AWP- 2012 Conference- Off-S
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
The Texas Book Festival to Host Lit Crawl on Saturday, November 5
THE TEXAS BOOK FESTIVAL TO HOST LIT CRAWL ON SATURDAY, NOVEMBER 5 Annual Night of Literary Mayhem to Include Trivia, Literary Death Match, Cards Against Humanity Spin-Off, Karaoke, and More AUSTIN, TEXAS (October 26, 2016) – Lit Crawl Austin returns to the Texas Book Festival in East Austin on Saturday, November 5 starting at 7 p.m. The annual literary pub-crawl, co- hosted by TBF and the Litquake Foundation, features some of the country’s best writers onstage at various East Austin venues in a series of offbeat readings, literary games, and performances, including appearances by R. L. Stine, Yuyi Morales, Sarah Bird, Eileen Myles, and more. Inspired by San Francisco's long-running Lit Crawl and produced with their participation, the 2016 Lit Crawl Austin will take place at North Door, the Terrazas Branch of the Austin Public Library, Austin Toy Museum, Lewis Carnegie, Weather Up, and GrayDUCK Gallery. Highlights include an epic round of Literary Death Match featuring authors Amy Gentry and Teddy Wayne, a trivia round inspired by all things ‘80s, a How to Be a Texan game show hosted by author Andrea Valdez, a literary take on Balderdash, and Lit Crawl Against Humanity, based on the hit card game. The full schedule including detailed times and descriptions can be found at www.texasbookfestival.org/lit-crawl/. Lit Crawl Austin is a project of the Texas Book Festival and the Litquake Foundation. Affiliated Lit Crawl events take place in San Francisco, Brooklyn, Miami, Austin, Los Angeles, Iowa City, Seattle, London, and Helsinki. The 2016 Texas Book Festival is co-presented by H-E-B and AT&T. -
Education Professional Experience
RANDALL BROWN [email protected] EDUCATION 1/08 – 7/08 Vermont College, Montpelier, VT Post-MFA Certification in Picture Book Writing Worked with 2008 National Book Award finalist Kathi Appelt on the picture book. Workshop studies included sessions with Jane Yolen, 2007 Theodore Geisel Medal Winner Laura McGee Kvasnosky, and Janet & Susan Stevens. 6/04 – 6/06 Vermont College of Fine Arts, Montpelier, VT Masters of Fine Arts in Fiction Writing Intensive semester study with Douglas Glover, Pamela Painter, Abby Frucht, and Nance Van Winckel. Additional workshop study with Clint McCown, Larry Sutin, Ellen Lesser, Bob Abel, Chris Noel, Xu Xi, and Diane Lefer. Chosen as the sole alumnus to present at the celebration for the new VCFA. 2002 Cabrini College, Radnor, PA Masters in Education, 4.0 GPA 1993 Bloomsburg University, Bloomsburg, PA Bachelor of Science, English Ed, Co-Valedictorian & Phi Beta Kappa 1987 Tufts University, Medford, MA Bachelor of Arts in English, cum laude PROFESSIONAL EXPERIENCE since 2009 • Rosemont College School of Graduate and Professional Studies, Rosemont, PA 6/09-Present Faculty, MFA in Creative Writing Program 8/09-5/12 Director, MFA in Creative Writing Program 5/10-5/11 Coordinator, Accelerated Undergraduate Writing Program Promoted in August 2009 to turnaround a declining MFA in Creative Writing with responsibility for all aspects of the program: curriculum development, scheduling, staffing, advising, admission decisions, thesis oversight, program administration, outreach, event planning, assessment, and teaching. In May 2010, took over the Accelerated Undergraduate Writing program, with online teaching responsibilities until a permanent replacement was found. Supervised and “developed” the teaching assistants; also, supervised the MFA in Creative Writing faculty and a graduate assistant. -
Farrar, Straus and Giroux | 6/4/2019 Surprise That Borders Have Become So Porous
Losing Earth A Recent History Nathaniel Rich An instant classic: the most urgent story of our times, brilliantly reframed, beautifully told By 1979, we knew nearly everything we understand today about climate change—including how to stop it. Over the next decade, a handful of scientists, politicians, and strategists, led by two unlikely heroes, risked their careers in a desperate, escalating campaign to convince the world to act before it was too late. Losing Earth is their story, and ours. The New York Times Magazine devoted an entire issue to Nathaniel Rich’s groundbreaking chronicle of that decade, which became an instant journalistic phenomenon—the subject of news coverage, editorials, and SCIENCE conversations all over the world. In its emphasis on the lives of the people who grappled with the great existential threat of our age, it made vivid the MCD | 4/9/2019 moral dimensions of our shared plight. 9780374191337 | $25.00 / $32.50 Can. Hardcover with dust jacket | 224 pages 4 Black-and-White Illustrations / Notes on Now expanded into book form, Losing Earth tells the human story of climate Sources | Carton Qty: 28 | 8.3 in H | 5.4 in W change in even richer, more intimate terms. It reveals, in previously unreported detail, the birth of climate denialism and the genesis of the fossil MARKETING fuel industry’s coordinated effort to thwart climate policy through disinformation, propaganda, and political influence. The book carries the National review attention Print features and profiles story into the present day, wrestling with the long shadow of our failures and Online features and profiles asking crucial questions about how we make sense of our past, our future, Interest-specific media outreach: environment and ourselves. -
Blues Tribute Poems in Twentieth- and Twenty-First Century American Poetry Emily Rutter
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations 2014 Constructions of the Muse: Blues Tribute Poems in Twentieth- and Twenty-First Century American Poetry Emily Rutter Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Rutter, E. (2014). Constructions of the Muse: Blues Tribute Poems in Twentieth- and Twenty-First Century American Poetry (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/1136 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. CONSTRUCTIONS OF THE MUSE: BLUES TRIBUTE POEMS IN TWENTIETH- AND TWENTY-FIRST-CENTURY AMERICAN POETRY A Dissertation Submitted to the McAnulty College of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Emily Ruth Rutter March 2014 Copyright by Emily Ruth Rutter 2014 ii CONSTRUCTIONS OF THE MUSE: BLUES TRIBUTE POEMS IN TWENTIETH- AND TWENTY-FIRST-CENTURY AMERICAN POETRY By Emily Ruth Rutter Approved March 12, 2014 ________________________________ ________________________________ Linda A. Kinnahan Kathy L. Glass Professor of English Associate Professor of English (Committee Chair) (Committee Member) ________________________________ ________________________________ Laura Engel Thomas P. Kinnahan Associate Professor of English Assistant Professor of English (Committee Member) (Committee Member) ________________________________ ________________________________ James Swindal Greg Barnhisel Dean, McAnulty College of Liberal Arts Chair, English Department Professor of Philosophy Associate Professor of English iii ABSTRACT CONSTRUCTIONS OF THE MUSE: BLUES TRIBUTE POEMS IN TWENTIETH- AND TWENTY-FIRST-CENTURY AMERICAN POETRY By Emily Ruth Rutter March 2014 Dissertation supervised by Professor Linda A. -
The Demographics and Production of Black Poetry
Syllabus Week 1: The Demographics and Production of Black Poetry Resident Faculty: Howard Rambsy Visiting Faculty: James Smethurst, Kathy Lou Schultz, Tyehimba Jess, Brenda Marie Osbey Led by Rambsy, the Week 1 readings, activities and lectures will address significant recurring topics in the discourse on African American poetry—black aesthetics, history, cultural pride, critiques of anti-black racism, music and performance—and concentrate on major trends, popular poets and canonical poems and genres. We will identify and discuss several major poets, including Amiri Baraka, Jayne Cortez, Nikki Giovanni, Carolyn Rodgers, and Dudley Randall whose works began circulating widely during the late 1960s and early 1970s. We will consider how the BAM intersects with and distinguishes itself from other related poetry movements like the Beat Generation. We look at the configuration of contemporary black poetry, as poets become identified by subject matter, region, movement and/or collective like Cave Canem Poets, the Affrilachian Poets, and the National Poetry Slam Movement that began in 1990. Rambsy, Kathy Lou Schultz, Smethurst and Graham will give lectures that provide NEH Summer Scholars with an overarching sense of poets in the field as well as major events and circumstances that have shaped African American poetry. As specialists who have written about poetry and literary history, Rambsy, Schultz, and Smethurst will collectively provide foundational concepts and material for understanding and teaching black poetry. The week will also include discussions and readings by poets Tyehimba Jess and Brenda Marie Osbey, which will give NEH Summer Scholars chances to consider persona poetry and the presence of history in contemporary poems. -
By Supervisor
Ministry of Higher Education and Scientific Research Al-Qadisiya University College of Education Department of English The Poetics of Loss and Consolation in Afro-American Elegiac Poetry: A Study of Robert Hayden's Poetry ّ A THESIS ّ SUBMITTED TO THE COUNCIL OF THE COLLEGE OF EDUCATION-UNIVERSITY OF AL-QADISIYA, IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ENGLISH LITERATURE By Noor Abdul-Kadhim Al-Rikabi Supervisor Associate Prof. Dr. Saad Najim Al-Kafaji ّ 2017 1438 ّ بسم اه الرمن الرحيم [ ] صدق ه العظيم ال عمران )931 ( ( I was asleep while she was dying Oh, in vain, under the dust that beautiful face. A big wound, a big hole in thy heart Not harsh you are but this is the life. We miss you, and nothing remains Only an image and faint deep sound. Withered, and not knowing How fast she withered A person not yet mere dream or imagination, disappeared and gone Forever. Under the earth, cold earth Freezing eternity, cold, forever. The practices of life are mere shadows, covers, just covers we are. Pain, bare souls, tears and sobs, loss is always there. In dark nights, in bitter solitude, I mourn you, and among The mourners, I mourn. Farewell ……. my sister. For you this gift I dedicate. iv Acknowledgements It is difficult for me to imagine finishing this thesis without the remarkable generosity of the many people to whom I owe debts of gratitude that I cannot fully repay simply by naming them here. I am grateful to my supervisor Associate Prof. -
Obit Magazine
Alternate Obituaries by Matt Blanchard APRIL 26, 2011 Maybe someday every obituary will be as honest as Steve Almond’s, but let’s hope not. In 24 inches of unblinking newsprint it is revealed that Almond was a middling writer with crippled dreams, that students in his writing course found him creepy in a sexual way, and that his death came “after a long battle with hope.” Was Almond survived by an adoring family? Not exactly: … He was a loving but distracted father who was eager to please his two children, but often felt he could not reach them. He depended on his wife for support and grew resentful toward her because of this dependence. She, in turn, retreated from his hostility. This is not the form obituaries take in our culture, but it could be. Almond’s is one of 44 alternative obituaries gathered from writers, comedians, sculptors and video artists for “Let It End Like This,” a Tribeca gallery show reimagining a genre that traditionally conceals as much as it reveals. Contributors include the writer Susan Orlean, the electronic musician Moby, feminist and Six Feet Under script writer Jill Soloway, and legendary Saturday Night Live comedy writer Alan Zweibel (creator of Roseanne Roseannadanna, among other sketches), who tacked up a simple paper headstone communicating a kind of posthumous Portnoy’s complaint: Alan Zweibel Writer-Husband-Father 1950-2045 If you can read this, it means you are standing 6 ft. above my former penis “Let It End Like This” runs to May 14th at Apexart in Tribeca, and is almost too diverse to characterize. -
Program Guide
User: jjenisch Time: 04-09-2013 13:54 Product: LAAdTab PubDate: 04-14-2013 Zone: LA Edition: 1 Page: T1 Color: CMYK LOS ANGELES TIMES | www.latimes.com ADVERTISING SUPPLEMENT Sunday, April 14, 2013 Program Guide Inside: Ticket information Schedule of events List of authors and participants Los Angeles Times Festival of Books is in association with USC. Los Angeles Times Illustration © 2013 Frank Viva User: jjenisch Time: 04-09-2013 13:54 Product: LAAdTab PubDate: 04-14-2013 Zone: LA Edition: 1 Page: T2 Color: CMYK ADVERTISING SUPPLEMENT LOS ANGELES TIMES | www.latimes.com • • SUNDAY, APRIL 14, 2013 T2 User: jjenisch Time: 04-09-2013 13:54 Product: LAAdTab PubDate: 04-14-2013 Zone: LA Edition: 1 Page: T3 Color: CMYK ADVERTISING SUPPLEMENT latimes.com/festivalofbooks Thank you Download the free app for iPhone and Android. Search “Festival of Books” to our Sponsors Presenting Sponsor Table of Contents 4 Welcome to the 2013 Festival of Books The Los Angeles Times Book Prizes 6 honor the best books of 2012 CENTER Major Sponsor PULLOUT Meet this year’s illustrator 9 Programming grid! Attendee tips! Kid tested, parent approved: 10 The Target Children’s Area Festival map! And more! 16 Ticket information Contributing Sponsors 18 Directions, parking and public transportation info A list of authors, entertainers and 20 Festival participants 47 Exhibitor listings Supporting Sponsors Notable book signings by authors 50 LOS ANGELES TIMES | Participating Sponsors Festival of Books Staff: www.latimes.com Ann Binney John Conroy Colleen McManus Kenneth -
OBERON Is Pleased to Announce the Following Events for May
For Immediate Release: May 6, 2013 Contact: James Wetzel, [email protected] OBERON is pleased to announce the following events for May: ACOUSTICA ELECTRONICA •MIKE THE BUBBLE MAN • LITERARY DEATH MATCH• THE MOTH Cambridge, Mass.— OBERON, the American Repertory Theater’s second stage and club theater venue, continues its mission to bring exciting and original programming. A destination for theater and nightlife on the fringe of Harvard Square, OBERON is the home of the A.R.T.’s hit productions of The Lily’s Revenge, Futurity, The Donkey Show, Cabaret, and Prometheus Bound and Ryan Landry’s Rocky Horror Show, OBERON is also a thriving incubator for local and visiting talent. The following productions will be the highlights of our offerings during the month of May: ACOUSTICA ELECTRONICA Friday, May 10th at 10:30pm; Friday, May 17th at 7:30pm & 10:30pm Tickets $25-55 AcousticaElectronica is a mind-blowing event that blends elements of electronic and classical music, dance, circus arts and immersive theatre with the infectious energy of the contemporary nightclub. Leaders in these industries have teamed up to create an extraordinary, next-generation experience. This ultimate dance party becomes an immersive event for the audience. Dancers, symphonies, aerialists, operas, and live musicians all happen around every inch of the space to keep the audience guessing at every turn. AcousticaElectronica sends the audience on a tantalizing voyage filled with sensual and emotional discoveries. A place full of secrets and surprises, rewarding the curiosity of those willing to lose themselves in a night of dream, abandon, and ecstasy…Do you dare enter? MIKE THE BUBBLE MAN Presented by OBERON Saturday, May 11th at 11:00Am Tickets $10 Mike the Bubble Man has been all over the U.S. -
Paul Lisicky
1 PAUL LISICKY Educational Background 1990 M.F.A. in Creative Writing, The University of Iowa Writers’ Workshop. 1986 M.A. in English, Rutgers University. 1983 B.A. in English, Rutgers University. Loyola College. Creative Writing/Fine Arts Major (1979-80). Publications Published Books: —Later. Graywolf Press, forthcoming 2020 (nonfiction). —The Narrow Door: A Memoir of Friendship. Graywolf Press, January 2016 (nonfiction). —Unbuilt Projects. Four Way Books, October 2012 (short fiction). —The Burning House. Etruscan Press, May 2011 (novel). —Famous Builder. Graywolf Press, October 2002 (nonfiction). —Lawnboy. Turtle Point Press, September 1999 (novel). Reissued by Graywolf Press, July 2006. Books in Progress: —Animal Care & Control (story collection). In Anthologies: —“A Secret Panel.” In The Women We Love: Gay Writers on the Fierce and Tender Females Who Inspire Them, ed. Jason Howard (Cleis Press), forthcoming. —“Snapshot, Harvey Cedars: 1948.” In Write Moves: A Creative Writing Guide and Anthology, ed. Nancy Pagh (Broadview Press), forthcoming. (Canada) —“Recinto.” In Plume Poetry 6, ed. Danny Lawless (MadHat Press), 192-193, 2018. —“Friend of Prose.” In Plume Poetry 5, ed. Danny Lawless (MadHat Press), 200, 2017. —“The Fugue, Alison Bechdel’s Are You My Mother? DFW, and the Resistance to the One Thing.” In How We Speak: An Essay Daily Reader, eds. Ander Monson and Craig Reinbold (Coffee House Press), 215-218, 2017. —“Ten Takes on the Palm.” In Rooted, An Anthology of Arboreal Nonfiction, ed. Josh MacIvor-Andersen (Outpost 19), 231-234, 2017. —“Modernism.” In Best Small Fictions 2016, ed. Stuart Dybek (Queens Ferry Press), 36-38, 2016. 2 —“A Phone Call from My Father.” In Brief Encounters, eds. -
The Transformation of the Dramatic Monologue Across the Works Of
Modifying the Mask: The Transformation of the Dramatic Monologue Across the Works of Robert Browning, Norman Dubie, and Frank Bidart Kristin Gulotta A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts University of Washington 2016 Committee: Andrew Feld Linda Bierds Program Authorized to Offer Degree: Creative Writing Gulotta 1 ©Copyright 2016 Kristin Gulotta Gulotta 2 University of Washington Abstract Modifying the Mask: the Transformation of the Dramatic Monologue Across the Works of Robert Browning, Norman Dubie, and Frank Bidart Kristin L Gulotta Chair of the Supervisory Committee: Director Andrew Feld Creative Writing A look at how the dramatic monologue as a poetic form has transformed since the 19th century by examining representative works from poets Robert Browning, Norman Dubie, and Frank Bidart. Gulotta 3 In the mid-twentieth century, the New Critics championed a novel way of examining and critiquing literature: instead of considering the artist’s life a necessary component for understanding and appreciating his or her writing, the New Critics believed in examining a work’s strengths as a “self-contained, self-referential object” (Abrams). Although the movement itself was fairly short-lived, to me there still seems merit in the ideas, especially when I consider how I create my own poetry. I am most often drawn to writing in voices that are not my own, and instead of highlighting myself, I prefer to write from the perspectives of others, in dramatic monologues. Consequently, my personal biography would not seem to give any insights into my work or to determine whether or not a reader should like or dislike it. -
Graduate Poetry Workshop: Narrative Poetry, Dramatic Monologue, and Verse-Drama Spring 2016
San José State University Department of English and Comparative Literature ENGLISH 240: Graduate Poetry Workshop: Narrative Poetry, Dramatic Monologue, and Verse-Drama Spring 2016 Instructor: Prof. Alan Soldofsky Office Location: FO 106 Office hours: M T W 2:30 – 4:00 pm; and Th, pm by appointment Telephone: 408-924-4432 Email: [email protected] Class Days/Time: M 7:00 – 9:45 PM Classroom: Clark 111 (Incubator Classroom) Course Description Why be yourself when you can be somebody interesting. – Philip Levine It is impossible to say what I mean! – T. S. Eliot Dramatic monologue is in disequilibrium with what the speaker reveals and understands. – Robert Langbaum In this MFA-level poetry workshop, we will explore varieties of narrative poetry and dramatic monologues. We will write and read poems that are based on narrative and dramatic conventions, often written in the voices of a persona or even multiple personas. To stimulate your writing new poems in this course, we will sample narrative poems that we can read as models for our work from the Victorian era (Browning and Tennyson) to the modern (T.S. Eliot, Robinson Jeffers, Edward Arlington Robinson, Elizabeth Bishop, Randall Jarrell, Robert Lowell, John Berryman) to the postmodern (Ai, John Ashbery, Carol Ann Duffy, Terrance Hayes, Juan Felipe Herrera, Denis Johnson, James Tate, and others). Course Goals and Student Learning Objectives Course Goals: • Complete a portfolio consisting of (depending on length) of six to eight finished (revised) original poems, at least three of which should be spoken by a persona, one of which is at least three pages long (could be in the form of a verse drama).