MAE Westjo | Pered, Lovable Second Week at the Soldier’ Circle
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Bibliography Filmography
Blanche Sewell Lived: October 27, 1898 - February 2, 1949 Worked as: editor, film cutter Worked In: United States by Kristen Hatch Blanche Sewell entered the ranks of negative cutters shortly after graduating from Inglewood High School in 1918. She assisted cutter Viola Lawrence on Man, Woman, Marriage (1921) and became a cutter in her own right at MGM in the early 1920s. She remained an editor there until her death in 1949. See also: Hettie Grey Baker, Anne Bauchens, Margaret Booth, Winifred Dunn, Katherine Hilliker, Viola Lawrence, Jane Loring, Irene Morra, Rose Smith Bibliography The bibliography for this essay is included in the “Cutting Women: Margaret Booth and Hollywood’s Pioneering Female Film Editors” overview essay. Filmography A. Archival Filmography: Extant Film Titles: 1. Blanche Sewell as Editor After Midnight. Dir. Monta Bell, sc.: Lorna Moon, ed.: Blanche Sewell (Metro-Goldwyn-Mayer Corp. US 1927) cas.: Norma Shearer, Gwen Lee, si., b&w. Archive: Cinémathèque Française [FRC]. Man, Woman, and Sin. Dir. Monta Bell, sc.: Alice D. G. Miller, Monta Bell, ed.: Blanche Sewell (Metro-Goldwyn-Mayer Corp. US 1927) cas.: John Gilbert, Jeanne Eagels, Gladys Brockwell, si., b&w. Archive: George Eastman Museum [USR]. Tell It to the Marines. Dir.: George Hill, sc.: E. Richard Schayer, ed.: Blanche Sewell (Metro- Goldwyn-Mayer Corp. US 1927) cas.: Lon Chaney, William Haines, si, b&w, 35mm. Archive: George Eastman Museum [USR], UCLA Film and Television Archive [USL]. The Cossacks. Dir.: George Hill, adp.: Frances Marion, ed.: Blanche Sewell (Metro-Goldwyn- Mayer Corp. US 1928) cas.: John Gilbert, Renée Adorée, si, b&w. -
A Biography of Gary Cooper Pdf, Epub, Ebook
THE LAST HERO : A BIOGRAPHY OF GARY COOPER PDF, EPUB, EBOOK Larry Swindell | 394 pages | 16 Dec 2016 | Echo Point Books & Media | 9781626545649 | English | none The Last Hero : A Biography of Gary Cooper PDF Book Cooper was one of the top money-making movie stars of all time. It didn't take long for Cooper to realize that stunt work was challenging and risky. The sport-loving family often went on vacations together, taking frequent trips to Europe. The screen icon learned that some friends of his from Montana were working as extras, and Cooper wanted a piece of the action. He was a three-time Academy Award winner in , and All of these were subsequently played by John Wayne. I called Robert Taylor. His brother Arthur Cooper died in May , at the age of Cooper has undoubtedly left his mark on American culture — besides his Old West good guy persona, he's actually the reason why any male today has the first name "Gary. His wife explained, "Gary loved Southampton. O'Doul certainly aimed some harsh criticism at Cooper, saying, "You throw a ball like an old woman tossing a hot biscuit. I've been coasting along. He worked for five dollars per day as an extra, but that was only to fund an art course he wanted to enroll in. He started to attend Catholic Mass more regularly with his wife and daughter and felt moved spiritually. One Hemingway scholar maintained Papa was profoundly impressed that Cooper was such a stud. While Hemingway was a voracious reader and novelist, Cooper barely picked up a book unless it was a movie script. -
New Findings and Perspectives Edited by Monica Dall’Asta, Victoria Duckett, Lucia Tralli Resea Rching Women in Silent Cinema New Fisnd Ng and Pers Pectives
in Silent Cinema New Findings and Perspectives edited by Monica Dall’Asta, Victoria Duckett, lucia Tralli RESEA RCHING WOMEN IN SILENT CINEMA NEW FISND NG AND PERS PECTIVES Edited by: Monica Dall’Asta Victoria Duckett Lucia Tralli Women and Screen Cultures Series editors: Monica Dall’Asta, Victoria Duckett ISSN 2283-6462 Women and Screen Cultures is a series of experimental digital books aimed to promote research and knowledge on the contribution of women to the cultural history of screen media. Published by the Department of the Arts at the University of Bologna, it is issued under the conditions of both open publishing and blind peer review. It will host collections, monographs, translations of open source archive materials, illustrated volumes, transcripts of conferences, and more. Proposals are welcomed for both disciplinary and multi-disciplinary contributions in the fields of film history and theory, television and media studies, visual studies, photography and new media. http://creativecommons.org/licenses/by-nc-nd/3.0/us/ # 1 Researching Women in Silent Cinema: New Findings and Perspectives Edited by: Monica Dall’Asta, Victoria Duckett, Lucia Tralli ISBN 9788898010103 2013. Published by the Department of Arts, University of Bologna in association with the Victorian College of the Arts, University of Melbourne and Women and Film History International Graphic design: Lucia Tralli Researching Women in Silent Cinema: New Findings and Perspectives Peer Review Statement This publication has been edited through a blind peer review process. Papers from the Sixth Women and the Silent Screen Conference (University of Bologna, 2010), a biennial event sponsored by Women and Film History International, were read by the editors and then submitted to at least one anonymous reviewer. -
Ben-Hur Trivia
IMDb All | IMDb Apps | Help Movies, TV Celebs, Events News & & & Photos Community Watchlist Login Showtimes Edit Ben-Hur: A Tale of the Christ (1925) Ben-Hur: A Tale of the Christ Trivia Did You Know? Trivia Goofs Crazy Credits Showing all 38 items Quotes Alternate Versions Connections Despite the fact that there is nudity in this film, it was passed by censors of that time Soundtracks because it dealt with Christianity, as it was originating. 9 of 10 found this interesting | Share this Explore More Share this page: The troubled Italian set was eventually torn down and a new one built in Culver City, California. The famed chariot race was shot with 42 cameras were and 50,000 feet of film consumed. Second-unit director B. Reeves Eason offered a bonus to the winning driver. Like You and 217 others like this.217 people like The final pile-up was filmed later. No humans were seriously injured during the US Like this. Sign Up to see what your friends like. production, but several horses were killed. 7 of 8 found this interesting | Share this User Lists Create a list » Future stars Gary Cooper, Clark Gable, Joan Crawford, and Myrna Loy were uncredited Related lists from IMDb users extras in the chariot race scenes. Crawford and Loy also played slave girls. (ebop) 2015 Seen Movies: 1925 7 of 8 found this interesting | Share this 5, v. Google a list of 35 titles on June created 31 May 2012 in Garcia According to The Guinness Book of World Records (2002), thearchived movie contains the most edited scene in cinema history. -
The Problem Body Projecting Disability on Film
The Problem Body The Problem Body Projecting Disability on Film - E d i te d B y - Sally Chivers and Nicole Markotic’ T h e O h i O S T a T e U n i v e r S i T y P r e ss / C O l U m b us Copyright © 2010 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data The problem body : projecting disability on film / edited by Sally Chivers and Nicole Markotic´. p. cm. Includes bibliographical references and index. ISBN 978-0-8142-1124-3 (cloth : alk. paper)—ISBN 978-0-8142-9222-8 (cd-rom) 1. People with disabilities in motion pictures. 2. Human body in motion pictures. 3. Sociology of disability. I. Chivers, Sally, 1972– II. Markotic´, Nicole. PN1995.9.H34P76 2010 791.43’6561—dc22 2009052781 This book is available in the following editions: Cloth (ISBN 978-0-8142-1124-3) CD-ROM (ISBN 978-0-8142-9222-8) Cover art: Anna Stave and Steven C. Stewart in It is fine! EVERYTHING IS FINE!, a film written by Steven C. Stewart and directed by Crispin Hellion Glover and David Brothers, Copyright Volcanic Eruptions/CrispinGlover.com, 2007. Photo by David Brothers. An earlier version of Johnson Cheu’s essay, “Seeing Blindness On-Screen: The Blind, Female Gaze,” was previously published as “Seeing Blindness on Screen” in The Journal of Popular Culture 42.3 (Wiley-Blackwell). Used by permission of the publisher. Michael Davidson’s essay, “Phantom Limbs: Film Noir and the Disabled Body,” was previously published under the same title in GLQ: A Journal of Lesbian and Gay Studies, Volume 9, no. -
GUNSMOKE TV CAST and DETAILS Premiered
GUNSMOKE TV CAST AND DETAILS Premiered: September 10, 1955, on CBS Rating: TV-PG Premise: This landmark adult Western centered on Marshal Matt Dillon of Dodge City. John Wayne turned down the lead, suggesting James Arness (who remained for its entire run). Originating on radio (with William Conrad as Dillon), it moved to TV in September 1955. Its popularity spawned a number of copycats, but none would enjoy the longevity (and few the consistent quality) of this classic. Airing for 20 years, it's TV's longest running prime-time drama (a record that `Law & Order' is currently chasing). Gunsmoke Cast • James Arness : Marshal Matt Dillon • Milburn Stone : Dr. Galen `Doc' Adams • Amanda Blake : Kitty Russell • Dennis Weaver : Chester Goode • Ken Curtis : Festus Haggen • Burt Reynolds : Quint Asper • James Nusser : Louie Pheeters • Charles Seel : Barney Danches • Howard Culver : Howie Culver • Tom Brown : Ed O'Connor • John Harper : Percy Crump • Dabbs Greer : Mr. Jonus • George Selk : Moss Grimmick • Hank Patterson : Hank Miller • Glenn Strange : Sam • Sarah Selby : Ma Smalley • Ted Jordan : Nathan Burke • Roger Ewing : Clayton Thaddeus `Thad' Greenwood • Roy Roberts : Mr. Bodkin • Woody Chamblis : Mr. Lathrop • Buck Taylor : Newly O'Brien • Charles Wagenheim : Halligan • Pat Hingle : Dr. John Chapman • Fran Ryan : Miss Hannah Gunsmoke Credits • Sam Peckinpah : Screenwriter Gunsmoke Directors • Harry Horner : Director Gunsmoke Guest Cast • Aaron Saxon : Basset • Aaron Spelling : Weed Pindle • Abraham Sofaer : Harvey Easter • Adam West : Hall -
Moral Knowledge and the Politics of Cinema Censorship Erin Elif Alp
Screen Cleaning: Moral Knowledge and the Politics of Cinema Censorship Erin Elif Alp Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2016 © 2015 Erin Elif Alp All rights reserved ABSTRACT Screen Cleaning: Moral Knowledge and the Politics of Cinema Censorship Erin Elif Alp This dissertation asks how the structure of moral authority and media viewership in America has changed over the course of the 20th century. In order to address this question, I examine the ways in which American films are, and have been, labeled inappropriate or appropriate for public viewership. I ask how censorship, regulation and rating systems work to create and manage moral ambiguity, and what types of ramifications moral ambiguity is thought to have on viewers. I also address the types of problems associated with American cinema over time, and propose several analytical dimensions to capture and unpack the processes of censoring cinema. This framework is built on the notions of filth and moral ambiguity, moral repercussion, a process of responsibilization, and the telos for cinema, all of which influences how an organization interacts with movies and morality. In lapses of symmetry between on- and off-screen worlds, moral ambiguity arises in ways that responsibilize either content controllers or audiences themselves. I show the links between these articulations and how the moral repercussions of exposure to cinema are defined. I also argue that where in the past moral ambiguity was commonly perceived as a dangerous aspect of cinema, especially by censors and Hollywood film production regulators, contemporary movie raters present a film’s moral ambiguity as a resource to the viewer. -
Actor Analysis Joel Ross 2/3/2020 This Page Analyzes Data About Movie Actors! Trending Actors
Actor Analysis Joel Ross 2/3/2020 This page analyzes data about movie actors! Trending Actors Who are the top trending_count trending people on TMDB (week of 2020-01-29)? Name Photo Leonardo DiCaprio Brad Pitt Jason Statham Jet Li Henry Cavill Nicolas Cage Bruce Willis Scarlett Johansson Favorite Actor Though they may not be included in that list for some reason, my favorite actor is Cary Grant (https://www.imdb.com/name/nm3485845/nm0000026). They are known for: North by Northwest Notorious To Catch a Thief Their biography: “Once told by an interviewer,”Everybody would like to be Cary Grant“, Grant is said to have replied,”So would I." Cary Grant was born Archibald Alec Leach in Horfield, Bristol, England, to Elsie Maria (Kingdon) and Elias James Leach, who worked in a factory. His early years in Bristol would have been an ordinary lower-middle-class childhood, except for one extraordinary event. At age nine, he came home from school one day and was told his mother had gone off to a seaside resort. The real truth, however, was that she had been placed in a mental institution, where she would remain for years, and he was never told about it (he wouldn’t see his mother again until he was in his late 20s). He left school at fourteen, lying about his age and forging his father’s signature on a letter to join Bob Pender’s troupe of knockabout comedians. He learned pantomime as well as acrobatics as he toured with the Pender troupe in the English provinces, picked up a Cockney accent in the music halls in London, and then in July 1920 was one of the eight Pender boys selected to go to the US. -
Film Noir Database
www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H. -
Hays Gone By: the Proto-Feminism of Pre-Code Hollywood and the Films
Hays Gone By: The Proto-Feminism of Pre-Code Hollywood and the Films of Mae West By Daniel Simpson A thesis submitted to the Graduate Program in Cultural Studies in conformity with the requirements for the Degree of Master of Arts Queen’s University Kingston, Ontario, Canada July, 2019 Copyright © Daniel Simpson, 2019 For Mom and Dad ii Abstract Pre-Code Hollywood has famously been described as an alternative universe of American cinema, as looser censorship restrictions allowed filmmakers to explore adult themes of violence and sexuality far more openly than would be permissible under Joseph Breen and the Production Code Association. My thesis addresses how this era gave rise to a proto-feminist cinema through the transgression of Production Code rules pertaining to gender and sexuality. Though the Pre- Code era was no stranger to virulently misogynistic works, the lack of strict censorship allowed filmmakers to put forth depictions of independent women who were sexually active and in control of their lives. The epitome of this archetype is Mae West, who not only portrayed sex sirens with tremendous agency on-screen, but also took an active role behind-the-scenes as a screenwriter and should be considered the primary author of her films. Though West’s independence on and off-screen would diminish as the Pre-Code era ended, her work remains a trove of proto-feminist cinema through its subversion of male gaze and its consideration of a female spectator. Understanding West’s films, and the era which produced them, helps provide insight on the challenges faced by women in Hollywood, and more specifically, how women- centric art is often devalued and dismissed. -
P-26 Motion Picture Collection Repository: Seaver Center For
P-26 Motion Picture Collection Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: c.1872-1971, bulk 1890s-1930s Extent: 48 linear feet Language: Primarily English Conditions Governing Use: Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Conditions Governing Access: Research is by appointment only Preferred Citation: Motion Picture Collection, Seaver Center for Western History Research, Los Angeles County Museum of Natural History Related Holdings: There are numerous related collections, and these can be found by consulting the Photo and General Collection guides available at the Seaver Center’s website. They include manuscripts in general collection 1095 (Motion Pictures Collection), general collection 1269 (Motion Picture Programs and Memorabilia), general collection 1286 (Movie Posters Collection), general collection 1287 (Movie Window Cards and Lobby Cards Collection), and general collection 1288 (Motion Picture Exhibitors’ Campaign Books). Seaver Center for Western History Research P-26 Abstract: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented, including portraits by studio photographers, film and set stills, and other images, as well as related programs, brochures and clippings. Early technology and experimental work in moving pictures is represented by images about camera and projection devices and their inventors. Items related to movie production include early laboratories, sound, lighting and make-up technology. These items form Photograph Collection P-26 in the Seaver Center for Western History Research. Scope and Content: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented (including portraits by studio photographers), film stills, set stills, and other images, as well as related programs, brochures and clippings. -
I Nvith 15 Brownsville a and 15 Valley D Theaters )
a 15 D I NVith 15 Brownsville and Valley Theaters ) world at feet! See CHANDU BRILLIANT STAR have the your COMEDY-ROMANCE 1 how it is done with a simple twist j .—. of the truth. MAE WEST HAS FILM PLOT IS • • • He made a dumb girl a star over night!... In the morning sfc NEW IN CENTERED ON danced in a sideshow. Sundown saw MOTTO her feet! the world at • • • A million-laugh-power romance in the world of bunk. RECENT FILM PRESS AGENT • • • — Tens of thousands stormed the Appleville stood aghast! Any mo- tent to see the girl with the thin- Lady Lou’ men her gun might point at the veiled past., she skyrocketed to Portrays prominent man of this town whoj fame on the imagination of a press had done her wrong! In “She Done Him • • • agent. Wrong” Hit Come and see the hotcha dancer's amazing story. You’ve heard only -i half of “The Half-Naked Truth.' Mae West, noted Broadway ac- showing Sunday and Monday at the who made her Queen theatre. tress and writer, • • • role m film debut in a character What did she want with fifty “Night After Night.” is starred m pounds of raw meat?...The chef her second movie, “She Done Him fainted...and the big town papers blazed with headlines wh%n “Prin- Wrong.” which she herself wrote, cess Exotica ordered this simple sit'd which comes to the Rivoli breakfast to her hotel room. • « • Theatre San Benito today. Cary Jimmy Bates, master of ballyhoo Grant, Noah Beery. Gilbert Roland.