The Nutcracker 2019
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Nutcracker Three Hundred Sixty-Seventh Program of the 2012-13 Season ______Indiana University Ballet Theater Presents
2012/2013 Peter Ilyich Tchaikovsky NutcrackerThe Three Hundred Sixty-Seventh Program of the 2012-13 Season _______________________ Indiana University Ballet Theater presents its 54th annual production of Peter Ilyich Tchaikovsky’s The Nutcracker Ballet in Two Acts Scenario by Michael Vernon, after Marius Petipa’s adaptation of the story, “The Nutcracker and the Mouse King” by E. T. A. Hoffmann Michael Vernon, Choreography Andrea Quinn, Conductor C. David Higgins, Set and Costume Designer Patrick Mero, Lighting Designer Gregory J. Geehern, Chorus Master The Nutcracker was first performed at the Maryinsky Theatre of St. Petersburg on December 18, 1892. _________________ Musical Arts Center Friday Evening, November Thirtieth, Eight O’Clock Saturday Afternoon, December First, Two O’Clock Saturday Evening, December First, Eight O’Clock Sunday Afternoon, December Second, Two O’Clock music.indiana.edu The Nutcracker Michael Vernon, Artistic Director Choreography by Michael Vernon Doricha Sales, Ballet Mistress Guoping Wang, Ballet Master Shawn Stevens, Ballet Mistress Phillip Broomhead, Guest Coach Doricha Sales, Children’s Ballet Mistress The children in The Nutcracker are from the Jacobs School of Music’s Pre-College Ballet Program. Act I Party Scene (In order of appearance) Urchins . Chloe Dekydtspotter and David Baumann Passersby . Emily Parker with Sophie Scheiber and Azro Akimoto (Nov. 30 & Dec. 1 eve.) Maura Bell with Eve Brooks and Simon Brooks (Dec. 1 mat. & Dec. 2) Maids. .Bethany Green and Liara Lovett (Nov. 30 & Dec. 1 eve.) Carly Hammond and Melissa Meng (Dec. 1 mat. & Dec. 2) Tradesperson . Shaina Rovenstine Herr Drosselmeyer . .Matthew Rusk (Nov. 30 & Dec. 1 eve.) Gregory Tyndall (Dec. 1 mat.) Iver Johnson (Dec. -
The Schooltime Performance Series Nutcracker
teacher resource guide schooltime performance series the nutcracker National Ballet Theatre of Odessa about the meet the cultural A short history on ballet and promoting performance composer connections diversity in the dance form Prepare to be dazzled and enchanted by The Nutcracker, a Pyotr Ilyich Tchaikovsky (1840–1893) was an important Russian timeless and beloved ballet performance that is perfect for children composer who is famous for his romantic, melodic and emotional Ballet’s roots In the 20th century, ballet continued to evolve with the emergence of of all ages and adults who have grown up watching it during the musical works that are still popular and performed to this day. He Ballet has its roots in Italian Renaissance court pageantry. During notable figures, such as Vaslav Nijinsky, a male ballet dancer virtuoso winter holiday season. is known for his masterful, enchanting compositions for classical weddings, female dancers would dress in lavish gowns that reached their who could dance en pointe, a rare skill among male dancers, and George Balanchine, a giant in ballet choreography in America. The Nutcracker, held all over the world, varies from one production ballet, such as The Nutcracker, Swan Lake and The Sleeping Beauty. ankles and dance before a crowd of aristocrats, wealthy merchants, and company to another with different names for the protagonists, Growing up, he was clearly musically gifted; Tchaikovsky politically-connected financiers, such as the Medici family of Florence. Today, ballet has morphed to include many different elements, besides traditional and classical. Contemporary ballet is based on choreography, and even new musical additions in some versions. -
Dresden.De/Events Visit Dresden Christmas Magic in the Dresden Elbland Region
Winter Highlights 2018/2019 www.dresden.de/events Visit Dresden Christmas magic in the Dresden Elbland region Anyone who likes Christmas will love Dresden. Eleven very distinct Christmas markets make the metropolis on the Elbe a veritable Christmas city. Christmas in Dresden – that also means festive church concerts, fairy tale readings and special exhibitions. Or how about a night lights cruise on the Elbe? Just as the river itself connects historic city-centre areas with gorgeous landscapes, so the Christmas period combines the many different activities across the entire Dresden Elbland region into one spellbinding attraction. 584th Dresden Striezelmarkt ..................................................... 2 Christmas cheer everywhere Christmas markets in Dresden .................................................. 4 Christmas markets in the Elbland region ................................... 6 Events November 2018 – February 2019 ............................................... 8 Unique experiences ................................................................... 22 Exhibitions ................................................................................. 24 Advent shopping ....................................................................... 26 Prize draw .................................................................................. 27 Packages .................................................................................... 28 Dresden Elbland tourist information centre Our service for you ................................................................... -
Youth Ballet's the Nutcracker: COVID-19 Style
THE GLEANER HOLIDAY FEATURES 4 DECEMBER 18, 2020 Youth Ballet’s The Nutcracker: COVID-19 style by Ava Hoelscher The dancers have of The Gleaner certainly felt the effects of COVID this Nutcracker The Dubuque City season. Noah Ripperger, Youth Ballet’s production ‘23, dancing the role of of The Nutcracker is an the Nutcracker, said, “The annual holiday tradition quality of the show will be for dancers and their fans. different; that’s not because Christmas would not of the dancers’ talents. It’s feel the same without the simply because we are in whimsical storytelling, a pandemic and have had beautiful dancing, colorful a hard time working with costumes, and familiar restrictions.” melodies. Though the company This year, the high typically has a strict one- miss policy for rehearsals, number of COVID cases in Falling into the 2020 Nutcracker the Dubuque community that has been altered this created fear that the ballet The Nutcracker cast of 2019 performing their last snow dance routine during last year’s holi- year to allow for proper would be cancelled. day season. quarantines. Often mul- However, the company’s “I’m looking forward to has sold out. Berning noted ences and are grateful that tiple dancers are missing directors were committed showing everyone what we that though it will feel the tradition continues this from each rehearsal, which to giving their dancers a have worked so hard on,” different to perform for a year. Senior Emilia Harris has made it difficult for the performance opportunity. said Berning. “I’m also glad much smaller audience, she said that watching dancers company to properly space They implemented pre- we can provide many peo- feels lucky that they are perform The Nutcracker as and rehearse group scenes. -
Nutcracker-Story-With-PBT-Photos.Pdf
ACT ONE It is Christmas Eve in Pittsburgh over 100 years ago. This is the Stahlbaum’s house in the Shadyside neighborhood. On the street outside, Mr. Drosselmeyer and his Nephew unload Christmas gifts from their cart to take to the Stahlbaum’s party. The Nephew wears a mask because he has been cursed by the Rat King. The mask scares some of the people attending the party. Inside the house, Marie, Dr. Stahlbaum’s daughter, gets ready for the party. She’s reading a book called Kaufmann’s Christmas Stories for Boys and Girls. Her parents present her with two special gifts because she’s growing up: a beautiful scarf and a pair of pointe shoes. The Stahlbaum’s Christmas Eve party begins. There are adults and children dancing, trimming the Christmas tree, and exchanging gifts. Drosselmeyer and the Nephew enter the party. Drosselmeyer makes a pirate doll and other dolls come to life and dance! Drosselmeyer gives Marie a wooden Nutcracker doll. Marie’s brother Fritz breaks the Nutcracker, and the Nephew and Drosselmeyer fix it for Marie. Everyone at the party is afraid of the Nephew because of his mask. But Marie knows that he is kind. After much fun and festivity, the party ends. The guests leave, and the Stahlbaum family exchange their own gifts and go to bed. But Marie has forgotten her Nutcracker. As the clock strikes midnight, she tiptoes back downstairs to find him. Marie is not alone, though. The whole house is under a kind of spell. Giant rats and mice skitter after Marie. -
Ballets Russes Press
A ZEITGEIST FILMS RELEASE THEY CAME. THEY DANCED. OUR WORLD WAS NEVER THE SAME. BALLETS RUSSES a film by Dayna Goldfine and Dan Geller Unearthing a treasure trove of archival footage, filmmakers Dan Geller and Dayna Goldfine have fashioned a dazzlingly entrancing ode to the rev- olutionary twentieth-century dance troupe known as the Ballets Russes. What began as a group of Russian refugees who never danced in Russia became not one but two rival dance troupes who fought the infamous “ballet battles” that consumed London society before World War II. BALLETS RUSSES maps the company’s Diaghilev-era beginnings in turn- of-the-century Paris—when artists such as Nijinsky, Balanchine, Picasso, Miró, Matisse, and Stravinsky united in an unparalleled collaboration—to its halcyon days of the 1930s and ’40s, when the Ballets Russes toured America, astonishing audiences schooled in vaudeville with artistry never before seen, to its demise in the 1950s and ’60s when rising costs, rock- eting egos, outside competition, and internal mismanagement ultimately brought this revered company to its knees. Directed with consummate invention and infused with juicy anecdotal interviews from many of the company’s glamorous stars, BALLETS RUSSES treats modern audiences to a rare glimpse of the singularly remarkable merger of Russian, American, European, and Latin American dancers, choreographers, composers, and designers that transformed the face of ballet for generations to come. — Sundance Film Festival 2005 FILMMAKERS’ STATEMENT AND PRODUCTION NOTES In January 2000, our Co-Producers, Robert Hawk and Douglas Blair Turnbaugh, came to us with the idea of filming what they described as a once-in-a-lifetime event. -
A Thousand Encores: the Ballets Russes in Australia
PUBLICITY MATERIAL A Thousand Encores: The Ballets Russes in Australia CONTACT PRODUCTION COMPANY flaming star films 7/32 George Street East Melbourne 3002 Tel: +61 3 9419 8097 Mob: +61 (0)417 107 516 Email: [email protected] EXECUTIVE PRODUCER Sharyn Prentice WRITER / DIRECTOR Mandy Chang PRODUCERS Marianne Latham / Lavinia Riachi EDITOR Karin Steininger Ballets Russes dancer Anna Volkova as the Golden Cockerel in Fokine's Le Coq d'Or A Thousand Encores: The Ballets Russes in Australia SHORT SYNOPSIS A Thousand Encores is the story of how the greatest ballet company of the 20th Century - the celebrated Ballets Russes, came to Australia and awoke a nation, transforming the cultural landscape of conservative 30’s Australia, leaving a rich legacy that lasts to this day. EXTENDED SYNOPSIS A Thousand Encores tells the surprising and little known story of how, over 70 years ago, an extraordinary company of dancers made a deep impact on our cultural heritage. In 1936, the celebrated Ballets Russes de Monte Carlo stepped off a boat into the bright Australian sunlight. With exotic sets and costumes designed by cutting edge-artists and avant-garde music by great composers like Stravinsky, the Ballets Russes inspired a nation and transformed our cultural landscape. Over five years from 1936 to 1940 they came to Australia three times, winning the hearts and minds of Australian audiences, inspiring a generation of our greatest artists - Grace Cossington Smith, Jeffrey Smart and Sidney Nolan - and ultimately sowing the seeds for Australian ballet today. The story is bought alive using a rich archival resource. Australia has the biggest collection of Ballets Russes footage in the world and an impressive photographic record - the most famous pictures taken by a young Max Dupain. -
Nutcracker Study Guide, 2012 Salt Creek Ballet Page 2
STUDY GUIDE SALT CREEK BALLET’S PRODUCTION OF EXCERPTS FROM THE NUTCRACKER SPONSORED BY THE ADDISON CENTER FOR THE ARTS A GUIDE FOR TEACHERS GRADES 2-5 ALIGNED WITH THE ILLINOIS STATE STANDARDS Dear Teacher: We know that classroom time is precious, so we thank you for taking the time to use this resource and enrich your students’ experience of The Nutcracker ballet! The purpose of this packet is to both assist you in preparing your students for Salt Creek Ballet’s production of The Nutcracker ballet as well as provide you with several ways in which to integrate the dance experience into your daily academic curriculum. Although the students will only view specific portions of the ballet (the end of Act I and part of Act II), we encourage you and your students to learn more about ballet and the complete story of The Nutcracker ballet by using the pre-performance discussion activities provided below. After attending the performance, you may help the students “dive more deeply” by using any of the suggested post-performance writing or discussion activities provided. TABLE OF CONTENTS Suggested Pre-Performance Activities…….page 2 About Ballet……………………………………………page 2 About the Theater…………………………………. page 4 About the Music……………………………………..page 4 Background Information…………………………page 5 Ballet and Dance Vocabulary……………….…page 7 Creating a Ballet………………………………….…page 8 What Students can expect………………………page 8 Ideas for Curriculum Integration…………….page 9 Selected Bibliography and Resources……page 12 SUGGESTED PRE-PERFORMANCE ACTIVITIES Basic Activities: Read aloud or have the students read the story of The Nutcracker ballet. (A synopsis of SCB’s version of story is included in this packet.) Listen to excerpts from the Tchaikovsky score and notice the ways the music changes with each different scene in the story. -
Kodiak Arts Council's the Nutcracker 2019 Cast Handbook
Kodiak Arts Council’s The Nutcracker 2019 Cast Handbook Every three years, Kodiak Arts Council presents The Nutcracker as part of it’s Performing Arts Series. The Nutcracker is an exciting and rewarding time for our dancers and their families, and is the major community production for the Arts Council this year. Participation in this full-length production requires hard work, commitment, and dedication to make it a positive and successful experience. If you have questions after reviewing this handbook, please contact us. There are inevitably questions we didn’t answer, or details we have missed (or gotten wrong!) You can call the office (907) 654-5722, email [email protected], or stop by the studio. We are here to help! This year’s performances will be held: Friday, December 6 @ 7 pm Saturday, December 7 @ 2 pm & 7 pm Sunday, December 8 @ 2 pm IMPORTANT CONTACT INFORMATION ........................................................................................ 3 The Nutcracker Performance order ......................................................................................................... 4 ACT I ...................................................................................................................................................... 4 ACT II ..................................................................................................................................................... 4 MULTIPLE CASTS EXPLAINED ....................................................................................................... -
Unitel and Classica Present
UnItel and Classica present Pyotr IlyIch NutcrackerThe tchaIkovsky Anna Merkulova István Simon Oleg Klymyuk Claudio Cangialosi Vello Pähn Semperoper Dresden Pyotr IlyIch eter tchaikovsky’s “nutcracker” is certainly one of – if The tchaIkovsky not the – most popular “family” ballets in the world. Pthis production from the Semperoper combines the Nutcracker work’s fairy-tale aspects with a visual opulence that would have done justice to the Czar’s court. Conductor Vello Pähn Based on the celebrated original ballet libretto by Marius Petipa, Orchestra Staatskapelle Dresden choreographers Aaron S. Watkin and Jason Beechey have joined Ballet Semperoper Ballett forces to create a new interpretation that presents a modern yet Choreography Aaron S. Watkin traditional choreography oriented on a classical ballet vocabulary. Jason Beechey the sets are inspired by Dresden’s famous Zwinger and the “Striezelmarkt”, one of Germany’s oldest documented Christmas Marie (adult) Anna Merkulova markets. the exceptionally spirited dancing, charming sets and nutcracker/Prince István Simon extravagantly beautiful and elegant costumes by Roberta Guidi di Drosselmeier Oleg Klymyuk Bagno make the production a joy to behold. Mouse King Claudio Cangialosi Sugar Plum Fairy Yumiko Takeshima the beloved story of little Marie, whose gift nutcracker transforms Her Consort Jiří Bubeníček itself into a prince during the night, unfolds in a novel way: instead Snow Queen Julia Weiss of having the children’s roles of the first act danced by adults, as is Marie (child) Lydia Jahn often the case, this production entrusts the roles to actual children Fritz Michel Philipp Weber and youths from Dresden’s famous Palucca School of Dance. -
The Nutcracker an Introduction
The Nutcracker An Introduction A Royal Opera House Education Resource 1 Contents Introduction 3 The Characters 4 Setting the Scene 5 The Story 6 Petipa and Ivanov 14 The Nutcracker past and present 15 What was expected of a ballet composer? 18 Dance: look for ... 20 Listen to ... Introducing the music 26 The Overture 27 Design: look for ... 35 Things to do and discuss 38 Formations and patterns 44 2 Introduction This pack is prepared for pupils from Key Stage 2 upwards, and most of the material is aimed at Key Stages 2 and 3. However, he approach adopted is equally appropriate to older students and the list of ‘Things to do and discuss’ contains tasks to challenge all, including 'A' level students. The teacher is invited to select and/or adapt according to the needs of the situation. Pupils attending a live performance of the ballet should be familiar with the story and, ideally, should be introduced to a number of 'anchor points' - features to notice and moments to listen for. For convenience, tasks and activities are often grouped around a specific art form, but it is important to stress that ballet involves several art forms. Listening without the visual dimension, or focusing on design elements independently of the music and the dance, are valuable approaches in raising pupils' awareness but they should be regarded as means to an end. In ballet the whole is much more than the sum of the parts. To make most effective use of this pack it may well be necessary to copy and disseminate the material among specialist or other teacher colleagues. -
Belief and Christmas: Performing Belief and the Theory and Practice of Christmas Performance
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2013 Belief And Christmas: Performing Belief And The Theory And Practice Of Christmas Performance Brenna Nicely University of Central Florida Part of the Theatre and Performance Studies Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Nicely, Brenna, "Belief And Christmas: Performing Belief And The Theory And Practice Of Christmas Performance" (2013). Electronic Theses and Dissertations, 2004-2019. 2817. https://stars.library.ucf.edu/etd/2817 BELIEF AND CHRISTMAS PERFORMING BELIEF AND THE THEORY AND PRACTICE OF CHRISTMAS PERFORMANCE by BRENNA NICELY B.A. Bowdoin College, 2010 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Theatre in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2013 Major Professor: Julia Listengarten © 2013 Brenna Nicely ii ABSTRACT In the United States, Christmastime has become a time of tension between the holy ideals of family togetherness, childhood innocence, and goodwill towards men and commercial idolatry. Christ and Santa Claus are pitted against each other in the war on Christmas between religion and secularism instead of feasting together on ham and figgy pudding in the traditional fashion.