARY ------------------> - TO MEDIATION CAUSE LIST---------> 01 TO NOTES 1. Urgent mentioning may be made before Hon'ble DB-II at 10.30 A.M. 2. Hon'ble DB-II will be comprising Hon'ble Mr. Justice Badar Durrez Ahmed and Hon'ble Mr. Justice V. Kameswar Rao. After DB matters are over Hon'ble Mr. Justice V. Kameswar Rao will hear Single bench matters listed before his Lordship. PRACTICE DIRECTION It is circulated for information of all concerned that in all the fresh cases the Memo of Parties shall not reflect Hon'ble the Chief Justice as respondent and in such matters Hon'ble High Court of Delhi should be impleaded as a Respondent through Registrar General only. C I R C U L A R It is hereby circulated for information of all concerned that a separate nomenclature "SERTA" has been created in this Court for Service Tax Appeals filed under the relevant Sections of the Finance Act, 1994 read with the Central Excise Act, 1944 and a new filing code "1309" has been assigned to such appeals. -
• India Has Pledged $1.25 Million to the UN Relief Agency for Palestinian
India has pledged $1.25 million to the UN relief agency for Palestinian refugees as it voiced concern over the fragile situation and ongoing conflicts in the middle-east region. Singapore has the highest achieving students in international education rankings, with its teenagers coming top in tests in maths, reading and science. India was formally designated as a ‘Major Defence Partner’ of the United States. The 2016 World Power Language Index (PLI) announced that English language is the most powerful language in the world. The index was published by World Economic Forum (WEF). Hindi language was ranked 10th in the 2016 PLI. Pakistan has lifted an "undeclared" ban on import of ginned cotton from India, days after rejecting a consignment of 10,000 bales of cotton from India citing violation of plant quarantine rules by importers. In an effort to enhance cooperation in education between the two countries, India will establish a center of excellence in information technology at Egypt's oldest and most prestigious Al- Azhar University. Dr. António Costa, Prime Minister of the Republic of Portugal will be the Chief Guest at the 14th Pravasi Bharatiya Divas Convention to be held from 7 to 9 January, 2017 at Bengaluru in Karnataka. Mr. Michael Ashwin Satyandre Adhin, Vice President of the Republic of Suriname will be the Special Guest at the Youth Pravasi Bharatiya Divas (PBD) to be held on 7 January 2017 in Bengaluru. Indian Institute of Technology (IIT) Kharagpur is India’s highest-ranked institution features in the Top 100 QS Graduate Employability Rankings 2016-17. Turkey will chair the Energy Club of the Shanghai Cooperation Organisation (SCO) in 2017, becoming the first non-SCO country to hold its term presidency. -
New and Bestselling Titles Sociology 2016-2017
New and Bestselling titles Sociology 2016-2017 www.sagepub.in Sociology | 2016-17 Seconds with Alice W Clark How is this book helpful for young women of Any memorable experience that you hadhadw whilehile rural areas with career aspirations? writing this book? Many rural families are now keeping their girls Becoming part of the Women’s Studies program in school longer, and this book encourages at Allahabad University; sharing in the colourful page 27A these families to see real benefit for themselves student and faculty life of SNDT University in supporting career development for their in Mumbai; living in Vadodara again after daughters. It contributes in this way by many years, enjoying friends and colleagues; identifying the individual roles that can be played reconnecting with friendships made in by supportive fathers and mothers, even those Bangalore. Being given entrée to lively students with very little education themselves. by professors who cared greatly about them. Being treated wonderfully by my interviewees. What facets of this book bring-in international Any particular advice that you would like to readership? share with young women aiming for a successful Views of women’s striving for self-identity career? through professionalism; the factors motivating For women not yet in college: Find supporters and encouraging them or setting barriers to their in your family to help argue your case to those accomplishments. who aren’t so supportive. Often it’s submissive Upward trends in women’s education, the and dutiful mothers who need a prompt from narrowing of the gender gap, and the effects a relative with a broader viewpoint. -
List of Empanelled Artist
INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ -
Criterion an International Journal in English ISSN 0976-8165
The Criterion www.the-criterion.com An International Journal in English ISSN 0976-8165 Revitalizing the Tradition: Mahesh Dattani’s Contribution to Indian English Drama Farah Deeba Shafiq M.Phil Scholar Department of English University of Kashmir Indian drama has had a rich and ancient tradition: the natyashastra being the oldest of the texts on the theory of drama. The dramatic form in India has worked through different traditions-the epic, the folk, the mythical, the realistic etc. The experience of colonization, however, may be responsible for the discontinuation of an indigenous native Indian dramatic form.During the immediate years following independence, dramatists like Mohan Rakesh, Badal Sircar, Girish Karnad, Vijay Tendulkar, Dharamvir Bharati et al laid the foundations of an autonomous “Indian” aesthetic-a body of plays that helped shape a new “National” dramatic tradition. It goes to their credit to inaugurate an Indian dramatic tradition that interrogated the socio-political complexities of the nascent Indian nation. However, it’s pertinent to point out that these playwrights often wrote in their own regional languages like Marathi, Kannada, Bengali and Hindi and only later translated their plays into English. Indian English drama per se finds its first practitioners in Shri Aurobindo, Harindarnath Chattopadhyaya, and A.S.P Ayyar. In the post- independence era, Asif Curriumbhoy (b.1928) is a pioneer of Indian English drama with almost thirty plays in his repertoire. However, owing to the spectacular success of the Indian English novel, Drama in English remained a minor genre and did not find its true voice until the arrival of Mahesh Dattani. -
UGC MHRD E Pathshala
UGC MHRD e Pathshala Subject: English Principal Investigator: Prof. Tutun Mukherjee, University of Hyderabad Paper 09: Comparative Literature: Drama in India Paper Coordinator: Prof. Tutun Mukherjee, University of Hyderabad Module 09:Theatre: Architecture, Apparatus, Acting; Censorship and Spectatorship; Translations and Adaptations Content Writer: Mr. Benil Biswas, Ambedkar University Delhi Content Reviewer: Prof. Tutun Mukherjee, University of Hyderabad Language Editor: Prof. Tutun Mukherjee, University of Hyderabad Introduction: To be a painter one must know sculpture To be an architect one must know dance Dance is possible only through music And poetry therefore is essential (Part 2 of Vishnu Dharmottara Purana, an exchange between the sage Markandya and King Vajra)1 Quite appropriately Theatre encompasses all the above mentions arts, which is vital for an individual and community’s overall development. India is known for its rich cultural heritage has harnessed the energy of theatrical forms since the inception of its civilization. A rich cultural heritage of almost 3000 years has been the nurturing ground for Theatre and its Folk forms. Emerging after Greek and Roman theatre, Sanskrit theatre closely associated with primordial rituals, is the earliest form of Indian Theatre. Ascribed to Bharat Muni, ‘Natya Sastra or Natyashastra’2 is considered to be the initial and most elaborate treatise on dramaturgy and art of theatre in the world. It gives the detailed account of Indian theatre’s divine origin and expounds Rasa. This text becomes the basis of the classical Sanskrit theatre in India. Sanskrit Theatre was nourished by pre-eminent play-wrights like Bhasa, Kalidasa, Shudraka, Vishakadatta, Bhavabhuti and Harsha.3 This body of works which were sophisticated in its form and thematic content can be equaled in its range and influence with the dramatic yield of other prosperous theatre traditions of the world like ancient Greek theatre and Elizabethan theatre. -
Girish Karnad 1 Girish Karnad
Girish Karnad 1 Girish Karnad Girish Karnad Born Girish Raghunath Karnad 19 May 1938 Matheran, British India (present-day Maharashtra, India) Occupation Playwright, film director, film actor, poet Nationality Indian Alma mater University of Oxford Genres Fiction Literary movement Navya Notable work(s) Tughalak 1964 Taledanda Girish Raghunath Karnad (born 19 May 1938) is a contemporary writer, playwright, screenwriter, actor and movie director in Kannada language. His rise as a playwright in 1960s, marked the coming of age of Modern Indian playwriting in Kannada, just as Badal Sarkar did in Bengali, Vijay Tendulkar in Marathi, and Mohan Rakesh in Hindi.[1] He is a recipient[2] of the 1998 Jnanpith Award, the highest literary honour conferred in India. For four decades Karnad has been composing plays, often using history and mythology to tackle contemporary issues. He has translated his plays into English and has received acclaim.[3] His plays have been translated into some Indian languages and directed by directors like Ebrahim Alkazi, B. V. Karanth, Alyque Padamsee, Prasanna, Arvind Gaur, Satyadev Dubey, Vijaya Mehta, Shyamanand Jalan and Amal Allana.[3] He is active in the world of Indian cinema working as an actor, director, and screenwriter, in Hindi and Kannada flicks, earning awards along the way. He was conferred Padma Shri and Padma Bhushan by the Government of India and won four Filmfare Awards where three are Filmfare Award for Best Director - Kannada and one Filmfare Best Screenplay Award. Early life and education Girish Karnad was born in Matheran, Maharashtra. His initial schooling was in Marathi. In Sirsi, Karnataka, he was exposed to travelling theatre groups, Natak Mandalis as his parents were deeply interested in their plays.[4] As a youngster, Karnad was an ardent admirer of Yakshagana and the theater in his village.[] He earned his Bachelors of Arts degree in Mathematics and Statistics, from Karnatak Arts College, Dharwad (Karnataka University), in 1958. -
Annual Report
NATIONAL SCHOOL OF DRAMA jk"Vªh; ukV~; fo|ky; ANNUAL REPORT okf"kZd çfrosnu 0 2 - 9 1 0 2 okf"kZd çfrosnu Annual Report 2019-20 Annual Report 2019-20 jk"Vªh; ukV~; fo|ky; National School of Drama Contents NSD : An Introduction 3 Organizational Set-up & Meetings during 2019-20 4 Authorities and Officers of the School 5 Director and other Teaching Staff 6 Training at the National School of Drama 7 Technical Departments 9 Library 10 Highlights 2019-20 13 Other Activities 17 Academic Activities 23 Apprentice Fellowship awarded for the academic year 2019-20 to NSD graduate 36 Students’ Productions 38 Cultural Exchange Programme (CEP) 49 Repertory Company 51 Sanskaar Rang Toli (TIE) 54 National School of Drama Extension Programme 62 RajbhashaVibhag 64 Publication Programme 66 NSD Bengaluru Centre 69 NSD Sikkim Theatre Training Centre, Gangtok 80 NSD Theatre-in-Education Centre, Agartala, Tripura 82 NSD Varanasi Centre 91 Staff strength 97 NSD Resource Position at a Glance 99 National School of Drama National School of Drama (NSD) one of the foremost theatre institutions in the world and the only one of its kind in India was set up by Sangeet Natak Akademy in 1959. Later in 1975, it became an autonomous organization, fully financed by Ministry of Culture, (MoC) Government of India. The objective of NSD is to develop suitable patterns of teaching in all branches of drama both at undergraduate and post-graduate levels so as to establish high standards of theatre education in India. After graduation, the NSD offers a theatre training programme of three years' duration. -
Mahesh Elkunchwar's Garbo
Vol.1 No.3 July, 2013 ISSN : 2320 –2645 Mahesh Elkunchwar’s Garbo --- The Seductress & The Nurturer Jayakumar Jeyaseelan J P.G. Teacher in English, FAIPS, DPS, Kuwait Mahesh Elkunchwar is one of the most influential playwrights from the post colonial India. He has twenty two plays to his credit in addition to his writings on theatre, critical works and his participation in India’s Parallel Cinema as both an actor and a screen writer. His first play Sultan in 1967 announced his arrival in the national theatre scene. It was followed by plays that received critical as well as commercial acclaim such as Holi (1969), Flower of Blood (1972) Garbo(1973) and Desire in the Rocks (1973). After a sabbatical of seven or eight years Elkunchwar returned with Old Stone Mansion(1985), which later developed into a trilogy with Pond,(1992) and Apocalypse(1992). Party, Reflection, Autobiography, As One Discardeth One’s Clothes, Sonata, God Son, and An Actor Exits also came between 1985 and 2005. Elkunchwar’s plays have not only been translated into Indian languages but also into English and a few European languages such as French and German. He is the proud recipient of Homi Bhabha Fellowship (1976—78), Sangeet Natak Academy Award (1989), the annual award for best playwright given by the National Academy of the Performing Arts, Maharashtra Gaurav(1990), Maharashtra Foundation Award (1997), Sahitya Academy Award (2002) given by the National Academy of Letters, Saraswathi Samman (2003), one of India’s highest literary awards, the Brittingham Fellowship (2005) and the prestigious Janasthan Puraskar (2011) for his service to theatre. -
·The Performance Group in India February-April 1
·The Performance Group in India February-April 1 976 Richard Schechner Program Tour funded by J DR 3rd Fund, New York, who paid for overseas transportation, and contributed towards production and TPG living and travel expenses in India. Local sponsors in India paid for most of the local production costs and provided most of the living accommodation for TPG members. Local sponsors also donated in-kind work on publicity, the environments, and day to-day running of the shows. United States Information Service paid for much of the advertising in India; also USIS paid TPG members for leading workshops in Calcutta and Bombay. TPG contributed money toward salaries while on tour and production expens; s. • • The Company, in order of speaking: STEPHEN BORST as Recruiter, Chaplain, Lieutenant JAMES GRIFFITHS as Sergeant, Cook, Poldi, Soldier JOAN MACINTOSH as Mother Courage (Anna Fierling) JAMES CLAYBURGH as Eilif, Man With A Patch Over His Eye, Clerk, Soldier SPALDING GRAY as Swiss Cheese, Soldier, Peasant . ELIZABETH LECOMPTE as General, Yvette, Peasant RON VAWTER as Ordnance Officer, Townspeople BRUCE RAYVID as Soldier, Another Sergeant, Peasant LEENY SACK as Kattrin Environment designed by JAMES CLAYBURGH Musical director & pianist, MIRIAM CHARNEY Technical director, BRUCE RAYVID Costumes, THEODORA SKIPITARES Technical director in India, V . RAMAMURTHY Associate technical director for Bhopal and Bombay, BENU GANGULY Technical assistants, KAS SELF, MUNIERA CHRISTIANSEN General Manager & drummer, RON VAWTER Director, RICHARD SCHECHNER Music by PAUL DESSAU Translated from the German by RALPH MANHEIM MOTHER COURAGE AND HER CHILDREN by BERTOLT BRECHT (Written 1938; World Premier, Zurich, 1939) • • 9 Tour Outline: 6 Localities, 23 Performances, 56 Days Place Date.s Sponsors New Delhi February 1 0 , 11 , 1 2 , 1 3 , Abhiyan Modern School 14, 18, 19, 20,21 : Rajinder Nath Gymnasium 9 performances Som Nath Sapru M. -
Annual Report 1990 .. 91
SANGEET NAT~AKADEMI . ANNUAL REPORT 1990 ..91 Emblem; Akademi A wards 1990. Contents Appendices INTRODUCTION 0 2 Appendix I : MEMORANDUM OF ASSOCIATION (EXCERPTS) 0 53 ORGANIZATIONAL SET-UP 05 AKADEMI FELLOWSHIPS/ AWARDS Appendix II : CALENDAR OF 19900 6 EVENTS 0 54 Appendix III : GENERAL COUNCIL, FESTIVALS 0 10 EXECUTIVE BOARD, AND THE ASSISTANCE TO YOUNG THEATRE COMMITTEES OF THE WORKERS 0 28 AKADEMID 55 PROMOTION AND PRESERVATION Appendix IV: NEW AUDIO/ VIDEO OF RARE FORMS OF TRADITIONAL RECORDINGS 0 57 PERFORMING ARTS 0 32 Appendix V : BOOKS IN PRINT 0 63 CULTURAL EXCHANGE Appendix VI : GRANTS TO PROGRAMMES 0 33 INSTITUTIONS 1990-91 064 PUBLICATIONS 0 37 Appendix VII: DISCRETIONARY DOCUMENTATION / GRANTS 1990-91 071 DISSEMINATION 0 38 Appendix VIll : CONSOLIDATED MUSEUM OF MUSICAL BALANCE SHEET 1990-91 0 72 INSTRUMENTS 0 39 Appendix IX : CONSOLIDATED FINANCIAL ASSISTANCE TO SCHEDULE OF FIXED CULTURAL INSTITUTIONS 0 41 ASSETS 1990-91 0 74 LIBRARY AND LISTENING Appendix X : PROVIDENT FUND ROOMD41 BALANCE SHEET 1990-91 078 BUDGET AND ACCOUNTS 0 41 Appendix Xl : CONSOLIDATED INCOME & EXPENDITURE IN MEMORIAM 0 42 ACCOUNT 1990-91 KA THAK KENDRA: DELHI 0 44 (NON-PLAN & PLAN) 0 80 JA WAHARLAL NEHRU MANIPUR Appendix XII : CONSOLIDATED DANCE ACADEMY: IMPHAL 0 50 INCOME & EXPENDITURE ACCOUNT 1990-91 (NON-PLAN) 0 86 Appendix Xlll : CONSOLIDATED INCOME & EXPENDITURE ACCOUNT 1990-91 (PLAN) 0 88 Appendix XIV : CONSOLIDATED RECEIPTS & PAYMENTS ACCOUNT 1990-91 (NON-PLAN & PLAN) 0 94 Appendix XV : CONSOLIDATED RECEIPTS & PAYMENTS ACCOUNT 1990-91 (NON-PLAN) 0 104 Appendix XVI : CONSOLIDATED RECEIPTS & PAYMENTS ACCOUNT 1990-91 (PLAN) 0 110 Introduction Apart from the ongoing schemes and programmes, the Sangeet Natak Akademi-the period was marked by two major National Academy of Music, international festivals presented Dance, and Drama-was founded by the Akademi in association in 1953 for the furtherance of with the Indian Council for the performing arts of India, a Cultural Relations. -
W-36 ENTRANCE EXAMINATIONS
w-36 ENTRANCE EXAMINATIONS - 2O2O M.P.A. THEATRE ARTS Duration: 2 hours Max. Marks : 50 Hall Ticket No. INSTRUCTIONS L Write your Hall Ticket No. in the OMR Answer Sheet given to you. Also, write your Hall Ticket No. in the space provided above. 2. Each question carries one mark and there is Neeative narkins of 0.33 for each wrong answer. 3. Answers are to be marked on the OMR Answer Sheet following the instructions provided thereon. 4. Please handover the OMR Answer Sheet at the end oflhe examinalion to the Invigilator. You may take the Question Paper after the examinations is over. 5. No additioial sheet will be provided. Rough work can be done in the Qu€stion paper itself. 1. Peter Brook's intercultural theatre production. A) Shakuntalarn B). Mother courage C) Mahabharata D) Constant Prince 2. Kuthambalam is traditionally corlsidered to be the peformance space for A) Krishnaattam B) Kutiyaattam C) Ramanaattam D) Oilaattam ,0-=b 3. Which is the Oscar award winning film for the year 2019? A) Parasite B) Black Panther C) Neighbour's Window D) Joker 4. According to Natyasastra, Naataka is one t]?e of A) Arthaprakiti B) Uparoopaka C) Dasaroopaka D) Karana 5. The play directed by the noted dircctor Ratan Thiyydn based on the story ofemperor Ashoka is A) Chakravl,uha B) Kalingayuddha C) Devanaampiya D) Uttara Priyadarshi 6. Kerala Kalamandalam was founded by? A) Amrnatuloor Manimadhava Chakyar B) Vallathol Narayana Menon C) G. Shanham Pillai D) K.N. Panikkar 7. The Sanskrit play, "Daridra Charudattam', was written by _ A) Sudraka B) Bhavabhuti C) Bhasa D) Visakhadatta 8.