DOCSLIB.ORG

Still on the Road 1994 Mtv Unplugged Sessions

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Still on the Road 1994 Mtv Unplugged Sessions STILL ON THE ROAD 1994 MTV UNPLUGGED SESSIONS NOVEMBER 15 New York City, New York Sony Music Studios, afternoon camera rehearsals 16 New York City, New York Sony Music Studios, rehearsals 17 New York City, New York Sony Music Studios, 1st taping session 18 New York City, New York Sony Music Studios, 2nd taping session Still On The Road – Bob Dylan 1994: MTV Unplugged Sessions 15755 Sony Music Studios New York City, New York 15 November 1994 Afternoon camera rehearsals for MTV Unplugged taping sessions. 1. I Want You 2. Tombstone Blues 3. Tombstone Blues 4. Tombstone Blues 5. Tombstone Blues 6. I Want You 7. Don't Think Twice, It's All Right 8. Desolation Row 9. Hazel 10. Everything Is Broken 11. The Times They Are A-Changin' 12. Love Minus Zero/No Limit 13. Dignity 14. With God On Our Side Bob Dylan (acoustic guitar), John Jackson (acoustic guitar), Brendan O’Brien (organ), Tony Garnier (bass), Winston Watson (drums & percussion). 1, 2, 6-14 Bob Dylan (vocal), 7, 9 Bob Dylan (harmonica). 1, 6, 9, 14 Bucky Baxter (pedal steel guitar) 2-5, 10, 13 Bucky Baxter (lap steel guitar) 7 Bucky Baxter (mandolin) 8, 12 Bucky Baxter (dobro) Notes 3-5 instrumentals. Stereo TV and stereo PA recording, 60 minutes. Session info updated 15 November 2014. Still On The Road – Bob Dylan 1994: MTV Unplugged Sessions 15760 Sony Music Studios New York City, New York 16 November 1994 Rehearsals for MTV Unplugged taping sessions. 1. Absolutely Sweet Marie 2. Don't Think Twice, It's All Right 3. Desolation Row 4. Tombstone Blues 5. Hazel 6. Everything Is Broken 7. The Times They Are A-Changin’ 8. Love Minus Zero/No Limit 9. Dignity 10. With God On Our Side 11. Dignity 12. Dignity 13. Dignity 14. Dignity 15. Desolation Row 16. Knockin’ On Heaven's Door 17. Tombstone Blues 18. I Pity The Poor Immigrant 19. Shooting Star 20. Tombstone Blues Bob Dylan (vocal & guitar), Bucky Baxter (pedal steel guitar & electric slide guitar), John Jackson (guitar), Brendan O’Brien (keyboards & guitar), Tony Garnier (bass), Winston Watson (drums & percussion). Note. There is no circulating tape from these rehearsals (as of revision date). Session info updated 15 March 1996. Still On The Road – Bob Dylan 1994: MTV Unplugged Sessions 15770 Sony Music Studios New York City, New York 17 November 1994 First MTV Unplugged taping session. 1. Tombstone Blues 2. I Want You 3. Don't Think Twice, It's All Right 4. Desolation Row 5. Hazel 6. Everything Is Broken 7. The Times They Are A-Changin' 8. Love Minus Zero/No Limit 9. Dignity 10. With God On Our Side Bob Dylan (vocal & guitar), Bucky Baxter (pedal steel guitar & electric slide guitar), John Jackson (guitar), Brendan O’Brien (keyboards), Tony Garnier (bass), Winston Watson (drums & percussion). 3, 8 Bob Dylan harmonica. Notes • First live version of Hazel since The last Waltz concert, November 1976. • First live Tombstone Blues since Slane, Ireland, 8 July 1984. Official releases 1, 4, 8, 10 released on MTV UNPLUGGED, Columbia 478 374 2 (CD), European version, 11 April 1995. 1, 4, 10 released on MTV UNPLUGGED, Columbia 478 374 2 (CD), US version, 5 May 1995. 1, 4, 8, 10 released on MTV UNPLUGGED, Columbia C2 6700 (LP), European version, 25 April 1995. 1, 4, 10 released on MTV UNPLUGGED, Columbia C2 6700 (LP), US version, 25 April 1995. 1, 4, 8, 10 released on commercial video MTV UNPLUGGED, SMV Enterprises 50 113 2, 5 May 1995. 1, 4, 10 released in remastered versions on MTV UNPLUGGED, Columbia 88691924312-39 as part of the CD box THE COMPLETE ALBUM COLLECTION, VOL. ONE, 5 November 2013. Stereo PA recording, 65 minutes. Session info updated 24 November 2013. Still On The Road – Bob Dylan 1994: MTV Unplugged Sessions 15780 Sony Music Studios New York City, New York 18 November 1994 Second MTV Unplugged taping session. 1. Absolutely Sweet Marie 2. Shooting Star 3. All Along The Watchtower 4. My Back Pages 5. Rainy Day Women #12 & 35 6. John Brown 7. The Times They Are A-Changin' 8. Dignity 9. Knockin’ On Heaven's Door 10. Like A Rolling Stone 11. Like A Rolling Stone — 12. Tonight I'll Be Staying Here With You 13. Tonight I'll Be Staying Here With You 14. Desolation Row 15. I Want You Bob Dylan (vocal & guitar), Bucky Baxter (pedal steel guitar & electric slide guitar), John Jackson (guitar), Brendan O’Brien (keyboards), Tony Garnier (bass), Winston Watson (drums & percussion). 2, 4, 9 Bob Dylan harmonica. BobTalk We’re gonna start this again, the band was way ahead of me (laughs) [John Jackson protests: It wasn’t the band! It wasn’t!!] ... and we have to tune these instruments too. (after aborting Like A Rolling Stone). Official releases 2, 3, 5–9, 10 (fragment), 11 released on MTV UNPLUGGED, Columbia 478 374 2 (CD), 11 April 1995 in Europe and 5 May 1995 in US. 2, 3, 5–9, 10 (fragment), 11 released on commercial video MTV UNPLUGGED, SMV Enterprises 50 113 2, 5 May 1995. 2, 3, 5–9, 10 (fragment), 11 released on MTV UNPLUGGED, Columbia C2 6700 (LP), 25 April 1995. 2, 3, 5–9, 10 (fragment), 11 released in remastered versions on MTV UNPLUGGED, Columbia 88691924312-39 as part of the CD box THE COMPLETE ALBUM COLLECTION, VOL. ONE, 5 November 2013. 6, 8 released on CD single Dignity (MTV UNPLUGGED), Columbia COL 661 400 2, 11 April 1995. Part of 8 (57 seconds) released on Interactive Music CD-ROM Highway 61 Interactive, Columbia/Graphix Zone CDAC 085700, February 1995. Still On The Road – Bob Dylan 1994: MTV Unplugged Sessions 8 released on Live 1961-2000 - Thirty-nine years of great concert performances, SME Records SRCS 2438, 28 February 2001. Notes 9 overdubbed with a three second loop of audience handclapping and whistling on the European CD version. 10 aborted after first verse. 12 false start. 15 broadcast by HBO TV. Stereo PA recording, 85 minutes. Session info updated 27 May 2021 . Still On The Road – Bob Dylan 1994: MTV Unplugged Sessions .
Load more

Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Still on the Road 2000 Us Summer Tour
    STILL ON THE ROAD 2000 US SUMMER TOUR JUNE 15 Portland, Oregon Roseland Theater 16 Portland, Oregon Portland Meadows 17 George, Washington The Gorge 18 George, Washington The Gorge 20 Medford, Oregon Jackson County Expo Hall 21 Marysville, California Sacramento Valley Amphitheater 23 Concord, California Chronicle Pavilion 24 Mountain View, California Shoreline Amphitheatre 25 Reno, Nevada Reno Hilton Amphitheatre 27 Las Vegas, Nevada House Of Blues, Mandalay Bay Resort & Casino 29 Irvine, California Verizon Wireless Amphitheater 30 Ventura, California Arena, Ventura County Fairgrounds JULY 1 Del Mar, California Grandstand, Del Mar Fairgrounds 3 Albuquerque, New Mexico Mesa Del Sol Amphitheater 6 Oklahoma City, Oklahoma The Zoo Amphitheater 7 Bonner Springs, Kansas Sandstone Amphitheatre 8 Maryland Heights, Missouri Riverport Amphitheater 9 Noblesville, Indiana Deer Creek Music Center 11 Cincinnati, Ohio Riverbend Music Center 12 Moline, Illinois The Mark of the Quad Cities 14 Minneapolis, Minnesota Target Center 15 East Troy, Wisconsin Alpine Valley Music Theater 16 Clarkston, Michigan Pine Knob Music Theater 18 Toronto, Ontario, Canada Molson Amphitheatre 19 Canandaigua, New York Finger Lakes Performing Arts Center 21 Hartford, Connecticut Meadows Music Theatre 22 Mansfield, Massachusetts Tweeter Center for the Performing Arts 23 Saratoga Springs, Saratoga Performing Arts Center 25 Scranton, Pennsylvania Coors Light Amphitheatre 26 Wantagh, New York Jones Beach Amphitheatre 28 Camden, New Jersey E-Centre, Blockbuster-Sony Music Entertainment Centre 29 Columbia, Maryland Marjorie Merriweather Post Pavilion 30 Stanhope, New Jersey Waterloo Village Bob Dylan: Still On The Road – The 2000 US Summer Tour 21820 Roseland Theater Portland, Oregon 15 June 2000 1. Duncan And Brady (trad.) 2.
    [Show full text]
  • Bob Dylan Bob Dylan's 50Th Anniversary Collection: 1965 Mp3, Flac, Wma
    Bob Dylan Bob Dylan's 50th Anniversary Collection: 1965 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Blues / Folk, World, & Country Album: Bob Dylan's 50th Anniversary Collection: 1965 Country: US Released: 2015 Style: Folk Rock, Blues Rock, Rhythm & Blues MP3 version RAR size: 1115 mb FLAC version RAR size: 1121 mb WMA version RAR size: 1812 mb Rating: 4.2 Votes: 997 Other Formats: WAV VOC MP1 TTA MIDI VQF ASF Tracklist February 17, 1965 (Les Crane Show, WABC-TV Studios, New York City, New York) 1 It’s All Over Now, Baby Blue 4:24 2 It’s Alright, Ma (I’m Only Bleeding) 7:25 March 27, 1965 (Santa Monica Civic Auditorium, Santa Monica, California) 3 To Ramona 4:22 4 Gates of Eden 7:13 5 If You Gotta Go, Go Now 2:11 6 It’s Alright, Ma (I’m Only Bleeding) 7:34 7 Love Minus Zero/No Limit 4:04 8 Mr. Tambourine Man 5:27 9 Don’t Think Twice, It’s All Right 3:27 10 With God On Our Side [incomplete] 1:22 11 She Belongs To Me 3:36 12 It Ain’t Me, Babe [incomplete] 1:10 13 The Lonesome Death of Hattie Carroll [incomplete] 0:20 14 All I Really Want To Do 2:22 15 It’s All Over Now, Baby Blue 4:41 April 30, 1965 (The Oval, City Hall, Sheffield, England) 16 The Times They Are A-Changin' 3:25 17 To Ramona 4:24 18 Gates of Eden 6:58 19 If You Gotta Go, Go Now 2:54 20 It's Alright, Ma (I'm Only Bleeding) 8:02 21 Love Minus Zero/No Limit 4:36 22 Mr.
    [Show full text]
  • Magisterarbeit
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES MAGISTERARBEIT Titel der Magisterarbeit „Es war einmal MTV. Vom Musiksender zum Lifestylesender. Eine Programmanalyse von MTV Germany im Jahr 2009.“ Verfasserin Sandra Kuni, Bakk. phil. angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, Februar 2010 Studienkennzahl lt. Studienblatt: A 066 841 Studienichtung lt. Studienblatt: Publizistik und Kommunikationswissenschaft Betreuerin / Betreuer: Ao. Univ. Prof. Dr. Friedrich Hausjell DANKSAGUNG Die Fertigstellung der Magisterarbeit bedeutet das Ende eines Lebensabschnitts und wäre ohne die Hilfe einiger Personen nicht so leicht möglich gewesen. Zu Beginn möchte ich Prof. Dr. Fritz Hausjell für seine kompetente Betreuung und die interessanten und vielseitigen Gespräche über mein Thema danken. Großer Dank gilt Dr. Axel Schmidt, der sich die Zeit genommen hat, meine Fragen zu bearbeiten und ein informatives Experteninterview per Telefon zu führen. Besonders möchte ich auch meinem Freund Lukas danken, der mir bei allen formalen und computertechnischen Problemen geholfen hat, die ich alleine nicht geschafft hätte. Meine Tante Birgit stand mir immer mit Rat und Tat zur Seite, ihr möchte ich für das Korrekturlesen meiner Arbeit und ihre Verbesserungsvorschläge danken. Zum Schluss danke ich noch meinen Eltern und all meinen guten Freunden für ihr offenes Ohr und ihre Unterstützung. Danke Vicky, Kathi, Pia, Meli und Alex! EIDESSTATTLICHE ERKLÄRUNG Ich habe diese Magisterarbeit selbständig verfasst, alle meine Quellen und Hilfsmittel angegeben und keine unerlaubten Hilfen eingesetzt. Diese Arbeit wurde bisher in keiner Form als Prüfungsarbeit vorgelegt. Ort und Datum Sandra Kuni INHALTSVERZEICHNIS I. EINLEITUNG .....................................................................................................1 I.1. Auswahl der Thematik................................................................................................ 1 I.2.
    [Show full text]
  • Rolling Stone Satisfaction Guitar
    Rolling Stone Satisfaction Guitar Veritably provable, Michele readvised coolabah and phosphatizes retaliations. If comatose or inflatable Trip usually displacing his zirconium assort methodologically or blunged anomalously and hazardously, how multivalent is Willmott? Beatific and irrefrangible Hermy abrading immortally and sandpaper his salaams yesterday and conjunctively. How jagger when the volume of days later in music was an interesting note changes and adding bursts of rolling stone Formed of just three different notes, this classic Stones riff certainly ranks as one of the easier lines to learn on the guitar. Amazing how the acoustic guitar and piano are not at all in a groove together. Keith Richards used his fuzzbox, but he also played clean guitar during the song, with Brian Jones strumming an acoustic throughout. What can you say about this song? The guitar riff basically suggested itself from the melody Mick was singing. Looking to give your Tele more of a Keith Richards vibe? Learn how to play your favorite songs with Ultimate Guitar huge database. Want to teach guitar? Learn to play songs by the Eagles, Cat Stevens, Deep Purple, John Denver, and other popular rock and folk hits, for free, by checking out this archive of guitar tablature. Richards played the guitar riff and wrote down the lyric i can't harbor no satisfaction and ash fell back the sleep On the tape is said later they can. At that time I was into really compressing the acoustic guitar by running it through the early Phillips and Norelco cassette recorders and really overloading them. You need horns to knock that riff out.
    [Show full text]
  • The Effects of Digital Music Distribution" (2012)
    Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Spring 4-5-2012 The ffecE ts of Digital Music Distribution Rama A. Dechsakda [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp The er search paper was a study of how digital music distribution has affected the music industry by researching different views and aspects. I believe this topic was vital to research because it give us insight on were the music industry is headed in the future. Two main research questions proposed were; “How is digital music distribution affecting the music industry?” and “In what way does the piracy industry affect the digital music industry?” The methodology used for this research was performing case studies, researching prospective and retrospective data, and analyzing sales figures and graphs. Case studies were performed on one independent artist and two major artists whom changed the digital music industry in different ways. Another pair of case studies were performed on an independent label and a major label on how changes of the digital music industry effected their business model and how piracy effected those new business models as well. I analyzed sales figures and graphs of digital music sales and physical sales to show the differences in the formats. I researched prospective data on how consumers adjusted to the digital music advancements and how piracy industry has affected them. Last I concluded all the data found during this research to show that digital music distribution is growing and could possibly be the dominant format for obtaining music, and the battle with piracy will be an ongoing process that will be hard to end anytime soon.
    [Show full text]
  • Bob Dylan: the 30 Th Anniversary Concert Celebration” Returning to PBS on THIRTEEN’S Great Performances in March
    Press Contact: Harry Forbes, WNET 212-560-8027 or [email protected] Press materials; http://pressroom.pbs.org/ or http://www.thirteen.org/13pressroom/ Website: http://www.pbs.org/wnet/gperf/ Facebook: http://www.facebook.com/GreatPerformances Twitter: @GPerfPBS “Bob Dylan: The 30 th Anniversary Concert Celebration” Returning to PBS on THIRTEEN’s Great Performances in March A veritable Who’s Who of the music scene includes Eric Clapton, Stevie Wonder, Neil Young, Kris Kristofferson, Tom Petty, Tracy Chapman, George Harrison and others Great Performances presents a special encore of highlights from 1992’s star-studded concert tribute to the American pop music icon at New York City’s Madison Square Garden in Bob Dylan: The 30 th Anniversary Concert Celebration in March on PBS (check local listings). (In New York, THIRTEEN will air the concert on Friday, March 7 at 9 p.m.) Selling out 18,200 seats in a frantic, record-breaking 70 minutes, the concert gathered an amazing Who’s Who of performers to celebrate the 30th anniversary of the enigmatic singer- songwriter’s groundbreaking debut album from 1962, Bob Dylan . Taking viewers from front row center to back stage, the special captures all the excitement of this historic, once-in-a-lifetime concert as many of the greatest names in popular music—including The Band , Mary Chapin Carpenter , Roseanne Cash , Eric Clapton , Shawn Colvin , George Harrison , Richie Havens , Roger McGuinn , John Mellencamp , Tom Petty , Stevie Wonder , Eddie Vedder , Ron Wood , Neil Young , and more—pay homage to Dylan and the songs that made him a legend.
    [Show full text]
  • Young Americans to Emotional Rescue: Selected Meetings
    YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music.
    [Show full text]
  • Rolling Stone Magazine's Top 500 Songs
    Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
    [Show full text]
  • I Still Believe
    I still believe I still believe was first recorded by Bunny DeBarge in 1986. A year later, Chrysalis artist Brenda K. Starr also recorded a version of the song, who just happened to be employing a back-up singer 0351 5” CD-Single from Austria named Mariah Carey at the time. In 1998, Mariah recorded her own SAMPCS 6452 promo in slimline jewelcase version for her compilation album #1’s. I still believe was released as a single on February 9, 1999 in the USA and on March 1, 1999 Tracklisting: in Europe. On February 23, a remix single, called I still believe/Pure 1. I still believe (Album Version) imagination, was released. On the back cover is a little message for the dj’s: “I want to thank everyone at radio for your continued support. I appreciate ya! Love, Mariah.” On January 5, 2001, Kathi Pinto, a songwriter from California, filed a copyright infringement lawsuit in United States District Court for the Central District of California over the single. Kathi alleges in the suit that she co-wrote a song entitled I still believe in 1981, which was sold to music publisher Galen Senogles at Simple Song Music that same year. As the song switched hands among various publish- 0986 5” CD-Single from Austria SAMPCS 666781-8 ers and record execs over the years through Pinto’s desire for a re- promo without sleeve cording contract, it eventually ended up in the hands of Tom Sturges at Chrysalis Records around 1985. Sturges allegedly helped pen a Tracklisting: tune called I still believe with Antonina Armato and Beppe Canarelli.
    [Show full text]
  • Durham E-Theses
    Durham E-Theses `This is what Salvation must be like after a While': Bob Dylan's Critical Utopia KOUVAROU, MARIA How to cite: KOUVAROU, MARIA (2011) `This is what Salvation must be like after a While': Bob Dylan's Critical Utopia, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/1391/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 ‘This is what Salvation must be like after a While’: Bob Dylan’s Critical Utopia Maria Kouvarou MA by Research in Musicology Music Department Durham University 2011 Maria Kouvarou ‘This is what Salvation must be like after a While’: Bob Dylan’s Critical Utopia Abstract Bob Dylan’s work has frequently been the object of discussion, debate and scholarly research. It has been commented on in terms of interpretation of the lyrics of his songs, of their musical treatment, and of the distinctiveness of Dylan’s performance style, while Dylan himself has been treated both as an important figure in the world of popular music, and also as an artist, as a significant poet.
    [Show full text]
  • Bob Denson Master Song List 2020
    Bob Denson Master Song List Alphabetical by Artist/Band Name A Amos Lee - Arms of a Woman - Keep it Loose, Keep it Tight - Night Train - Sweet Pea Amy Winehouse - Valerie Al Green - Let's Stay Together - Take Me To The River Alicia Keys - If I Ain't Got You - Girl on Fire - No One Allman Brothers Band, The - Ain’t Wastin’ Time No More - Melissa - Ramblin’ Man - Statesboro Blues Arlen & Harburg (Isai K….and Eva Cassidy and…) - Somewhere Over the Rainbow Avett Brothers - The Ballad of Love and Hate - Head Full of DoubtRoad Full of Promise - I and Love and You B Bachman Turner Overdrive - Taking Care Of Business Band, The - Acadian Driftwood - It Makes No Difference - King Harvest (Has Surely Come) - Night They Drove Old Dixie Down, The - Ophelia - Up On Cripple Creek - Weight, The Barenaked Ladies - Alcohol - If I Had A Million Dollars - I’ll Be That Girl - In The Car - Life in a Nutshell - Never is Enough - Old Apartment, The - Pinch Me Beatles, The - A Hard Day’s Night - Across The Universe - All My Loving - Birthday - Blackbird - Can’t Buy Me Love - Dear Prudence - Eight Days A Week - Eleanor Rigby - For No One - Get Back - Girl Got To Get You Into My Life - Help! - Her Majesty - Here, There, and Everywhere - I Saw Her Standing There - I Will - If I Fell - In My Life - Julia - Let it Be - Love Me Do - Mean Mr. Mustard - Norwegian Wood - Ob-La-Di Ob-La-Da - Polythene Pam - Rocky Raccoon - She Came In Through The Bathroom Window - She Loves You - Something - Things We Said Today - Twist and Shout - With A Little Help From My Friends - You’ve
    [Show full text]