United Reggae Magazine #5
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Neue Ware Mail-Order Katalog Einzelhandel 07-05 #1
IRIE RECORDS GMBH IRIE RECORDS GMBH BANKVERBINDUNGEN: EINZELHANDEL NEUHEITEN-KATALOG NR. 172 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/LP/10"&12"/7") D-48159 MÜNSTER KONTO NR. 31360-469, BLZ 440 100 46 (VOM 25.06.2005 BIS 12.07.2005) GERMANY POSTBANK NL DORTMUND TEL. 0251-45106 KONTO NR. 35 60 55, BLZ 400 501 50 SCHUTZGEBÜHR: 0,50 EUR (+ PORTO) FAX. 0251-42675 SPARKASSE MÜNSTERLAND OST EMAIL: [email protected] HOMEPAGE: www.irie-records.de GESCHÄFTSFÜHRER: K.E. WEISS/SITZ: MÜNSTER/HRB 3638 ______________________________________________________________________________________________________________ IRIE RECORDS GMBH: DISTRIBUTION - WHOLESALE - RETAIL - MAIL ORDER - SHOP - YOUR SPECIALIST IN REGGAE & SKA -------------------------------------------------------------------------------------------------------------- GESCHÄFTSZEITEN: MONTAG/DIENSTAG/MITTWOCH/DONNERSTAG/FREITAG 13 – 19 UHR; SAMSTAG 12 – 16 UHR ______________________________________________________________________________________________________________ CD CD CD CD CD CD CD CD CD CD CD CD IRIE RECORDS GMBH NEW RELEASE-CATALOGUE 07/2005 #1 SEITE 2 *** CDs *** ASWAD............................. COOL SUMMER REGGAE............ JJ............. (GBR) (--/02). 12.99EUR AUTOMAT alias MODIFIE............. ECOUTE PROLONGEE (6 TR.EP-CD). SOUND AROUND... (FRA) (04/04). 13.99EUR EPCD ANTHONY B (feat. RAS SHILOH/JAH CURE)............................ BLACK STAR (+ 2 BONUS)........ GREENSLEEVES/MA (GBR) (05/05). 16.99EUR DENNIS BOVELL..................... DUB DEM SILLY (VOL.1)......... ARAWAK INTERNAT -
Music 18145 Songs, 119.5 Days, 75.69 GB
Music 18145 songs, 119.5 days, 75.69 GB Name Time Album Artist Interlude 0:13 Second Semester (The Essentials Part ... A-Trak Back & Forth (Mr. Lee's Club Mix) 4:31 MTV Party To Go Vol. 6 Aaliyah It's Gonna Be Alright 5:34 Boomerang Aaron Hall Feat. Charlie Wilson Please Come Home For Christmas 2:52 Aaron Neville's Soulful Christmas Aaron Neville O Holy Night 4:44 Aaron Neville's Soulful Christmas Aaron Neville The Christmas Song 4:20 Aaron Neville's Soulful Christmas Aaron Neville Let It Snow! Let It Snow! Let It Snow! 2:22 Aaron Neville's Soulful Christmas Aaron Neville White Christmas 4:48 Aaron Neville's Soulful Christmas Aaron Neville Such A Night 3:24 Aaron Neville's Soulful Christmas Aaron Neville O Little Town Of Bethlehem 3:56 Aaron Neville's Soulful Christmas Aaron Neville Silent Night 4:06 Aaron Neville's Soulful Christmas Aaron Neville Louisiana Christmas Day 3:40 Aaron Neville's Soulful Christmas Aaron Neville The Star Carol 2:13 Aaron Neville's Soulful Christmas Aaron Neville The Bells Of St. Mary's 2:44 Aaron Neville's Soulful Christmas Aaron Neville Tell It Like It Is 2:42 Billboard Top R&B 1967 Aaron Neville Tell It Like It Is 2:41 Classic Soul Ballads: Lovin' You (Disc 2) Aaron Neville Don't Take Away My Heaven 4:38 The Grand Tour Aaron Neville I Owe You One 5:33 The Grand Tour Aaron Neville Don't Fall Apart On Me Tonight 4:24 The Grand Tour Aaron Neville My Brother, My Brother 4:59 The Grand Tour Aaron Neville Betcha By Golly, Wow 3:56 The Grand Tour Aaron Neville Song Of Bernadette 4:04 The Grand Tour Aaron Neville You Never Can Tell 2:54 The Grand Tour Aaron Neville The Bells 3:22 The Grand Tour Aaron Neville These Foolish Things 4:23 The Grand Tour Aaron Neville The Roadie Song 4:41 The Grand Tour Aaron Neville Ain't No Way 5:01 The Grand Tour Aaron Neville The Grand Tour 3:22 The Grand Tour Aaron Neville The Lord's Prayer 1:58 The Grand Tour Aaron Neville Tell It Like It Is 2:43 Smooth Grooves: The 60s, Volume 3 L.. -
EINZELHANDEL NEUHEITEN-KATALOG NR. 129 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/LP/10" & 12"/7"/Dvds/Books) D-48159 MÜNSTER KONTO NR
IRIE RECORDS GMBH IRIE RECORDS GMBH BANKVERBINDUNGEN: EINZELHANDEL NEUHEITEN-KATALOG NR. 129 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/LP/10" & 12"/7"/DVDs/Books) D-48159 MÜNSTER KONTO NR. 31360-469, BLZ 440 100 46 (VOM 27.07.2003 BIS 08.08.2003) GERMANY POSTBANK NL DORTMUND TEL. 0251-45106 KONTO NR. 35 60 55, BLZ 400 501 50 SCHUTZGEBÜHR: 0,50 EUR (+ PORTO) FAX. 0251-42675 SPARKASSE MÜNSTERLAND OST EMAIL: [email protected] HOMEPAGE: www.irie-records.de GESCHÄFTSFÜHRER: K.E. WEISS/SITZ: MÜNSTER/HRB 3638 ______________________________________________________________________________________________________________ IRIE RECORDS GMBH: DISTRIBUTION - WHOLESALE - RETAIL - MAIL ORDER - SHOP - YOUR SPECIALIST IN REGGAE & SKA -------------------------------------------------------------------------------------------------------------- GESCHÄFTSZEITEN: MONTAG/DIENSTAG/MITTWOCH/DONNERSTAG/FREITAG 13 – 19 UHR; SAMSTAG 12 – 16 UHR ______________________________________________________________________________________________________________ *** CDs *** ALPHA BLONDY...................... PARIS BERCY................... EMI............ (FRA) (00/01). 19.99EUR GLADSTONE ANDERSON & THE MUDIE ALL STARS........................ GLADY UNLIMITED............... MOODISC........ (USA) (77/99). 21.99EUR HORACE ANDY....................... FEEL GOOD ALL OVER: ANTHOLOGY. TROJAN......... (USA) (--/02). 21.99EUR 2CD BADAWI............................ SOLDIER OF MIDIAN............. ROIR........... (USA) (01/01). 21.99EUR BEENIE MAN/BUJU BANTON/BOUNTY KILLER.......................... -
Lyrics and the Law : the Constitution of Law in Music
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2006 Lyrics and the law : the constitution of law in music. Aaron R. S., Lorenz University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Lorenz, Aaron R. S.,, "Lyrics and the law : the constitution of law in music." (2006). Doctoral Dissertations 1896 - February 2014. 2399. https://scholarworks.umass.edu/dissertations_1/2399 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. LYRICS AND THE LAW: THE CONSTITUTION OF LAW IN MUSIC A Dissertation Presented by AARON R.S. LORENZ Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2006 Department of Political Science © Copyright by Aaron R.S. Lorenz 2006 All Rights Reserved LYRICS AND THE LAW: THE CONSTITUTION OF LAW IN MUSIC A Dissertation Presented by AARON R.S. LORENZ Approved as to style and content by: Sheldon Goldman, Member DEDICATION To Martin and Malcolm, Bob and Peter. ACKNOWLEDGMENTS This project has been a culmination of many years of guidance and assistance by friends, family, and colleagues. I owe great thanks to many academics in both the Political Science and Legal Studies fields. Graduate students in Political Science have helped me develop a deeper understanding of public law and made valuable comments on various parts of this work. -
Dokument 1.Pdf
»COME INNA MI RAMPING SHOP«. SLACKNESS UND SCHWULENHASS IN DER JAMAIKANISCHEN UND DEUTSCHEN DANCEHALL Martin Pfleiderer Der Song »Ramping Shop«1, gesungen von Vybz Kartel (Adidja Azim Palmer) und Spice (Grace Latoya Hamilton), war Ende 2008 und Anfang 2009 in Jamaika überaus erfolgreich. Vybz Kartel und Slice erhielten nicht zuletzt aufgrund des großen Erfolges des Songs bei den fünften jamaikanischen Annual Excellence in Music & Entertainment Awards (EME) Auszeichnungen als bester Deejay-Sänger und als beste Deejay-Sängerin2 des Jahres 2009 (Cooke 2009a). Die öffentliche Diskussion um die expliziten Lyrics von »Ramping Shop« führte allerdings im Februar 2009 zu einer Verschärfung der Radiozensur in Jamaika (Cooke 2010: 28) ― dazu später mehr. In der Tat sind die Lyrics von »Ramping Shop« sehr deutlich und direkt (s. nächste Seite). Geschildert werden sexuelle Vorlieben und Geschlechtsverkehr bis hin zu einer Verbalisierung der Orgasmus-Erfahrung. Zeilen wie »Well, you haffi ram it hard« (Spice), »Every nipple get a bite« (Kartel), »Kill mi wid di cocky« (Spice) und »Kill mi wid di tightness« (Kartel) weisen unmissver- ständlich darauf hin, dass es in »Ramping Shop« nicht um eine Schmuse- und Kuschel-Partie, sondern um handfesten Sex geht. Dies wird auch in der visuellen Umsetzung im Videoclip, vor allem aber auf der Konzertbühne deutlich.3 Beim Sting 2009, dem größten jamaikanischen Musikfestival in 1 »Ramping Shop« ist ein Slang-Ausdruck für den Geschlechtsverkehr bzw. für einen Ort, an dem der Geschlechtsakt vollzogen wird (vgl. Anon. A o.J.). 2 Deejays stehen in Jamaika nicht wie im HipHop an den Plattentellern ― dort stehen die jamaikanischen Selectors ―, sondern entsprechen vielmehr den Hip- Hop-MCs oder -Rappern (vgl. -
Hempress Sativa
420 ISSUE APR 2014 M A G A Z I N E ROOTS / ROCK / REGGAE / RESPECT HEMPRESS SATIVA 10 GANJA TRAX UNCONQUEREBEL RESPECT LIONESS PROTOJE KABAKA PYRAMID TURBULENCE JAHKIME JESSE ROYAL SATORI MOVEMENT KEZNAMDI NATURAL BLACK ONE LOVE / ONE EARTH / ONE CHANCE IRIEMAG.COM THE 420 ISSUE / 2014 “When you smoke the herb, it reveals you to yourself.” - Bob Marley Nicholas “Nico” Da Silva Founder/Publisher IRIEMAG.COM Celebrate 420 everyday! ROOTS. ROCK. REGGAE. Irie 420 Satori Movement Hempress Sativa From Jamaica One Love / One Earth / One Chance Unconquerebel Lioness RESPECT. REWIND. RIDDIMS. Kindah Danny Creatah Ganja Trax One Family World A Reggae Music for the Cannabis Culture TABLE OF CONTENT. Jamaica ROOTS. Irie 420 From Jamaica IRIE 420 From Jamaica By Kam-Au Amen Ganja babe my sweet ganja babe I love tha way ya love me and the way ya misbehavin’ ganja babe my sweet ganja babe come wake body-ody take my mind away GANJA BABE, MICHAEL FRANTI & SPEARHEAD Being Jamaican, and growing up in that culture one can hardly escape knowing what ganja, otherwise referred to as marijuana, weed, pot, cannabis, herb, I-ncients, collie, sensi, and a number of other names is. The use of ganja in Jamaica is still illegal, and its possession is criminal, therefore it is largely used outside of the public eye. No doubt this has contributed to its mystique and appeal. In Jamaica, the use of ganja has primarily been associated with the Rastafari brethren. These days however, lots have changed. Much of Jamaica’s international renown is due to its seeming- ly very integral role in counter cultural movements. -
JAMAICA MUSIC COUNTDOWN Apr 20
JAMAICA MUSIC COUNTDOWN BY RICHARD ‘RICHIE B’ BURGESS APR 20 - 26, 2018 TOP 25 DANCE HALL SINGLES TW LW WOC TITLE/ARTISTE/LABEL 01 2 14 Family – Popcaan – Pure Music Productions (1wk@#1) U-1 02 3 13 Body Of A Goddess – Mitch & Dolla Coin – Emperor Productions U-1 03 1 14 Pine & Ginger – Amindi K. Fro$t, Tessellated & Valleyz – Big Beat Records (1wk@#1) D-2 04 6 12 A Mill Fi Share – Shane O – Kswizz Music U-2 05 7 11 They Don’t Know – Masicka – TMG Production U-2 06 9 7 Bawl Out – Dovey Magnum – Journey Music U-3 07 4 17 Yabba Dabba Doo – Vybz Kartel – Purple Skunk Records (1wk@#1) D-3 08 10 9 Stay So – Busy Signal – Warriors Musick Productions U-2 09 5 16 Lebeh Lebeh – Ding Dong – Romeich Entertainment (pp#3) D-4 10 12 8 Mad Love – Sean Paul & David Guetta feat. Becky G – Virgin U-2 11 13 6 Walking Trophy – Hood Celebrity – KSR Group U-2 12 14 6 Love Situation – Jada Kingdom – Popstyle Music U-2 13 15 6 Breeze – Aidonia & Govana – 4th Genna Music & JOP Records U-2 14 8 19 Graveyard – Tarrus Riley – Head Concussion Records (2wks@#1) D-6 15 11 17 Duh Better Than This – Bounty Killer – Misik Muzik (pp#7) D-4 16 18 5 Duffle Bag – Spice – Spice Official Ent. U-2 17 19 5 I’m Sanctify – Sean Paul feat. Movado – Troyton Music U-2 18 20 4 Simple Blessings – Tarrus Riley feat. Konshens – Chimney Records U-2 19 16 19 Suave - Alkaline – Chimney Records (1wk@#1) D-3 20 22 4 War Games – Shabba Ranks feat. -
JAMAICA MUSIC COUNTDOWN Dec 1
JAMAICA MUSIC COUNTDOWN BY RICHARD ‘RICHIE B’ BURGESS DECEMBER 1 – 7, 2017 TOP 25 DANCE HALL SINGLES TW LW WOC TITLE/ARTISTE/LABEL 01 2 10 Mhm Hm – Vybz Kartel – Jones Avenue Records (1wk@#1) U-1 02 1 13 She Nah Leggo – Lanz – Music Records (2wks@#1) D-1 03 3 18 Fling Yuh Shoulda – Ding Dong – Romeich Entertainment (1wk@#1) NM 04 5 11 No Worries – D’Angel & Spice – Good Good Productions U-1 05 4 22 Laugh & Gwan – Mavado – Lee Milla Production (1wk@#1) D-1 06 7 11 Can’t Believe – Kranium feat. TY Dolla Sign & WizKid – Atlantic Records U-1 07 8 10 Grim Rim Rave – Tommy Lee Sparta – Silver Birds Records U-1 08 11 11 No Wahala – Demarco feat. Akon & Runtown – KonLive Music U-3 09 10 13 Nothing Dem Nuh Have Ova Mi – Shenseea – Krish Genius Music U-1 10 12 8 Girlfriend – Busta Rhymes feat. Vybz Kartel & Tory Lanez – Epic Records U-2 11 6 16 Shake Your Bam Bam – RDX – Apt 19 Music (pp#4) D-5 12 14 7 Golden Hold – Alkaline – Lee Milla Productions U-2 13 15 6 El Chapo – Popcaan – Notnice Records U-2 14 9 22 Gyalis Pro – Alkaline & Sean Paul – DJ Frass (1wk@#1) D-5 15 17 7 Hide – Deepjahi – TJ Records/VPAL Music U-2 16 18 6 10 Outta 10 – Massicka – Good Good Productions U-2 17 19 4 All Aboard – Vybz Kartel – TJ Records U-2 18 20 4 Hot Tool – Aidonia – 4th Genna Music U-2 19 21 4 Mi Belly – Ishawna – TJ Records U-2 20 22 3 Jump – Major Lazer feat. -
Interview with Donovan Germain 25 Years Penthouse Records
Interview with Donovan Germain 25 Years Penthouse Records 02/19/2014 by Angus Taylor Jamaican super-producer Donovan Germain recently celebrated 25 years of his Penthouse label with the two-disc compilation Penthouse 25 on VP Records. But Germain’s contribution to reggae and dancehall actually spans closer to four decades since his beginnings at a record shop in New York. The word “Germane” means relevant or pertinent – something Donovan has tried to remain through his whole career - and certainly every reply in this discussion with Angus Taylor was on point. He was particularly on the money about the Reggae Grammy, saying what has long needed to be said when perennial complaining about the Grammy has become as comfortable and predictable as the awards themselves. How did you come to migrate to the USA in early 70s? My mother migrated earlier and I came and joined her in the States. I guess in the sixties it was for economic reasons. There weren’t as many jobs in Jamaica as there are today so people migrated to greener pastures. I had no choice. I was a foolish child, my mum wanted me to come so I had to come! What was New York like for reggae then? Very little reggae was being played in New York. Truth be told Ken Williams was a person who was very instrumental in the outbreak of the music in New York. Certain radio stations would play the music in the grave yard hours of the night. You could hear the music at half past one, two o’clock. -
15,99€ 14,99€ 17,99€ 18,99€
IRIE RECORDS GMBH IRIE RECORDS GMBH NEW RELEASE CATALOGUE NO. 426 RINSCHEWEG 26 (CD/LP/10"&12"/7") 48159 MUENSTER (01.05.2017 - 26.05.2017) GERMANY TEL. +49-(0)251-45106 HOMEPAGE: www.irie-records.de MANAGING DIRECTOR: K.E. WEISS EMAIL: [email protected] REG. OFFICE: MUENSTER/HRB 3638 ______________________________________________________________________________________________________________ IRIE RECORDS GMBH: DISTRIBUTION - WHOLESALE - RETAIL - MAIL ORDER - SHOP - YOUR SPECIALIST IN REGGAE & SKA -------------------------------------------------------------------------------------------------------------- OPENING HOURS: MONDAY/TUESDAY/WEDNESDAY/THURSDAY/FRIDAY 13 – 19; SATURDAY 12 – 16 IRIE EXCLUSIVE CD CD 3CD SET 2CD SET JAPAN IMPORT CD JAPAN IMPORT CD 19,99€ 17,99€ 1)18,99€ 16,99€ 1)19,99€ 17,99€ 1)17,99€ 15,99€ 1) 25,99€ 23,99€ 1) 25,99€ 23,99€ 1) 2CD CD 2CD CD CD CD 17,99€ 17,99€ 9,99€ 7,99€ 1) 13,99€ 12,99€ 1) 18,99€ 19,99€ 1) PLEASE NOTE: SPECIAL SALE PRICE ONLY VALID FOR ORDERS RECEIVED UNTIL JUNE 16th, 2017! IRIE RECORDS GMBH NEW RELEASE-CATALOGUE 05/2017 PAGE 2 *** CDs *** CD CD CD CD 15,99€ 14,99€ 17,99€ 18,99€ BANYANS (feat. JOHNNY OSBOURNE/BIG YOUTH/MARANTO) (+ 3 BONUS)....... FOR BETTER DAYS:DELUXE EDITION KHANTI......... (FRA) (14/17). 19.99EUR CONGOS (REMASTERED 3CD SET WITH EXTRA TRACKS INCL. THE RARE ORIGINAL LEE PERRY ALBUM MIX)............. HEART OF THE CONGOS (3CD)..... 17 NORTH PARADE (USA) (78/17). 19.99EUR 3CD CULTURE (feat. CULTURE & MR BOJANGLES /MIGHTY TWO (3x)/JOE GIBBS & THE PROFESSIONALS (2x)/SHORTY THE PRESIDENT/CULTURE & I ROY (2x)/CULTURE & PRINCE WEEDY) (2CD SET REMASTERED WITH DISCO MIXES, DUBS AND DJ VERSIONS).... -
“Just Ask Mi 'Bout Brooklyn:” West Indian Identities, Transgeographies, and Livin
“JUST ASK MI ’BOUT BROOKLYN:” WEST INDIAN IDENTITIES, TRANSGEOGRAPHIES, AND LIVING REGGAE CULTURE A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Sabia McCoy-Torres August 2015 © 2015 Sabia McCoy-Torres “JUST ASK MI ’BOUT BROOKLYN:” WEST INDIAN IDENTITIES, TRANSGEOGRAPHIES, AND LIVING REGGAE CULTURE Sabia McCoy-Torres, Ph.D. Cornell University 2015 This ethnography explores the symbiotic relationship between the West Indian Diaspora and performance based, Jamaican originated, reggae culture. The field site was Brooklyn, New York. I analyze the intersections of reggae with racial and cultural identity construction, expressions of gender and sexuality, transnationalism, and place making practices. The formation of a local, West Indian led, reggae related economy is also a subject of focus. In order to theorize the impact West Indians have on Brooklyn and their subjectivities, I develop the concepts transgeographies and figurative citizenship. I argue that the West Indian Diaspora creates transgeographic cultural places that specific sociocultural practices and performance help to form. I offer that performance, action, and material alteration coalesce to physically transform space and imbue it with affect and sensory elements that together constitute links to the various nations of the Caribbean. The West Indian geographies of Brooklyn are thereby brought inside the Caribbean space expanding how geography is conceived of as an analytic. Emergent diasporic subjectivities are formed within these transgeographic cultural places, one of them being what I term figurative citizenship. This work also includes analyses of the relationship of West Indians to U.S. -
Jamaica Tourist Everything You Need to Know for the Perfect Vacation Experience
JAMAICA TOURIST WWW.JAMAICATOURIST.NET EVERYTHING YOU NEED TO KNOW FOR THE PERFECT VACATION EXPERIENCE ISSUE 14 - SPRING 2010 IN THIS ISSUE JOSS STONE SHINES AT 2010 JAMAICA JAZZ & BLUES FESTIVAL FANTASTIC GOLF EXPLORING JAMAICA THE ‘ONE LOVE’ PROJECT PALMYRA OWNERS TAKE OCCUPANCY OF LUXURY RESIDENCES CHULANI’S REMARKABLE JOURNEY TO JAMAICA HISTORIC TRAMWAYS OF KINGSTON THE GAP CAFÉ - JEWEL IN THE BLUE MOUNTAINS CUISINE FOR EVERY TASTE SHOPPING PAR EXELLENCE WHAT A GWAAN? OWN A TROPICAL HOME AT THE PALMYRA Look for the FREE GEMSTONE offer in the YOUR luxury shopping section! FREE ISSUE SEE ISLAND MAP INSIDE GROOVIN’ IN JAMAICA eople visit Jamaica for many reasons, one of which is the island’s many world-class music festivals that include Reggae Sumfest, Rebel Salute, Sting and perhaps the most popular, Jamaica Jazz & Blues Festival. From January 28 - 30, more than 20,000 Jazz and Blues aficionados flocked the lawns of the PTrelwany Multipurpose Stadium in Greenfield, for the 14th staging of the trendy event. Staged at the stadium for the first time this year, most skeptics were quickly won over by the ease of access and superior parking facilities of the venue, which comfortably hosted VIP tents, skyboxes, a craft market and a wide variety of food & beverage outlets. Combined with the world-class music line-up and masses of happy music lovers, the stadium formed a perfect venue. Visited by thousands of people at its former home Is This Love. Next, singer and songwriter Kenny ‘Babyface’ Edmonds entered the stage with a band dressed in at the iconic aqueduct of Rose Hall, the Jazz & Blues black tuxedos and paid homage to the ‘many beautiful women of Jamaica’ with classics like Every Time I Close Festival has seen outstanding performances by major My Eyes and My My My, Mama, Can We Talk For A Minute and I Wanna Rock With You Baby.