RCA Popular LPM-1 & LPM-3000 Ten Inch Series
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Scribherms I Brought Bark by Request SPENCFR Healthfullv Air Conditioned
had ever heard of Fred's bulldogs Have they been lnnoculated? (In- signing Ginger Rogers. Ginger, 1 A Canines Also Demand and Sport Is Betty Hutton before, questions began to pour deed!) And heaven knows how Is well known, has more details lr Detailed Contracts over the wires to New York, such many more queries of the like. her contracts than any star In town as "Is this a dog act?” (You bet!) When the deal was finally con- from the size of her mlrrori The Studio Cheered as She Broadcast Br the Associated Press. makeup How many dogs In the troupe? cluded the legal department ad- to the dimensions of the type In hei When Kay Kyser starts on a to Director and Cast (Plenty!) Are they Insured? (Yes!) mitted it was more complicated than billings. Apologies picture, veterans around his studio By HAROLD HEFFF.RNAN. RKO. If the deal is set each other Luise will do began asking "What AMUSEMENTS. AMUSEMENTS. AMUSEMENTS. HOLLYWOOD. another "Good Earth" impersona- next?” For anything can and does _ and sounds: tion for on a Sights "China Skies.” .. Warner happen Kyser picture. Latest Even Preston Foster himself Bras, will shortly announce a re- complication Is Kay's whim to sign ! rubbed his eyes a bit over this sud- make of the Colleen Moore silent some vaudeville acts for the new den transformation. Within 15 hit "So Big” for Bette Davis. That opus. Including one act called minutes on the 20th Centurv-Fox makes five pictures on Bette's future “Fred’s Bulldogs.”* lot he went from the role of Roger chart, Paramount has granted When the casting director sent the Terrible Touhy in "Roger Touhy, Veronica Lake a long summer vaca- the contracts down to the legal de- Last of the Gangsters,” to the char- tion to recuperate from the double partment, the fun began. -
1Guitar PDF Songs Index
Material on Guitar Website Reference Beginning Guitar Music Guitar Cover Beginning Chords Fingerpicking Bass Runs for Guitar Guitar Christmas Song List Guitar Care Guitar PDF Song Index 1/4/2017 Good Reader Web Downloads to Goodreader How to Use Goodreader Downloading Files to the iPad from iTunes Saving Your Internet Passwords Corrected Guitar and PDF 509 Songs 1/4/2017 A Bushel and a Peck Bad Moon Rising A White Sport Coat Ballad of Davy Crockett All I Ask of You Ballad of Green Berets All My Ex’s Live in Texas Battle Hymn of Aging All My Lovin’ Be Our Guest All My Trials Beautiful Brown Eyes Always On My Mind Because of You Am I That Easy to Forget Beep Beep Amanda - bass runs Beer for My Horses + tab Amazing Grace - D Begin the Beguine A America the Beautiful Besame Mucho American Pie Beyond the Reef Amor Big Rock Candy Mountain And I Love Her Blame It On Bossa Nova And I Love You So Blowin’ in the Wind Annie’s Song Blue Bayou April Love Blue Eyes Crying in the Rain - D, C Aquarius Blue Blue Skies Are You Lonesome Tonight Blueberry Hill Around the World in 80 Days Born to Lose As Tears Go By Both Sides Now Ashokan Farewell Breaking Up Is Hard to Do Autumn Leaves Bridge Over Troubled Water Bring Me Sunshine Moon Baby Blue D, A Bright Lights Big City Back Home Again Bus Stop Bad, Bad Leroy Brown By the Time I Get to Phoenix Bye Bye Love Dream A Little Dream of Me Edelweiss Cab Driver Eight Days A Week Can’t Help Falling El Condor Pasa + tab Can’t Smile Without You Elvira D, C, A Careless Love Enjoy Yourself Charade Eres Tu Chinese Happy -
PLAYHOUSE SQUARE January 12-17, 2016
For Immediate Release January 2016 PLAYHOUSE SQUARE January 12-17, 2016 Playhouse Square is proud to announce that the U.S. National Tour of ANNIE, now in its second smash year, will play January 12 - 17 at the Connor Palace in Cleveland. Directed by original lyricist and director Martin Charnin for the 19th time, this production of ANNIE is a brand new physical incarnation of the iconic Tony Award®-winning original. ANNIE has a book by Thomas Meehan, music by Charles Strouse and lyrics by Martin Charnin. All three authors received 1977 Tony Awards® for their work. Choreography is by Liza Gennaro, who has incorporated selections from her father Peter Gennaro’s 1977 Tony Award®-winning choreography. The celebrated design team includes scenic design by Tony Award® winner Beowulf Boritt (Act One, The Scottsboro Boys, Rock of Ages), costume design by Costume Designer’s Guild Award winner Suzy Benzinger (Blue Jasmine, Movin’ Out, Miss Saigon), lighting design by Tony Award® winner Ken Billington (Chicago, Annie, White Christmas) and sound design by Tony Award® nominee Peter Hylenski (Rocky, Bullets Over Broadway, Motown). The lovable mutt “Sandy” is once again trained by Tony Award® Honoree William Berloni (Annie, A Christmas Story, Legally Blonde). Musical supervision and additional orchestrations are by Keith Levenson (Annie, She Loves Me, Dreamgirls). Casting is by Joy Dewing CSA, Joy Dewing Casting (Soul Doctor, Wonderland). The tour is produced by TROIKA Entertainment, LLC. The production features a 25 member company: in the title role of Annie is Heidi Gray, an 11- year-old actress from the Augusta, GA area, making her tour debut. -
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected]
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] ARTIST Various TITLE Big ‘D’ Jamboree LABEL Bear Family Productions CATALOG # BCD 16086 PRICE-CODE HK EAN-CODE ÇxDTRBAMy160868z FORMAT 8-CD Box-Set (LP-size) + 168-page hardcover book GENRE Country / Rock ‘n’ Roll TRACKS 285 PLAYING TIME 685:56 G The dawn of rock 'n' roll, like you've never heard it before – live from Texas 1950-1958! G Hear stars like Johnny Cash, Carl Perkins, Gene Vincent, Wanda Jackson and many more performing live at the dawn of their careers, sometimes singing songs they never recorded! G State-of-the-art live recording for the day. Incredible atmosphere. Fabulous performances! G Unseen photos and newly researched biographies fill out this incredible time capsule! INFORMATION We all know that the Grand Ole Opry wanted nothing to do with rock 'n' roll, while the Louisiana Hayride gave national expo- sure to Elvis Presley, Johnny Horton, and others. Well, the Hayride wasn't alone. The Big 'D' Jamboree in Dallas started with Texas country music but embraced the new music, giving an all-important break to Carl Perkins, Gene Vincent, and many, many more. In a nearly two-decade run that began in the aftermath of World War II, the Saturday night extravaganza packed the Spor- tatorium, a metal wrestling arena in a seedy neighborhood south of downtown. Broadcast locally on KRLD and nationally on CBS radio, the Jamboree was an exuberant cross-section of the most vibrant coun- try and rock 'n' roll music of the time, showcasing everyone from talented but largely forgotten singers such as Riley Crabtree, Orville Couch and Helen Hall to national figures, including Johnny Cash, Sonny James, Hank Locklin, Elvis Presley, Carl Perkins, Wanda Jackson and Gene Vincent. -
EXCEL LATZKO MUZIK CATALOG for PDF.Xlsx
Walter Latzko Arrangements (Computer/Non-Computer) A B C D E F 1 Song Title Barbershop Performer(s) Link or E-mail Address Composer Lyricist(s) Ensemble Type 2 20TH CENTURY RAG, THE https://www.sheetmusicplus.com/title/the-20th-century-rag-digital-sheet-music/21705300 Male 3 "A"-YOU'RE ADORABLE www.sheetmusicplus.com/title/a-you-re-adorable-digital-sheet-music/21690032Sid Lippman Buddy Kaye & Fred Wise Male or Female 4 A SPECIAL NIGHT The Ritz;Thoroughbred Chorus [email protected] Don Besig Don Besig Male or Female 5 ABA DABA HONEYMOON Chordettes www.sheetmusicplus.com/title/aba-daba-honeymoon-digital-sheet-music/21693052Arthur Fields & Walter Donovan Arthur Fields & Walter Donovan Female 6 ABIDE WITH ME Buffalo Bills; Chordettes www.sheetmusicplus.com/title/abide-with-me-digital-sheet-music/21674728Henry Francis Lyte Henry Francis Lyte Male or Female 7 ABOUT A QUARTER TO NINE Marquis https://www.sheetmusicplus.com/title/about-a-quarter-to-nine-digital-sheet-music/21812729?narrow_by=About+a+Quarter+to+NineHarry Warren Al Dubin Male 8 ACADEMY AWARDS MEDLEY (50 songs) Montclair Chorus [email protected] Various Various Male 9 AC-CENT-TCHU-ATE THE POSITIVE (5-parts) https://www.sheetmusicplus.com/title/ac-cent-tchu-ate-the-positive-digital-sheet-music/21712278Harold Arlen Johnny Mercer Male 10 ACE IN THE HOLE, THE [email protected] Cole Porter Cole Porter Male 11 ADESTES FIDELES [email protected] John Francis Wade unknown Male 12 AFTER ALL [email protected] Ervin Drake & Jimmy Shirl Ervin Drake & Jimmy Shirl Male 13 AFTER THE BALL/BOWERY MEDLEY Song Title [email protected] Charles K. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms international A Bell & Howell Information Company 300 North! Z eeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9130640 The influence of Leonard B. Smith on the heritage of the band in the United States Polce, Vincent John, Ph.D. -
Feb 2016 Musicweb
WYASTONE ESTATE LIMITED DISTRIBUTED LABELS FEBRUARY 2016 NEW RELEASES NEW RELEASE NI 5937 RELEASE DATE: FRIDAY 12TH FEBRUARY 2016 TO PLACE AN ORDER CONTACT DISCOVERY RECORDS LTD TEL: 01380 728000 EMAIL: [email protected] DISCOVERY RECORDS LTD, NURSTEED ROAD, DEVIZES, SN10 3DY For further details visit our website: www.discovery-records.com /NimbusRecords @NimbusRecords /NimbusRecordsTV [details in this release book are correct at time of production] FEBRUARY 2016 NEW RELEASE JULIUS RÖNTGEN (1855-1932) Julius Röntgen (1855-1932) was both a composer MARK ANDERSON, PIANO and a gifted pianist and as such he knew how to write well for his instrument. Ein Cyclus von Phantasiestücken, Op. 5 (1871) 21.32 Röntgen was a child prodigy and from an early 1 I Allegro con brio 3.34 age composed ambitious works for the piano. He 2 II Andante con espressione 1.42 frequently performed his own, and others, piano 3 II Allegretto moderato 3.10 concertos. Beethoven's Fourth and Brahms's Second 4 IV Andante con moto 2.45 were particular favourites. It was through 5 V Presto 3.43 6 VI Allegretto con grazia 2.11 performances of Beethoven's Piano Sonata op.111 and 7 VII Grave 4.27 Schumann's Etudes Symphoniques that Röntgen established himself. However, it was not as a soloist Neckens Polska Variationen über ein but as an accompanist that Röntgen would make a schwedisches Volkslied, Op. 11 (1874) 17.55 lasting impression. The partnership with his 8 (Theme) Ruhig 1.24 contemporary, the baritone Johannes Messchaert, was 9 (1) Tema ben tenuto 1.05 legendary and they made several European tours. -
Pynchon's Sound of Music
Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage. -
![1937-12-24, [P ]](https://docslib.b-cdn.net/cover/1557/1937-12-24-p-501557.webp)
1937-12-24, [P ]
12 THE BISMARCK TRIBUNF, FRIDAY, DECEMBER 24,1937 South American Concert Pianist Will Be Heard With Concert Group Sunday 2:00— Pepper Young's Family — • • (barge. program will originate Camay Dm fKFYR-NBC Program] 2:15—Oxydol's Own Ma Perkins I Survived Massacre [ la Jfcrgo wtih spedsl numbers coming | (Subject to Revision) j 2:30— Vic and Bade—Crlsco « £ CONCORDIA PLANS from the president's offloe and FJel- 2:45—The O'Neills—Ivory ARMANDO PALACIOS IA Moor head. • " 3:00—Markets and Weather 3:05— F * F News net-hand campus news and high Tue»dar, Deft 38 1:15—The Uuldlng Llffbt—P * Q lights of the a^XHnlle basketball tour ":00—Malcolm Clair# Naphtha RADIO BROADCAST :1S—Good Morning MslodUs 3 :30—Club Matins* MAKES RADIODEBUT will be featured. "Baking part will T :SO— Agriculture Id ths Nsws 3 :45—Kltiv Keene—Dreft be President J. if. Brown, Sean VtMa t :45—Do You Remtmbu 4 :0B—Clifford Mens, Tenor Nllsen,\ Prof. J. H. HJelmstad, El 8 :00—Breakfast Club 4 SO—Vagabonds If all the good wishes S :40—N»w» 4 :45—The Callfornians KFYR and WDAY to Hook Up Plough, WDAY sport soaster and Bow 8 :(5—Braakfast Club 5:0CI—Education In the News IN NEC'S PROGRAM aid Nelson, *M, WDAT -staff I :00—Sheffter and Brenner :30—Jack Armstrong General Mill* on Deo. 28 for Spooia! Half nounoer who will be master of cere- in the world were 9 :15—Vaughn da Laath 5:45—Bismarck"I bakingBi " " Co- —Freshest~ 9 :30—Top O'ths Dial Thins In TOwt Hour Program 9 •45—Church In ths Wild wood 1:00—Striking of Big Ben Now Will Join With Mishel Piastro, Parties will be held in 93 Minnesota put together they'd 10 :00—Market,. -
100 Years: a Century of Song 1930S
100 Years: A Century of Song 1930s Page 42 | 100 Years: A Century of song 1930 A Little of What You Fancy Don’t Be Cruel Here Comes Emily Brown / (Does You Good) to a Vegetabuel Cheer Up and Smile Marie Lloyd Lesley Sarony Jack Payne A Mother’s Lament Don’t Dilly Dally on Here we are again!? Various the Way (My Old Man) Fred Wheeler Marie Lloyd After Your Kiss / I’d Like Hey Diddle Diddle to Find the Guy That Don’t Have Any More, Harry Champion Wrote the Stein Song Missus Moore I am Yours Jack Payne Lily Morris Bert Lown Orchestra Alexander’s Ragtime Band Down at the Old I Lift Up My Finger Irving Berlin Bull and Bush Lesley Sarony Florrie Ford Amy / Oh! What a Silly I’m In The Market For You Place to Kiss a Girl Everybody knows me Van Phillips Jack Hylton in my old brown hat Harry Champion I’m Learning a Lot From Another Little Drink You / Singing a Song George Robey Exactly Like You / to the Stars Blue Is the Night Any Old Iron Roy Fox Jack Payne Harry Champion I’m Twenty-one today Fancy You Falling for Me / Jack Pleasants Beside the Seaside, Body and Soul Beside the Sea Jack Hylton I’m William the Conqueror Mark Sheridan Harry Champion Forty-Seven Ginger- Beware of Love / Headed Sailors If You were the Only Give Me Back My Heart Lesley Sarony Girl in the World Jack Payne George Robey Georgia On My Mind Body & Soul Hoagy Carmichael It’s a Long Way Paul Whiteman to Tipperary Get Happy Florrie Ford Boiled Beef and Carrots Nat Shilkret Harry Champion Jack o’ Lanterns / Great Day / Without a Song Wind in the Willows Broadway Baby Dolls -
The Recordings
Appendix: The Recordings These are the URLs of the original locations where I found the recordings used in this book. Those without a URL came from a cassette tape, LP or CD in my personal collection, or from now-defunct YouTube or Grooveshark web pages. I had many of the other recordings in my collection already, but searched for online sources to allow the reader to hear what I heard when writing the book. Naturally, these posted “videos” will disappear over time, although most of them then re- appear six months or a year later with a new URL. If you can’t find an alternate location, send me an e-mail and let me know. In the meantime, I have provided low-level mp3 files of the tracks that are not available or that I have modified in pitch or speed in private listening vaults where they can be heard. This way, the entire book can be verified by listening to the same re- cordings and works that I heard. For locations of these private sound vaults, please e-mail me and I will send you the links. They are not to be shared or downloaded, and the selections therein are only identified by their numbers from the complete list given below. Chapter I: 0001. Maple Leaf Rag (Joplin)/Scott Joplin, piano roll (1916) listen at: http://www.youtube.com/watch?v=9E5iehuiYdQ 0002. Charleston Rag (a.k.a. Echoes of Africa)(Blake)/Eubie Blake, piano (1969) listen at: https://www.youtube.com/watch?v=R7oQfRGUOnU 0003. Stars and Stripes Forever (John Philip Sousa, arr. -
ARTIE SHAW NEA Jazz Master (2005)
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. ARTIE SHAW NEA Jazz Master (2005) Interviewee: Artie Shaw (May 23, 1910- December 30, 2004) Interviewer: Bruce Talbot Date: October 7 and 8, 1992 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 100 pp. Note: Expletives have been deleted from this Web version of the transcript, and are marked thus: [expletive deleted]. An unaltered transcript is available for use by researchers at the Archives Center, National Museum of American History. Talbot: This is October the 7th [1992], and this is day . the first of two days’ interviews with Artie Shaw. Shaw: Are we o.k.? [recording engineer:] Yeah, we got a great level. Shaw: Before we get into this, or maybe as a way of getting into it, I showed you this material on the book I’ve been working on on-and-off since about 1978. What is it now? This is . It’s been 12 years. I’ve published another book in between. I’ve done some CDs. I’ve done a lot of other stuff. But this one . I’ll tell you the point of it. I wanted to do a trilogy. I had at one time . I don’t know. You’re a reader, so you may know the book. Most people don’t even know of it. Romain Rolland wrote a book called Jean- Christophe. Did you ever read it or hear of it? For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 Talbot: Heard of it.