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												  Widescreen Weekend 2007 BrochureThe Widescreen Weekend welcomes all those fans of large format and widescreen films – CinemaScope, VistaVision, 70mm, Cinerama and Imax – and presents an array of past classics from the vaults of the National Media Museum. A weekend to wallow in the best of cinema. HOW THE WEST WAS WON NEW TODD-AO PRINT MAYERLING (70mm) BLACK TIGHTS (70mm) Saturday 17 March THOSE MAGNIFICENT MEN IN THEIR Monday 19 March Sunday 18 March Pictureville Cinema Pictureville Cinema FLYING MACHINES Pictureville Cinema Dir. Terence Young France 1960 130 mins (PG) Dirs. Henry Hathaway, John Ford, George Marshall USA 1962 Dir. Terence Young France/GB 1968 140 mins (PG) Zizi Jeanmaire, Cyd Charisse, Roland Petit, Moira Shearer, 162 mins (U) or How I Flew from London to Paris in 25 hours 11 minutes Omar Sharif, Catherine Deneuve, James Mason, Ava Gardner, Maurice Chevalier Debbie Reynolds, Henry Fonda, James Stewart, Gregory Peck, (70mm) James Robertson Justice, Geneviève Page Carroll Baker, John Wayne, Richard Widmark, George Peppard Sunday 18 March A very rare screening of this 70mm title from 1960. Before Pictureville Cinema It is the last days of the Austro-Hungarian Empire. The world is going on to direct Bond films (see our UK premiere of the There are westerns and then there are WESTERNS. How the Dir. Ken Annakin GB 1965 133 mins (U) changing, and Archduke Rudolph (Sharif), the young son of new digital print of From Russia with Love), Terence Young West was Won is something very special on the deep curved Stuart Whitman, Sarah Miles, James Fox, Alberto Sordi, Robert Emperor Franz-Josef (Mason) finds himself desperately looking delivered this French ballet film.
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												  DUR 22/02/2013 : CUERPO E : 1 : Página 1E VIERNES 22 DE FEBRERO DE 2013 Editor: HILDA CASTRO B. [email protected] En la categoría de mejor actriz y la más joven y la más longeva en alcanzar esa candidatura competirán en la 85 edición de los premios. EFE NAOMI WATTS, Los Ángeles, Cal. OSCAR IMPOSIBLE La británica Naomi Watts, de 44 años, tie- La intérprete más longeva en haber sido ne una relación especial con las produc- Jennifer Lawrence, la nominada a un Oscar en la categoría de ciones de directores hispanoamericanos. actriz del momento. mejor actriz y la más joven en alcanzar A pesar de su consagrada carrera con fil- esa candidatura competirán en la 85 edi- mes como “King Kong” , “J. Edgar” , ción de los premios, aunque los pronósti- “Mulholland Dr.” y la saga “The Ring” , la cos indican que los votantes se decanta- artista ha encontrado su camino al Óscar rán por Jennifer Lawrence por “Silver Li- de la mano del mexicano Alejandro Gon- nings Playbook” . zález Iñárritu (”21 Grams”) y este año ba- jo la dirección del español Juan Antonio JENNIFER LAWRENCE, Bayona (”Lo imposible”) . LA ACTRIZ DEL MOMENTO Watts obtuvo la candidatura de mejor ac- A sus 22 años, Jennifer Lawrence os- triz por esas dos películas aunque la estatui- tenta ya un par de candidaturas a los lla parece que se le seguirá resistiendo. Óscar -ambas como mejor actriz- la pri- Su dramático trabajo como supervi- mera conseguida por la cinta indepen- viente al tsunami que arrasó el sudeste diente “Winter’s Bone” , la segunda por asiático en 2004 recogido en “Lo imposi- “Silver Linings Playbook” , largome- ble” es la única opción de ese largometra- trajes estrenados con apenas dos años je español realizado en inglés en la presen- Jessica Chastain, de Bin Laden de diferencia.
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												  Aerin LauderFEBRUARY 2020 AMERICA’S LEAST BORING BILLIONAIRES The STRANGE CASE of the VA NISHING PRINCESSES T&C’s FANCY SAFARI Guide HOW NOT TO RAISE A BRAT WELR JE Y TheThe RightRight WayWay toto SpendSpend YourYour Bonus!Bonus! A S W A R D Aine Jewelsrin that L Madeau Historyder JEWELRY AND THE MOB RIHANNA AND THE RENAISSANCE A DIAMOND TROUSSEAU THE T&C Jewelry AWA R D S The new masters and reigning champions who marked the year in jewels. The Major FROM TOP ANAKHOURI DIAMOND Breakthrough AND EMERALD EVA NECKLACE $461,000 ANA KHOURI HIGH JEWELRY DIAMOND AND PARAIBA TOURMALINE PHILLIPA NECKLACE $824,000, ANAKHOURI.COM It was the diamond and Paraiba tourmaline torque du jour of Paris Couture! The Brazilian designer Ana Khouri had already established herself as a skilled sculptor of metal and stones with ear cus and a Mirian semicircle ring that have become modern classics, but the Harmony High Jewelry Collection of diamonds and rare stones she showed this year at the Musée des Arts Décoratifs signaled the evolution of a rising talent into a celebrated DON PENNY, STYLED BY MIAKO KATOH MIAKO BY STYLED DON PENNY, member of the establishment. The ultimate getting-ready selfie: a white bathrobe and a 128-carat The Red Carpet diamond. Appearance LADY GAGA IN THE TIFFANY DIAMOND Was it the most expensive jewel ever worn to the Academy Awards? Worth a reported $30 million, it’s likely that Lady Gaga’s Tif- fany diamond necklace claims that title. (The previous record was held by Titanic actress Gloria Stuart’s $20 million Harry Winston blue diamond, inspired by the movie’s Heart of the Ocean.) But that was actually not why this particular diamond necklace sent jewelry experts into a frenzy on Oscar night.
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												  “T I T a N I C 3 D”“T I T A N I C 3 D” “Titanic was called the Ship of Dreams. And it was. It really was...” In 1997, James Cameron’s TITANIC set sail in theaters -- and one of the world’s most breathtaking and timeless love stories was born. The film’s journey became an international phenomenon as vast as its name, garnering a record number of Academy Award® nominations, 11 Academy Awards® and grossing over $1.8 billion worldwide. On April 6th, 2012, precisely a century after the historic ship’s sinking and 15 years after the film’s initial theatrical release, TITANIC resurfaces in theaters in state-of-the-art 3D. Upon its original release, TITANIC was celebrated for transporting audiences back in time, right into the belly of the R.M.S Titanic in all her glory and into the heart of a forbidden love affair entwined with the ship’s epic collision with human arrogance, nature and fate. Now, the leading edge of 3D conversion technology has allowed Oscar® winning director James Cameron to bring moviegoers the most visceral and dynamic screen experience of TITANIC yet imagined. The artistic process of re-visualizing TITANIC in three dimensions was overseen entirely by Cameron himself, along with his long-time producing partner Jon Landau – who both pushed the conversion company Stereo D literally to unprecedented visual breadth. Cameron guided them to use the latest visual tools not only to intensify the film’s sweeping race for survival, but to reveal the power of 3D to make the film’s most stirring emotions even more personal.
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												  Looking at Hollywood with Ed SullivanP.~. Tw. Chic ••• Saaday Trihaae Looking at Hollywood with Ed Sullivan l DclYid Ni.•.•n Rudy Vcd1ee D. FClirbcmb Jr. RlchGrd Gr •• ne Jimmy St.wGrt Joe Sch.nck on the coast and he has loads brothers, three of them, are don't believe that there will be of dough. Or how about some- married. So are Jack Haley, Jack any reaction whatsoever. The thing in writers or directors- Benny, George Burns, Frank studio bosses are of the opinion Norman Krasna, Rouben Ma· McHugh, Al Jolson, Bert Wheel· that a performer who is married moulian, Bob Risklnd, Carl er, Bob Hope, Fred Allen, Frank happily is better liked by the Laemmle Jr., Eddie Sutherland, Morgan, George Jessel. Their public and gains solid prestige. Austin Fairman? Uh-huh, you marriage rating is high. want Gable or Robert Taylor- Perhaps we shouldn't indulge • • • you will have to take that up in any such broad generality. There are one hundred argu- with Miss Lombard or Miss W. C. Fields, Edgar Bergen, Mil· ments in support of this idea. Stanwyck, ma'am. Can I Inter- ton Berle, and Edward Everett Gable was tremendous at the est you in a nice, swingy band Horton are comics who are root- box office while he was married. leader? Guy Lombardo, Abe loose and fancy-free. So, too, is So was W1lliam Powell. Bing Lyman, Skinnay Ennis. Hal Ken Murray. Charlie Butter- Crosby as a married man and Kemp? No, a lady came and worth is getting a divorce, or a father has gained in popular- got him just the other day.
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												  3 Extraordinary WomenThree Extraordinary Women Temple B’nai Shalom, Braintree Rabbi Van Lanckton Saturday, February 4, 2012 - 11 Shevat 5772 – “Women’s Shabbat” Anne Scheiber lived a long and quiet life, but she left an enormous and inspiring legacy. Anne Scheiber was born in Brooklyn in 1893. Or maybe 1894. Nobody is quite sure. Her father lost his money in bad investments in property. He died young, leaving a family of nine children. Her mother became a real estate agent to support the family. Ms. Scheiber attended secretarial school. She got a bookkeeping job. Later, she went to law school at night. She joined the IRS as an estate auditor. She passed the bar to become a lawyer. She worked at the IRS for about thirty years, until 1944. She was 51 years old when she resigned from the IRS. She had only one address in her adult life, a rent-stabilized studio apartment on West 56th Street in New York City. Her home had no luxuries. The paint was peeling. The furniture was old. Dust covered her bookcases. She walked everywhere. She almost always wore the same black coat and matronly hat. She never married, never even had a sweetheart. After her retirement, she seldom left her apartment. With one exception. She would regularly put on her old black coat and old- fashioned hat and leave her apartment for one purpose: to visit her broker. By the time she left the IRS she had managed to save $5,000. She invested all of it in the stock market. Over the next fifty years, she parlayed that $5,000 into a portfolio that included holdings in Coca-Cola, Paramount and more than 100 other stocks.
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												  Lianrhpbtfr Mprali 1248 .211 >000 Saturday, Septaft noon . p.g.^3 Iter ,459 lianrhpBtfr Mprali 1248 .211 >000 Saturday, Sept. 17, 1988 Manchester, Conn. — A City of Village Charm 30 Cents Ztl Klll$r storm brings heavy rain, high waves and high wind... page 2 .................. jUn , za * Ul; V l \'i i i l V) ,759 1279 ,480 'i-iLC >000 180 M Olympic opening Korean dancers r?i surround flags of the 24th Olympiad during the opening lie ceremonies in Seoul. Stories on page 41. AP photo 221 336 l a ,T Wayward 685 000 Locai women Connecticut % Heated* words 185 gets its day in hike backbone IS" in the sun /4 for Senate /lO of Engiand /17 1 in k I ig tratlon. lEmn. Eighth District set to strike up the band Dr. Crane’s Quiz By Alex GIrelll a.m. will not be eligible to win a trophy as division of the parade will stop at the Manchester Herald The parade begins at noon Sunday. the best-appearing Dalmatian in the stand and take positions there to 1. A creature nicknamed Bruin is often put to rout Marchers will form near Manchester parade, one of the more than 70 review the parade. by Manchester will have more than its High School, go south on Brookfield awards that will be given at Robert UUU JJJ BBB COC share of firefighters this weekend Street, west on EastCenterStreetand son Park after the parade. Axe is not The dignitaries include U.S. Sen. 2. Which one of these has 2 hands but not even one when the Eighth Utilities Fire Depart north on Main Street to Robertson eligible because he is a member of the L«well Weicker, U.S.
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												  MAE Westjo | Pered, Lovable Second Week at the Soldier’ CircleMARCH 11, 1933 THE INDIANAPOLIS TIMES PAGE 5 MAE WEST, JOHN GILBERT AND DICK POWELL HEAD CASTS ‘Private Jones,’ ‘Fast Workers,’ “She Done Him Wrong’ Noel Coward Has Woven Three Romances Into the Pat- and *42nd Street’ Bid for Favor in the Downtown tern of His Story in ‘Cavalcade,’ Now Being Movie Theaters for a Week. Presented Twice Daily at English's. the laughs, tears, comedy and tragedy of olive drab doughboy “Cavalcade” which Fox Film Corporation is offering on the screen ALLdays arc said to accompany Lee Tracy in Universal’s new film, “Pri- INat English's, Noel Coward has woven three romances into the pattern vate Jones.’’ which is apeparing currently upon the screen of the Apollo. of his tapestry record of the march of the generation. The film will remain through Thursday next. The first romance is one between husband and wife, a rather unique Tracy, who has gained unusual popularity, through his recent fast- departure in these days when marital infidelities supply the theme for talking characterizations which live on the screen, as no other actor is so many dramas. It is this romance of the Marryots enduring through thought to have made them live, plays the title role of the new photo- the trials and vicissitudes of the chaotic past thirty years that is said to play, which is the screen adaptation of a widely discussed play, especially add much power and strength to "Cavalcade.” revamped for film purposes. The second romance starts with | The star, it will be recalled, ap- a boy and girl affair between the peared in 'Blessed Event,” “Wash- at the Terminal for a week’s en- older Marryot son and Edith, the ington Merry-Go-Round” and “Half gagement.
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												  Wee Willie Winkie (1937) and Susannah of the Mounties (1939): Different Imperial Frontiers, Same Shirley Temple?Wee Willie Winkie (1937) and Susannah of the Mounties (1939): Different Imperial Frontiers, Same Shirley Temple? Richard A. Voeltz Cameron University in Lawton, Oklahoma, USA Abstract The Paper really has two themes. One will be an exploration of how Hollywood dealt with imperial themes involving British India (really Afghanistan) with the Lancers and the Canadian west with the “Mounties”. Here the disarming relationship of child film star Shirley Temple with “savage native peoples” comes into play. A second more central theme centers on the film career of Shirley Temple herself and her roles in Wee Willie Winkie and Susannah of the Mounties. Her apogee of popularity reached its peak in the period 1937-1939, the time frame for both films. Although she made some films in 1940, Susannah really marked an end to a certain period of her career as puberty beckoned. The peculiar gender relationship with the principle male characters (Victor McLaglen and Randolph Scott) will then be explored, showing how her “non-threatening white sexuality” did not impinge on the two masculine imperial frontier domains. All this points to Shirley Temple as a cultural icon and as a commercial and sexual commodity in American popular culture. [Keywords: Imperial, Hollywood, Shirley Temple; gender relationship; icon, commodity, popular culture] In the A&E Television Network Biography series the actress Gloria Stuart (late of Titanic fame) relates a humorous anecdote about how the comedian Harpo Marx once asked if “he could buy Shirley Temple” because she was so cute, charming and precious.(Biography) Shirley Temple’s short, meteoric career in Depression-era America, a time when audiences found welcome escape in her delightful charm, youth, spirit, singing, and dancing, and the fact that she almost single-handedly saved 20th Century Fox Studio and perhaps even Hollywood itself (or at least the mythology tells us that), need not be extensively related here, but some general observations about her extraordinary career warrant attention.
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												  THE ADVENTURES of ELMO in GROUCHLAND Mandy PatinkinTHE ADVENTURES OF ELMO IN GROUCHLAND Mandy Patinkin. Vanessa Williams. Sonia Manzano. Roscoe Orman. Alison Bartlett-O'Reilly. Ruth Buzzi. Emilio Delgado. Loretta Long. Bob McGrath. VOICEOVERS. Kevin Clash. Fran Brill. Stephanie D'Abruzzo. Dave Goelz. Joseph Mazzarino. Jerry Nelson. Carmen Osbahr. Martin P. Robinson. David Rudman. Caroll Spinney. Steve Whitmire. Frank Oz. THE ADVENTURES OF SEBASTIAN COLE Margaret Colin. Clark Gregg. Aleksa Palladino. John Shea. Adrian Grenier. Joan Copeland. Tom Lacy. Marni Lustig. Rory Cochrane. Gabriel Macht. Levon Helm. Russel Harper. Greg Haberny. Peter McRobbie. Merrit Wever. Marisol Padilla Sanchez. Famke Janssen. Tennison Hightower. Nicole Ari Parker. Graeme Malcolm. Dan Tedlie. Miguel Najera. Jane Jensen. C.S. O'Brien. Nikki Uberti. Joe Lisi. Kip Williams. AFTER LIFE Arata. Erika Oda. Susumu Terajima. Taketoshi Naito. Kyoko Kagawa. Kei Tani. Takashi Naito. Sadao Abe. Kisuke Shoda. Kazuko Shirakawa. Yusuke Iseya. Hisako Hara. Sayaka Yoshino. Kotaro Shiga. Natsuo Ishidou. Akio Yokoyama. Tomomi Hiraiwa. Yasuhiro Kasamatsu. AGNES BROWNE Anjelica Huston. Marion O'Dwyer. Ray Winstone. Arno Chevrier. Gerard McSorley. Niall O'Shea. Ciaran Owens. Roxanna Williams. Carl Power. Mark Power. Gareth O'Connor. James Lappin. Tom Jones. June Rodgers. Jennifer Gibney. Eamonn Hunt. Richie Walker. Sean Fox. Steve Blount. Gavin Kelty. Arthur Lappin. Brendan O'Carroll. Katriona Boland. Bernadette Lattimore. Terry Byrne. Joe Hanley. Paddy McCarney. Clodagh Long. Fionnuala Murphy. Frank Melia. Virginia Cole. Olivia Tracey. Joe Pigott. Cristen Kauffman. Frank McCusker. Cecil Bell. Peter Dix. Anna Megan. Joe Gallagher. Maria Hayden. Aedin Moloney. Malachy Connolly. Pauline McCreery. Chrissie McCreery. Noirín Ni Riain. Joanne Sloane. Keith Murtagh. Jim Smith. Tara Van Zyl. Anne Bushnell.
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												  Sexism and the Academy AwardsTripodos, number 48 | 2020 | 85-102 Rebut / Received: 28/03/20 ISSN: 1138-3305 Acceptat / Accepted: 30/06/20 85 Oscar Is a Man: Sexism and the Academy Awards Kenneth Grout Owen Eagan Emerson College (USA) TRIPODOS 2020 | 48 This study analyzes the implicit bias of an to be nominated for a supporting the Academy Awards and Oscar’s his- performance in a Best Picture winner. toric lack of gender equity. While there This research considers these factors, are awards for Best Actor and Actress, identifies potential reasons for them, a comparative analysis of these awards and draws conclusions regarding the and the Best Picture prize reveals that decades of gender bias in the Academy a man is more than twice as likely as a Awards. Further, this study investigates woman to receive an Oscar for leading the dissolution of the Hollywood stu- work in a Best Picture. A man is also dio system and how, though brought nearly twice as likely to be nominated on in part by two of the film industry’s as a leading performer in a Best Pic- leading ladies, the crumbling of that ture winner. Supporting women in Best system ultimately hurt the industry’s Pictures fare a bit better with actual women more than its men. trophies, but, when considering nom- inations, a man is still more than one- Keywords: Oscars, Academy Awards, and-a-half times as likely as a wom- sexism, gender inequity, Best Picture. he Academy Awards have been given out annually for 92 years to, among others, the top actor and actress as voted on by the members of the film T academy.
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												  P-26 Motion Picture Collection Repository: Seaver Center ForP-26 Motion Picture Collection Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: c.1872-1971, bulk 1890s-1930s Extent: 48 linear feet Language: Primarily English Conditions Governing Use: Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Conditions Governing Access: Research is by appointment only Preferred Citation: Motion Picture Collection, Seaver Center for Western History Research, Los Angeles County Museum of Natural History Related Holdings: There are numerous related collections, and these can be found by consulting the Photo and General Collection guides available at the Seaver Center’s website. They include manuscripts in general collection 1095 (Motion Pictures Collection), general collection 1269 (Motion Picture Programs and Memorabilia), general collection 1286 (Movie Posters Collection), general collection 1287 (Movie Window Cards and Lobby Cards Collection), and general collection 1288 (Motion Picture Exhibitors’ Campaign Books). Seaver Center for Western History Research P-26 Abstract: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented, including portraits by studio photographers, film and set stills, and other images, as well as related programs, brochures and clippings. Early technology and experimental work in moving pictures is represented by images about camera and projection devices and their inventors. Items related to movie production include early laboratories, sound, lighting and make-up technology. These items form Photograph Collection P-26 in the Seaver Center for Western History Research. Scope and Content: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented (including portraits by studio photographers), film stills, set stills, and other images, as well as related programs, brochures and clippings.