Issue 57 Jan – Mar 2016
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Special Wuhan Composition Makes European Debut
18 | Monday, February 24, 2020 HONG KONG EDITION | CHINA DAILY LIFE Museums exhibit tech Shows of solidarity nous for home users XI’AN — Li Bin, an avid visitor of museums from the northwestern Chinese city of Xi’an, has never had a better view of the upholstery of a chair in Beijing’s Palace Museum. Sitting comfortably at home and putting on a device featuring virtual reality technology, Li toured the museum through its online exhibi- tion program, getting an up-close and personal view of the precious exhibits presented in crystal-clear 3D. “During a field trip to the Palace Museum, it can be tough to visit some of its hidden places and view all of the palace decorations in detail,” says Li. “VR technology has made these expe- The nation’s performing arts riences possible.” Amid the coronavirus outbreak, industry is working hard to many museums and galleries in Chi- na have been closed to visitors to pre- lessen the potential financial vent the spread of the epidemic. impact of COVID-19, as well as However, they have launched or repackaged various online exhibi- using technology to serve tions to provide a satisfactory touring audiences as best it can now, experience for the country’s vast number of stay-at-home visitors. Chen Nan reports. In Chongqing in Southwest China, the Chongqing China Three Gorges Museum and the Chongqing Natural History Museum are among those offering exhibitions online. Visitors can find audio guides to nevitably, the novel coronavi- promoting charity performances According to Zheng Honglin, who more than 30 exhibitions and videos rus outbreak has had a mas- and offering free shows to medical is in charge of Gong’s program, it is on 10 others through CCTGM’s offi- sive impact on China’s workers on the front line of the about training young talent to cial account on WeChat during their performing arts market. -
Dick Lee ( 李 迪 文): Creating Endless Opportunities by Perera, Loretta Marie and Perera, Audrey Written in 2010 National Library Board, Singapore
ARTICLE Dick Lee ( 李 迪 文): Creating Endless Opportunities by Perera, Loretta Marie and Perera, Audrey written in 2010 National Library Board, Singapore His name appears on many lists of ‘firsts’, but perhaps the most significant of them all was being the first Singapore-born musician to inject a local identity into his original music, by tapping on the influences which shaped his life. He has composed music and songs for the biggest names in Chinese music, clinched two HK Film Academy Awards for movie soundtracks, had an album go platinum in Singapore alone, pushed for a Singapore identity long before it became fashionable, and created music for the first and most successful Singapore musicals. Dick Lee is without a doubt one of Singapore’s most recognised and renowned music personalities, a singer, songwriter, composer, and playwright; an artiste who has contributed in no small measure to the development of original music in Singapore. The eldest of five children, Richard Lee Peng Boon was born on August 24, 1956. He grew up to the tunes of his father’s jazz and big band favourites, and his mother’s favourite pop music. “My earliest influence was the music of the 1960s which was playing in my home. Dad loved big band, jazz, crooners, and keroncong , while my mother, in her 20s at that time, loved contemporary Western and Chinese pop music. She loved to dance, and was the original ‘party girl’. The regular dance parties we had at home happened because of her, as was my interest in fashion.” “I grew up understanding contemporary music and was being given wide exposure to it. -
2015 Next Wave Festival DEC 2015
2015 Next Wave Festival DEC 2015 Shinique Smith, Abiding Light, 2015 Published by: Season Sponsor: #BAMNextWave #SteelHammer Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Katy Clark, President Joseph V. Melillo, Executive Producer Steel Hammer BAM Harvey Theater Dec 2—5 at 7:30pm; Dec 6 at 3pm Running time: one hour & 55 minutes, no intermission Julia Wolfe and SITI Company Bang on a Can All-Stars Directed by Anne Bogart Music & lyrics by Julia Wolfe Original text by Kia Corthron, Will Power, Carl Hancock Rux, and Regina Taylor Music performed by Bang on a Can All-Stars Play performed & created by SITI Company Scenic & costume design by James Schuette Lighting by Brian H Scott Sound design by Andrew Cotton and Christian Frederickson Choreography by Barney O’Hanlon Season Sponsor: Steel Hammer premiered at Actors Theatre of Louisville in the 2014 Humana Festival of New American Plays In memory of Robert W. Wilson, with gratitude for his visionary and generous support of BAM STEEL HAMMER Akiko Aizawa Ashley Bathgate Eric Berryman Robert Black Patrice Johnson Vicky Chow David Cossin Emily Eagen Chevannes Katie Geissinger Gian-Murray Gianino Barney O’Hanlon Molly Quinn Mark Stewart Ken Thomson Stephen Duff Webber Steel Hammer CAST Akiko Aizawa* Eric Berryman* Patrice Johnson Chevannes* Gian-Murray Gianino* Barney O’Hanlon* Stephen Duff Webber* BANG ON A CAN ALL-STARS Ashley Bathgate cello Robert Black bass Vicky Chow piano David Cossin -
Stanley Cowell Samuel Blaser Shunzo Ohno Barney
JUNE 2015—ISSUE 158 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM RAN BLAKE PRIMACY OF THE EAR STANLEY SAMUEL SHUNZO BARNEY COWELL BLASER OHNO WILEN Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 116 Pinehurst Avenue, Ste. J41 JUNE 2015—ISSUE 158 New York, NY 10033 United States New York@Night 4 Laurence Donohue-Greene: [email protected] Interview : Stanley Cowell by anders griffen Andrey Henkin: 6 [email protected] General Inquiries: Artist Feature : Samuel Blaser 7 by ken waxman [email protected] Advertising: On The Cover : Ran Blake 8 by suzanne lorge [email protected] Editorial: [email protected] Encore : Shunzo Ohno 10 by russ musto Calendar: [email protected] Lest We Forget : Barney Wilen 10 by clifford allen VOXNews: [email protected] Letters to the Editor: LAbel Spotlight : Summit 11 by ken dryden [email protected] VOXNEWS 11 by katie bull US Subscription rates: 12 issues, $35 International Subscription rates: 12 issues, $45 For subscription assistance, send check, cash or money order to the address above In Memoriam 12 by andrey henkin or email [email protected] Festival Report Staff Writers 13 David R. Adler, Clifford Allen, Fred Bouchard, Stuart Broomer, CD Reviews 14 Katie Bull, Thomas Conrad, Ken Dryden, Donald Elfman, Brad Farberman, Sean Fitzell, Miscellany 41 Kurt Gottschalk, Tom Greenland, Alex Henderson, Marcia Hillman, Event Calendar Terrell Holmes, Robert Iannapollo, 42 Suzanne Lorge, Marc Medwin, Robert Milburn, Russ Musto, Sean J. O’Connell, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman There is a nobility to turning 80 and a certain mystery to the attendant noun: octogenarian. -
Peng Gerak Muda Indo Nesia
EMPOWERING ENTREPRENEUR MoneyVol.&I 100 JUN-JUL '18 EDISI KHUSUS 100 PENG GERAK MUDA INDO NESIA THE MIND REVOLUTION GRACE NATALIE “..dulu waktu di TV tiap hari ngomongin politik, tapi nggak sampai jadi passion, di sinilah proses Rp. 32.500 saya berubah.” WWW.MONEYINSIGHT.ID MONTHLY MAGAZINE MONEY&I MAGAZINE Vol. 100 | Jun - Jul 2018 1 ISSN: 2087-5975 2 Vol. 100 | Jun - Jul 2018 BIMCSiloam - Advertorial - dr Ary - Diabetes Melitus - May 2018.indd All Pages 5/17/2018 10:57:57 AM Vol. 100 | Jun - Jul 2018 3 BIMCSiloam - Advertorial - dr Ary - Diabetes Melitus - May 2018.indd All Pages 5/17/2018 10:57:57 AM FROM THE EDITOR Arif Rahman @arif_journal 100 COVER emula, ini adalah sebuah Foto oleh Ida Bagus Baruna Luhur pemikiran yang lahir untuk Desain oleh Sahal Putra mengedukasi masyarakat soal keuangan dan MONEY&I MAGAZINE S Akubank School juga kewirausahaan, mencoba ikut Jl. Dewi Madri III berkontribusi atas persoalan disekitar kita Denpasar - Bali T. +62 823 3996 4020 akan banyaknya kasus penipuan karena [email protected] masalah investasi, ataupun minimnya www.moneyinsight.id jumlah pebisnis di Indonesia. Yang kita sepenuhnya menyadari, jumlah wirausaha For advertising enquiries please yang banyak dan berkinerja baik, bisa send an email to : mengantarkan Indonesia menjadi Berawal dari kolom sejahtera. di koran harian Indah Kencana Putri [email protected] BERAWAL DARI KOLOM KORAN HARIAN M. 0823 3996 4020 Desak Putu Widyawati Ide kecil ini kemudian teraplikasi dalam tengah masyarakat. Sepanjang 100 [email protected] M. 0823 4112 7767 bentuk kolom di koran harian lokal Bali edisi kami terus merangkai cerita, Pos, dengan nama rubrik Money&You konsisten melakukan wawancara DISTRIBUTION SUPPORT Adi Setiawan di tahun 2007, diasuh oleh Alex P kepada para inspirator hebat negeri ini, [email protected] Chandra selaku penggagas. -
October 2017 New Releases
new releases october 2017 2 LABELS p.9 p.30 p.10 p.30-32 p.10-17 p.32-33 p.17-19 p.33 p.19-20 p.68 p.21 p.34 p.21 p.35 p.22-23 p.36 p.65-67 p.36 p.23 p.37 p.24 p.25-26 p.38-39 p.27-28 p39 p.28 p.68-69 p.28-29 p.39 p.29 p.40-41 LABELS p.41 p.69-70&74 see attachment p.52-53 p.73 p.41-42 p.54 p.43 see attachment p.54 p.54-55 p.43-44 p.55 p.45 p.56 p.45 p.56-58 p.58-60 p.46-47 p.47-48 p.61 p.48-49 p.49-50 p.51 BREAKING NEWS Hello everybody, Starting October Outhere Music will do the honour to distribute our label in the Benelux. Then we would like to introduce you briefly Bonsaï Music. Bonsaï Music takes its first steps in 2004 in the music industry and has been quickly catalogued as a “Jazz record label”. However this image is a little simplistic because we believe that “Jazz” is more a musical philosophy than a specific musical genre. For thirteen years our work consisted in reconciling jazz and popular music and then promote and release Artists albums that can be enjoyed by jazz fans and lay people with this musical genre. The characteristics that most defines Bonsaï Music is our constant search of melody and/or great voices. -
Something Old
Need Past Issues? LOVE US, “LIKE US” WEEKENDER WK11B / MICA (P) 144/08/2012 www.facebook.com/ www.facebook.com/ weekendersgp weekendersgp DECEMBER 14 - 20, 2012 YOUR INSPIRATION TO A WEEKEND FILLED WITH FUN AND HAPPINESS DELIVERED FREE TO YOUR HOME INSIDE... >> 06 TASTES LIKE SOMETHING OLD, CHRISTMAS Gourmet roasts, coffee baby pork ribs, and fusion desserts - check out some of this festive season’s SOMETHING yummiest offerings. 08 HERE’s HOSSAN! Comedian Hossan Leong reveals his proudest NEW achievements this year, and DIRECTORS ROYSTON TAN, VICTRIC the perennial importance of THNG AND EVA TANG PRESENT THE char kway teow. DOCUMENTARY OLD ROMANCES, a love letter to singapore’s 10 GOING FOR DISAPPEARING HISTORIES GOLD BY CHERYL CHIA National sprinter Gary Yeo tells us more about the hurdles and triumphs of his sporting career, and the medals he’s got his eye on. 12 HOLIDAY AT HOME Sentosa’s Palawan Beach is the perfect island getaway if you’re looking for an easy, breezy staycation with fun activities for the kiddies. Like our page on: • Continues on page 3... facebook.com/weekendersgp For a pdf copy visit: www.facebook.com/weekendersgp 02 • WEEKENDER • DECEMBER 14 - 20, 2012 YOUR INSPIRATION TO A WEEKEND FILLED WITH FUN AND HAPPINESS For a pdf copy of Weekender = FREE VENTS visit: www.facebook.com/weekendersgp All events are correct at time of print. ATTRACTIONS Encounter: When E MUST the virtuosos of East SEE meet West GLITZ 18 Dec, 7.30pm, $25 AND GLAMOUR NEX Lions RESORTS WORLD SENTOSA CELEBRATES ITS GRAND OPENING Cup ending THEIR 2012 season on a special note, Ding Yi Music Company will be collaborating 14 & 16 Dec, various times, $5 - $40 with leading Singapore chamber group, I-Sis Singapore’S first integrated resort celebrated Trio. -
APM 2018 Winners Announced with a Special Tribute to Rossa
For immediate release Media Release APM 2018 winners announced with a special tribute to Rossa Singapore, 29 September 2018 – A total of 18 awards were given out to the cream of the Malay music industry at this year’s Anugerah Planet Muzik (APM), held at the MES Theatre at Mediacorp. Making headlines was Indonesian pop sensation Judika, who clinched four awards: namely, Best APM Song, Best Song (Indonesia), Best Artiste (Male) and Best Collaboration (Artiste) for his duet with the legendary Dato’ Sri Siti Nurhaliza. Isyana Sarasvati won this year’s Best Artiste (Female) award, beating hot favourites Siti Nurhaliza, Dayang Nurfaizah and Raisa. Sheila on 7 clinched the Best Band award for their latest hit, Film Favorit. Singapore’s powerhouse vocalist Sufi Rashid and Malaysia’s pop idol Khai Bahar won two awards each. Khai Bahar also reigned as APM’s Most Popular Artiste two years in a row and took home the Social Media Icon award that was previously won by Ayda Jebat. This year, Ayda clinched Best Song (Malaysia) for her latest single, Mata. Brunei’s rising star, Jaz, Indonesia’s trio GAC, Sara Fajira, Adrian Khalif as well as Malaysia’s Haqiem Rusli and Singapore’s Farhan Shah are among those who won their first APM awards last night. Now into its 17th edition, this year’s APM event also paid tribute to Indonesia’s Queen of Pop, Rossa, who received the Planet Muzik Award that celebrates performers who have made outstanding contributions of artistic significance to the field of recording. Widely recognised as the one of the most influential Indonesian songstresses of all time, Sri Rossa Roslaina Handiyani, also known as Te’ Ocha or Dato’ Rossa, released her best-selling albums not only in Indonesia, but also in Southeast Asia and Japan. -
ST/LIFE/PAGE<LIF-009>
THURSDAY, JUNE 11, 2015 Music LIFE! C9 2000s: Then and now Musicians who lead in the classical scene Paige Lim Over the years, many Singaporean classical musicians who studied abroad have remained over- seas to pursue their careers. Renowned violinist Chan Yoong-Han and pianist Lim Yan are among the rare few who have returned here to develop their careers. And over the past 10 or more years, the pair have made waves in the local classical music scene. Besides being members of popular piano quintet Take 5, both have played as soloists with the Singa- pore Symphony Orchestra and performed in inter- national music festivals. Life! classical music reviewer Chang Tou Liang calls them “two of the most active and busiest classical musicians” in Singapore today. “They are leaders in their fields and figures whom young Singaporean musicians can relate to and emulate,” he says. Both musicians came to prominence in the 2000s after returning to Singapore from their over- seas studies. A graduate from Rice University in the United States in 1995, Chan, 40, was awarded the 2000 Shell-NAC Arts Scholarship by the National Arts Council. He then completed his masters of music at the University of Massachusetts. In 2007, he was appointed concertmaster for the Singapore Festival Orchestra, the resident orches- tra of the Singapore Arts Festival which ended in 2012. Lim, 35, the nephew of well-known conductor Lim Yau, was the first Singaporean to play in the 12th Singapore International Piano Festival in 2005. He made history again when he became the Violinist Chan first Singaporean pianist to perform all five Yoong-Han About Sing50 Beethoven piano concertos in a cycle here in 2012. -
Chapter 1: Place §1 Chinese Popular Music
The performance of identity in Chinese popular music Groenewegen, J.W.P. Citation Groenewegen, J. W. P. (2011, June 15). The performance of identity in Chinese popular music. Retrieved from https://hdl.handle.net/1887/17706 Version: Not Applicable (or Unknown) Licence agreement concerning inclusion of doctoral thesis in the License: Institutional Repository of the University of Leiden Downloaded from: https://hdl.handle.net/1887/17706 Note: To cite this publication please use the final published version (if applicable). Chapter 1: Place §1 Chinese Popular Music After introducing the singer and describing his migration from Malaysia to Singa- pore and his recent popularity in Hong Kong, Taiwan, and all over the Chinese di- aspora, the anchor [of the 1995 May 1st Concert] asked Wu [Qixian] how he de- fined himself in the final analysis. The musician’s reply, “I am Chinese” (wo shi Zhongguoren), which stirred a most enthusiastic and warm response from the au- dience, encapsulated everything Wu’s participation stood for, at least from the point of view from the state… By inviting … gangtai singers to participate in concerts and television programs, the Chinese state is not engaged so much in competing with other Chinese politics and identities … but rather in contesting their independence and in co-opting them into a greater Chinese nationalism, of which China is the core. In other words, the Chinese state is engaged in appropri- ating the concept of Greater China (Da Zhonghua).1 Gangtai is a 1980s PRC term for highly successful cultural products from Hong Kong (xiang gang) and Taiwan. In the above quotation, Nimrod Baranovitch rightly recognizes Hong Kong and Taiwan as major areas of production of Chinese pop music. -
Popular Music in Southeast Asia & Schulte Nordholt Popular Music in Southeast Asia
& Schulte Nordholt Barendregt, Keppy Popular Music in Southeast Asia Banal Beats, Muted Histories Bart Barendregt, Popular Music in Southeast Asia Peter Keppy, and Henk Schulte Nordholt Popular Music in Southeast Asia Popular Music in Southeast Asia Banal Beats, Muted Histories Bart Barendregt, Peter Keppy, and Henk Schulte Nordholt AUP Cover image: Indonesian magazine Selecta, 31 March 1969 KITLV collection. By courtesy of Enteng Tanamal Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 94 6298 403 5 e-isbn 978 90 4853 455 5 (pdf) doi 10.5117/9789462984035 nur 660 Creative Commons License CC BY NC ND (http://creativecommons.org/ licenses/by-nc-nd/3.0) All authors / Amsterdam University Press B.V., Amsterdam 2017 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). Table of Contents Introduction 9 Muted sounds, obscured histories 10 Living the modern life 11 Four eras 13 Research project Articulating Modernity 15 1 Oriental Foxtrots and Phonographic Noise, 1910s-1940s 17 New markets 18 The rise of female stars and fandom 24 Jazz, race, and nationalism 28 Box 1.1 Phonographic noise 34 Box 1.2 Dance halls 34 Box 1.3 The modern woman 36 2 Jeans, Rock, and Electric Guitars, -
Malay Music in Singapore by Muhammad Hafiz Bin Salleh, Written in August 2010 National Library Board, Singapore
ARTICLE Malay Music in Singapore by Muhammad Hafiz bin Salleh, written in August 2010 National Library Board, Singapore Its forms and genres have evolved through the ages, but the unmistakeably Malay sound and feel of the music remains constant. Introduction Malay music in Singapore dates back to the early 19th century. Highly influenced by the early migrants to Singapore, it began its development in an environment rich with diverse music forms brought to Singapore by the migrants who hailed from different parts of Indonesia and Malaysia. Because of its small size and intense activity, Singapore grew into a hub for Malay music, although there is little published documentation about this strand of Malay history. From the earliest times, there existed several music genres, including Asli , Malay music is characterised by its slow and gentle melodies and simple lyrics that often tell a moving story; Zapin, a traditional dance that originated from the Middle East involving rigorous, well- coordinated hand movements and intricate footwork, accompanied by singing and music created with instruments like the violin, harmonium, accordion and gambus ( lute ); and the ever popular Dondang Sayang , a vocal performance in which two parties converse with each other using quatrains. This is usually performed during Peranakan weddings. When the Malay film industry blossomed in the ‘50s and ‘60s with almost 50 films produced by the Malay production houses in Singapore, Malay music too enjoyed much exposure, since music was an essential element in Malay films. The separation of Singapore from Malaysia meant that the film and music action shifted to Kuala Lumpur, to tap on the huge domestic market in Malaysia.