International Journal of Language and Literary Studies The Grotesque in Frankenstein in Baghdad: Between Humanity and Monstrosity Volume 2, Issue 1, 2020 Homepage : http://ijlls.org/index.php/ijlls The Grotesque in Frankenstein in Baghdad: Between Humanity and DOIMonstrosity: 10.36892/ijlls.v1i3.71 Rawad Alhashmi The University of Texas at Dallas, USA
[email protected] DOI: https://doi.org/10.36892/ijlls.v2i1.120 Received: Abstract 13/01/2020 This paper analyzes Ahmed Saadawi’s Frankenstein in Baghdad (2018) with a special emphasis on the grotesque bodily images of the monster, the novel’s Accepted: 17/03/2020 exploration of justice, and the question of violence. I draw on the theoretical framework of the Russian philosopher and literary critic Mikhail Bakhtin (1895–1975), the ethics philosopher Emmanuel Levinas (1906–1995), and the Keywords: German-American philosopher and political thinker Hannah Arendt (1906– Dystopia; 1975). Saadawi’s unnamed monster, “The Whatsitsname,” comes into being Frankenstein; via an accidental if honorably intentioned act, when the main character, Hadi, Grotesque; Justice; compiles remnant corpses that he finds in the streets of Bagdad into one body Monster; Other; Violence with the aim of conducting “a proper burial” in order to dignify the dead. Interestingly, while the monster is the enemy in the eyes of the Iraqi government, he is a savior for the ordinary people— their only hope of putting an end to the violence and achieving justice. In this paper, I argue that Saadawi draws on the metaphor of Frankenstein’s monster not only to capture the dystopian mood in post-2003 Baghdad, but also to question the tragic realities, and the consequence of war, as well as the overall ramification of colonialism.