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A Short History of Pop ‘Pop’ Is Short for Popular Music
Read the text. A short history of pop ‘Pop’ is short for popular music. There are different styles of pop music, but they all appeal to the general public. But when did ‘modern’ pop music begin? There were two significant moments. First of all Leo Fender invented the electric guitar in 1950. Then, in 1954, Sony introduced the transistor radio and after that, music was accessible to people in their homes and cars. In 1954 Elvis Presley released That’s All Right. He fused country music with black rhythm and blues to create rock and roll. At that time this was an innovation, and Elvis, who was young, attractive and exciting, became the first teen idol and made pop music a youth culture. The 1960s was the decade of The Beatles, who dominated pop music from 1961 to 1970 with a new folk-rock sound. The Beatles were the first band to play in a stadium: Shea Stadium in New York in 1965. In June 1969 they had their seventeenth number one hit – two more than Elvis. The 60s also saw the first outdoor music festivals and popular music began to have a social and political message, for example, Bob Dylan. This was also the beginning of Motown and soul music with artists like Ray Charles, The Supremes and Marvin Gaye. Think English Elementary • Unit 9 p.107 © Oxford University Press PHOTOCOPIABLE Next came the 1970s and several new genres of music appeared, like reggae (Bob Marley), glam rock (David Bowie), punk (the Sex Pistols) and heavy metal (Iron Maiden). -
Radio Stations in Michigan Radio Stations 301 W
1044 RADIO STATIONS IN MICHIGAN Station Frequency Address Phone Licensee/Group Owner President/Manager CHAPTE ADA WJNZ 1680 kHz 3777 44th St. S.E., Kentwood (49512) (616) 656-0586 Goodrich Radio Marketing, Inc. Mike St. Cyr, gen. mgr. & v.p. sales RX• ADRIAN WABJ(AM) 1490 kHz 121 W. Maumee St. (49221) (517) 265-1500 Licensee: Friends Communication Bob Elliot, chmn. & pres. GENERAL INFORMATION / STATISTICS of Michigan, Inc. Group owner: Friends Communications WQTE(FM) 95.3 MHz 121 W. Maumee St. (49221) (517) 265-9500 Co-owned with WABJ(AM) WLEN(FM) 103.9 MHz Box 687, 242 W. Maumee St. (49221) (517) 263-1039 Lenawee Broadcasting Co. Julie M. Koehn, pres. & gen. mgr. WVAC(FM)* 107.9 MHz Adrian College, 110 S. Madison St. (49221) (517) 265-5161, Adrian College Board of Trustees Steven Shehan, gen. mgr. ext. 4540; (517) 264-3141 ALBION WUFN(FM)* 96.7 MHz 13799 Donovan Rd. (49224) (517) 531-4478 Family Life Broadcasting System Randy Carlson, pres. WWKN(FM) 104.9 MHz 390 Golden Ave., Battle Creek (49015); (616) 963-5555 Licensee: Capstar TX L.P. Jack McDevitt, gen. mgr. 111 W. Michigan, Marshall (49068) ALLEGAN WZUU(FM) 92.3 MHz Box 80, 706 E. Allegan St., Otsego (49078) (616) 673-3131; Forum Communications, Inc. Robert Brink, pres. & gen. mgr. (616) 343-3200 ALLENDALE WGVU(FM)* 88.5 MHz Grand Valley State University, (616) 771-6666; Board of Control of Michael Walenta, gen. mgr. 301 W. Fulton, (800) 442-2771 Grand Valley State University Grand Rapids (49504-6492) ALMA WFYC(AM) 1280 kHz Box 669, 5310 N. -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
Traditional Funk: an Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio
University of Dayton eCommons Honors Theses University Honors Program 4-26-2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Caleb G. Vanden Eynden University of Dayton Follow this and additional works at: https://ecommons.udayton.edu/uhp_theses eCommons Citation Vanden Eynden, Caleb G., "Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio" (2020). Honors Theses. 289. https://ecommons.udayton.edu/uhp_theses/289 This Honors Thesis is brought to you for free and open access by the University Honors Program at eCommons. It has been accepted for inclusion in Honors Theses by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Abstract Recognized nationally as the funk capital of the world, Dayton, Ohio takes credit for birthing important funk groups (i.e. Ohio Players, Zapp, Heatwave, and Lakeside) during the 1970s and 80s. Through a combination of ethnographic and archival research, this paper offers a pedagogical approach to Dayton funk, rooted in the styles and works of the city’s funk legacy. Drawing from fieldwork with Dayton funk musicians completed over the summer of 2019 and pedagogical theories of including black music in the school curriculum, this paper presents a pedagogical model for funk instruction that introduces the ingredients of funk (instrumentation, form, groove, and vocals) in order to enable secondary school music programs to create their own funk rooted in local history. -
Elevator Building Rides Ups, Downs of Market
20100712-NEWS--0001-NAT-CCI-CD_-- 7/9/2010 7:01 PM Page 1 ® www.crainsdetroit.com Vol. 26, No. 28 JULT 12 – 18, 2010 $2 a copy; $59 a year ©Entire contents copyright 2010 by Crain Communications Inc. All rights reserved Page 3 iNetworks fund to invest Suppliers see in life science, health firms St. Mary Hospital seeks to add $81.8 million wing profits amid Inside JOHN SOBCZAK Co-owner Randy Lewarchik says plans to turn the Detroit Elevator Building into small office space are starting to pay off. low volumes Adapting to ‘the new normal’ LeBron saga just part Elevator Building rides BY JAMES TREECE of picture for Dan Gilbert, CRAIN NEWS SERVICE Page 18 If you’ve survived Auto parts suppliers have “ ups, downs of market emerged from the recession so far, you’ve with an unfamiliar prospect Jobs/Economy amid lower volumes: prof- got a pretty itability. Owners scrap Parts makers are poised for good chance Staffing strong — perhaps even companies condo plan, try record — profits because of of survival. lower breakevens, several ” answer business’ supplier CEOs say. Tim Manganello, small offices Profits are possible at to- BorgWarner Inc. call for IT employees, day’s North American vol- BY DANIEL DUGGAN umes of 11 million to 12 million Warner Inc. During the recession Page 11 CRAIN’S DETROIT BUSINESS COURTESY OF RANDY LEWARCHIK units annually, compared with 17 the maker of powertrain parts laid Though bank financing was se- ABOUT THE BUILDING million units seen at the start of off 6,000 employees, or about one- cured and interest from potential the decade. -
The Social and Cultural Changes That Affected the Music of Motown Records from 1959-1972
Columbus State University CSU ePress Theses and Dissertations Student Publications 2015 The Social and Cultural Changes that Affected the Music of Motown Records From 1959-1972 Lindsey Baker Follow this and additional works at: https://csuepress.columbusstate.edu/theses_dissertations Part of the Music Commons Recommended Citation Baker, Lindsey, "The Social and Cultural Changes that Affected the Music of Motown Records From 1959-1972" (2015). Theses and Dissertations. 195. https://csuepress.columbusstate.edu/theses_dissertations/195 This Thesis is brought to you for free and open access by the Student Publications at CSU ePress. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of CSU ePress. The Social and Cultural Changes that Affected the Music of Motown Records From 1959-1972 by Lindsey Baker A Thesis Submitted in Partial Fulfillment of Requirements of the CSU Honors Program for Honors in the degree of Bachelor of Music in Performance Schwob School of Music Columbus State University Thesis Advisor Date Dr. Kevin Whalen Honors Committee Member ^ VM-AQ^A-- l(?Yy\JcuLuJ< Date 2,jbl\5 —x'Dr. Susan Tomkiewicz Dean of the Honors College ((3?7?fy/L-Asy/C/7^ ' Date Dr. Cindy Ticknor Motown Records produced many of the greatest musicians from the 1960s and 1970s. During this time, songs like "Dancing in the Street" and "What's Going On?" targeted social issues in America and created a voice for African-American people through their messages. Events like the Mississippi Freedom Summer and Bloody Thursday inspired the artists at Motown to create these songs. Influenced by the cultural and social circumstances of the Civil Rights Movement, the musical output of Motown Records between 1959 and 1972 evolved from a sole focus on entertainment in popular culture to a focus on motivating social change through music. -
Research Education Outreach Partnerships
HBEC provided approximately 100 free cholesterol transitionsINSTITUTE OF GERONTOLOGY screenings at its HBEC Health Reception in June. Promoting Successful Aging in Detroit and Beyond Fall 2007 IOG Researcher Receives research $1.46 Million to Study Stress and the Aging Brain education Scott Moffat, Ph.D., got the $1.46 million releasing energy. But greenlight from the National Institute on Aging when cortisol is released to study how chronic exposure to stress hor- over long periods of outreach mones affects the brain’s structure and function. months or years, the Dr. Moffat The grant, “Cognitive and Neural Consequences organs are overtaxed and damage may ensue. of Long-term Cortisol Exposure in Human Animal studies have shown that high levels of Aging,” spans four years and is a major accom- stress-related hormones released over long periods partnerships plishment during this period of serious cuts in of time decreased the size of the brain’s hippo- government funding for research. campus, an area crucial for memory. The stress hormone cortisol is produced “We know that cortisol attacks certain brain by the adrenal glands to help the body survive regions and causes some atrophy and loss of brain short-term physical or mental stresses. Corti- function,” said Dr. Moffat, who is an assistant sol functions well as a short-term strategy by professor in the IOG’s Cognitive Neuroscience increasing heart rate, focusing attention, and and Aging department and in Wayne State’s Department of Psychology. “In humans, we think exposure to stress and high levels of cortisol may cause memory loss and ultimately increase the risk for dementia.” Dr. -
1980S Music: It Was More Than Disco Boogie—There Was Just Something Subliminal About It Jessica Malinski Course: Communication
1980s Music: It Was More Than Disco Boogie—There Was Just Something Subliminal About It Jessica Malinski Course: Communications 453 Instructor: Dr. Joseph Mirando Assignment: Research Paper Now, more than ever, music artists and record labels are fighting to keep their freedom of speech rights when it comes to their music, as they are constantly being sued for writing specific lyrics. Freedom of Speech is protected under the First Amendment and is defined as the liberty to freely say what one pleases, as well as the related right to hear what others say. This paper will examine the court‟s access to subliminal messages, the plaintiff‟s burden of proof, and the defendants‟ protections; additionally, an in-depth explanation of the court‟s ruling in a pivotal case will be provided. From this examination, one major question arises: can music lyrics contain subliminal messages that may potentially cause a person to commit suicide? First Amendment Protection The First Amendment is particularly supportive of the media; not only does it protect newspapers and magazines under Freedom of the Press, but it also shields music companies and artists under Freedom of Speech. This allows music artists to express their thoughts and feelings through music without question from anyone, including the court system. However, one of the main exceptions to Freedom of Speech with regard to music artists is a subliminal message. Namely, the court feels that if subliminal messages are present within the lyrics, then the listener‟s privacy rights are violated. This means he or she is unable to consciously comprehend or control the subliminal messages. -
Record Dreams Catalog
RECORD DREAMS 50 Hallucinations and Visions of Rare and Strange Vinyl Vinyl, to: vb. A neologism that describes the process of immersing yourself in an antique playback format, often to the point of obsession - i.e. I’m going to vinyl at Utrecht, I may be gone a long time. Or: I vinyled so hard that my bank balance has gone up the wazoo. The end result of vinyling is a record collection, which is defned as a bad idea (hoarding, duplicating, upgrading) often turned into a good idea (a saleable archive). If you’re reading this, you’ve gone down the rabbit hole like the rest of us. What is record collecting? Is it a doomed yet psychologically powerful wish to recapture that frst thrill of adolescent recognition or is it a quite understandable impulse to preserve and enjoy totemic artefacts from the frst - perhaps the only - great age of a truly mass art form, a mass youth culture? Fingering a particularly juicy 45 by the Stooges, Sweet or Sylvester, you could be forgiven for answering: fuck it, let’s boogie! But, you know, you’re here and so are we so, to quote Double Dee and Steinski, what does it all mean? Are you looking for - to take a few possibles - Kate Bush picture discs, early 80s Japanese synth on the Vanity label, European Led Zeppelin 45’s (because of course they did not deign to release singles in the UK), or vastly overpriced and not so good druggy LPs from the psychedelic fatso’s stall (Rainbow Ffolly, we salute you)? Or are you just drifting, browsing, going where the mood and the vinyl takes you? That’s where Utrecht scores. -
The Assassination of Dr. Martin Luther King Jr. and the Birth of Funk Culture
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2013 Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture Domenico Rocco Ferri Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the United States History Commons Recommended Citation Ferri, Domenico Rocco, "Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture" (2013). Dissertations. 664. https://ecommons.luc.edu/luc_diss/664 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2013 Domenico Rocco Ferri LOYOLA UNIVERSITY CHICAGO FUNK MY SOUL: THE ASSASSINATION OF DR. MARTIN LUTHER KING JR. AND THE BIRTH OF FUNK CULTURE A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN HISTORY BY DOMENICO R. FERRI CHICAGO, IL AUGUST 2013 Copyright by Domenico R. Ferri, 2013 All rights reserved. ACKNOWLEDGEMENTS Painstakingly created over the course of several difficult and extraordinarily hectic years, this dissertation is the result of a sustained commitment to better grasping the cultural impact of Dr. Martin Luther King Jr.’s life and death. That said, my ongoing appreciation for contemporary American music, film, and television served as an ideal starting point for evaluating Dr. -
Detroit Rock & Roll by Ben Edmonds for Our Purposes, The
"KICK OUT THE JAMS!" Detroit Rock & Roll by Ben Edmonds For our purposes, the story of Detroit rock & roll begins on September 3, 1948, when a little-known local performer named John Lee Hooker entered United Sound Studios for his first recording session. Rock & roll was still an obscure rhythm & blues catchphrase, certainly not yet a musical genre, and Hooker's career trajectory had been that of the standard-issue bluesman. A native of the Mississippi Delta, he had drifted north for the same reason that eastern Europeans and Kentucky hillbillies, Greeks and Poles and Arabs and Asians and Mexicans had all been migrating toward Michigan in waves for the first half of the 20th Century. "The Motor City it was then, with the factories and everything, and the money was flowing," Hooker told biographer Charles Shaar Murray." All the cars were being built there. Detroit was the city then. Work, work, work, work. Plenty work, good wages, good money at that time."1 He worked many of those factories, Ford and General Motors among them, and at night he plied the craft of the bluesman in bars, social clubs and at house parties. But John Lee Hooker was no ordinary bluesman, and the song he cut at the tail of his first session, "Boogie Chillen," was no ordinary blues. Accompanied only by the stomp of his right foot, his acoustic guitar hammered an insistent pattern, partially based on boogie-woogie piano, that Hooker said he learned from his stepfather back in Mississippi as "country boogie." Informed by the urgency and relentless drive of his Detroit assembly line experiences, John Lee's urban guitar boogie would become a signature color on the rock & roll palette, as readily identifiable as Bo Diddley's beat or Chuck Berry's ringing chords. -
Public Notice >> Licensing and Management System Admin >>
REPORT NO. PN-2-200917-01 | PUBLISH DATE: 09/17/2020 Federal Communications Commission 445 12th Street SW PUBLIC NOTICE Washington, D.C. 20554 News media info. (202) 418-0500 ACTIONS File Number Purpose Service Call Sign Facility ID Station Type Channel/Freq. City, State Applicant or Licensee Status Date Status 0000113523 Renewal of FM WCVJ 612 Main 90.9 JEFFERSON, OH EDUCATIONAL 09/15/2020 Granted License MEDIA FOUNDATION 0000114058 Renewal of FL WSJB- 194835 96.9 ST. JOSEPH, MI SAINT JOSEPH 09/15/2020 Granted License LP EDUCATIONAL BROADCASTERS 0000116255 Renewal of FM WRSX 62110 Main 91.3 PORT HURON, MI ST. CLAIR COUNTY 09/15/2020 Granted License REGIONAL EDUCATIONAL SERVICE AGENCY 0000113384 Renewal of FM WTHS 27622 Main 89.9 HOLLAND, MI HOPE COLLEGE 09/15/2020 Granted License 0000113465 Renewal of FM WCKC 22183 Main 107.1 CADILLAC, MI UP NORTH RADIO, 09/15/2020 Granted License LLC 0000115639 Renewal of AM WILB 2649 Main 1060.0 CANTON, OH Living Bread Radio, 09/15/2020 Granted License Inc. 0000113544 Renewal of FM WVNU 61331 Main 97.5 GREENFIELD, OH Southern Ohio 09/15/2020 Granted License Broadcasting, Inc. 0000121598 License To LPD W30ET- 67049 Main 30 Flint, MI Digital Networks- 09/15/2020 Granted Cover D Midwest, LLC Page 1 of 62 REPORT NO. PN-2-200917-01 | PUBLISH DATE: 09/17/2020 Federal Communications Commission 445 12th Street SW PUBLIC NOTICE Washington, D.C. 20554 News media info. (202) 418-0500 ACTIONS File Number Purpose Service Call Sign Facility ID Station Type Channel/Freq.