DOCSLIB.ORG

Illustrated Tales of Kusu Island

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Illustrated Tales of Kusu Island This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. Illustrated tales of Kusu Island Peh, Yang Yu 2019 Peh, Y. Y. (2019). Illustrated tales of Kusu Island. Master's thesis, Nanyang Technological University, Singapore. https://hdl.handle.net/10356/89860 https://doi.org/10.32657/10220/47730 Downloaded on 25 Sep 2021 11:39:43 SGT ILLUSTRATED TALES OF KUSU ISLAND PEH YANG YU SCHOOL OF ART, DESIGN AND MEDIA A thesis submitted to the Nanyang Technological University in partial fulfilment of the requirement for the degree of Master of Arts (Research) 1 Statement of Originality I certify that all work submitted for this thesis is my original work. I declare that no other person's work has been used without due acknowledgement. Except where it is clearly stated that I have used some of this material elsewhere, this work has not been presented by me for assessment in any other institution or University. I certify that the data collected for this project are authentic and the investigations were conducted in accordance with the ethics policies and integrity standards of Nanyang Technological University and that the research data are presented honestly and without prejudice. 3 February 2019 . Date Peh Yang Yu 2 Supervisor Declaration Statement I have reviewed the content of this thesis and to the best of my knowledge, it does not contain plagiarised materials. The presentation style is also consistent with what is expected of the degree awarded. To the best of my knowledge, the research and writing are those of the candidate except as acknowledged in the Author Attribution Statement. I confirm that the investigations were conducted in accordance with the ethics policies and integrity standards of Nanyang Technological University and that the research data are presented honestly and without prejudice. 3 February 2019 . Date Sujatha Arundathi Meegama 3 ACKNOWLEDGEMENTS First and foremost, I would like to express my gratitude to Nanyang Technological University, College of Humanities, Arts and Social Sciences for granting me the scholarship for my M. A. (Research) in the School of Art, Design and Media (ADM). I would also like to thank the National Heritage Board (NHB) for giving me the research grant to fund my research. I would like to thank my supervisor, Asst. Prof Sujatha Arundathi Meegama from the School of Art, Design and Media. Prof. Sujatha has provided immense guidance on my research and writing skills since three years back when I first took her art history module as an undergraduate student at ADM. Her constant assurance and encouragement have also given me the confidence to embrace things that I might otherwise shrink away from. To my co-supervisor, Asst. Prof Bacsal Rhoda Myra Garces from the National Institute of Education who has believed in my research and selflessly extended her helping hand even though we did not know each other prior to this. Her constant motivation and valuable advice has made my journey in research much more manageable. To Assoc. Prof Andrea Nanetti, Ms. Chia Hsiao Ching and the faculty of ADM who have supported us through this research journey and being ever so patient with our queries. I am also indebted to fellow researchers from the NTU School of Humanities project “Turtles all the Way Down” who have provided me unwavering motivation and support in making this thesis possible. I would also like to thank my examiners for their valuable comments that have helped to push my thesis further. I would also like to extend my gratitude to all the authors (Mr. Pugalenthii Ramakrishnan and Mr. Don Bosco) and illustrators (Mr. Wilkie Tan, Ms. Beryl Kwok and Ms. Sharon Lei) of the illustrated tales of Kusu Island who have taken the time to grant me interviews. I would also like to thank the caretaker of the Chinese temple at Kusu Island, Mr. Seet Seng Huat, for being so accommodating every time I visited the island, and Ms. Marie Lee for sharing her upcoming play on Kusu Island. 4 To my family and friends who have provided immense support and encouragement throughout my research process, this accomplishment would not have been possible if without them. Peh Yang Yu, 2019 5 Table of Contents ABSTRACT ................................................................................................... 7 INTRODUCTION ........................................................................................... 9 Literature Review............................................................................................. 15 Methodology ................................................................................................... 17 Structure of Thesis ........................................................................................... 20 CHAPTER 1 ................................................................................................ 22 THE SIGNIFICANCE OF IMAGES IN THE ILLUSTRATED TALES OF KUSU ISLAND ..... 22 1.1 The Evolution of Image in the Illustrated Tales of Kusu Island .......................36 CHAPTER 2 ................................................................................................ 47 MULTIPLE REALITIES IN THE ILLUSTRATED TALES OF KUSU ISLAND .................... 47 2.1 Elements of Multiple Realities in the Illustrated Tales of Kusu Island ............49 2.2 Grounded Theory Analysis ..............................................................................56 CHAPTER 3 ................................................................................................ 63 THE FICTIONAL MOTIF OF TURTLE IN THE ILLUSTRATED TALES OF KUSU ISLAND 63 3.1 The Usage of Turtle as a Motif in Different Cultures ......................................64 3.2 The Motif of Turtle in the Illustrated Tales of Kusu Island and the Implied Child Reader ..........................................................................................................71 CONCLUSION ............................................................................................. 85 BIBLIOGRAPHY .......................................................................................... 95 APPENDIX A ............................................................................................. 106 THE ILLUSTRATED TALES OF KUSU ISLAND ...................................................... 106 APPENDIX B .............................................................................................. 113 ADDITIONAL SUPPORTING DOCUMENTS ........................................................ 113 APPENDIX C .............................................................................................. 115 THE TALES OF KUSU ISLAND THROUGH THE LENS OF PROPP’S MORPHOLOGY OF THE FOLKTALE ................................................................................................ 115 The Evolution of Text in the Tales of Kusu Island ...............................................115 APPENDIX D ............................................................................................. 143 THE ILLUSTRATED TALES OF KUSU ISLAND AND THE IMPLIED CHILD READER ... 143 APPENDIX E .............................................................................................. 145 GROUNDED THEORY ANALYSIS (Based on interview transcripts) ..................... 145 Coding for Illustrators .........................................................................................145 Coding for Authors ..............................................................................................148 Selective coding of themes from the interview transcripts................................150 APPENDIX F .............................................................................................. 151 INTERVIEW TRANSCRIPTS ............................................................................... 151 Transcript – Interview with Beryl Kwok, 21 September 2017 ............................151 Transcript – Interview with Don Bosco, 5 September 2017 ...............................162 Transcript – Interview with Wilkie Tan, 4 September 2017 ...............................165 Transcript – Interview with Pugalenthii, 18 September 2017 ............................189 Transcript – Interview with Sharon Lei, 12 September 2017 .............................227 Transcript – Interview with Marie Lee, 12 September 2017 ..............................229 6 ABSTRACT Kusu Island is one of Singapore's sixty-three islands and has several names, such as "Pulau Tembakul" in Malay and "Peak Island" in English. Its most popular name, Kusu, comes from the Hokkien pronunciation of the Chinese characters 龟屿 (guī yǔ), which means 'Turtle Island'." As a small island city-state with centuries of history, Singapore is filled with traditional tales that have been passed down orally through generations. Kusu Island depicts two men – a Malay and a Chinese – who are saved by a giant turtle during a storm and then live on the island together. This island with the aid of the turtle is built through friendship and trust. There has been scant scholarly research focusing on island creation stories and visual imagery in children’s illustrated books especially in Southeast Asia. Moreover, there is a research gaps in examining illustrated children’s books through an art historical perspective. Hence, this thesis focuses on the evolution of the illustrated tales of Kusu Island over the past decades. This includes contextualising the changes in narratives and visual representations of the story with reference to the transformations
Load more

Recommended publications
  • Malaysian-Omani Historical and Cultural Relationship: in Context of Halwa Maskat and Baju Maskat
    Volume 4 Issue 12 (Mac 2021) PP. 17-27 DOI 10.35631/IJHAM.412002 INTERNATIONAL JOURNAL OF HERITAGE, ART AND MULTIMEDIA (IJHAM) www.ijham.com MALAYSIAN-OMANI HISTORICAL AND CULTURAL RELATIONSHIP: IN CONTEXT OF HALWA MASKAT AND BAJU MASKAT Rahmah Ahmad H. Osman1*, Md. Salleh Yaapar2, Elmira Akhmatove3, Fauziah Fathil4, Mohamad Firdaus Mansor Majdin5, Nabil Nadri6, Saleh Alzeheimi7 1 Dept. of Arabic Language and Literature, Kulliyyah of Islamic Revealed Knowledge and Human Sciences, International Islamic University Malaysia Email: [email protected] 2 Ombudsman, University Sains Malaysia Email: [email protected] 3 Dept. of History and Civilization, Kulliyyah of Islamic Revealed Knowledge and Human Sciences, International Islamic University Malaysia Email: [email protected] 4 Dept. of History and Civilization, Kulliyyah of Islamic Revealed Knowledge and Human Sciences, International Islamic University Malaysia Email: [email protected] 5 Dept. of History and Civilization, Kulliyyah of Islamic Revealed Knowledge and Human Sciences, International Islamic University Malaysia Email: [email protected] 6 University Sains Malaysia Email: [email protected] 7 Zakirat Oman & Chairman of Board of Directors, Trans Gulf Information Technology, Muscat, Oman Email: [email protected] * Corresponding Author Article Info: Abstract: Article history: The current re-emergence of global maritime activity has sparked initiative Received date:20.01.2021 from various nations in re-examining their socio-political and cultural position Revised date: 10.02. 2021 of the region. Often this self-reflection would involve the digging of the deeper Accepted date: 15.02.2021 origin and preceding past of a nation from historical references and various Published date: 03.03.2021 cultural heritage materials.
    [Show full text]
  • Tengkolok As a Traditional Malay Work of Art in Malaysia: an Analysis Of
    ISSN- 2394-5125 VOL 7, ISSUE 19, 2020 TENGKOLOK AS A TRADITIONAL MALAY WORK OF ART IN MALAYSIA: AN ANALYSIS OF DESIGN Salina Abdul Manan1, Hamdzun Haron2,Zuliskandar Ramli3, Mohd Jamil Mat Isa4, Daeng Haliza Daeng Jamal5 ,Narimah Abd. Mutalib6 1Institut Alam dan Tamadun Melayu, Universiti Kebangsaan Malaysia. 2Pusat Citra Universiti, Universiti Kebangsaan Malaysia. 3Fakulti Seni Lukis & Seni Reka, Universiti Teknologi MARA 4Fakulti Teknologi Kreatif dan Warisan, Universiti Malaysia Kelantan 5Bukit Changgang Primary School, Banting, Selangor Email: [email protected], [email protected], [email protected], [email protected], [email protected], [email protected] Received: May 2020 Revised and Accepted: August 2020 ABSTRACT: The tengkolok serves as a headdress for Malay men which have been made infamous by the royal families in their court. It is part of the formal attire or regalia prominent to a Sultan, King or the Yang DiPertuan Besar in Tanah Melayu states with a monarchy reign. As such, the tengkolok has been classified as a three-dimensional work of art. The objective of this research is to analyses the tengkolok as a magnificent piece of Malay art. This analysis is performed based on the available designs of the tengkolok derived from the Malay Sultanate in Malaysia. To illustrate this, the author uses a qualitative method of data collection in the form of writing. Results obtained showed that the tengkolok is a sublime creation of art by the Malays. This beauty is reflected in its variety of names and designs. The name and design of this headdress has proved that the Malays in Malaysia have a high degree of creativity in the creation of the tengkolok.
    [Show full text]
  • Chapter Two Marine Organisms
    THE SINGAPORE BLUE PLAN 2018 EDITORS ZEEHAN JAAFAR DANWEI HUANG JANI THUAIBAH ISA TANZIL YAN XIANG OW NICHOLAS YAP PUBLISHED BY THE SINGAPORE INSTITUTE OF BIOLOGY OCTOBER 2018 THE SINGAPORE BLUE PLAN 2018 PUBLISHER THE SINGAPORE INSTITUTE OF BIOLOGY C/O NSSE NATIONAL INSTITUTE OF EDUCATION 1 NANYANG WALK SINGAPORE 637616 CONTACT: [email protected] ISBN: 978-981-11-9018-6 COPYRIGHT © TEXT THE SINGAPORE INSTITUTE OF BIOLOGY COPYRIGHT © PHOTOGRAPHS AND FIGURES BY ORINGAL CONTRIBUTORS AS CREDITED DATE OF PUBLICATION: OCTOBER 2018 EDITED BY: Z. JAAFAR, D. HUANG, J.T.I. TANZIL, Y.X. OW, AND N. YAP COVER DESIGN BY: ABIGAYLE NG THE SINGAPORE BLUE PLAN 2018 ACKNOWLEDGEMENTS The editorial team owes a deep gratitude to all contributors of The Singapore Blue Plan 2018 who have tirelessly volunteered their expertise and effort into this document. We are fortunate to receive the guidance and mentorship of Professor Leo Tan, Professor Chou Loke Ming, Professor Peter Ng, and Mr Francis Lim throughout the planning and preparation stages of The Blue Plan 2018. We are indebted to Dr. Serena Teo, Ms Ria Tan and Dr Neo Mei Lin who have made edits that improved the earlier drafts of this document. We are grateful to contributors of photographs: Heng Pei Yan, the Comprehensive Marine Biodiversity Survey photography team, Ria Tan, Sudhanshi Jain, Randolph Quek, Theresa Su, Oh Ren Min, Neo Mei Lin, Abraham Matthew, Rene Ong, van Heurn FC, Lim Swee Cheng, Tran Anh Duc, and Zarina Zainul. We thank The Singapore Institute of Biology for publishing and printing the The Singapore Blue Plan 2018.
    [Show full text]
  • Conceptual Understanding of Myths and Legends in Malay History
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UKM Journal Article Repository Conceptual Understanding of MythsSari 26 and (2008) Legends 91 - in 110 Malay History 91 Conceptual Understanding of Myths and Legends in Malay History HUSSAIN OTHMAN ABSTRAK Teks-teks sejarah Melayu juga kaya dengan cerita dongeng and legenda. Tetapi, banyak sarjana yang mengkaji isi teks itu kerap membuat tanggapan yang salah. Dalam kajian mereka, mereka menetapkan aspek luaran, dan bukannya aspek fungsi dan sejarah pada cerita mitos dan legenda itu. Oleh itu, adalah tujuan rencana ini untuk menerokai pemahaman konsep saya tentang cerita legenda dan mitos dalam teks sejarah klasik Melayu untuk membuktikan adanya kebenaran sejarah yang tersirat di sebalik cerita itu. Untuk tujuan itu, saya telah memilih Sejarah Melayu, Hikayat Raja-Raja Pasai dan Hikayat Merong Mahawanga. Kata kunci: Kosmologi Melayu, Sejarah Melayu, simbol Melayu, tafsir dan ta’wil ABSTRACT Malay historical texts are also rich in the mythical and legendary stories. Unfortunately, many scholars who study the content of the texts have always misunderstood them. In their study, they specify on the superficial aspects, instead of functional and historical aspects of the mythical and legendary stories. It is the purpose of this paper to explore my conceptual understanding of mythological and legendary stories in the Malay classical historical texts to prove that there are indeed historical truth embedded within these stories. To do that, Sejarah Melayu, Hikayat Raja-raja Pasai and Hikayat Merong Mahawangsa are selected. Key words: Malay cosmology, Malay history, Malay symbols, tafsir and ta’wil INTRODUCTION Much has been said about the symbols used and adored by man in ancient times.
    [Show full text]
  • Upin & Ipin: Promoting Malaysian Culture Values Through Animation
    Upin & Ipin: Promoting malaysian culture values through animation Dahlan Bin Abdul Ghani Universiti Kuala Lumpur [email protected] Recibido: 20 de enero de 2015 Aceptado: 12 de febrero de 2015 Abstract Malaysian children lately have been exposed or influenced heavily by digital media entertainment. The rise of such entertainment tends to drive them away from understanding and appreciating the values of Malaysian culture. Upin and Ipin animation has successfully promoted Malaysian folklore culture and has significantly portrayed the art of Malaysian values including Islamic values by providing the platform for harmonious relationship among different societies or groups or religious backgrounds. The focus of this research is to look into the usage of Malaysian culture iconic visual styles such as backgrounds, lifestyles, character archetypes and narrative (storytelling). Therefore, we hope that this research will benefit the younger generation by highlighting the meaning and importance of implicit Malaysian culture. Key words: Upin and Ipin; animation; narrative; folklore; culture; character archetypes. Upin e Ipin: promoviendo la cultura malasia a través de los valores de la animación Resumen Recientemente los niños en Malasia están siendo fuertemente expuestos cuando no influenciados por los medios masivos de entretenimiento digital. Esto les lleva una falta de comprensión y apreciación de la importancia de los valores de su propia cultura. La serie de animación propia Upin & Ipin ha promovido con éxito las diferentes culturas de Malasia y obtenido valores culturales significativos que representan a su arte, incluyendo el islámico, y proporcionando así una plataforma de relación armónica entre los diferentes grupos que componen la sociedad en Malasia, ya sea civil o religiosa.
    [Show full text]
  • Stay Fit & Feel Good Memorable Events at The
    INTEGRATED DINING DESTINATION SINGAPORE ISLAND MAP STAY FIT & FEEL GOOD Food warms the soul and we promise that it is always a lavish gastronomic experience Relax after a day of conference meeting or sightseeing. Stay in shape at our 24-hour gymnasium, at the Grand Copthorne Waterfront Hotel. have a leisurely swim in the pool, challenge your travel buddies to a game of tennis or soothe your muscles in the outdoor jacuzzi. MALAYSIA SEMBAWANG SHIPYARD NORTHERN NS11 Pulau MALAYSIA SEMBAWANG SEMBAWANG Seletar WOODLANDS WOODLANDS SUNGEI BULOH WETLAND CHECKPOINT TRAIN CHECKPOINT RESERVE NS10 ADMIRALTY NS8 NS9 MARSILING WOODLANDS YISHUN SINGAPORE NS13 TURF CLUB WOODLANDS YISHUN Pulau SARIMBUN SELETAR RESERVOIR EXPRESSWAY Punggol KRANJI NS7 Barat KRANJI Pulau BUKIT TIMAH JALAN Punggol NS14 KHATIB KAYU Timor KRANJI Pulau Pulau LIM CHU KANG RESERVOIR SELETAR PUNGGOL Serangoon Tekong KRANJI SINGAPORE RESERVOIR PUNGGOL (Coney Island) WAR ZOO AIRPORT Pulau Ubin MEMORIAL NEE LOWER SELETAR NE17 SOON RESERVOIR PUNGGOL Punggol EXPRESSWAY UPPER NIGHT TAMPINES EXPRESSWAY (TPE) LRT (PG) NS5 SAFARI SELETAR YEW TEE RESERVOIR MEMORABLE EVENTS AT THE WATERFRONT (SLE) SERANGOON NE16 RESERVOIR Bukit Panjang SENGKANG RIVER Sengkang LRT (BP) SAFARI With 33 versatile meeting rooms covering an impressive 850 square metres, SENGKANG LRT (SK) CAFHI JETTY NS4 CHOA CHU YIO CHU CHOA CHU KANG KANG CHANGI the Waterfront Conference Centre truly offers an unparalleled choice of meeting KANG NE15 PASIR NS15 BUANGKOK VILLAGE EASTERN DT1 BUKIT YIO CHU KANG TAMPINES EXPRESSWAY (TPE) BUKIT PANJANG (BKE) RIS Boasting a multi-sensory dining experience, interactive Grissini is a contemporary Italian grill restaurant spaces with natural daylight within one of the best designed conference venues PANJANG HOUGANG (KPE) EW1 CHANGI PASIR RIS VILLAGE buffet restaurant, Food Capital showcases the best specialising in premium meats and seafood prepared in DT2 LOWER NS16 NE14 in the region.
    [Show full text]
  • Do Singapore's Seawalls Host Non-Native Marine Molluscs?
    Aquatic Invasions (2018) Volume 13, Issue 3: 365–378 DOI: https://doi.org/10.3391/ai.2018.13.3.05 Open Access © 2018 The Author(s). Journal compilation © 2018 REABIC Research Article Do Singapore’s seawalls host non-native marine molluscs? Wen Ting Tan1, Lynette H.L. Loke1, Darren C.J. Yeo2, Siong Kiat Tan3 and Peter A. Todd1,* 1Experimental Marine Ecology Laboratory, Department of Biological Sciences, National University of Singapore, 16 Science Drive 4, Block S3, #02-05, Singapore 117543 2Freshwater & Invasion Biology Laboratory, Department of Biological Sciences, National University of Singapore, 16 Science Drive 4, Block S3, #02-05, Singapore 117543 3Lee Kong Chian Natural History Museum, Faculty of Science, National University of Singapore, 2 Conservatory Drive, Singapore 117377 *Corresponding author E-mail: [email protected] Received: 9 March 2018 / Accepted: 8 August 2018 / Published online: 17 September 2018 Handling editor: Cynthia McKenzie Abstract Marine urbanization and the construction of artificial coastal structures such as seawalls have been implicated in the spread of non-native marine species for a variety of reasons, the most common being that seawalls provide unoccupied niches for alien colonisation. If urbanisation is accompanied by a concomitant increase in shipping then this may also be a factor, i.e. increased propagule pressure of non-native species due to translocation beyond their native range via the hulls of ships and/or in ballast water. Singapore is potentially highly vulnerable to invasion by non-native marine species as its coastline comprises over 60% seawall and it is one of the world’s busiest ports. The aim of this study is to investigate the native, non-native, and cryptogenic molluscs found on Singapore’s seawalls.
    [Show full text]
  • Theravada Practices and Religious Life in Kelantan1
    Volume 1, Number 1, 2006 BUDDHISM IN A MUSLIM STATE: THERAVADA PRACTICES AND RELIGIOUS LIFE IN KELANTAN1 Mohamed Yusoff Ismail School of Social, Development and Environment Studies Faculty of Social Sciences and Humanities Universiti Kebangsaan Malaysia Abstract Although Kelantan is noted for its orthodoxy, in particular with regard to national politics and local practices of Islam, Theravada Buddhism seems to thrive very well among the local Thai ethnic group. This is testified by the fact that there are twenty temples in the state with a full-fledged Sangha organization, whose monks also serve in major towns outside the state. This paper describes some aspects of Theravada religious life in the Malay Muslim state of Kelantan, located south of Thai-Malaysian border in the east coast of the Malay Peninsula. The main concern of this paper is to examine how Thai Theravada Buddhism places itself in the context of a predominantly Malay society and adapts to local social and cultural conditions. The paper will give particular attention to the sociological and anthropological factors contributing to the non-antagonistic nature of relationship between Buddhism and Islam. Part of the answer can be traced to the historical origin of Buddhist temples in the area and also from the adaptive mechanism Theravada Buddhism has made in order to accommodate itself to the demand of the larger society in which the Thais are a minority group. In terms of its ecclesiastical organization, the Sangha body of Kelantan maintains a close link with the Thai clergy, the latter being the source of religious reference and validation.
    [Show full text]
  • Amazing Tour @ Singapore
    Amazing Tour @ Singapore St. John Island & Kusu Island Home to a rich diversity of flora and fauna, St. John’s Island is perfect for nature lovers seeking a little adventure. It is the largest of the Southern Islands in Singapore. Its 2.8 km St John’s Island Trail serves as both station markers and educational resources, highlighting the diversity of flora and fauna as well as the island’s colourful history. Have a chance to visit Kusu Island’s Chinese Temple, subject to ferry schedule. MUST TRY! “OMAKASE” Cantonese Dinner @ Braised Pork Belly in Pumpkin Wo Peng Cuisine A quaint Cantonese restaurant helmed by famous Chef Julian Tam, a Hong Kong Platinum Awarded Winner. He was the Head Chef at Hong Kong famous Yung Kee Restaurant (镛记酒家) in the 1980s. Chef Julian Tam was the first to bring Poon Choy to the Singapore Chinese cuisine scene as a festive New Year delicacy. Enjoy an “OMAKASE-style” dinner specially created by Chef Julian Tam! Teochew-style Afternoon Tea + Dim Sum @ Yixing Xuan Teahouse Experience the ambience and therapeutic effects of the traditional art of Chinese tea-making in an authentic Chinese Teahouse. Learn about Chinese Culture, history of Chinese Tea & preparing Kungfu tea in traditional way. Enjoy dim sum with the wonderful tea experience. AMAZING TOUR @ SINGAPORE Itinerary Tour Code: Tour Includes: Meet & Greet at People’s Park Complex, Hong Thai Travel Office SGTED5 - Air-conditioned coach service St John Island Walking Tour (subject to ferry schedule): SGTEDD - Mandarin-speaking guide SGTED5 (3hrs route): - 8-Course Cantonese Dinner Waterfront Promenade - Historic Building – Kusu Island Chinese Temple & Free Time - Island tour by a Ferry Ride SGTEDD (2hrs route): Tour Excludes: Historic Building – Marine Museum – Waterfront Promenade - Personal Expenses & Insurance SGTEDD: Yixingxuan Teochew-style Afternoon Tea + Dim Sum - Guide, Driver & Tour Leader Tipping $10p.p Cantonese Dinner by HKG Celebrity Chef @ Wo Ping Cuisine (Collect upon booking) - Excludes GST Tour Ends at People’s Park Complex, Hong Thai Travel Office St.
    [Show full text]
  • MARINA SOUTH FERRIES Ferry Time Schedule & Line Route
    MARINA SOUTH FERRIES ferry time schedule & line map MARINA SOUTH FERRIES Marina South Pier ↔ View In Website Mode Southern Islands The MARINA SOUTH FERRIES ferry line (Marina South Pier ↔ Southern Islands) has 8 routes. For regular weekdays, their operation hours are: (1) # Kusu Island To St John's Island: 12:30 PM - 5:00 PM (2) # St John's Island To Kusu Island: 10:30 AM - 2:30 PM (3) * Kusu Island To Marina South Pier: 11:00 AM - 3:30 PM (4) * St John's Island To Marina South Pier: 1:00 PM - 5:30 PM (5) Sisters' Islands To St John's Island: 11:20 AM - 3:40 PM (6) St John's Island To Sisters' Islands: 10:00 AM - 1:20 PM (7) ^ Marina South Pier To Kusu Island: 12:00 PM - 4:00 PM (8) ^ Marina South Pier To St John's Island: 10:00 AM - 11:00 AM Use the Moovit App to ƒnd the closest MARINA SOUTH FERRIES ferry station near you and ƒnd out when is the next MARINA SOUTH FERRIES ferry arriving. Direction: # Kusu Island To St John's Island MARINA SOUTH FERRIES ferry Time Schedule 2 stops # Kusu Island To St John's Island Route Timetable: VIEW LINE SCHEDULE Sunday 11:40 AM - 5:30 PM Monday 12:30 PM - 5:00 PM Kusu Island Tuesday 12:30 PM - 5:00 PM St John's Island Wednesday 12:30 PM - 5:00 PM Thursday 12:30 PM - 5:00 PM Friday 12:30 PM - 5:00 PM Saturday 11:40 AM - 5:30 PM MARINA SOUTH FERRIES ferry Info Direction: # Kusu Island To St John's Island Stops: 2 Trip Duration: 3 min Line Summary: Kusu Island, St John's Island Direction: # St John's Island To Kusu Island MARINA SOUTH FERRIES ferry Time Schedule 2 stops # St John's Island To Kusu Island
    [Show full text]
  • Text and Screen Representations of Puteri Gunung Ledang
    ‘The legend you thought you knew’: text and screen representations of Puteri Gunung Ledang Mulaika Hijjas Abstract: This article traces the evolution of narratives about the supernatural woman said to live on Gunung Ledang, from oral folk- View metadata, citation and similar papers at core.ac.uk brought to you by CORE lore to sixteenth-century courtly texts to contemporary films. In provided by SOAS Research Online all her instantiations, the figure of Puteri Gunung Ledang can be interpreted in relation to the legitimation of the state, with the folk- lore preserving her most archaic incarnation as a chthonic deity essential to the maintenance of the ruling dynasty. By the time of the Sejarah Melayu and Hikayat Hang Tuah, two of the most impor- tant classical texts of Malay literature, the myth of Puteri Gunung Ledang had been desacralized. Nevertheless, a vestigial sense of her importance to the sultanate of Melaka remains. The first Malaysian film that takes her as its subject, Puteri Gunung Ledang (S. Roomai Noor, 1961), is remarkably faithful to the style and sub- stance of the traditional texts, even as it reworks the political message to suit its own time. The second film, Puteri Gunung Ledang (Saw Teong Hin, 2004), again exemplifies the ideology of its era, depoliticizing the source material even as it purveys Barisan Nasional ideology. Keywords: myth; invention of tradition; Malay literature; Malaysian cinema Author details: Mulaika Hijjas is a British Academy Postdoctoral Fel- low in the Department of South East Asia, SOAS, Thornhaugh Street, Russell Square, London WC1H 0XG, UK. E-mail: [email protected].
    [Show full text]
  • Past, Present and Future: Conserving the Nation’S Built Heritage 410062 789811 9
    Past, Present and Future: Conserving the Nation’s Built Heritage Today, Singapore stands out for its unique urban landscape: historic districts, buildings and refurbished shophouses blend seamlessly with modern buildings and majestic skyscrapers. STUDIES URBAN SYSTEMS This startling transformation was no accident, but the combined efforts of many dedicated individuals from the public and private sectors in the conservation-restoration of our built heritage. Past, Present and Future: Conserving the Nation’s Built Heritage brings to life Singapore’s urban governance and planning story. In this Urban Systems Study, readers will learn how conservation of Singapore’s unique built environment evolved to become an integral part of urban planning. It also examines how the public sector guided conservation efforts, so that building conservation could evolve in step with pragmatism and market considerations Heritage Built the Nation’s Present and Future: Conserving Past, to ensure its sustainability through the years. Past, Present “ Singapore’s distinctive buildings reflect the development of a nation that has come of age. This publication is timely, as we mark and Future: 30 years since we gazetted the first historic districts and buildings. A larger audience needs to learn more of the background story Conserving of how the public and private sectors have creatively worked together to make building conservation viable and how these efforts have ensured that Singapore’s historic districts remain the Nation’s vibrant, relevant and authentic for locals and tourists alike, thus leaving a lasting legacy for future generations.” Built Heritage Mrs Koh-Lim Wen Gin, Former Chief Planner and Deputy CEO of URA.
    [Show full text]