Transparency Resolution #2 August 26, 2021 (PDF)
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New York City Scores 2018
New York City Regional Economic Development Council 2018 Annual Report Assessment I. Performance a. Impact on job creation and retention Strengths • For each year from 2011-2016, the unemployment rate in NYC was higher than the unemployment rate in the rest of the state. In 2017, this trend ceased, and the NYC unemployment rate is at an historic low (approximately 4.2 percent) compared to a statewide rate of about 4.6 percent. The veteran unemployment rate followed this same trend. • From 2012-2017 CFA projects (including Priority Projects) are projected to retain 17,620 jobs and created 16,508. • Technology cluster employment increased 46.2 percent from 2011 to 2017 – more than double that of the state increase in tech employment during the same period (21 percent). Weaknesses • From 2016 – 2017, the Advanced Manufacturing cluster had a 3.5 percent decrease in average annual employment (AAE). • From 2016 – 2017, the Life Sciences cluster had a 2.1 percent decrease in AAE, and the Food and Agriculture cluster decreased 0.3 percent. b. Business growth and leverage of private sector investments Strengths • The number of private sector establishments increased 1.8 percent from 2016 to 2017, and 12.1 percent between 2011 and 2017. • Visitor spending increased 33.7 percent between 2011 and 2017. • The Gross Regional Product increased 33.5 percent from 2011 to 2017. • From 2011-2017, the ratio of total project cost to ESD Capital Funds awards was 23.3 to 1. For 2017 the ratio was 9.5. For all CFA projects (including Priority Projects) the ratio was 13.8 to 1. -
Lgbtq-Friendly Youth Organizations in New York City
LGBTQ-FRIENDLY YOUTH ORGANIZATIONS IN NEW YORK CITY A Publication of The Juvenile Justice Coalition, LGBTQ Work Group May 2013 ACKNOWLEDGEMENTS The Juvenile Justice Coalition, LGBTQ Work Group thanks Darcy Cues, Legal Intern at The Center for HIV Law and Policy, for her contributions to this resource. Cover art is by Safe Passages Program Youth Leader, Juvenile Justice Project, Correctional Association of New York. For more information on the Juvenile Justice Coalition, LGBTQ Work Group, contact Judy Yu, Chair, at [email protected]. Table of Contents COMMUNITY ORGANIZATIONS ......................................................................................................... 1 ADDICTION SERVICES AND SUPPORT ....................................................................................................... 1 ADVOCACY ORGANIZATIONS ................................................................................................................... 2 RACIAL & ETHNIC ORGANIZATIONS ........................................................................................................ 1 RELIGIOUS ORGANIZATIONS .................................................................................................................. 16 SOCIAL ORGANIZATIONS & ENRICHMENT PROGRAMS .......................................................................... 23 SUPPORT GROUPS, COMMUNITY RESOURCES, & EDUCATION/OUTREACH ........................................... 27 LEGAL ORGANIZATIONS .................................................................................................................. -
Lawrence M. La Fountain-Stokes
Lawrence M. La Fountain-Stokes Associate Professor Department of American Culture, Department of Romance Languages and Literatures Department of Women’s Studies, Latina/o Studies Program University of Michigan, Ann Arbor ADDRESS American Culture, 3700 Haven Hall Ann Arbor, MI (USA) 48109 1 (734) 647-0913 (office) 1 (734) 936-1967 (fax) [email protected] http://larrylafountain.com https://umich.academia.edu/LarryLaFountain EDUCATION Columbia University Ph.D. Spanish & Portuguese, Feb. 1999. New York, NY, USA Dissertation: Culture, Representation, and the Puerto Rican Queer Diaspora. Advisor: Jean Franco. M.Phil. Spanish & Portuguese, Feb. 1996. M.A. Spanish & Portuguese, May 1992. Master’s Thesis: Representación de la mujer incaica en Los comentarios reales del Inca Garcilaso de la Vega. Advisor: Flor María Rodríguez Arenas. Harvard College A.B. cum laude in Hispanic Studies, June 1991. Cambridge, MA, USA Senior Honors Thesis: Revolución y utopía en La noche oscura del niño Avilés de Edgardo Rodríguez Juliá. Advisor: Roberto Castillo Sandoval. Universidade de São Paulo Undergraduate courses in Brazilian Literature, June 1988 – Dec. 1989. São Paulo, SP, Brazil AREAS OF INTEREST Puerto Rican, Hispanic Caribbean, and U.S. Latina/o Studies. Queer of Color Studies. Women’s, Gender and Sexuality Studies. Transnational and Women of Color Feminism. Theater, Performance, and Cultural Studies. Comparative Ethnic Studies. Migration Studies. XXth and XXIth Century Latin American Literature, including Brazil. PUBLICATIONS (ACADEMIC) Books (Single-Authored) 2018 Escenas transcaribeñas: ensayos sobre teatro, performance y cultura. San Juan: Isla Negra Editores, 2018. 296 pages. La Fountain-Stokes CV JUNE 2018 Page 1 La Fountain-Stokes CV JUNE 2018 2 News Coverage - Richard Price and Sally Price, “Bookshelf 2018.” New West Indian Guide, 2019 (forthcoming). -
Lawrence M. La Fountain-Stokes
Lawrence M. La Fountain-Stokes Associate Professor Department of American Culture, Department of Romance Languages and Literatures & Department of Women’s Studies Director, Latina/o Studies Program University of Michigan, Ann Arbor ADDRESS American Culture, 3700 Haven Hall Ann Arbor, MI 48109 (734) 647-0913 (office) (734) 936-1967 (fax) [email protected] http://larrylafountain.com EDUCATION Columbia University Ph.D. Spanish & Portuguese, Feb. 1999. Dissertation: Culture, Representation, and the Puerto Rican Queer Diaspora. Advisor: Jean Franco. M.Phil. Spanish & Portuguese, Feb. 1996. M.A. Spanish & Portuguese, May 1992. Master’s Thesis: Representación de la mujer incaica en Los comentarios reales del Inca Garcilaso de la Vega. Advisor: Flor María Rodríguez Arenas. Harvard College A.B. cum laude in Hispanic Studies, June 1991. Senior Honors Thesis: Revolución y utopía en La noche oscura del niño Avilés de Edgardo Rodríguez Juliá. Advisor: Roberto Castillo Sandoval. Universidade de São Paulo Undergraduate courses in Brazilian Literature, June 1988 – Dec. 1989. AREAS OF INTEREST Puerto Rican, Hispanic Caribbean, and U.S. Latina/o Studies. Queer of Color Studies. Women’s, Gender and Sexuality Studies. Transnational and Women of Color Feminism. Theater, Performance, and Cultural Studies. Comparative Ethnic Studies. Migration Studies. XXth and XXIth Century Latin American Literature, including Brazil. PUBLICATIONS (ACADEMIC) Books 2009 Queer Ricans: Cultures and Sexualities in the Diaspora. Minneapolis: University of Minnesota Press, 2009. xxvii + 242 pages. La Fountain-Stokes CV October 2013 Page 1 La Fountain-Stokes CV October 2013 2 Reviews - Enmanuel Martínez in CENTRO: Journal of the Center for Puerto Rican Studies 24.1 (Fall 2012): 201-04. -
Lawrence M. La Fountain-Stokes
Lawrence M. La Fountain-Stokes Associate Professor Dept. of American Culture, Romance Languages and Literatures, and Women’s Studies College of Literature, Science, and the Arts (LSA) Univ. of Michigan, Ann Arbor ADDRESS American Culture, 3700 Haven Hall Ann Arbor, MI (USA) 48109 1 (734) 647-0913 (office) 1 (734) 936-1967 (fax) [email protected] http://larrylafountain.com https://umich.academia.edu/LarryLaFountain EDUCATION Columbia University Ph.D. Spanish & Portuguese, Feb. 1999. New York, NY, USA Dissertation: Culture, Representation, and the Puerto Rican Queer Diaspora. Advisor: Jean Franco. M.Phil. Spanish & Portuguese, Feb. 1996. M.A. Spanish & Portuguese, May 1992. Master’s Thesis: Representación de la mujer incaica en Los comentarios reales del Inca Garcilaso de la Vega. Advisor: Flor María Rodríguez Arenas. Harvard College A.B. cum laude in Hispanic Studies, June 1991. Cambridge, MA, USA Senior Honors Thesis: Revolución y utopía en La noche oscura del niño Avilés de Edgardo Rodríguez Juliá. Advisor: Roberto Castillo Sandoval. Universidade de São Paulo Undergraduate courses in Brazilian Literature, June 1988 – Dec. 1989. São Paulo, SP, Brazil AREAS OF INTEREST Puerto Rican, Hispanic Caribbean, and Latinx Studies. Queer of Color Studies. Women’s, Gender and Sexuality Studies. Cultural Studies. Theater and Performance Studies. Transnational and Women of Color Feminism. Comparative Ethnic Studies. Migration Studies. XXth and XXIth Century Latin American Literature, including Brazil. PUBLICATIONS (ACADEMIC) Books (Single-Authored) 2018 Escenas transcaribeñas: ensayos sobre teatro, performance y cultura. San Juan: Isla Negra Editores, 2018. 296 pages. Reviews La Fountain-Stokes CV JULY 2019 Page 1 La Fountain-Stokes CV JULY 2019 2 - Lissette Rolón Collazo in Revista Iberoamericana 85.225 (2019): 281-283. -
Redalyc.A Naked Puerto Rican Faggot from America: an Interview with Arthur Avilés
Centro Journal ISSN: 1538-6279 [email protected] The City University of New York Estados Unidos La Fountain-Stokes, Lawrence A naked Puerto Rican faggot from America: an interview with Arthur Avilés Centro Journal, vol. XIX, núm. 1, 2007, pp. 314-329 The City University of New York New York, Estados Unidos Available in: http://www.redalyc.org/articulo.oa?id=37719115 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative LaFountainInterview(v4).qxd 6/3/07 4:10 PM Page 314 LaFountainInterview(v4).qxd 6/3/07 4:10 PM Page 315 CENTRO Journal Volume7 xix Number 1 spring 2007 A naked Puerto Rican faggot from America: An interview with Arthur Avilés LAWRENCE LA FOUNTAIN-STOKES Arthur Avilés is one of the leading Latino modern dancers and choreographers in the United States, and is frequently written about in the New York Times and in specialized dance publications. His work often focuses on the experiences of lesbian, gay, and transgender Nuyorican and New York-Rican individuals. He humorously (and critically) approaches queer diasporic Boricua life in the ghetto by rewriting classic popular tales such as Cinderella and The Wizard of Oz, which go on to become pieces like Arturella (1996), Maéva de Oz (1997), and Dorothur’s Journey (1998). He also invites controversy and attempts to shake things up by dancing naked and in drag, and giving provocative titles to his works, such as A Puerto Rican Faggot from America (1996). -
Subject to Capital
SUBJECT TO CAPITAL SPECIAL PROGRAMS “Not the Post-Apocalypse I Expected” Organized by D-L Alvarez and Jorge Ignacio Cortiñas Featuring Arthur Avilés, Nayland Blake, Kia Labeija and Anthony Viti Saturday April 2, 3PM - 5PM This encampment explores how the queers and activists who struggled through the crisis of the 80s and 90s are surviving / dealing / getting by in a present marked by gentrification, evictions, the migration of more and more of our lives onto online spaces, pronounced income inequality, the advent of high-deductible health care, and a political climate that asks us to celebrate the legalization of same sex marriage but leave behind many of our radical queer aspirations. We want to consider if the dangers of the present might be more insidious than the ones of the past, because although they are perhaps experienced as less urgent we face them as older people and without the mobilized activist networks we had available some 25 years ago. Four artists, all with different relationships to aging through and beyond the activism of the 80s and 90s, have been invited to present work that considers how we are doing in a present so shaped by, and so different from, our past. Presented with Visual AIDS and Women & Performance: a journal of feminist theory. Artists Bios Arthur Avilés is a Gay New York-Rican dancer/choreographer. He was born in Queens and grew up in Long Island and the Bronx. He received a BA in Theatre/Dance from Bard College, was a member of Bill T. Jones/Arnie Zane Dance Company from ‘87 to ‘95, and received a New York Dance and performance award (Bessie) in ‘89. -
What Are the Paradigm Shifts Necessary for the Arts Sector to Nurture More Sustainable THRIVING Institutions of Color?
1 What Are the Paradigm Shifts Necessary for the Arts Sector to Nurture More Sustainable THRIVING Institutions of Color? Learnings from practitioners in New York City–based organizations that serve African, LatinX, Asian, Arab, and Native American Culture and Communities 2 LET’S BE INTENTIONAL WITH OUR WORDS. What is Sustainability? Able to maintain viability by using techniques that allow for continual reuse: sustainable agriculture. Capable of being supported or upheld, as by having its weight borne from below: a sustainable structure. Able to be maintained or kept going, as an action or pro- The Bronx Academy of Arts and Dance (BAAD!) cess: a sustainable negotiation between the two countries. Able to be confirmed or upheld: a sustainable decision. Able to be supported as with the basic necessities or sufficient funds: a sustainable life. (Source: Dictionary.com) In light of these definitions, Yancey Consulting asked the question whether sustainability is the true intent. Is the desire for organizations to “maintain [their] own viability” or be “able to be supported with the basic necessities or sufficient funds”? We found that sustainability is the start but not the end. More viable operating conditions are irrefutably desired, but organizations ultimately aspire to thrive 1 [“flourish,” “prosper,” and “grow vigorously”]. So, for the context of this report, our findings and analyses for moving toward sustainability are intended as critical steps in creating a more equitable environment for historically disinvested arts and culture -
The Changing Face of Creativity in New York
nycfuture.org DECEMBER 2020 THE CHANGING FACE OF CREATIVITY IN NEW YORK Sustaining NYC’s Immigrant Arts Ecosystem Through Crisis and Beyond The Changing Face of Creativity in New York is a publication of the Center for an Urban Future. Researched and written by Abigail Savitch-Lew and edited by Laird Gallagher and Eli Dvorkin. Translation assistance by Huiying Chan. Editorial CONTENTS and research assistance by Cameron Haas, Emily Eget, and Eric Krebs. Data analysis by Charles Shaviro. Designed by Rob Chabebe. This study was made possible by the New York Community Trust, the Laurie M. Tisch Illumination Fund, and Rockefeller Brothers Fund. INTRODUCTION 2 “WE NEED TO SURVIVE” COVID-19 THREATENS THE CAREERS AND LIVELIHOODS OF NYC’S IMMIGRANT ARTISTS 4 Center for an Urban Future (CUF) is a leading New York City– IMMIGRANT ARTS ORGANIZATIONS HIT based think tank that generates smart and sustainable public policies to reduce inequality, increase economic mobility, and HARD BY THE PANDEMIC 9 grow the economy. General operating support for the Center for an Urban Future METHODOLOGY: COUNTING IMMIGRANT ARTISTS 15 has been provided by The Clark Foundation and the Bernard F. and Alva B. Gimbel Foundation. Executive Director: Jonathan Bowles SUMMARY OF RECOMMENDATIONS 16 Editorial & Policy Director: Eli Dvorkin Associate Editor: Laird Gallagher Data Researcher: Charles Shaviro A VIBRANT FORCE: THE IMPACT OF IMMIGRANT Events and Operations Manager: Stephanie Arevalo ARTS ON NEW YORK CITY 17 Board of Directors: Gifford Miller (Chairman), Michael Connor (Vice Chair), Max Neukirchen (Treasurer), John H. Alschuler, Margaret Anadu, Jonathan Bowles, Russell Dubner, Lisa Go- CHALLENGES AT THE IMMIGRANT-ARTIST INTERSECTION 22 mez, Jalak Jobanputra, Kyle Kimball, David Lebenstein, Eric S. -
E N G I N E Development in New York City
hh N O V E M B E R 2002 • A N E W Y O R K C I T Y P O L I C Y R E S E A R C H R E P O RT w w w. n y c f u t u re . o r g THE CREATIVE I n s i d e Key Findings p.3 Highlights of our study of arts - re l a t e d E N G I N E development in New York City. NYC’s Creative Economy p.5 How Arts & Culture is A birds-eye view of the economic impact of arts and culture here. Fueling Economic Growth in New York City Neighborhoods Connecting the Dots p.8 Getting arts and business to the table: Local groups making it happen. IT DON’T MEAN A THING, IF IT AIN’T GOT THAT SWING… Across the country from Philadelphia to Seattle, No Place Like Home p.10 m ayors have invested hundreds of millions of Without specialized space, artists can’t dollars in arts and culture to help grow their cr eate. Eight organizations helping out. economies and bring that elusive sense of “ s o u l ” to their cities. But as the rest of the nation Case in Point p.11 A look at seven promising New Yor k implements major cultural development strate- I City neighborhoods. gies and business investments alike, N ew Yo r k has never developed a coordinated cultural Recommendations p.34 d evelopment strategy. I t ’s not that culture is any The bottom line: Our checklist of what less important here; all agree that there are few New York should do now. -
De Sexilio(S) Y Diáspora(S) Homosexual(Es) Latina(S): Cultura Puertorriqueña Y Lo Nuyorican Queer
desde lo queer De sexilio(s) y diáspora(s) homosexual(es) latina(s): cultura puertorriqueña y lo nuyorican queer Lawrence La Fountain-Stokes uando se piensa en la cultura lesbiana y homosexual (o queer) estadounidense, pocas veces se considera la importante contri- Cbución de los latinos y las latinas a la misma.1 Esta omisión corresponde a la común ceguera histórica y a las percepciones domi- nantes en el nivel local y mundial, que ven a los EE.UU. en general —y, de manera particular, a su expresión homosexual— en términos limita- dos. Se la concibe como una nación de inmigrantes pero homogénea o, si acaso, dominada por la cultura anglosajona, protestante y blanca (re- flejada en la correspondiente población gay, de clase media a media alta) en oposición principal a la cultura negra o afroamericana (que se asume es toda heterosexual, salvo raras excepciones, como las del escri- tor James Baldwin o los protagonistas travestis y gays del filme Paris Is Burning) y, en mucho menor grado, en contrapartida a los chicanos. Dicha postura ignora la presencia y participación más amplia de otros grupos, como los de ascendencia árabe, asiática, hispanos no-mexica- nos e indígenas o nativo-americanos, en toda su gama de manifestacio- 1 Empleo el término “queer” para señalar una serie de prácticas e identidades sexuales no heteronormativas, que incluyen pero no se limitan a las lesbianas, gays, homosexuales, bisexuales, travestis, transexuales y transgéneros (personas que par- ticipan en un proceso de redefinición de su orientación biológica); es un término más amplio y ambicioso que el más tradicional de “lesbigay”. -
DCA Programs Funding Fiscal 2010
FISCAL 2010 CULTURAL DEVELOPMENT FUND AWARDS ORGANIZATION AMOUNT 13 Playwrights, Inc. 4,850 3 Graces Theater Co., Inc. 4,850 3 Legged Dog 24,255 42nd Street Workshop, Inc. 4,850 52nd Street Project, Inc. 56,005 7 Loaves, Inc. 14,640 826NYC, Inc. 14,550 A Better Jamaica, Inc. 9,700 A Gathering of the Tribes 3,000 A Public Space Literary Projects Inc. 4,850 Aaron Davis Hall, Inc. 126,260 ABC No Rio 4,850 Abingdon Theatre Company 19,550 Academy of American Poets 14,550 Action Arts League, Inc. 4,850 Actors' Fund of America 14,550 African Diaspora Film Festival 14,550 African Film Festival, Inc. 4,850 African Voices Communications, Inc. 14,700 Afrikan Poetry Theatre, Inc. 70,862 Afro Brazil Arts 4,850 Alianza Dominicana, Inc. 14,550 All Out Arts, Inc. 13,850 Alley Pond Environmental Center, Inc. 102,605 Alliance for Downtown New York, Inc 97,010 Alliance for the Arts, Inc. 172,765 Alliance of Resident Theatres / New York, Inc. 184,765 Alpha Omega 1-7 Theatrical Dance Company, Inc. 7,275 Alpha Workshops, Inc. 27,755 Alvin Ailey Dance Foundation, Inc. 153,515 Alwan Foundation 9,700 Amas Musical Theatre, Inc. 33,955 American Ballroom Theater 14,550 American Bolero Dance Company, Inc. 4,850 American Composers Orchestra 48,505 American Documentary 24,255 American Folk Art Museum 197,015 American Friends of the Ludwig Foundation of Cuba 7,275 American Globe Theatre, Ltd. 9,700 American Indian Artists, Inc. 12,125 American Indian Community House, Inc. 7,275 American Lyric Theater Center, Inc.