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Mhysa Or Monster: Masculinization, Mimicry, and the White Savior in a Song of Ice and Fire
Mhysa or Monster: Masculinization, Mimicry, and the White Savior in A Song of Ice and Fire by Rachel Hartnett A Thesis Submitted to the Faculty of Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, FL August 2016 Copyright 2016 by Rachel Hartnett ii Acknowledgements Foremost, I wish to express my heartfelt gratitude to my advisor Dr. Elizabeth Swanstrom for her motivation, support, and knowledge. Besides encouraging me to pursue graduate school, she has been a pillar of support both intellectually and emotionally throughout all of my studies. I could never fully express my appreciation, but I owe her my eternal gratitude and couldn’t have asked for a better advisor and mentor. I also would like to thank the rest of my thesis committee: Dr. Eric Berlatsky and Dr. Carol McGuirk, for their inspiration, insightful comments, and willingness to edit my work. I also thank all of my fellow English graduate students at FAU, but in particular: Jenn Murray and Advitiya Sachdev, for the motivating discussions, the all-nighters before paper deadlines, and all the fun we have had in these few years. I’m also sincerely grateful for my long-time personal friends, Courtney McArthur and Phyllis Klarmann, who put up with my rants, listened to sections of my thesis over and over again, and helped me survive through the entire process. Their emotional support and mental care helped me stay focused on my graduate study despite numerous setbacks. Last but not the least, I would like to express my heart-felt gratitude to my sisters, Kelly and Jamie, and my mother. -
Download 1St Season of Game of Thrones Free Game of Thrones, Season 1
download 1st season of game of thrones free Game of Thrones, Season 1. Game of Thrones is an American fantasy drama television series created for HBO by David Benioff and D. B. Weiss. It is an adaptation of A Song of Ice and Fire, George R. R. Martin's series of fantasy novels, the first of which is titled A Game of Thrones. The series, set on the fictional continents of Westeros and Essos at the end of a decade-long summer, interweaves several plot lines. The first follows the members of several noble houses in a civil war for the Iron Throne of the Seven Kingdoms; the second covers the rising threat of the impending winter and the mythical creatures of the North; the third chronicles the attempts of the exiled last scion of the realm's deposed dynasty to reclaim the throne. Through its morally ambiguous characters, the series explores the issues of social hierarchy, religion, loyalty, corruption, sexuality, civil war, crime, and punishment. The PlayOn Blog. Record All 8 Seasons Game of Thrones | List of Game of Thrones Episodes And Running Times. Here at PlayOn, we thought. wouldn't it be great if we made it easy for you to download the Game of Thrones series to your iPad, tablet, or computer so you can do a whole lot of binge watching? With the PlayOn Cloud streaming DVR app on your phone or tablet and the Game of Thrones Recording Credits Pack , you'll be able to do just that, AND you can do it offline. That's right, offline . -
Narrative Structure of a Song of Ice and Fire Creates a Fictional World
Narrative structure of A Song of Ice and Fire creates a fictional world with realistic measures of social complexity Thomas Gessey-Jonesa , Colm Connaughtonb,c , Robin Dunbard , Ralph Kennae,f,1 ,Padraig´ MacCarrong,h, Cathal O’Conchobhaire , and Joseph Yosee,f aFitzwilliam College, University of Cambridge, Cambridge CB3 0DG, United Kingdom; bMathematics Institute, University of Warwick, Coventry CV4 7AL, United Kingdom; cLondon Mathematical Laboratory, London W6 8RH, United Kingdom; dDepartment of Experimental Psychology, University of Oxford, e f 4 Oxford OX2 6GG, United Kingdom; Centre for Fluid and Complex Systems, Coventry University, Coventry CV1 5FB, United Kingdom; L Collaboration, Institute for Condensed Matter Physics of the National Academy of Sciences of Ukraine, 79011 Lviv, Ukraine; gMathematics Applications Consortium for Science and Industry, Department of Mathematics & Statistics, University of Limerick, Limerick V94 T9PX, Ireland; and hCentre for Social Issues Research, University of Limerick, Limerick V94 T9PX, Ireland Edited by Kenneth W. Wachter, University of California, Berkeley, CA, and approved September 15, 2020 (received for review April 6, 2020) Network science and data analytics are used to quantify static and Schklovsky and Propp (11) and developed by Metz, Chatman, dynamic structures in George R. R. Martin’s epic novels, A Song of Genette, and others (12–14). Ice and Fire, works noted for their scale and complexity. By track- Graph theory has been used to compare character networks ing the network of character interactions as the story unfolds, it to real social networks (15) in mythological (16), Shakespearean is found that structural properties remain approximately stable (17), and fictional literature (18). To investigate the success of Ice and comparable to real-world social networks. -
“I'm All That Stands Between Them and Chaos:” a Monstrous Way of Ruling In
ARTICLE https://doi.org/10.1057/s41599-020-00562-3 OPEN “I’m all that stands between them and chaos:” a monstrous way of ruling in A Song of Ice and Fire ✉ Györgyi Kovács 1 The article explores Tyrion Lannister’s rule in King’s Landing in the second volume of A Song of Ice and Fire books, A Clash of Kings. In the reception of ASOIAF and the TV show Game of Thrones, Tyrion was considered one of the best rulers, and the TV show ended by making him 1234567890():,; Hand to a king who delegated the greatest part of ruling to him. The analysis is based on Foucault’s notion of monstrosity in power, which is characterized by a monstrous conduct and includes the excess and potential abuse of power. The article argues that monstrosity in his rule reveals deeper layers in Tyrion’s personality, which is initially suggested to be defined by morality. The article also comes to the conclusion that his morality limits the scope of his monstrous methods, which eventually leads to his fall from power. ✉ 1 Eötvös Loránd University, Faculty of Humanities, Budapest, Hungary. email: [email protected] HUMANITIES AND SOCIAL SCIENCES COMMUNICATIONS | (2020) 7:70 | https://doi.org/10.1057/s41599-020-00562-3 1 ARTICLE HUMANITIES AND SOCIAL SCIENCES COMMUNICATIONS | https://doi.org/10.1057/s41599-020-00562-3 Introduction ne of the most compelling features of George R. R. of his character and anticipates that in the books Tyrion will turn OMartin’s A Song of Ice and Fire (ASOIAF) books is the a villain motivated by vengeance (Bryndenbfish, 2019), which is way they present a richly detailed medieval fantasy world exactly the opposite of how his storyline ended in the TV show. -
Rains of Castamere Red Wedding Version Free Mp3 Download
Rains of castamere red wedding version free mp3 download CLICK TO DOWNLOAD red weed TZ Comment by Jac The freys fucked up TZ Comment by Āmin ramin javadi TZ Comment by gametheguy Play this at my funeral. /04/10 · Check out The Rains of Castamere ("The Red Wedding" Song from Season 3, Episode 9 of "Game of Thrones") by TV Theme Song Library on Amazon Music. Stream ad-free or purchase CD's and MP3s now on renuzap.podarokideal.ru(3). This is my cover of The Rains of Castamere from Game of Thrones. It's meant to combine the version from the red wedding with the lyrical version. Hope you enjoy it! Genre Soundtrack Comment by Āmin ramin javadi T A new version of renuzap.podarokideal.ru is available, to keep everything running smoothly, please reload the site. Daniel Becker The Rains of Castamere (Red Wedding Edition) (Cover). /08/16 · The Rains of Castamere, also called the Lannister’s song, can be heard during The Red Wedding episode. The Red Wedding takes place during the ninth episode of the third season of Game of Thrones. The S03E09 episode aired. "The Rains of Castamere" is the ninth and penultimate episode of the third season of HBO's fantasy television series Game of Thrones, and the 29th episode of the series. The episode was written by executive producers David Benioff and D. B. Weiss, and directed by David Nutter. It aired on June 2, (). The episode is centered on. Search free rains of castamere Ringtones on Zedge and personalize your phone to suit you. -
A Game of Thrones a Song of Ice and Fire by George R.R. Martin
A Game of Thrones A Song of Ice and Fire by George R.R. Martin Book One: A Game of Thrones Book Two: A Clash of Kings Book Three: A Storm of Swords Book Four: A Feast for Crows Book Five: A Dance with Dragons Book Six: The Winds of Winter (being written) Book Seven: A Dream of Spring “ Fire – Dragons, Targaryens Lord of Light Ice – Winter, Starks, the Wall White Walkers Spoilers!! Humans as meaning-makers – Jerome Bruner Humans as story-tellers – narrative theory Humans as mythopoeic–Carl G. Jung, Joseph Campbell The mythic themes in A Song of Ice and Fire are ancient Carl Jung: Archetypes are powerful & primordial images & symbols Collective unconscious Carl Jung’s archetypes Great Mother; Father; Hero; Savior… Joseph Campbell – The Power of Myth The Hero’s Journey Carole Pearson – the 12 archetypes Ego stage: Innocent; Orphan; Caretaker; Warrior Soul transformation: Seeker; Destroyer; Lover; Creator; Self: Ruler; Magician; Sage; Fool Maureen Murdock – The Heroine’s Journey The Great Mother (& Maiden, & Crone), the Great Father, the child, the Shadow, the wise old man, the trickster, the hero…. In the mystery of the cycle of seasons In ancient gods & goddesses In myth, fairy tale & fantasy & the Seven in A Game of Thrones The Gods: The Old Gods The Seven (Norse mythology): Maiden, Mother, Crone Father, Warrior, Smith Stranger (neither male or female) R’hilor (Lord of light) Others: The Drowned God, Mother Rhoyne The family sigils Stark - Direwolf Baratheon – Stag Lannister – Lion Targaryen -
Final Draft Thesis Corrected
REDEFINING MASCULINITY IN GAME OF THRONES !1 Redefining Masculinity through Disability in HBO’s Game of Thrones A Capstone Thesis Submitted to Southern Utah University in partial fulfillment of the requirements for the degree of Master of Arts in Professional Communication April 2016 By Amanda J. Dearman Capstone Committee: Dr. Kevin A. Stein, Ph.D., Chair Dr. Arthur Challis, Ed.D. Dr. Matthew H. Barton, Ph.D. Running head: REDEFINING MASCULINITY IN GAME OF THRONES !3 Acknowledgements I have been blessed with the support of a number of number of people, all of whom I wish to extend my gratitude. The completion of my Master’s degree is an important milestone in my academic career, and I could not have finished this process without the encouragement and faith of those I looked toward for support. Dr. Kevin Stein, I can’t thank you enough for your commitment as not only my thesis chair, but as a professor and colleague who inspired many of my creative endeavors. Under your guidance I discovered my love for popular culture studies and, as a result, my voice in critical scholarship. Dr. Art Challis and Dr. Matthew Barton, thank you both for lending your insight and time to my committee. I greatly appreciate your guidance in both the completion of my Master’s degree and the start of my future academic career. Your support has been invaluable. Thank you. To my family and friends, thank you for your endless love and encouragement. Whether it was reading my drafts or listening to me endlessly ramble on about my theories, your dedication and participation in this accomplishment is equal to that of my own. -
Henry Tudor and Elizabeth of York As Daenerys Targaryen and Jon Snow
Facultat de Filosofia i Lletres Memòria del Treball de Fi de Grau Rewriting Historical Characters: Henry Tudor and Elizabeth of York as Daenerys Targaryen and Jon Snow Maria Antònia Llabrés Font Grau d'Estudis Anglesos Any acadèmic 2018-19 DNI de l’alumne:43472881Y Treball tutelat per José Igor Prieto Arranz Departament de Filologia Espanyola, Moderna i Clàssica S'autoritza la Universitat a incloure aquest treball en el Repositori Autor Tutor Institucional per a la seva consulta en accés obert i difusió en línia, Sí No Sí No amb finalitats exclusivament acadèmiques i d'investigació Paraules clau del treball: reversal gender roles, historical discourse, power, recognition, fantasy Abstract This essay examines the relationship between the historical figures Henry VII and Elizabeth of York, and the fictional characters Jon Snow and Daenerys Targaryen from the popular TV series Game of Thrones. Through the analysis of the similarities between their lives, this project attempts to prove how both fictional characters are based and influenced by Henry VII and Elizabeth of York. Moreover, there is very little previous literature about the life of Elizabeth of York, obscuring and undermining her important role in putting an end to the Wars of the Roses. Thus, besides proving the relationship between these historical characters and the fictional ones, the aim of this paper is also to emphasise the historical importance given to Elizabeth of York in Game of Thrones by means of using her as a main source of inspiration for two of the most important an relevant characters of the series. As a result, this work also intends to prove how Game of Thrones demolishes gender boundaries by using characteristics of both Henry VII and Elizabeth of York to shape the characters of Jon Snow and Daenerys Targaryen. -
Dyscatastrophe and Eucatastrophe in a Song of Ice and Fire
Volume 31 Number 1 Article 9 10-15-2012 Grief Poignant as Joy: Dyscatastrophe and Eucatastrophe in A Song of Ice and Fire Susan Johnston University of Regina in Saskatchewan, Canada Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Johnston, Susan (2012) "Grief Poignant as Joy: Dyscatastrophe and Eucatastrophe in A Song of Ice and Fire," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 31 : No. 1 , Article 9. Available at: https://dc.swosu.edu/mythlore/vol31/iss1/9 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Argues that though the series is incomplete at present, J.R.R. Tolkien’s concept of eucatastrophe and its dark twin, dyscatastrophe, can illuminate what Martin may be trying to accomplish in this bleak and bloody series and provide the reader with a way to understand its value and potential. -
Network of Thrones
Andrew Beveridge and Jie Shan he international hit HBO First, a quick introduction to series Game of Thrones, Game of Thrones: Westeros and adapted from George R. R. Essos, separated by the Narrow Martin’s epic fantasy novel Sea, are homes of several noble T series A Song of Ice and houses (fi gure 1). The narrative Fire, features interweaving plotlines starts at a time of peace, with all and scores of characters. With so the houses unifi ed under the rule of many people to keep track of in this King Robert Baratheon, who holds sprawling saga, it can be a challenge the Iron Throne. Early on, King to fully understand the dynamics Robert dies in a hunting accident, between them. and the young, cruel Prince Joff rey To demystify this saga, we turn to ascends the throne, backed by his network science, a new and evolving mother’s house, Lannister. However, branch of applied graph theory the prince’s legitimacy, and even his that brings together traditions from identity, are seriously questioned many disciplines, including sociology, across the kingdom. As a result, war economics, physics, computer science, breaks out, with multiple claimants and mathematics. It has been applied Helen Sloan/HBO to the Iron Throne. broadly across the sciences, the social sciences, the Driven by cause or circumstance, characters from humanities, and in industrial settings. the many noble families launch into arduous and In this article we perform a network analysis of intertwined journeys. Among these houses are the Game of Thrones to make sense of the intricate honorable Stark family (Eddard, Catelyn, Robb, character relationships and their bearing on the future Sansa, Arya, Bran, and Jon Snow), the pompous plot (but we promise: no spoilers!). -
History of Femme Fatale Archetype: Analysis of Game of Thrones TV Series
History of Femme Fatale Archetype: Analysis of Game of Thrones TV Series Vukelić, Adrijana Undergraduate thesis / Završni rad 2020 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Zadar / Sveučilište u Zadru Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:162:159430 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-27 Repository / Repozitorij: University of Zadar Institutional Repository of evaluation works Sveučilište u Zadru Odjel za anglistiku Preddiplomski studij engleskog jezika i književnosti (dvopredmetni) Adrijana Vukelić History of Femme Fatale Archetype: Analysis of Game of Thrones TV Series Završni rad Zadar, 2020. Sveučilište u Zadru Odjel za anglistiku Preddiplomski studij engleskog jezika i književnosti History of Femme Fatale Archetype: Analysis of Game of Thrones TV Series Završni rad Student/ica: Mentor/ica: Adrijana Vukelić dr. sc. Zlatko Bukač Zadar, 2020. Izjava o akademskoj čestitosti Ja, Adrijana Vukelić, ovime izjavljujem da je moj završni rad pod naslovom History of Femme Fatale Archetype: Analysis of Game of Thrones TV Series rezultat mojega vlastitog rada, da se temelji na mojim istraživanjima te da se oslanja na izvore i radove navedene u bilješkama i popisu literature. Ni jedan dio mojega rada nije napisan na nedopušten način, odnosno nije prepisan iz necitiranih radova i ne krši bilo čija autorska prava. Izjavljujem da ni jedan dio ovoga rada nije iskorišten u kojem drugom radu pri bilo kojoj drugoj visokoškolskoj, znanstvenoj, obrazovnoj ili inoj ustanovi. Sadržaj mojega rada u potpunosti odgovara sadržaju obranjenoga i nakon obrane uređenoga rada. Zadar, 24. rujna 2020. Vukelic 4 Table of Contents 1. Introduction .................................................................................................................... 5 2. -
Jon Targaryen a Hero's Journey
Hugvísindasvið Jon Targaryen A Hero's Journey B.A. Essay Ívar Hólm Hróðmarsson May 2014 University of Iceland School of Humanities Department of English Jon Targaryen A Hero's Journey B.A. Essay Ívar Hólm Hróðmarsson Kt.: 180582-2909 Supervisor: Úlfhildur Dagsdóttir May 2014 Abstract This essay examines the journey of Jon Snow, a character from George R. R. Martin's epic fantasy series A Song of Ice and Fire. As of now, May 2014, the series has not been completed, only five out of a planned seven novels have been published, and uncertainty shrouds the fate of every major character. Despite that fact it will be argued that Jon Snow is the true hero of the story and parallels are drawn between his journey and Joseph Campell's theory of the monomyth, also referred to as the hero's journey, presented in The Hero with a Thousand Faces (1949). Campell's theory states that there is a similar pattern that can be found in most narratives, be it fairy tales, myths or adventures. Furthermore, Jon Snow's obscure lineage is explored in detail and an educated guess is made regarding his parentage in order to support the claim that his is the song of ice and fire. Table of Contents Introduction .......................................................................................................... 1 Essential Background Information ...................................................................... 4 Jon's Journey ........................................................................................................ 6 Jon's Parentage ..................................................................................................