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Bell & Howell Information and Learning 300 North Zeeb Road. Ann Artx>r. Ml 48106-1346 USA 800-521-0000 UMÏ

AN INDEX OF EXCERPTS AND AN OVERVIEW OF PUBLISHED ORCHESTRAL EXCERPT COLLECTIONS WITH A COMPARISON OF THREE COLLECTIONS

DOCUMENT

Presented in Partial Fulfillment of the Requirements for

the Degree Doctor of Musical Arts in the Graduate

School of the Ohio State University

By

Tama I. Kott, B.M., M.M.

*****

The Ohio State University 2000

Document Committee:

Professor Christopher Weait, Advisor Approved By

Professor Russel C. Mikkelson

Professor Jon R. Woods

Advisor Music Graduate Program UMI Number 9982505

Copyright 2000 by Kott, Tam a I.

All rights reserved.

UMI

UMI Microform9982505 Copyright 2000 by & Howell Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code.

Bell & Howell Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Aitor, Ml 48106-1346 Copyright by Tama I. Kott 2000 ABSTRACT

The study of orchestral excerpts is essential for those wix) aspire to orchestral or teaching positions. This document contains a database of thirty-nine published orchestral excerpt collections for bassoon in or out of print. An overview of the collections provides general information on the compilers or editors, the contents, and other information pertinent to a specific collection. A comparison was made between three collections to illustrate how excerpt collections for bassoon evolved over the one hundred-year publication period. Many people are interested in excerpts and auditions however, few studies or articles have been dedicated to this subject. The con^ilation of the database fills a void in bassoon pedagogy. Dedicated to: You know who you are. enough said!

Ill ACKNOWLEDGMENTS

I wish to thank Professors Christopher Weak, Richard Blatti, David Frego, Russel

Mikkelson, and Jon Woods for their intellectual support, artistic guidance, encouragement, and enthusiasm. I am grateful for your personal and professional support and humanity.

I am grateful to the many fecuky members Wio have passed on constructive criticism, motherly or fetherly advice, and encouraging words from time to time. Your support is greatly ^preciated.

My appreciation is extended to Professors Tom Heck and Massimo Gentili-

Tedeschi for helping me obtain information on Ciro Stadio. A word of thanks to

Professor Bruce Degen for forwarding materials on his three published excerpt collections in a timely maimer for inclusion in this project. 1 hope in the future the four remaining volumes will be published and included.

Many thanks to Olga Haldey, Igor Karaca, and Diana Lentsner for their assistance in translating excerpt titles from assorted languages and for not making fun of my !

To my editors Lissa and Suzanne; you graciously gave your time and expertise.

Each of you had a unique perspective and constructively taught me a great deal about the writing process.

iv I would like to give my most sincere and heartfelt words of thanks and gratitude to Tim Sarsany for all of his assistance. All the things he has done for me are too numerous to mention. Tim, your friendship is greatly treasured. Thank you.

My strongest words of thanks go to my family, extended frmily, and friends for their constant love and support. The names o f all these people are too numerous to mention. I trust you all know who you are. You folk are always there for me. Be it a phone call or many calls, invitations to diimers, creating a Êunily for me in Columbus, or simply reminding me to get it together. Only the people that you love and who love you will constantly be there for you. You have all provided a home for me to go to, you have opened your hearts. This has been your greatest gift. VITA

January 7, 1970 Bom — New York City, New Yoric

1991-1992 General Music Teacher, Nativity Preparatory School, MA

1992 B.M., New England Conservatory

1993 Principal Bassoon, Heidelberg Schlossfestpiele Orchester, Germany

1994 M.M., University o f Rochester, Eastman School of Music

1995-present Substitute Teacher, New York City Public Schools

1996-1997 Woodwind Instructor, Alban Roberts School of Music, New York

1997-1999 Graduate Administrative Associate, Ohio State University School o f Music

1999-present Graduate Teaching Associate, Ohio State University School of Music

March-April 2000 Acting Principal Bassoon, Orquesta Sinfonica de la Universidad Autonomo Nueva Leon, México

VI FIELDS OF STUDY

Major Field; Music

Vll TABLE OF CONTENTS

Abstract ...... ü

Dedication ...... iii

Acknowledgments ...... iv

Vita...... vi

List of Abbreviations ...... x

Chapters:

1. Introduction ...... 1

2. Parameters of Study, Difficulties in Obtaining and Locating Materials and Compiling Database ...... 3

3. Overview of Excerpt Collections Examined ...... 7

4. Analysis o f Selected Collections ...... 14

5. Additional Excerpt and Study Materials for Bassoon ...... 23

6. Conclusion ...... 28

Appendices:

A. Alphabetical List of Published Bassoon Excerpts by Composer and Title ...... 34

B. Alphabetical List o f Published Bassoon Excerpts by Title ...... 63

C. Alphabetical List of Titles by Source ...... 91

D. Alphabetical List of Selected Collections by Composer and Title ...... 119

E. Alphabetical List of Selected Collections by Title ...... 124 viii F. Excerpt Bibliography ...... 129

G. Chronological Listing of Orchestral Excerpts ...... 132

H. Electronic Communication from Thomas Heck, 26 January 2000...... 135

I. Electronic Communication from Massimo Gentili-Tedeschi 3 February 2000...... 136

Bibliography ...... 137

IX LIST OF ABBREVIATIONS

Abbreviation Author/Editor ALB Albert ANG Anger ho fer BEL Belwin Mills BOE Bdehm BOL Bolfan DEC Degen DHE Dhérin GAR Gardner GUM Gumbert GUMWIE Gumbert-Wiegand GWK Gumbert-Wiegand-Knochenhauer JUN Junge KES Kessler KOL Ko Ibinger/Rinderspacher MAG Mages MOR Morelli NEK Nekliudov FEZ Pezzi PIEBMIS Piesk: Beethoven Miscellaneous PIEBSIN Piesk: Beethoven PIEKON Piesk: Mozart Konzerto PIEMAH Piesk: Mahler PIESIN Piesk: Mozart Symphonies PIEOP Piedc: Mozart Opera POP Popov RIG Righini SAV Saveliev SCH Schoenbach SCHY Schubert, Y. SIEBK Siebach: Bach Kantatas SIEBOB Siebach: Bach, , Brandengurg SIEH Siebach: Handel STA Stadio WEL Weller

XI CHAPTER 1

INTRODUCTION

The study o f orchestral excerpts takes place at all levels o f advancement whether one aspires to an orchestral or teaching position. Instrumentalists who plan on careers as orchestral musicians must study orchestral literature. Professionals and musicians practice excerpts in order to maintain and improve skills and proficiency, review passages, and at times to take auditions for other positions.

Many musicians advocate the use of and prefer to practice fiom orchestral parts.

These parts however, are not always available and may be cost prohibitive especially for university and conservatory students. Consequently, many teachers, performers, and students obtain the necessary literature by utilizing excerpt collections. My work as a student, auditioning bassoonist, and orchestral musician led me to study the excerpt collections published.

It became clear that there is a limited amount of material published and readily accessible for bassoon dedicated to auditions and orchestral excerpts. The studies and articles written are often found in journals or documents which are oftentimes only accessible to those with access to library services and databases. Therefore, musicians studying or preparing for auditions must look to additional resources for assistance. The purpose o f this document is to fill a void in bassoon pedagogy.

Consequently, a database (Appendix A) of published bassoon excerpt collections in or

out of print has been conq)iled. In Chapter 2, the parameters of the study are defined and

difficulties in obtaining materials and structuring the database are put forth. C huter 3

provides an overview of the excerpt collections studied; general information on the

compilers or editors, the contents, and other important information regarding a specific

collection is included. A comparison between three important collections is discussed

and illustrated in Chapter 4. These collections were chosen to illustrate the evolution of

excerpt material for bassoon over the one hundred-year period these books have been

published. Chapter 5 includes a bibliography of additional material available related to

excerpts and the audition process. Chapter 6 contains a summary of the study, a

summary o f the three selected excerpt collections, and recommendations for additional

study and activity.

In addition to the material presented and Appendix A, there are eight appendices.

Appendices B and C include the complete database with the collections listed

alphabetically by title or sources. Appendices D and E deal solely with the three collections analyzed. These lists are also presented alphabetically by composer and title.

Appendix E is the bibliography of the excerpt collections and Appendix F

presents the collections chronologically presenting a historical perspective. The last two appendices (H and I) contain correspondence with Massimo Gintili-Tedeschi. Gentili-

Tedeschi is head of RISM in Italy; he helped obtain important information on the excerpt compiler Ciro Stadio. CHAPTER 2

PARAMETERS OF STUDY, DIFFICULTIES IN OBTAINING AND LOCATING MATERIALS, AND COMPILING DATABASE

This study is confined to published orchestral excerpt materials for bassoon in or out of print. The materials were assembled by searching published bibliogr^hies, private collections, and online databases and catalogues such as OCLC's WorldCat

(catalogue of International Library holdings) and OHIOLINK (database of Ohio

College/University holdings). In addition, other guides to periodical literature such as:

RISM. RILM Abstracts. The Music Index, and James Prodan’s Index of Articles in the

International Double Reed Society Publications were consulted.

David Oyen's DMA Document was consulted to help ascertain publication dates for Friedrich Gumbert's collection, which is still unknown, and the subsequently published Gumbert based works. Massimo Gentili-Tedeschi, head of RISM in Italy, was contacted via electronic mail. Gentili-Tedeschi helped obtain biographical and other information pertinent to excerpt con^iler Ciro Stadio.

The advent and development o f online databases and catalogues enabled this researcher to obtain necessary material for the database included in this document. In consulting and utilizing these sources some difficulties were encountered concerning bibliographical citation and information. It appears that the method for bibliographic citation is still in the evolutionary process. This problem o f and

standardization exists in all areas of research.

Included in this database are the four collections edited by Yuri Nekliudov. The

last book was difficult to locate. The book was found listed under Nekliudov, U as

opposed to Nekliudov, Y. This is probably due to the translation of Mr. Nekliudov’s

name from the Cyrillic a^habet. V^l Jansen’s The Bassoon. Its History. Construction.

Makers, Players and Music Volume 2, has the same editors name spelled as; Neklyudov,

Yuri. ' Already, the researcher has been presented with three possible spellings for one name.

When searching online for the materials of Georg Junge and Raimund Mages a series of problems were encountered. Only a portion of the material would be listed if the search was done by name. A title search yielded the same problem. When viewing the online abstract, proper titles, volume numbers, and contents were not always available. Jansen lists that Hofrneister published a series of studies for bassoon in ten volumes; the Junge and Mages books are a part of this series.^ This caused searching by volume number to be problematic as well.

What researchers appear to foce is a lack of uniformity within the online databases and catalogues. The compiler must establish a preferred spelling for names and titles of books or works. Locating the work of Friedrich Gumbert was simple. Doing an author/subject search will easily locate the material. If however, the book published by

' Will Jansen. The Bassoon. Its History. Construction. Makers. Players and Music. Volume 2. (Buren, The Netherlands: Uitgeverij Frist Knuf, B.V., 1978) 1109.

’ Ibid, 1108. Hoâneister whh Gumbert-Wiegand-Knochenhauer as editors is needed, h is more

difficuh to locate. The Gumbert citation is easily found and cross-reforences the

researcher to Wiegand. There is no mention however, of the Gumbert-Wiegand-

Knochenhauer printing.

When con^iling the database included in this document the issues of

standardizing conqwser names and titles of works had to be addressed. The spellings of

conqwser's names were standardized from two sources. The New Grove Dictionarv n f

Music and Musicians, edited by Stanley Sadie (London: Macmillan, 1980) and Baker’s

Biographical Dictionarv of Musicians, edited by Nicolas Slominsky (New York:

Schirmer Books, 1992). The titles of works were made uniform by consulting the

Orchestral Music in Print, edited by M. Parish (Philadelphia: Musicdata).

Frank Byrne’s article “What’s in a Name?’ was also consulted to help establish

guidelines for the database. Byrne subscribes to a few basic ideas that were followed;

articles should be placed after the title (e. g., Gazza Ladra, La), translate the title where

practical and applicable, list titles containing a musical form in a consistent order (e. g..

Symphony No. 9. Op. 95 “From the New World”).

Further areas of difficulty are found within the collections. Some collections had no table of contents. If there was a table of contents, it was either incomplete or arranged chronologically rather than by page. Titles within collections were often mis-marked or contained no opus numbers or keys. For example, Mozart wrote a number of works titled

Major.” Each work was researched before it could be properly titled. As stated, a need for bibliographical uniformity is necessary. As the databases and catalogues evolve, steps will most probably be taken to ensure consistency in citation, vduch will help to produce a more reliable and elective resource. CHAPTERS

OVERVIEW OF EXCERPT COLLECTIONS EXAMINED

Presented at the end of this document (Appendix A) is an alphabetized index of excerpts found in thirty-nine published orchestral excerpt collections for bassooiL The dates of publication for the volumes range from circa 1900 through 1998. Six collections were published prior to World War II. There were no collections for bassoon published from 1933 to 1946. It is interesting to observe that most of the collections examined were published in Germany.

The first five collections were published in Germany. The collection attributed to

Gumbert, which may be the first published excerpt collection for bassoon, was published in by Merserberger. The date of this collection is unknown. Two collaborations followed one co-authored with Weigand circa 1900 and one with Wiegand and

Knochenhauer 1930.

Weller’s 1909 collection contains works of Beethoven, Brahms, Bürgmttller,

Cherubini, Gade, Gemsheim, and Goetz. The excerpts are arranged in alphabetical order by composers' last names. A collection discussed later published by Belwin Mills in New

York is probably an ofrprint of Weller’s 1909 collection. The last of collections was a volume con^>iled by Johannes Bôhm in 1910 dedicated to the works of Strauss, \fost of the passages are extrapolated from first bassoon parts. There are additional passages for multiple in score form and .

Stadio’s 1932 effort marks the first Italian publication for bassoon of the collections examined. Righini's 1971 publication is the only other known Italian collection. Both books were published in Milan. Much of the material contained in

Stadio’s collection appears in Righini’s. Righini’s collection includes over 200 excerpts.

Righini’s volume contains soli and tutti sections in addition to solo first bassoon passages and multq>le-bassoon passages in score form. This collection is organized chronologically by conqx)ser and by date of conqx>sition. Both collections contain excerpts for contrabassoon.

The next three collections were published in the United States in 1947. Little is known about Albert, editor of a collection of excerpts. Chicago Symphony bassoonist Claude Kessler’s^ collection contains works of; Beethoven, Brahms, Haydn,

Liszt, Rimsky-Korsakov, Smetana, Stravinsky, Tchaikovsky, Shostakovich, and Wagner.

The table of contents is arranged alphabetically. The material is printed according to date of composition. Finally, Vincenzo Pezzi, Professor of Bassoon at the Eastman School of

Music, compiled a collection of Tchaikovsky excerpts. There is no table of contents for this book and the excerpts have no apparent grouping.

■’ David W. Oyen. An Examination of Published Orchestral Excernt Study Materials for Bassoon and Contrabassoon. Document, The Ohio State University, 1998, 18. 8 The cited collection, published in France by Gustave Dhérin spans eleven volumes and was conyiled between 1948-54. Dhérin was Professor of Bassoon at the

Paris Conservatory from 1934-57.^ These volumes are part of a series of excerpt books for orchestral instruments.^ Dherin’s coUectfon includes more works o f French conqwsers than any others included in this study. The titles in the collection are sometimes mis-marked and poorly organized. For exang>le the Berlioz excerpt found in volume 10 page 7, marked Damnation of : is from Svmphonie Fantastique. Further, passages are not arranged alphabetically by conqwser, chronologically by composer, or chronologically by date of conqmshion. In addition, there is no table of contents.

The excerpt collection edited by Y. Schubert in 1952 marks the first publication from the former o f the books examined. This book contains excerpts from

Tchaikovsky’s and operas. Two other collections were also published in the former Soviet Union, Yuri Nekliudov’s in 1960 and B. Saveliev’s in 1964. Nekliudov, who formerly played with the Philharmonic Orchestra, edited four volumes of excerpts.^ The numerous works found in these volumes may are listed in the appendices.

All but the last volume is arranged chronologically by composer. Saveliev’s collection contains only 20* century excerpts and is dedicated solely to Russian composers. This volume includes works of AsaTyev, Gliere, Khachaturian, Prokofiev, and Vasilenko.

The passages are organized (Cyrillic) by composers’ last names.

■* Kristine Klopienstein Fletcher. The Conservatoire and the Contest Solos for Bassoon. (Bloomington, Indiana: Indiana University Press, 1988)35.

’ Oyen, 10.

* Jansen, 1831. Valeri Popov, former principal bassoon of the USSR Symphony Orchestra and

Professor at the Tchaikovsky Conservatory in Moscow, edited a collection in 1993

dedicated to Tchaikovsky/ The book contains concerti, marches, , suites,

symphonies, and symphonic poems. Although Popov is Russian, the collection was

published in .

Konrad Siebach, a double bassist who was active in Leipzig, edited a number of

collections, dated; 1958, 1959, 1965, and 1967. These books seem to contain continuo

parts for the works rather than entire bassoon parts. The 1958 and 1959 collections

contain excerpts of J. S. Bach's orchestral suites, Brandenburg Concern, and selected

excerpts from HSndels Operas. The volumes published in 1965 and 1967 contain

continuo passages from Bach Cantatas. The 1965 volume contains passages from BWV

3-100. While the 1967 volumes contains passages from BWV 103-196. Seemingly, the

purpose of the books is to make continuo parts available for study and practice.

Of the remaining collections, six were published outside of Germany. The first of

these collections is the previously mentioned Belwin Mills publicatiotL The specific date

of publication and conqiiler is unknown. Volume one of the Belwin Mills collection is

identical to Weller's 1909 volume. Volume two introduces excerpts not contained in the

Weller collection.

G. Schirmer of New York published the second of these collections in 1970.

Compiler Sol Schoenbach played principal bassoon in the Philadelphia Orchestra and taught at the Curtis Institute. Editor Henry Charles Smith's goal in creating a series o f

' Valeri s. Popov, ed. Orchesterstudien. Facott. Tchaikowskv Werke auBer Ballette und Onem. (Frankfurt: Zinunermann, 1993) pre&ce.

10 excerpt collections for different instruments was to help orchestral musicians 'toward a mastery of contenporary musical language and instrumental techniques.”* The book contains only literature from the 20* century.

Orkestarske Studiie za Fagot was published in the former Yugoslavia in 1980.

Marijan Bolfan, the editor, of this collection, played principal bassoon in the Belgrade

Philharmonic.’ The excerpts included are from the 19* and 20* centuries. The table of contents is clear despite the foct that works are not listed alphabetically or chrono logically.

Bruce Degen compiled three collections of excerpts from concertos published by

Bocal Music in 1994. Degen was Professor of Bassoon at Sinq*son College in Indianola,

Iowa. Volume one passages are based on the concetti of Mozart and Beethoven. The table of contents is grouped by conqwser, and listed numerically by concerto number,

Kochel number, or opus number. Volume two contains passages from the concertos of

Berlioz, Brahms, Chopin, Haydn, Liszt, Mendelssohn, Moscheles, Paganini, Schumann,

Spohr, Vieuztemps, Viotti, Weber, and Wieniawsky. The table of contents is arranged alphabetically by conposer. Volume three contains literature from late 19* and early

20* century concetti atid is alphabetically arranged. Degen has cotnpiled four additiotial books containing tnaterial from the 20* century which remain unpublished.

Larry Gardner, Professor of Bassoon at University of California at Fresno edited and published passages from Tchaikovsky's Nutcracker in 1998. The book was

* Sol Schoenbach. compiler. Twentieth Century Orchestra Studies for Bassoon, ed. Henry Charles Smith. (New York: G. Schirmer. 1970) III.

“ Marijan Bolfan, ed. Orkestarske Studiie za Fagot. (Knjazevac. Karadoreva, Yugoslavia: Izdavaca organizacija, 1980) preface.

II edited utilizing one of the latest conoputer music software programs. Each excerpt is labeled so the player knows the ballet section the passage was extrapolated fiom. The passages have clear tempi, dynamic, and articulation markings. Passages for two bassoons are in score form unless the line indicates “a^”.

American Frank Morelli edited the last of the six collections published outside of

Germany. Morelli is princq^al bassoon o f the New York City Opera, Chamber

Orchestra, and the American Conqwsers Orchestra. He serves on the faculties of The

Juilliard School, the Manhattan School of Music, and the Yale University School of

Music. This publication is intended to serve as a study guide for students and professionals.

Morelli’s collection o f‘^difficult passages” is dedicated to Stravinsky’s music.

The table of contents is organized alphabetically by work. According to the editor, the selections encompass the standard and more esoteric works of Stravinsky. Remarks regarding the original orchestrations o f each piece are provided. Tenqx) indications and measure or rehearsal numbers ^pear as in the published scores."

The remaining collections were published in Germany. As discussed in Chapter

One, locating the books edited by bassoonists Angerhofer, Junge, and Mages was difficult. These books were published by Hofineister as part o f a series. Angerhdfer’s book is labeled No. 10; Junge’s books are labeled 1, 3, and 4; Mages’ material is listed as books 6 and 7.

Frank Morelli. - Difficult Passages for Bassoon and ContratMssoon. (London: Goosey and Hawkes, 1997) editorial note.

" Ibid.

12 The book edited by AngerhSfer in 1962, like Saveliev’s volume, is dedicated to

Russian conqwsers. AngerhSfer includes audition excerpts and difficult tutti passages.

When muhiple-bassoon passages %y)pear, they are in score form. The books of Georg

Junge published in 1938 and 1954-56, contain excerpts from works of many conqwsers.

The passages are generally listed chronologically by conqwsition date. Lastly, Mages compiled three volumes published in 1962 and reprinted in 1997. Like the book con^Ued by Albert, these volumes include only the operatic works of Wagner.

The former principal bassoon o f the Philharmonic, GOnter Piesk, edited the last of the books. Published between 1982 and 1993, Piesk’s intention was to choose material that could be referenced by the non-professional interested in music. The titles of each book listed in the bibliography clearly state the contents o f each volume. The volume published in 1982 includes all nine Beethoven symphonies. The 1984 compilation includes concerti, choral works, overtures and other genres. Works of

Gustav Mahler conqnise the 1988 publication. The last two 1993 publications contain the works of Mozart. The first of the 1993 volumes contains passages from Mozart’s symphonies, , choral works, and the Maurerische Trauermusik. The second of the 1993 volumes contains passages from Mozart operas.

GOnter Piesk, ed. Beethoven Werke aufler Sinfonien. (Frankfurt: Zimmemuuiit, 1984) preface. 13 CHAPTER 4

ANALYSIS OF SELECTED COLLECTIONS

Three excerpt collections are discussed in this chapter; first, Gumbert, circa 1900; second, Stadio, 1932, 1954, and 1992; and third, Kolbinger and Rinderspacher, 1992. The books are presented chronologically according to compilers’ last name. The three collections were chosen to illustrate how published collections have evolved over an approximate one hundred-year period.

Gumbert’s choice of repertoire is pertinent to Gumbert’s time. Stadio’s effort provides a plethora of material covering a number of genres. Kolbinger and

Rinderspacher’s edition is aimed at filling the needs o f modem students and professionals. Commentary on biographical information of the editors and a cursory look at the content of the volumes is provided.

Further discussion covers the numeric breakdowns of various genres of music.

Materials were broken into the following categories: symphonies, non-operatic overtures, operas including operatic overtures, concerti, , and miscellaneous. The miscellaneous category includes masses, requiems, ballets, suites and tone poems.

14 Friedrich Gumbert (1841-1906)/^ also known as Friedrich Gunqsert, was a homist, responsible for conq>iling a series of excerpt collections for several instruments.'^

Three publications carry Gumbert's name. It is difficult to obtain the publication date of the first Gumbert collect ioiL The copyright date of the second Gumbert collection

(Gumbert-Wiegand) is circa 1900. The copyright date of the third Gumbert collection

(Gumbert-Wiegand-Knochenhauer) is circa 1930. Research indicates that Gumbert’s initial collection was most likely published in the very late 1800’s or early I900’s.'^

Therefore, this book appears be the first published excerpt collection for bassoon.

Oyen’s document concluded that there are six additional volumes following tire two volumes edited by Gumbert and Wiegand. Knochenhauer, a fiunous Dresden bassoonist and reedmaker, may have added four volumes after the 1930 printing,'^ but these were not available for this study.

Gumbert, Friedrich. Orchesterstudien fur Fagott Fine Samlunc schwieriger Stellen aus Svmphonien und andem Werkert Heft I and H. Leipzig; Merserberger, n.d.

Gumbert, Friedrich, and Christian Wiegand, ed. Orchesterstudien fllr Fagott Eine Samlung schwieriger Stellen aus Svmphonien und andem Werken. Heft I. Leipzig: Hofineister, ca. 1900.

Gumbert. Friedrich, Christian Wiegand and Wilhelm Knochenhauer, ed. Orchesterstudien fûr Fagott von Gumbert-Wiegand. Heft U. Leipzig: Hofineister, ca. 1930.

Burchard Bulling. Fagott Bibligranhic. (Wilhelmshaven: Noetzel Verlag, 1989)446.

'■* Reginald Morley-Pegge, **Friedrich Adolf Gumberf’. The New Grove Dictionary of Music and Musicians, vol. VII. ed. Stanley Sadie. (London Macmillan, 1980) 845-6

'^Oyen, 103.

Ibid. 12.

15 The first collection conpiled by Gumbert contains the works of Adam, Auber,

Beethoven, Boieldieu, Cherubini, Haydn, Lortzing, Mendelssohn, Mozart, Schubert, and

Schumann. Also included are Weber’s AnHanre and Hungarian Rondo Op. 35 and the

Concerto in F Maior for Bassoon and Orchestra Op. 75, which is incorrectly labeled

Concertino. This is the only collection studied that includes conq*lete solo works.

Gumbert may have included those pieces, as they were the standard works of the period.

Additionally, Gumbert’s collection is organized in an unusual manner. The material is not organized alphabetically, chronologically, or by date of con^ser or conqwsition.

Stadio, Ciro, ed. Passi Difficili e “A Solo ” per Fagotto. 1932. Milan: Ricordi, 1954, 1992.

Little is known about Ciro Stadio beyond the compilation of this collection

Stadio’s birth and death dates remain unrecorded. With the help of Gentili-Tedeschi, it has recently been discovered that Stadio was a Professor of Music in Cagliari.

Apparently, there are a number of conqwsitions to his credit that span the years 1928*31.

Most of those works bear the phrase “Professore nel Liceo Musicale di Cagliari”. The collection compiled by Stadio contains excerpts from 109 conqwsitions. As this is an

Italian publication, it was most probably directed toward the needs of Italian symphony and opera musicians. To this point, a complete list o f Stadio’s works has not been made available.

Stadio’s excerpt collection is probably the best known and most widely used of all the collections for bassoon. Availability is widespread due to the publishers’ reputation and relatively low price. Well-known pedagogue, Simon Kovar, popularized use of the

16 book in the United States. The generation of orchestral bassoon players Kovar taught

subsequently employed this book in their teachings.'^

The publishing house of Ricordi publishes all of Stadio's works. Stadio

conqmsed two pieces for bassoon and entitled, Serenata and Burlesca. published by

Ricordi in 1931 or 1932." WorklCat, an online database, shows that these two works were published for or and Piano under the same titles. Ricordi was interested in publishing works for a variety of instruments. This supports the theory that the two Stadio titles previously believed written for bassoon were intended for other instruments as well.

Ricordi appears to have had many different editors catalogue worics by Italian composers. The Italian publication Dizionario F.nciclopedico Universale della Musica edei Musicisti contains an article pertaining to the Ricordi publishing house listing Italian opera conqx)sers. Excerpts from most of those conqx)sers were included in Stadio’s excerpt collection for bassoon. It appears that Ricordi held the copyrights for these composers’ works. Should this be true, it would have made it easier for Stadio to gain access to these works, making it easier to include in their collections.

The focus of this collection is mainly on first bassoon excerpts. There are, however, a few excerpts for multiple bassoons that do not appear in score form. Also included are the cadenzas for Mozart’s K. 191 , and a few significant chamber works and contrabassoon excerpts.

‘'Arthur Kubey, “Simon Kovar, a tribute”, ed. Marvin Feinsmith. The Double Reed Volume 19, no. 2 ( 1996); 15.

'^LyndesayG. Langwill. The Bassoon and Contrabassoon. (London: Ernest Benn Limited, 1965)205. 17 The difficulty in utilizing this book is the seemingly random manner of

con^ilation. The excerpts, much like Gumbert’s collection, are not organized in a

manner that is easily understood. They are not arranged alphabetically by composer, or

presented in a strict chronological maimer by date of conqwsition. For exanq>le, excerpts

by Spontini (1774-1851) and Paisello (1740-1816), are followed by Bach’s (1685-1750)

Orchestral Suite No. 4; excerpts ofVerdi (1813-1901) before those of Weber (1786-

1826). The maimer of organization is not discernable.

Kolbinger, Karl and Alfred Rinderspacher, ed. Orchester Probespiel. Fagott/Kontrafagott. Frankfort: Peters, 1992.

Karl Kolbinger (b. 1921)'^ served as a bassoonist in the Bavarian Radio

Symphony and teacher at the Staatliche Hochschule for Musik München. Alfred

Rinderspacher maintains a teaching post at the Staatliche Hochschule for Musik

Heidelberg-Mannheim.

This book is part of a series of collections published for all orchestral instruments.

The project was supported by the German Music Council and the German conservatories.

All materials included in the volumes were based on statistics extrapolated from studies carried out by the German Union of . Professionals who are or were members of German orchestras and teach at conservatories edited all the collections in the series.

The goal of the project was to provide practical and accessible editions of orchestral passages required at auditions. Consequently, it serves the double purpose of

Bodo Koenigsbeck. Bassoon Bibliography. (Monteux, France: Musica Kara, 1994)225. 18 training the aspiring orchestral musician and providing (xofessional orchestral players and teachers with a means of practicing and accessing difficult passages for bassoon.^^

Kolbinger and Rinderspacher have included passages appearing alphabetically by conqx)sers' last names. The publisher preface states, “the original text of the music and the original metronome markings have been taken over without modification.”^'

Rehearsal numbers and letters from published parts, as well as rehearsal numbers from printed scores are included. The editors also included composers’ metronome markings.

Editorial markings are bracketed Wten they are not provided. Multiple bassoon excerpts in score form are included. Generally, section and tutti passages are not included.

The selections for bassoon are from the works o f Beethoven, Berlioz, Bizet,

Brahms, Donizetti, Haydn, Leoncavallo, Mozart, Ravel Rimsky-Korsakov,

Shostakovich, Schumann, Smetana, Strauss, Stravinsky, Tchaikovsky, Verdi Wagner and Weber.

The table below illustrates a conqxuison of the three excerpt collections. Below each of the compilers names are the number of works contained within the collection. By observing the numbers of works in each category, one may conclude that the symphonic and operatic repertoires have been considered important throughout the history of excerpt collections.

Karl Kolbinger and Alfred Rinderspacher, ed. Orchester Probesoiel. Fagott/Kontrafagow. (Frankfurt: Peters. 1992) pre6ce.

Ibid. 19 Symphonies Overtures Operas Concerti Chamber Miscellaneous Music Gumbert 23 4 8 0 3 4 (42) (55%) (9.5%) (19%) (0%) (7%) (9.5%)

Stadio 32 5 45 1 6 20 (109) (29%) (5%) (41%) (1%) (6%) (18%) Kolbinger 13 2 14 3 0 9 (41) (32%) (5%) (34%) (7%) (0%) (22%) Table 1. A COMPARATIVE ANALYSIS OF THREE SELECTED EXCERPT COLLECTIONS

Fifty-five percent (55%) o f the excerpts included in Gumbert’s collection deal with symphonic repertoire. These include the symphonies of Beethoven, Haydn, Mozart,

Mendelssohn, and Schumann. Nineteen percent (19%) of the excerpts deal with operatic literature, containing works o f Cherubini, Mozart, and Weber. Gumbert likely included this repertoire as it was most commonly performed.

Turning to Ciro Stadio’s collection, the chart shows that over 40% o f the collection consisted of operatic material. This material was commonly performed outside the opera houses o f Italy and includes Donizetti, Leoncavallo, Mascagni, Mozart,

Puccini, Respighi, Rossini, Strauss, Verdi, and Wagner. Eighteen (18%) o f Stadio’s material falls into the category marked miscellaneous. The material in this category ranges from the latter part o f the 19* to the early part of the 20* centuries.

Stadio’s symphonic repertoire is represented by approximately 30% of the material. Stadio’s collection of symphonic repertoire is often played in the United States and asked for on auditions. These works include: Bach, Beethoven, Berlioz, Brahms,

20 Debussy, de Falla, Haydn, Mendelssohn, Mozart, Ravel, Respighi, Rimsky-Korsakov,

Rossini, Schubert, Schumann, Stravinsky, Verdi, von Weber, and Wagner.^

The remainder of Stadio's collection consists of a variety o f works. The collection includes the operas of Ponchielli, Riccitelli, and Spontini. The chamber works of

Beethoven, Mozart, and Schubert. Also other miscellaneous works such as: Beethoven's

Messe Solenne. Berlioz’s Damnation ofFausL Stravinsky’s Chant du RossignoL and

Ravel’s Bolero, and Rhapsody Espagnole.

Kolbinger and Rinderspacher’s collection is evenly divided between the symphonic (32%) and operatic repertoires (34%). In Germany, orchestral musicians are often expected to play operatic material. Synq)honic composers in this collection include: Beethoven, Brahms, Haydn, Mozart, Shostakovich, and Schumann. Operatic composers included: Bizet, Donizetti, Leoncavallo, Wagner, and Weber.

Only a small percentage of the repertoire presented in all three books overlap:

Beethoven symphonies (Numbers 3,4, 6, arxi 9) and Mozart (Magic Flute: Overture).

More frequent pairings occur between Gumbert/Stadio: Beethoven symphonies (Numbers

1, 2, 5, 7, and 8) and Schubert ( Opus #166). Kolbinger/Stadio overlap regarding:

Beethoven (Fidelio Op. 72, Leonora Overture No. 3 Op. 72, and , Op.

61), Brahms ( on a Theme by Haydn), Mozart (Cosi fan Tutte and The

Marriage of Figaro), Ravel (Bolero and Rhapsody Espagnole), Rimsky-Korsakov

() and Rossini (The Barber of Seville). The Schumatm Symphony No. 1 is the only shared piece between Gumbert and Kolbinger.

~ Katherine Akos, Marshall Burlingame, Jack Wellbaum. Facing the Maestro: A Musician's Guide to Orchestral Audition Repertoire. (Washington, DC: American Symphony Orchestra League, 1983) 7-8, 13- 26. 21 The main connection between the three collections is with Common Practice Era

literature. The Common Practice Era literature has remained consistent for over 100 years. Gumbert’s collection is the least extensive of the three. Stadio and Kolbinger’s collections were published allowing a greater scope o f material to be covered. Stadio’s collection bridges the gap between Gumbert’s and Kolbinger’s/Rinderspacher’s.

n CHAPTERS

A BIBLIOGRAPHY OF ADDITIONAL EXCERPT AND STUDY MATERIALS FOR BASSOON

The material enumerated in the bibliography is included to heighten bassoonists’ awareness of the materials available related to excerpts and the audition process. This chapter includes two aspects of bassoon literature. Part I lists etudes based on orchestral excerpts or arrangements of orchestral passages. The purpose of these studies is twofold, to help familiarize the bassoonist with the orchestral work and to provide alternative practice strategies for the passages.

Part n includes materials related to bassoon study, orchestral excerpts, and the audition process. It includes dissertations/documents, books, electronic media and articles. All materials are listed alphabetically by authors’, conqwsers’, arrangers’, or editors’ last name.

Part I

Garfield, Bernard and Kathleen White. The Bassoon Plaver’s Orchestral Repertoire: Tchaikovskv Svmphonies nos. 4. 5. and 6. Volume I. Hackensack, N. J.: Jerona Music Corporation, 1984.

Hawkins, Alan. Melodius and Progressive Studies. Books I and II. San Antonio: Southern Music Conqxmy. n.d.

Heintz, Frank. Orchestral Etudes for Bassoon. Book I. Kentfield, CA: Raymond Ojeda, 1988. 23 Junge, Georg. Konzert Studien. Volume I and H. Berlin: Friedrich Wilhelm Frôlich Musikverlag, 1938.

Ôhlberger, KarL Studien Ober Orchesterstellen fth Fagott und (Clavier Volume I and H. Wilhering, Austria: Musikverlag Hilaria, 1991.

Pannier, Otto. Studien ftir Fagott - Sperialatiidien flir Fagott (Entr’acte) über schwierige Stellen aus Oner und Konzert. Heft 2. Osthofen: Uhraton-Verlag, n.d.

Piard, Marius. Quatre-vinyt^ix Etudes pour le hassnn. Volume I. Paris: Billaudot, 1946.

Schoenbach, Sol. Solos for the Bassoon Plaver with Piano AccompanimenL New Yoric: Schirmer, 1964.

Weissenbom, Julius. Fagott-Studien fûr Fortgeschrittene fUrfassunyl. ed. William Waterhouse. Vienna: Universal Edition, 1985.

Part n

Dissertations/Documents:

Borst, David. An Integrated Approach to the Master Ra«Knnn Glass Dissertation, Eastman School of Music, University of Rochester. Ann Arbor: UMI, 1975.

Hazelwood, Bedford Charles Jr., The Compositions for Bassoon of Georg Junge. Dissertation, Texas Tech University, 1996 5-9.

Longazo, George. The Bassoon: Its Use in Selected Works of Shostakovich. Stravinsky, and Schoenberg. Dissertation, University of Southern California, 1969. Ann Arbor: UMI. 1969.

Moore, Kenton Ross. Selected Bassoon Pa«age«t from Symphonies of Dmitri Shostakovich. Dissertation, Temple University, 1997. 24 Oyen, David W. An Fxamination of Published Orchestral Excerpt Study Materials for and Contrahassoon. Document, The Ohio State University. 1998.

Pasavento, Ann. Orchestral Excerpts as Developmental Studies for the Intermediate Rassonnist: A Collection of Selected Passages. Dissertation, University of Northern Colorado, 1989. Ann A rbor UMI, 1989.

Books:

Akos, Katherine, Marshall Burlingame and Jack Wellbaum. Facing the Maestro: A M usician’s Guide to Orchestral Audition Repertoire. Washington, DC: American Symphony Orchestra League: 1983.

Apfelstadt, Marc and Ronald Klimko, ed. Bassoon Performance Practice. Teaching Materials Techniques and Methods. Moscow, ID: School of Music Publications, University o f Idaho, 1993.

Camden, Archie. Bassoon Technique. London: Oxford University Press, 1963.

Dunkel, Stuart Edward. The Audition Process: Anxiety Management and Coping Strategies. Stuyvesant, NY: Pedragon Press, 1989

Klimko, Ron, ed. Rassoon Performance Practices and Teaching in the United States and Canada. Moscow, ID: University of Idaho School of Music Publications, 1974

Rabson, Carolyn. Orchestral Excemts: A Comprehensive Index. Berkeley, CA: Fallen Leaf Press, 1993.

Reid, Wendy and Christopher Weak. Auditions are Just the Beginning: A Career Guide to Orchestras. Canada: Association of Canadian Orchestras Limited, 1981.

25 Electronic Media:

Kolbinger, Karl and Alfred Rinderqxacher, ed. Orchester ProbespieL Fagott/Kontrafiigott. Frankfrirt: Peters, 1992. N.B.: Compact Disc Available

Lyman, Jeffrey. Most Frequentlv-Asked Bassoon Excerpts, ed. Jefifrey Lyman, Arizona State University

McGill, David. Orchestral Excerpts for Bassoon. Compact Disc (DCD162), Summit Records, 1994.

Millard, Christopher. Orchestral Excerpts for Bassoon Volume 2. Conq*act Disc (DCD220), Summit, 1998.

Yeo, Douglas. Svmphonv Auditions: Preparation and Execution, ed. Douglas Yeo

Articles:

Avery, Mark. “A Comparative Examination of the Notation of Selected Orchestral Bassoon Solos.” The Journal of the International Double Reed Society. 25 (1997): 29-43.

Eifert, Otto, Bernard Garfield and Matthew Ruggiero. “Bassoon Orchestral Auditions.' Journal of the International Double Reed Society. 10 (19831: 78-83.

Goodman, Alan. “A Practice Guide for the Bassoonist.” The Instrumentalist. 35:6 (1981)62-4.

Ramey, Richard. “A Survey o f Bassoon Audhion Repertoire of Major North American Orchestras.” NACWPI Journal 33:1 (1984): 18-25.

26 Weidauer, Stephan. *Das Fagottsolo in StrawinslQ^*s Sacre du Printemps: Aus ester Gipfel im ewigen Eis - Melhodische Anregungen; die Analyse von Pierre Boulez.” Rohrblatt 9:3 (19941: 106-109. RII.M Abstracts ri994V hern 1102.

27 CHAPTER 6

CONCLUSIONS

Summary of the Study

This document contains a database of published orchestral excerpt collections for bassoon in or out of print. An oyeryiew of the collections proyides general information on the conq)ilers or editors, the contents, and other information pertinent to a specific collection. A comparison was made between three collections to illustrate how bassoon excerpt collections haye eyolyed oyer a one hundred-year period.

Twenty-four conqjilers or editors assembled the thirty-nine collections presented in the database. Eighteen of those con^ilers were bassoonists. This writer was unable to determine if Y. Schubert, B. Sayeliey, Ciro Stadio, or Curt Weller were bassoon players.

The contents of the publications at times reflect the nationalities of the compilers.

The Italian compilations by Stadio and Righini contain an oyerwhelming amount of

Italian operatic literature. Gustaye Dherin's collection contains more excerpts of French composers than any other included in the database. The books published by the Russian editors V. Schubert and B. Sayeliey were dedicated to Russian composers. The

American Sol Schoenbach's collection contains more works of American composers than any other volume. The many publications that came out of Germany over the one hundred-year period reflect a wide range of literature.

28 Over the one hundred-year period the organization of published bassoon excerpt

collections gradually improved. By the time Morelli’s 1997 Stravinsky collection was published, attention was paid to preserving the original text of the music and original metronome markings. Measure and rehearsal numbers were included making reference to scores for further study easier. When editorial maridngs were added, they were specified. The table of contents was a^habetized. This helped create a more thorough and reliable resource for the student and professional performer.

In contrast, there is a distinct lack of organization in many of the early collections. Many of the collections published within the first fifty years are missing dates of publication or editors' names. The editors of the early collections appeared to gather material haphazardly. Oftentimes, little emphasis was given to placing pieces in any particular order. Missing or abbreviated versions of the table of contents were evident in some of the works. When the con^iler chose to use a table of contents, the presentation was often haphazard.

While early collections contain a significant amount o f music (much of which is still performed today) there is no text to provide the reason behind the compilations and subsequent publications. It appears possible that many of the collections were compiled for the purposes of study, the same reason collections are being conq>iled at present.

The compilers of these early collections, for the most part, were musicians concerned with performance. It appears that their goals were to record and save music that was important to bassoonists of the time. These artists performed the works and, for the most part, these performers were not academicians. It has become very clear to this writer that organizing the publication of these excerpts and scores was a secondary

29 concern. Unfortunately, for today’s well-trained music student and professional the collections’ lack of organization renders some of these volumes difficult to use.

We are aware that later in the century, organization became more important within the collections. These more organized volumes were clear and concise and many were designed specifically to cover audition materials, giving pointers to both professionals and students. Many of the later works like Schoenbach’s collection were published with alternate fingerings and had instructions for practicing various passages.

The organizational improvement seen in the latter collections may be the result of a number of fectors. The advent of organized auditions with lists of required audition repertoire being sent to a candidate. Universities and conservatories have established standards for orchestral training. Publication standards have increased over the years; material is proofread and edited prior to publication. In addition, publication agencies have become interested in accurate audition material as is evidenced by Kolbinger and

Rinderspacher’s collection.

The passages that appear in the collections are extrapolated from the same body of orchestral literature. This material has become accepted for musicians around the world. This standard repertoire has been the same for nearly one hundred years.

After compiling this study, it is apparent that music has not always been easy to come by or collect. It is the belief of this writer that, not only is that still the case, but also, there is now a greater need for logically compiled, thoughtfully organized, and sensibly maintained collections of performance scores and excerpts.

30 Summary o f Three Selected Excerpt Collections

Friedrich Gumbert's excerpt collection appears to be the first published for bassoon. The enq)basis o f Gumbert's collection is on symphonic literature. There is some interest in the operatic works performed at the time. The order of the excerpts is haphazard.

The collection of Ciro Stadio contains the most excerpts of the three books analyzed. Given the foct that Stadio was a conservatory professor, one may suppose that he attempted to fill a need for students and professionals to have accessible materials.

Stadio's collection focuses mainly on Italian operatic repertoire. The symphonic repertoire is also represented handsomely. The book was not organized in a manner that would focilitate easy use because the excerpts are not presented alphabetically or chronologically. The table of contents is not arranged alphabetically or chronologically.

Kolbinger and Rinderspacher's collection is part of a series for orchestral instruments designed to cover material seen on auditions in Europe and particularly

Germany in the latter part o f the 20* century. The contents are evenly divided between the symphonic and orchestral repertoires. The editors maintained the integrity of the original markings and music, and indicated the original metronome markings and articulations. The table of contents is arranged alphabetically by conqx>sers’ last names and contrabassoon excerpts are included separately at the end of the book. Apparently an effort was made to ensure the reliability o f the excerpts. This collection is amongst the most reliable of the collections listed and compared. This publication adds greatly to the reliable resources available.

31 It was concluded in C huter 3, that the main connection between the three

collections was contained in the Common Practice Era literature. This repertoire has

remained consistent for the hundred years bassoon collections have been conq>iled. This

helps to demonstrate how certain repertoire has come to be thought of as standard.

Reco mmendat ions

There is a need for more materials for the study of orchestral excerpts and

preparation for auditions. Chapter 5 demonstrates that people have taken an interest in

excerpts and auditions but very fow studies, or articles have been dedicated to this

subject. It is clear that more accessible instructive materials are needed for bassoon

pertaining to excerpts and auditions. More con^xact discs similar to McGills’s and

Millard’s efforts would be bénéficiai Since auditions have become specialized, the need

for electronic media and collections that deal specifically with second bassoon literature

is now a priority for bassoonists. Eventually, compact discs dealing with contrabassoon

literature will probably be recorded as well.

The resources available to us now are not always obtainable. Articles ^pear in journals and the few documents written are only obtainable via University Microfilm

International (UMI). Those with access to library services and databases may take advantage of the resources. Musicians preparing auditions should look to additional resources for assistance. As seen is Chapter 5, there are articles and books written about auditions and the audition process. Those materials should be consulted as well. Due to the advent of electronic media, musicians may now access websites to read and learn about the audition process.

32 As technology advances we may have interactive learning devices available.

Lectures, master-classes, and teaching may take place electronically. We may be seeing each other via electronic devices. Rather than going to another place for a lesson, we may be able to take it at home.

Ideally the future will provide us with accurate resources. As copyright restrictions eb^)se, material will be made available and books will be published making more information available. The four unpublished volumes of excerpts conq>iled by

Bruce Degen, have yet to be published for these reasons. These collections contain excerpts of 20* century composers. These resources would assist both students and teachers.

An area not addressed in this document is wind ensemble/band literature. We know just by the number of musicians employed as performers in military ensembles and those that perform in civic and university ensembles that this is an important medium.

Musicians that have contemplated careers in these ensembles know that the literature is vast. The audition procedure for those ensembles is as rigorous and rather similar to orchestral auditions. In addition to the orchestral repertoire often asked there is a signifîcant amount of wind ensemble/band literature required. Of the published collections studied, none delve into this domain. Apparently the collections that do contain this repertoire are either self-published or as of yet unavailable.

Since many Schools o f Music throughout the country have ensembles o f this genre performers and teachers need to address this literature. A collection o f excerpts inclusive of or dedicated to this literature, would make a great contribution to bassoon pedagogy.

33 APPENDIX A

ALPHABETICAL LIST OF PUBLISHED BASSOON EXCERPTS BY COMPOSER AND TITLE

34 Composer W ork Source fU Ê t Adam, A Fostillan V . LaoRiumeau, Der GWK V .2, 19 Adam, A. Postillon V . Longjumeau, Der GUM V .2, 19 Asaf ycv, B. The Fountain of Bakhchirsafam SAV 2 Auber, F. Stumme von Portici, Die: Overture GUM V .2 ,29 Auber, F. Stumme von Portici, Die: Overture JUN V .3 ,4 Auber, F. Stumme von Portici, Die: Overture GWK V .2 ,29 Bach, J. S. B Minor NEK V. 1,3 Bach, J. S. B hfinor Overtire BWV 1067 SIEBOB 6 Bach, J. S. C Major Overture BWV 1066 SIEBOB 4 Bach, J. S. “Ach Gott, wie manches SIEBK V. 1,4 HerzleicTBWVS Bach, J. S. Cantata “Ach, ich sehe, itzT BWV 162 SIEBK V .2 ,46 Bach, J. S. Cantata “Also hat Gott die Welt SIEBK V. 1,54 geliebrBWV68 Bach, J. S. Cantata “Arge dich, o Seele, nicht” SIEBK V .2 ,68 BWV 186 Bach, J. S. Cantata “Auf Christi Himmelfiriut SIEBK V .2, 32 allein"BWV 128 Bach, J. S. Cantata “Bannherziges Herze der SIEBK V .2 ,66 ewigen Liebe” BWV 185 Bach, J. S. Cantata “Bereitet die Wege, bereitet SIEBK V .2 ,36 die Bahn" BWV 132 Bach, J. S. Cantata “Bisher habt ihr nidits gebeten SIEBK V. 1,61 in meinem Namen” BWV 87 Bach, J. S. Cantata “Bridi dem Hungrigen dein SIEBK V. 1,28 Brot” BWV39 Bach, J. S. Cantata “Christ lag in Todesbanden” SIEBK V. 1,6 BWV 4 Bach, J. S. Cantata “Christ unser Herr zum Jordan SIEBK V. 1,7 kam” BWV 7 Bach, J. S. Cantata “Christian wir sollen loben SIEBK V.2,22 schon” BWV 121 Bach, J. S. Cantata “Das neugebome Kindelein" SIEBK V. 2,24 BWV 122 Bach, J. S. Cantata “Dazu ist erschienen der Sohn SIEBK V. 1, 30 Gottes” BWV 40 Bach, J. S. Cantata “Dem Gerediten mufi das SIEBK V .2, 74 Licht” BWV 195 Bach, J. S. Cantata “Der Herr denket an uns” SIEBK V.2, 76 BWV 196 Bach, J. S. Cantata “Der Himmel lacht, die Erde SIEBK V. 1, 18 jubilieret” BWV31 Bach, J. S. Cantata “Du FriedefOrst, Herr Jesu SIEBK V .2, 16 ChrisT BWV 116 Bach, J. S. Cantata “Du wahrer Gott und Davids SIEBK V. 1, 14 Sohn” BWV 23 Bach, J. S. Cantata “Ein (este Burg ist unser Gott” SIEBK V. 1,60 BWV 80 Bach, J. S. Cantata “Erhalt uns, Herr, bei deinem SIEBK V .2 ,28 Wort” BWV 126 Bach, J. S. 1 Cantata “Erschallet, Oir Lieder” BWV SIEBK V .2, 54 35 172 Bach, J. S. Cantata “ErwQnsdites Freundcnlichf' SŒBK V .2 ,6 4 BWV184 Bach, J. S. Cantata “Es ist dir gesagt, Mensch, SŒBK V. 1,34 wasKinisrBWV4S Bach, J. S. Cantata **Es ist nichts Gesundes an SŒBK V. I, 16 meinem Leibe” BWV 25 Bach, J. S. Cantata “Falscfae Welt, dir tn u ich SIEBK V. 1,47 nkht” BWV52 Bach, J. S. Cantata “Gelobet sei der Herr, mein SIEBK V .2 ,3 4 GotTBVW 129 Bach. J. S. Cantata “Gott der Herr ist Sonn und SŒBK V. 1, 59 SchikT BWV 79 Bach, J. S. Cantata “Gott fihret auf mit Jauchzen” SŒBK V. 1,32 BWV 43 Bach, J. S. Cantata ‘'Gott is meinem Kdnig” BWV SIEBK V. 1,58 71 Bach, J. S. Cantata “Gott soil allein mein Herze SIEBK V.2,53 haben” BWV 169 Bach, J. S. Cantata “Gottes Zeh ist die allerbeste SIEBK V .2 ,6 Zeit” BWV 106 Bach, J. S. Cantata “K üt im GedSchtnis Jesum SIEBK V. 1, 53 ChrisT BWV 67 Bach, J. S. Cantata “Herr Jesu Christ, du hficfastes SIEBK V.2, 14 GuTBW V 113 Bach. J. S. Cantata “Herr Jesu Christ, wah’r SIEBK V.2,30 Mensch und Gott” BWV 127 Bach, J. S. Cantata “Herz m d Mund und Tat und SIEBK V.2,40 Leben” BWV 147 Bach, J. S. Cantata “Himmdskflnig, sei SIEBK V.2, 62 willkommen” BWV 181 Bach, J. S. Cantata “Hocherwünschetes SIEBK V.2, 72 FreudenfêsT BWV 194 Bach, J. S. Cantata “Ich geh’ und suche mit SIEBK V. 1, 36 Verlangen” BWV49 Bach, J. S. Cantata “Ich glaube, lieber Herr” SIEBK V.2, 10 BWV 109 Bach, J. S. Cantata “Ich hab in Gottes Herz und SIEBK V. 1,64 Sinn” BWV 92 Bach, J. S. Cantata “ldi batte viel BekOtnmemis” SIEBK V. 1, 12 BWV 21 Bach, J. S. Cantata “Ich tu f zu dir, Herr Jesu SIEBK V .2, 56 Christ” BWV 177 Bach, J. S. Cantata “Dtr werdet weinen und SIEBK V .2 ,4 heulen” BWV 103 Bach, J. S. Cantata “In allen meinen Taten” BWV SIEBK V. 1,68 97 Bach, J. S. Cantata “Jauchzet Gott in allen SIEBK V. 1,44 Landen” BWV 51 Bach, J. S. Cantata “Leichtgesinnte Flattergeister” SIEBK V .2, 59 BWV 181 Bach, J. S. Cantata “Lobe den Herren, den SIEBK V .2, 38 mSchtigen KOnig der Ehren” BWV 132 36 Bach, J. S. Cantata “Man singet mit Freuden vom SIEBK V .2 ,42 Sies” BWV 149 Bach, J. S. Cantata “Meine Seel erhebt den Hem” SIEBK V. 1,8 BWV 10 Bach, J. S. Cantata “Meinen Jesum lafi ich nicht” SIEBK V .2 ,26 BWV 124 Bach,;. S. Cantata “Nach dir, Herr, verlanget SIEBK V.2,44 mich” BWV 150 Bach, J. S. Cantata “Nin komm, der Heiden SŒBK V. 1,50 HeiIand” (DBWV61 Bach, J. S. Cantata “Nin komm, der Heiden SŒBK V. 1,51 Heiland” OI) BWV 62 Bach, J. S. Cantata “Nun ist das Heil und die SŒBK V. 1,42 Kraft” BWV 50 (Torso) Bach, J. S. Cantata “O ewiges Feuer, o Ursprung SŒBK V. 1,21 der Liebe” BWV 34 Bach, J. S. Cantata “O heilges Geist-und SŒBK V .2 ,48 Wasserbad” BWV 165 Bach, J. S. Cantata “Schau, lieber Gott, wie meine SŒBK V .2 ,45 FeüuTBWV 153 Badi, J. S. Cantata “Sdiwingt freudig euch SŒBK V. 1,24 empor” BWV 36 Bach, J. S. Cantata “Sei Lob und Her dem SŒBK V .2 ,20 hOchsten GuT BWV 117 Bach, J. S. Cantata “Singet dem Herm ein neues SIEBK V .2 ,69 Lied” BWV 190 Bach, J. S. Cantata “Tue Rechnung! Donnerwort” SŒBK V.2, 50 BWV 168 Bach, J. S. Cantata “Unser Mund sei vol! SIEBK V .2, 12 Lachens” BWV 110 Bach, J. S. Cantata “Wacfaet! Betet! Betet! SŒBK V. 1, 56 Wachet!” BWV 70 Bach, J. S. Cantata “WSr Gott nicht mit uns diese SŒBK V. 1, 10 Zeit” BWV 14 Bach, J. S. Cantata “Was Gott tut, das ist SIEBK V. 1, 70 wohlgetan” (IH) Bwv 100 Bach, J. S. Cantata “Was mein Gott w iir BWV SIEBK V .2, 13 111 Bach, J. S. Cantata “Was wiUst du dich betrOben” SIEBK V .2, 8 BWV 107 Bach, J. S. Cantata “Wer da glaubet und getauft SIEBK V. 1,26 wird” BWV 37 Bach. J. S. Cantata “Wer mich liefoet, der wird SIEBK V. 1,49 mein Wort hahen” BWV 59 Bach, J. S. Cantata “Wo Gott, der Herr nicht bei SIEBK V.2,58 uns hait” BWV 178 Bach. J. S. Concerto No. 1 BWV ! 046 SIEBOB 20 Bach, J. S. Concerto No. 2 BWV 1047 SIEBOB 24 Bach. J. S. Concerto No. 3 BWV 1048 SIEBOB 28 Bach, J. S. Concerto No. 4 BWV 1049 SIEBOB 31 Bach, J. S. Concerto No. 5 BWV 1050 SIEBOB 33 Bach. J. S. Concerto No. 6 BWV 1051 SŒBOB 34 Bach. J. S. D Major Overture BWV 1068 SIEBOB 11 37 Badi, J. S. D Maior Overture BWV 1069 SIEBOB 16 Badi, J. S. Fantasia and NEK V. 1,24 Bach. J. S. Overture in C BWV 1066 DHE V. 10. 5 Bach. J. S. Overture in C BWV 1066 STA 2 Bach, J. S. Overture in C BWV 1066 RIG 2 Bach. J. S. Passacaglia NEK V. 1.12 Bach, J. S. Prelude and Fugue BWV 582 NEK V. 1,25 Bach. J. S. Toccata NEK V. 1,20 Bach/Stravinsky Choral Variations MOR 8 Bachelet. A. Scèmo DHE V. 10,5 Balakirev. M. Thamar DHE V .9 ,4 Barber. S. Andromache’s Farewell SCH 1 Barber, S. Concerto SCH 2 Barber. S. First Symphony SCH 5 Barber, S. ’s Meditation & Dance of SCH 2 Vengeance Barber. S. SCH 3 Barber. S. Second Essay for Orchestra SCH 4 Barber, S. Toccata Festive SCH 6 Barber, S. Violin Concerto SCHI Bartok. B. Concerto for Orchestra RIG 270 Beethoven, L. Choral Fantasy NEK V .2 ,91 Beethoven, L. Consecration of the House NEK V .2, 77 Beethoven, L. Coriolan: Overture Op. 62 WEL V. I, 30 Beethoven, L. Coriolan; Overture Op. 62 BEL V. 1, 32 Beethoven, L. Coriolan: Overture Op. 62 PIEBMIS 76 Beethoven, L. Coriolan: Overture Op. 62 RIG 51 Beethoven, L. Coriolan: Overture Op. 62 KES V. 1.27 Beethoven, L. Coriolan: Overture Op. 62 NEK V.2, 72 Beethoven, L. Coriolan: Overture Op. 62 STA 36 Beethoven, L. Coriolan: Overture Op. 62 KOL 4 Beethoven, L. Die Ruinen von Athen Op 113 PIEBMIS 69 Beethoven, L. Egmont: Overture Op. 84 WEL V. 1,29 Beethoven, L. Egmont: Overture Op. 84 BEL V. 1,31 Beethoven, L. Egmont: Overture Op. 84 PIEBMIS 75 Beethoven, L. Egmont: Overture Op. 84 KES V. 1,26 Beethoven, L. Egmont: Overture Op. 84 NEK V .2, 75 Beethoven, L. Fantasie for Piano DHE V .6,5 Beethoven, L. FidelioOp.72 GUMWIE 8 Beethoven, L. FidelioOp.72 DHE V. 7, 10 Beethoven, L. Fidelio Op. 72 KOL 6 Beethoven, L. Fidelio Op. 72 GUM V .2,2 Beethoven, L. Fidelio Op. 72 GWK V .2,2 Beethoven. L. Fidelio Op. 72: Duet RIG 52 Beethoven. L. Fidelio Op. 72: Duet STA 38 Beethoven, L. Fidelio Op. 72b PIEBMIS 45 Beethoven, L. Inaugurazione: Overture RIG 57 Beethoven, L. King Stephan: Overture Op. 117 PIEBMIS 72 Beethoven, L. Leonora No. 3: Overture Op. 72 GWK V .2 ,20 Beethoven, L. Leonora No. 3: Overture Op. 72 WEL V. 1,31 Beethoven, L. Leonora No. 3: Overture Op. 72 BEL V. 1, 33 Beethoven, L. Leonora No. 3: Overture Op. 72 RIG 53 38 Beethoven, L. Leonora No. 3: Overtire Op. 72 NEK V .2, 73 Beethoven, L. Leonora No. 3: Overtime Op. 72 STA 37 Beethoven, L. Leonora No. 3: Overture Op. 72 KES V. 1,25 Beethoven, L. Leonora No. 3; Overtime Op. 72 GUM V .2 ,20 Beethoven, L. Leonora No. 3: Overture Op. 72 PIEBMIS 40 Beethoven, L. Leonora No. 3: Overture Op. 72 GUMWIE 6 Beethoven, L. Leonora No. 3; Overture Op. 72 KOL 5 Beethoven, L. Leonore No. 1: Overture Op. 138 PIEBMIS 37 Beethoven, L. Leonore No. 2; Overture Op. 72a PIEBMIS 38 Beethoven, L. Mass Op. 86 PIEBMIS 28 Beethoven, L. Missa soiemnis Op. 123 RIG 55 Beethoven, L. Missa soiemnis Op. 123 STA 40 Beethoven, L. Missa soiemnis Op. 123 PIEBMIS 29 Beethoven, L. Namensfeier: Overtime Op. 11S PIEBMIS 73 Beethoven, L. Octet Op. 103 STA 32 Beethoven, L. Overture Op. 124 DHE V .5, 1 Beethoven, L. Overture Op. 124 GUMWIE 3 Beethoven, L. Piano Concerto No. 1 Op. 15 NEK V .2, 81 Beethoven, L. Piano Concerto No. 1 Op. 15 PIEBMIS 3 Beethoven, L. Piano Concerto No. 1 Op. 15 DEG V. 1,21 Beethoven, L. Piano Concerto No. 2 Op. 19 NEK V .2, 83 Beethoven, L. Piano Concerto No. 2 Op. 19 PIEBMIS 6 Beethoven, L. Piano Concerto No. 2 Op. 19 DEG V. 1,24 Beethoven, L. Piano Concerto No. 3 Op. 37 NEK V.2, 84 Beethoven, L. Piano Concerto No. 3 Op. 37 PIEBMIS 6 Beethoven, L. Piano Concerto No. 3 Op. 37 DEG V. 1,24 Beethoven, L. Piano Concerto No. 4 Op. 58 NEK V .2, 85 Beethoven, L. Piano Concerto No. 4 Op. 58 PIEBMIS 12 Beethoven, L. Piano Concerto No. 4 Op. 58 DEG V. 1,26 Beethoven, L. Piano Concerto No. 5 Op. 73 RIG 54 Beethoven, L. Piano Concerto No. 5 Op. 73 NEK V .2, 87 Beethoven, L. Piano Concerto No. 5 Op. 73 PIEBMIS 17 Beethoven, L. Piano Concerto No. 5 Op. 73 DEG V. 1,27 Beethoven, L. Prometheus Op. 43 GUMWIE 4 Beethoven, L. Prometheus Op. 43 RIG 48 Beethoven, L. Prometheus Op. 43 NEK V .2,64 Beethoven, L. Prometheus Op. 43 BEL V. 1,27 Beethoven, L. Prometheus Op. 43 GUM V .2 ,26 Beethoven, L. Prometheus Op. 43 PIEBMIS 61 Beethoven, L. Prometheus Op. 43 STA 36 Beethoven, L. Prometheus Op. 43 WEL V. 1,25 Beethoven, L. Prometheus Op. 43 GWK V.2, 26 Beethoven, L. Quintet Op. 16 STA 27 Beethoven, L. Quintet Op. 16 GUM V .2, 22 Beethoven, L. Quintet Op. 16 GUMWIE 10 Beethoven, L. Quintet Op. 16 GWK V .2 ,22 Beethoven, L. Quintet Op. 73 STA 19 Beethoven, L. Romance Op. 40 DEG V. 1,29 Beethoven, L. Romance Op. 50 DEG V. 1,29 Beethoven. L. Op. 20 STA 28 Beethoven, L. Septet Op. 20 GUM V.2,21 Beethoven, L. Septet Op. 20 GUMWIE 7 Beethoven, L. | Septet Op. 20 GWK IV. 2,21 39 Beethoven, L. Symphony Jena NEK V .2,2 Beethoven. L. Symphony No. I Op. 21 RIG 27 Beethoven, L. Symphony No. I Op. 21 KES V. 1,5 Beethoven. L. Symphony No. 1 Op. 21 STA 12 Beethoven, L. Symphony No. 1 Op. 21 GUM V. 1,2 Beethoven, L. Symphony No. 1 Op. 21 BEL V. 1,3 Beethoven, L. Symphony No. 1 Op. 21 PIEBS 3 Beethoven, L. Symphony No. 1 Op. 21 NEK V .2,4 Beethoven, L. Symphony No. 1 Op. 21 WEL V. 1, 1 Beethoven, L. Symphony No. 1 Op. 21 GUMWIE 12 Beethoven, L. Symphony No. 2 Op. 36 RIG 28 Beethoven, L. Symphony No. 2 Op. 36 KES V. 1,6 Beethoven, L. Symphony No. 2 Op. 36 STA 12 Beethoven, L. Symphony No. 2 Op. 36 GUM V 1,3 Beethoven, L. Symphony No. 2 Op. 36 BEL V. 1,4 Beethoven, L. Symphony No. 2 Op 36 PIEBS 6 Beethoven, L. Symphony No. 2 Op. 36 NEK V .2 ,7 Beethoven, L. Symphony No. 2 Op. 36 WEL V. 1,2 Beethoven, L. Symphony No. 2 Op. 36 GUMWIE 13 Ekethoven, L. Symphony No. 3 Op. 55 Eroica RIG 30 Beethoven, L. Symphony No. 3 Op. 55 Eroica DHE V.8, 16 Beethoven, L. Symphony No. 3 Op. 55 Eroica KOL 1 Beethoven, L. Symphony No. 3 Op. 55 Eroica STA 14 Beethoven, L. Symphony No. 3 Op. 55 Eroica BEL V. 1,7 Beethoven, L. Symphony No. 3 Op. 55 Eroica KES V. 1,8 Beethoven, L. Symphony No. 3 Op. 55 Eroica GUM V. 1,6 Beethoven, L. Symphony No. 3 Op. 55 Eroica PIEBS 15 Beethoven, L. Symphony No. 3 Op. 55 Eroica NEK V.2, 12 Beethoven, L. Symphony No. 3 Op. 55 Eroica WEL V. 1,5 Beethoven, L. Symphony No. 3 Op. 55 Eroica GUMWIE 16 Beethoven, L. Symphony No. 4 Op. 60 RIG 33 Beethoven, L. Symphony No. 4 Op. 60 KES V. 1, 10 Beethoven, L. Symphony No. 4 Op. 60 KOL 1 Beethoven, L. Symphony No. 4 Op. 60 PIEBS 20 Beethoven, L. Symphony No. 4 Op. 60 STA 16 Beethoven, L. Symphony No. 4 Op. 60 GUM V. 1,7 Beethoven, L. Symphony No. 4 Op. 60 BEL V.l, 10 Beethoven, L. Symphony No. 4 Op. 60 NEK V. 2, 19 Beethoven, L. Symphony No. 4 Op. 60 WEL V. 1,8 Beethoven, L. Symphony No. 4 Op. 60 GUMWIE 17 Beethoven, L. Symphony No. 5 Op. 60 BEL V. 1, 13 Beethoven, L. Symphony No. 5 Op. 65 GUMWIE 19 Beethoven, L. Symphony No. 5 Op. 67 RIG 36 Beethoven, L. Symphony No. 5 Op. 67 DHE V. 4, 15 Beethoven, L. Symphony No. 5 Op. 67 KES V. 1, 12 Beethoven, L. Symphony No. 5 Op. 67 PIEBS 25 Beethoven, L. Symphony No. 5 Op. 67 STA 18 Beethoven, L. Symphony No. 5 Op. 67 GUM V. 1,9 Beethoven, L. Symphony No. 5 Op. 67 NEK V .2 ,23 Beethoven, L. Symphony No. 5 Op. 67 WEL V. 1, 11 Beethoven, L. Symphony No. 6 Op. 68 WEL V. 1, 13 Beethoven, L. Symphony No. 6 Op. 68 RIG 38 Beethoven, L. Symphony No. 6 Op. 68 Pastorale DHE V. 4, 15 40 Beethoven, L. Symphony No. 6 Op. 68 ftstorile KES V. 1, 15 Beethoven, L. Symphony No. 6 Op. 68 kstomie PIEBS 33 Beethoven, L. Symphony No. 6 Op. 68 Rmstomle KOL 3 Beethoven, L. Symphony No. 6 Op. 68 Bastorale BEL V. 1. 15 Beethoven, L. Symphony No. 6 Op. 68 Pastorale STA 20 Beethoven, L. Symphony No. 6 Op. 68 Pastorale GUM V. 1 ,10 Beethoven, L. Symphony No. 6 Op. 68 Pastorale NEK V .2 ,33 Beethoven, L. Symphony No. 6 Op. 68 Pastorale GUMWIE 20 Beethoven, L. Symphony No. 7 Op. 62 WEL V. 1, 15 Beethoven, L. Symphony No. 7 Op. 92 RIG 41 Beethoven, L. Symphony No. 7 Op. 92 KES V. 1. 19 Beethoven, L. Symphony No. 7 Op. 92 STA 22 Beethoven, L. Symphony No. 7 Op. 92 GUM V. 1. 12 Beethoven, L. Symphony No. 7 Op. 92 BEL V. 1,17 Beethoven, L. Symphony No. 7 Op. 92 PIEBS 37 Beethoven, L. Symphony No. 7 Op. 92 NEK V .2 ,38 Beethoven, L. Symphony No. 7 Op. 92 GUMWIE 22 Beethoven, L. Symphony No. 8 Op. 93 RIG 42 Beethoven. L. Symphony No. 8 Op. 93 DHE V. 4. 16 Beethoven, L. Symphony No. 8 Op. 93 KES V. 1,22 Beethoven, L. Symphony No. 8 Op. 93 STA 23 Beethoven, L. Symphony No. 8 Op. 93 GUM V 1,14 Beethoven, L. Symphony No. 8 Op. 93 BEL V. 1, 19 Beethoven, L. Symphony No. 8 Op. 93 PIEBS 44 Beethoven, L. Symphony No. 8 Op. 93 NEK V .2 ,44 Beethoven, L. Symphony No. 8 OP. 93 WEL V. 1,17 Beethoven, L. Symphony No. 8 Op. 93 GUMWIE 24 Beethoven, L. Symphony No. 9 Op. 125 WEL V. 1, 18 Beethoven, L. Symphony No. 9 Op. 125 RIG 44 Beethoven, L. Symphony No. 9 Op. 125 DHE V .9, 1 Beethoven, L. Symphony No. 9 Op. 125 KOL 3 Beethoven, L. Symphony No. 9 Op. 125 GUM V. 1, 15 Beethoven, L. Symphony No. 9 Op. 125 BEL V. 1,20 Beethoven, L. Symphony No. 9 Op. 125 PIEBS 47 Beethoven, L. Symphony No. 9 Op. 125 NEK V .2 ,48 Beethoven, L. Symphony No 9 Op. 125 STA 24 Beethoven, L. Symphony No. 9 Op.l25 GUMWIE 23 Beethoven, L. Triple Concerto Op. 56 PIEBMIS 25 Beethoven, L. Triple Concerto Op. 56 DEG V. 1,29 Beethoven, L. Turkish March Op. 113 NEK V .2, 91 Beethoven, L. Violin Concerto Op. 61 RIG 50 Beethoven, L. Violin Concerto Op. 61 NEK V. 2, 80 Beethoven, L. Violin Concerto Op. 61 DHE V. 10,6 Beethoven, L. Violin Concerto Op. 61 NEK V .2, 79 Beethoven, L. Violin Concerto Op. 61 STA 39 Beethoven, L. Violin Concerto Op. 61 KOL 5 Beethoven, L. Violin Concerto Op. 61 PIEBMIS 22 Beethoven. L. Violin Concerto Op. 61 DEG V. 1,31 Beethoven, L. Wettie des Hauses, Die: Overture Op. GWK V .2, 14 114 Beethoven, L. Weihe des Hauses, Die: Overture Op. BEL V. 1,34 114 Beethoven, L. Weihe des Hauses, Die: Overture Op. PIEBMIS 79 41 114 Beethoven, L. Weihe des Hauses, Die: Overture Op. STA 38 114 Beethoven, L. Weihe des Hauses, Die: Overture Op. GUM V .2, 14 114 Beethoven, L. Weihe des Hauses. Die: Overture Op. WEL V. 1,32 114 Berg. A. Lulu RIG 290 Eterg, A. Wozzeck RIG 289 Berlioz, H. Elenvenuto Cellini: Overture NEK V. 3, 18 Berlioz, R Damnation of Faust, The STA 61 Berlioz, R Damnation of Faust, The RIG 72 Berlioz, R Damnation of Faust, The DHE V. 10, 8 Berlioz, R Harold in Italy NEK V .3 ,9 Berlioz, R Harold in Italy Op. 16 DEG V. 1,3 Berlioz, R Hungarian March NEK V .3,21 Berlioz, R NEK V. 3,23 Berlioz, R Roman Carnival: Overture Op. 9 NEK V. 3, 15 Berlioz, R Roman Carnival: Overture Op. 9 JUN V. 3,24 Berlioz, R Romeo and Juliet DHE V. 9,3 Berlioz, R (Mis Marked) DHE V. 10, 7 Op. 14 Berlioz, R Symphonie Fantastique Op. 14 RIG 68 Berlioz, R Symphonie Fantastique Op. 14 DHE V. 3, 10 Berlioz, H. Symphonie Fantastique Op. 14 KOL 7 Berlioz, R Symphonie Fantastique Op. 14 NEK V. 3,3 Berlioz, R Symphonie Fantastique Op. 14 JUN V. 3,23 Berlioz, R Wandering Lights Minuet NEK V. 3,22 Bernstein, L. On the Waterfront SCH 6 Bizet, G. Carmen RIG 149 Bizet, G. Carmen DHE V .6 ,6 Bizet, G. Carmen KOL 9 Bizet, G. Carmen NEK V. 3,30 Bizet, G. Fatherland: Overture NEK V. 3, 33 Bizet, G. Jolie Fille de Perth DHE V 4, 13 Bizet, G. L'Ariesienne Suite No. 1 DHE V. 8, 13 Bizet, G. L'Arlesienne Suite No. 1 NEK V.3,27 Bizet, G. L'Arlesietme Suite No. 2 NEK V. 3.29 Bizet, G. Symphony No. 1 NEK V. 3,26 Blacher, B. Concerto for , Bassoon, SCH 6 & Strings Bioch, S. Schelomo SCH 8 Boieldieu, A. Weisse Dame, Die: Overture GWK V .2 ,28 Boieldieu, A. Wiesse Dame, Die: Overture GUM V .2 ,28 Boieldieu, A. Wiesse Dame, Die: Overture JUN V. 3,3 Boieldieu, F. Le Dame Blanche DHE V. 1,3 Boito, A. Mephistopheies RIG 172 Boito, A. STA 66 Borodin, A. Polovitsian Dances ANG V. 10, 5 Borodin, A. Prince Igor BOL 54 Borodin, A. Symphony No. 1 Op. ? DHE V .6 ,8 Borodin. A. Symphony No. 2 Op. 73 DHE V .9 ,4 Brahms. J. Academic Festive: Overture Op. 80 NEK V. 3, 78 42 Brahms, J. Academic Festive: Overture Op. 80 BEL V. 1,44 Brahms, J. Academic Festive: Overture Op 80 WEL V. 1,42 Brahms, J. Bohemian Danses (Mis lYint) DHE V. 10,6 Brahms, J. German Requiem NEK V.3,64 Brahms, J. Haydn Variations Op 56* NEK V. 3, 70 Brahms, J. Haydn Variations Op. 56* STA 95 Brahms, J. Haydn Variations Op. 56* BEL V. 1.41 Brahms, J. Haydn Variations Op. 56* RIG 129 Brahms, J. Haydn Variations Op. 56* WEL V. 1, 39 Brahms, J. Haydn Variations Op. 56* KOL 11 Brahms, J. Hungarian Dance No. 5 NEK V .3 ,9 2 Brahms, J. Hungarian Dance No. 6 NEK V. 3,92 Brahms, J. Piano Concerto No. 1 Op. 15 NEK V. 3, 88 Brahms, J. Piano Concerto No. 1 Op. 15 DEG V .2 ,6 Brahms, J. Piano Concerto No. 2 Op. 83 NEK V. 3,91 Brahms, J. Piano Concerto No. 2 Op. 83 DEG V .2, 8 Brahms, J. Symphony No. 1 Op. 68 RIG 132 Brahms, J. Symphony No. 1 Op. 68 NEK V. 3, 35 Brahms, J. Symphony No. 1 Op. 68 KES V. 1,27 Brahms, J. Symphony No. 1 Op. 68 BEL V. 1, 35 Brahms, J. Symphony No. 1 Op. 68 WEL V. 1, 33 Brahms, J. Symphony No. 2 Op. 73 NEK V.3,44 Brahms, J. Symphony No. 2 Op. 73 RIG 136 Brahms, J. Symphony No. 2 Op. 73 KES V.2,3 Brahms, J. Symphony No. 2 Op. 73 KOL 10 Brahms, J. Symphony No. 2 Op. 73 BEL V. 1, 36 Brahms, J. Symphony No. 2 Op. 73 WEL V. 1,34 Brahms, J. Symphony No. 3 Op. 90 NEK V. 3, 51 Brahms, J. Symphony No. 3 Op. 90 RIG 140 Brahms, J. Symphony No. 3 Op. 90 KES V .2, 8 Brahms, J. Symphony No. 3 Op. 90 STA 94 Brahms, J. Symphony No. 3 Op. 90 BEL V. 1, 38 Brahms, J. Symphony No. 3 Op. 90 WEL V. 1, 36 Brahms, J. Symphony No. 4 Op. 98 NEK V. 3, 58 Brahms. J. Symphony No. 4 Op. 98 RIG 142 Brahms, J. Symphony No. 4 Op. 98 KES V.2, 12 Brahms, J. Tragic: Overture Op. 81 NEK V .3,81 Brahms, J. Tragic: Overtime Op. 81 BEL V. 1,45 Brahms, J. Tragic: Overture Op. 81 WEL V. 1,43 Brahms. J. Violin and Op. 102 DEG V .2 ,9 Brahms. J. Violin Concerto Op. 77 NEK V. 3, 83 Brahms, J. Violin Concerto Op 77 KOL 12 Brahms, J. Violin Concerto Op. 77 DEG V .2, 8 Britten, B. Young Person’s Guide to the Orchestra RIG 314 Op. 34 Bruch,M. Violin Concerto No. 1 Op. 26 DEG V. 3,2 Bruckner. A. Symphony No. 5 NEK V. 3,93 Bruckner. A. Symphony No. 9 NEK V. 3,96 Brunetti. G. Symphony No. 23 RIG 10 Bucci. V. 11 Contrabasso Grot RIG 315 Bucci. V. Mirandolina Suite RIG 316 BurgmOllcr, N. Symphony No. 2 Op 11 BEL V. 1,47 Burgmaller. N. Symphony No. 2 Op. 11 WEL V. 1,45 43 Busoni, F. Piano Concerto Op. 39 DEG V .3 ,2 Bussoni, F. Doctor Faust RIG 235 Carter, E. Variations for Orchestra SCH 10 Casella. A. Giara,La RIG 287 Castelnuovo- Concerto Italiano for Violin RIG 298 Tedesco. M. Casteinuovo- Dodioesima notte. La RIG 298 Tedesco, M. Catalani, A. Wally, La RIG 176 Catalani, A Wally, La STA 84 Cavallo, L. Paillasse DHE V .6 ,7 Chabrier, E. Bourrée Fantasque, La DHE V .9 ,4 Charpentier, G. Louise DHE V .6,5 Cherubini, L. Anacreon, Die: Overture GWK V .2 ,28 Cherubini, L. Anacreon, Die; Overtire GUM V .2 ,29 Cherubini, L. Anacreon, Die: Overture JUN V. 3.3 Cherubini, L. Anacreon, Die: Overture GUM V .2 ,28 Cherubini, L. Anacreon, Die: Overture RIG 26 Cherubini, L. Lodoiska: Overture BEL V. 1,49 Cherubini, L. Lodoiska: Overture WEL V. 1,47 Cherubini, L. Medea: Aria RIG 24 Cherubini, L. Wassetrgger. Der: Overture BEL V. 1,49 Cherubini, L. Wassetrgger, Der: Overture WEL V. 1,47 Chopin, F. Piano Concerto No. 1 Op. 11 RIG 80 Chopin, F. Piano Concerto No. 1 Op. 11 DEG V.2, 10 Chopin, F. Piano Concerto No. 2 Op. 21 DEG V.2, 12 Cilea, F. Adriana Lecouveur RIG 237 Cilea, F. Adriana Lecouveur STA 67 Daliapicolla, L. An Mathilde RIG 305 Dallapicolla, L. Tartiniana fix Violin and Orchestra RIG 305 De Falla, M. Nights in the Gardens o f Spain STA 64 De Falla, M. Nights in the Gardens of Spain SCH 12 De Falla, M. Nights in the Gardens of Spain RIG 254 Debussy, C. Fantasy in E Minor DEG V. 3,2 Debussy, C. Iberia RIG 200 Debussy, C. Iberia NEK V. 4.34 Debussy, C. Mer, La RIG 198 Debussy, C. Mer, La DHE V .9 ,4 Debussy, C. Mer, La NEK V. 4,29 Debussy, C. Nocturnes RIG 197 Debussy, C. Nocturnes NEK V.4,31 Debussy, C. Petit Suite NEK V. 4. 33 Debussy, C. Prelude to the Afternoon of a Fawn STA 68 Debussy, C. Priemere Rhapsody DEG V .3,3 Debussy, C. Ronde de Printemps DHE V. 10,6 Debussy, C Trois Ballades DHE V. 10, 5 Delvincourt, C. Boccacerie DHE V 9.4 Donizetti, G. Don Pasquale JUN V. 4,3 Donizetti, G. Don Pasquale RIG 68 Donizetti, G. Favorita, La RIG 66 Donizetti, G. Favorita, La STA 89 Donizetti, G. L'Eisir d’Amore. Una fiirtiva lacrima RIG 66 Donizetti, G. L'Eisir d’Atnore, Una fiirtiva lacrima STA 90 44 Donizetti, G. Liebestrank, Der KOL 12 Donizetti, G. Liebestrank, Der JUN V .4 ,4 Dukas, P. Ariane et Barbe Bkue DHE V. 8,15 Dukas,?. Peri, La NEK V. 4.37 Dukas,?. Sorcerer’s Apprentice, The NEK V. 4,38 Dukas, ? Sorcerer’s Apprentice, The RIG 232 Dukas, ?. Sorcerer’s Apprentice, The DHE V .5 ,2 Dvorak, A. Cello Concerto Op. 104 NEK V .4 ,2 7 Dvorak, A. Cello Concerto Op. 104 DEG V. 3,5 Dvorak, A. Piano Concerto Op. 33 NEK V. 4,28 Dvorak, A. Piano Concerto Op. 33 DEG V. 3.4 Dvorak, A. Slavonic Dances Op. 46 NEK V .4,25 Dvorak, A. Slavonic Rhapsody No. 3 Op.45 NEK V .4,24 Dvorak, A. Op. 78 NEK V. 4,23 Dvorak, A. Symphony No. 9 Op. 95 RIG 170 Dvorak, A. Violin Concerto Op. 53 NEK V .4 ,2 7 Dvorak. A. Violin Concerto Op. 53 DEG V. 3 ,6 Dvorak, A. Slavonic Rhapsody No. 1 Op.45 NEK V .4,23 Einem, G. von Capriccio SCH 12 Enescu, G. Edit» Op. 23 RIG 335 Fauré, G. Pénélope DHE V. 8, 15 Francaix, J. RIG 312 Franck, C. Symtriionic Variations DEG V .3 ,8 Gade, N. Nacfakl8nge von Ossian Op. 1: BEL V. 1, 50 Overture Gade, N. Nadikllnge von Ossian Op. 1 : WEL V. 1,48 Overture Gade, N. Symphony No. 4 Op. 20 BEL V. 1, 50 Gade, N. Symphony No. 4 Op. 20 WEL V. 1,48 Gade, N. Symt>hony No. 8 Op. 47 BEL V. 1, 52 Gade. N. SymtAony No. 8 Op. 47 WEL V. 1, 50 Gemsheim, F. SymiAony No. 1 Op. 32 BEL V. 1,55 Gemsheim, F. SymtAony No. 1 Op. 32 WEL V. 1, 53 Ghedini, G. Studi per un afifresco di battaglia RIG 293 Giordano, U. Andrea Chénier RIG 237 Giordano, U. Andrea Chénier STA 97 Giordano, U. Fedora RIG 239 Giordano, U. Fedora STA 98 Giordano, U. Mese Mariano RIG 240 Glazunov, A. Violin Concerto Op. 16 DEG V. 3,8 Gliere, R, The Bronze Horseman SAV 21 Glinka, M. I. Kamarinskaia RIG 76 Goetz, FL Symphony Op. 9 BEL V. 1, 58 Goetz, H. Symphony Op. 9 WEL V. 1, 56 Gounod, C. Mireille DHE V. 10,6 Grieg, E. Norwegian Dances Op. 35 NEK V. 4, 19 Grieg, E. Peer Gynt Op. 46 NEK V. 4, 16 Grieg, E. Piano Concerto Op. 16 NEK V. 4,20 Grieg, E. Piano Concerto Op. 16 DEG V. 3, 10 Grieg, E. Symphony No. 5 ÎÆK V. 4,21 Handel, G. F Judas Maccabeus NEK V. 1, 30 Handel, G. F Julius Cesar SIEH 50 Handel, G. F Ottone SIEH 35 45 Handel, G. F Radamisto SIEH 20 Handel, G. F SIEH 11 Handel, G. F Samson and Delilah NEK V. I. 30 Handel, G. F Water Music NEK V. 1,31 Handel, G. F. Agrippina SIEH 4 Handel, G. F. Saul RIG 3 Harris, R. Symphony No. 3 SCH 13 Haydn, F. J Symphony in B" STA 3 Haydn, F. J. Cello Concerto NEK V. 1,48 Haydn, F. J. Oxford Symphony KES V. 1,3 Haydn, F. J. Symphony in B* Major RIG 5 Haydn, F. J. Symphony in C RIG 9 Haydn, F. J. Symphony in C STA 4 Haydn, F. J. Symphony in C DHE V.7,9 Haydn, F. J. Symphony in E" Major RIG 5 Haydn, F. J. Symphony in G STA 3 Haydn, F. J. Symphony No. 10 JUN V. 1,4 Haydn, F. J. Symphony No. ICO NEK V. 1,44 Haydn, F. J. Symphony No. 104 London Symphony GUM V. 1,22 Haydn, F. J. Symphony No. 104 London Symphony JUN V. 1,3 Haydn, F. J. Symphony No. 11 GWK V .2 ,25 Haydn, F. J. Symphony No. 11 GUM V.2,25 Haydn, F. J. Symphony No. 12 JUN V. 1,5 Haydn, F. J. Symphony No. 12 GUM V. 1,23 Haydn, F. J. Symphony No. 13 JUN V. 1.6 Haydn, F. J. Symphony No. 13 NEK V. 1,41 Haydn, F. J. Symphony No. 13 GWK V .2,30 Haydn, F. J. Symphony No. 13 GUM V .2 ,29 Haydn, F. J. Symphony No. 14 JUN V. 1,7 Haydn, F. J. Symphony No. 14 GWK V .2 ,24 Haydn, F. J. Symphony No. 14 GUM V .2 ,24 Haydn, F. J. Symphony No. IS La Reine JUN V. 1,8 Haydn, F. J. Symphony No. 2 NEK V. 1, 35 Haydn, F. J. Symphony No. 2 GUM V. 1,21 Haydn, F. J. Symphony No. 27 JUN V. 1,9 Haydn, F. J. Symphony No. 6 “Symph mit dem GWK V.2, 23 Paukenschlag” Haydn. F. J. Symphony No. 6 “Symph mit dem GUM V .2, 23 Paukenschlag” Haydn, F. J. Symphony No. 6 ”Symph mit dem JUN V 1,4 Paukenschlag” Haydn, F. J. Symphony No. 8 KES V 1,4 Haydn, F. J. Symphony No. 8 NEK V. 1,40 Haydn, F. J. Symphony No. 85 RIG 6 Haydn, F. J. Symphony No. 88 RIG 8 Haydn, F. J. Symphony No. 88 KOL 14 Haydn, F. J. Symphony No. 88 BEL V .2, 3 Haydn, F. J. Symphony No. 90 KOL 13 Haydn, F. J. Symphony No. 90 BEL V .2 ,4 Haydn, F. J. Symphony No. 98 BEL V .2 ,2 Haydn, F. J. Trumpet Concerto in E" DEG V. 2, 13 Hindemith, P. Die Harmonie der Welt SCH 14 Hindemith. P. Neues vom Tage SCH 14 46 Hindemith, P. Phflhvmonisdies Konzert SCH 15 Hindemitfi, P. PittsbuTRh Symphony SCH 16 Hindemith, P. Sinfonietta in E SCH 16 Hindemith, P. Symphonic Metamorphosis RIG 297 Hindemith, P. Symphonic Metamorphosis SCH 16 Holst, G. Planets, The SCH 16 Ibcrt, J. Ballade de la Geôle de Reading, La DHE V .6 .8 Ibert, J. Concerto for Flute and Orchestra DHE V .8, 16 Ibert, J. Diane de Poitiers DHE V .3 ,9 Ibert, J. Escales DHE V .2, 5 Ibert, J. Golgotha DHE V .8, 13 Ibert, J. Trois pièces brèves DHE V. 10, 7 Jadassohn S. Serenade No. 2 Op. 46 BEL V .2, 5 Katchaturian, A. Gajana: Ballet BOL 81 Katchaturian, A. Gajana: Nallet ANG V. 10,45 Khachaturian, A Spartacus SAV 70 Kodaiy, Z. Dances of Galanta RIG 277 Koussevitsky, S. Double Concerto Op. 3 DEG V. 3, 11 Krennikov, T.N. Symphony No. 4 RIG 313 Laic, E. Symphonie Espagnole Op. 21 DEG V. 3, 12 Leoncavallo, R. KOL 15 Leoncavallo, R. Pagliacci RIG 194 Leoncavallo, R. Pagliacci STA 126 Liadow, T. Otto canti Russi Op. 58 RIG 178 Liszt, F. Dance Macabre NEK V. 4, 56 Liszt, F. Dante NEK V .4 ,5 4 Liszt, F. Fantasy on Hungarian Themes Op. 123 DEG V .2, 15 Liszt, F. Faust NEK V. 4, 52 Liszt, F. Hungarian Rhapsody No. 1 NEK V. 4.42 Liszt, F. Hungarian Rhapsody No. 2 NEK V. 4,43 Liszt, F. MazeppaNo. 6 NEK V. 4, 50 Liszt, F. MazeppaNo. 6 BEL V .2 ,6 Liszt, F. Waltz NEK V. 4, 57 Liszt, F. Orpheus NEK V .4,51 Liszt, F. Piano Concerto No. 1 Op. 124 NEK V. 4, 55 Liszt, F. Piano Concerto No. 1 Op. 124 DEG V. 2, 14 Liszt, F. Piano Concerto No. 2 Op. 125 NEK V. 4, 56 Liszt, F. Piano Concerto No. 2 Op. 125 DEG V .2, 14 Liszt, F. Preludes, Les No. 3 NEK V .4 ,4 6 Liszt, F. Preludes, Les No. 3 KES V .2, 16 Liszt, F. Preludes, Les No. 3 BEL V .2, 7 Liszt, F. Prometheus NEK V. 4,49 Liszt, F. Tasso NEK V. 4,48 Liszt, F. TotentanzOp. 126 DEG V .2, 16 Liviabella, L. Antigone RIG 302 Liviabelia, L. Concerto for Orchestra RIG 301 Liviabella, L. Favole di poeta RIG 301 Liviabelia, L. Monte Mario RIG 302 Liviabella, L. Suite fiabesca RIG 301 Liviabella, L. Suite per una fiaba RIG 202 Lortzing, A. Czar und Zimmermann GUM V .2, 17 Lortzing, A. Czar und Zimmermann JUN V 4.5 Lortzing, A. Czar und Zimmermann GWK V .2, 17 47 LortzinR, A. Wafifenschmied, Der JUN V .4 ,8 LortzinR, A. WildschOtz, Der JUN V .4 .6 Mahler, G. Das Lied von der Erde PIEMAH 122 Mahler, G. Kindertotenlieder RIG 196 Mahler, G. Kindertotenlieder PIEMAH 124 Mahler, G. Symphony No. 1 RIG 196 Mahler, G. Symphony No. 1 PIEMAH 2 Mahler, G. Symphony No. 2 PIEMAH 13 Mahler, G. Symphony No. 3 RIG 196 Mahler, G Symphony No. 3 PIEMAH 27 Mahler, G. Symphony No. 4 PIEMAH 37 Mahler, G. Symphony No. 5 PIEMAH 45 Mahler, G. Symphony No. 6 PIEMAH 63 Mahler, G. Symphony No. 7 PIEMAH 81 Mahler, G. Symphony No. 8 PIEMAH 98 Mahler. G. Symphony No. 9 RIG 324 Mahler, G. Symphony No. 9 PIEMAH 104 Malipiero, G. F. Concerti RIG 273 Malipiero, G. P. Decima sinfonia RIG 275 Malipiero, G.F. Pantea RIG 273 Mancicelli, L. Scene Veneziane RIG 174 Mancinelli, L. Scene Veneziane STA 116 Marinuzzi, G. Suite Siciliana RIG 276 Marinuzzi, G. Suite Siciliana STA 116 Martinu, B. La Bagarre DHE V. 7, 12 Mascagni, P Amico Fritz RIG 241 Mascagni. P Ca Valeria Rusticana DHE V. 4. 13 Mascagni. P. CaValeria Rusticana RIG 241 Mascagni. P. Iris RIG 241 Mascagni. P. Iris STA 100 Mascagni. P. Lamaschere RIG 244 Massinet, J. Manon DHE V .5 ,4 Massinet, J. Neopolitan Scenes NEK V. 4, 58 Massinet, J. Phoedra NEK V .4,60 Mendelssohn. F. Capriccio Brillant Op. 22 DEG V .2. 17 Mendelssohn. F. Concerto for Two in A" DEG V .2, 16 Mendelssohn. F. Concerto for Two Pianos in E" DEG V. 2, 16 Mendelssohn. F. Fingals Cave Op. 26: Overture RIG 77 Mendelssohn, F. Midsummer Night's Dream Op. 61 GWK V .2 ,4 Mendelssohn. F. Midsummer Night’s Dream Op. 61 JUN V. 3,22 Mendelssohn. F. Midsummer Night’s Dream Op. 61 RIG 78 Mendelssohn, F. Midsummer Night’s Dream Op. 61 STA 90 Mendelssohn. F. Midsummer Night’s Dream Op. 61 BEL V.2, 12 Mendelssohn. F. Piano Concerto No. 2 Op. 40 DEG V.2, 17 Mendelssohn. F. Roy Bias: Overture Op. 95 BEL V.2, 14 Mendelssohn. F. Roy Bias: Overture Op. 95 JUN V. 3,22 Mendelssohn. F. No. 1 GUM V .2 ,4 Mendelssohn. F. Symphony No. 1 Op. 11 BEL V .2 ,9 Mendelssohn. F. Symphony No. 3 Op. 56 DHE V. 11.9 Mendelssohn. F. Symphony No. 3 Op. 56 GUM V. 1,26 Mendelssohn. F. Symphony No. 3 Op. 56 BEL V. 2, 10 Mendelssohn. F. Symphony No. 3 Op. 56 JUN V. 3.20 Mendelssohn. F. Symphony No. 4 Op. 90 GUM V. 1, 27 48 Mendelssohn. F. Violin Concerto Op. 64 DEG V .2. 18 Messager. A. Fortunio DHE V. 7. 10 Messiaen. O. L'Ascension RIG 311 Mosdieles. L Concertante for Flute and DEG V .2, 19 Mozart, W. A. Abduction from the Seraglio, The K. JUN V. 1,29 384 Mozart. W. A. Chor C Moll K. 427 PIEMMIS 78 Mozart. W. A. Clarinet Concerto K 622 DEG V. 1,21 Mozart. W. A. Cosi &n tutte: Overture K. 588 STA 6 Mozart. W. A. Cosi fro tutte: Overtm K. 588 KOL 17 Mozart, W. A. Cosi frn tutte: Overture K. 588 RIG 23 Mozart, W. A. Cosi frn tutte: Overture K. 588 DHE V. 1,3 Mozart. W. A. Cosi frn tutte: O v ertm K. 588 JUN V. 1,34 Mozart. W. A. Divertimento No. 2 K. 131 PIEMMIS 73 Mozart. W. A. Divertimento No. 2 K. 131 NEK V. 1.82 Mozart. W. A. Don Giovanni: Overtime K. 527 STA 10 Mozart, W. A. Don Giovanni: Overture K. 527 NEK V. 1.78 Mozart, W. A. Don Giovanni: Oveture K. 527 JUN V. 1. 33 Mozart, W. A. Finta Giardiniera, La K. 196 PIEMOP V. 1.7 Mozart, W. A. Idomeneo: Ballet Music K. 367 PIEMOP V. 1. 52 Mozart, W. A. Idomeneo: Ballet Music K. 367 PIEMOP V. 1.22 Mozart, W. A. Magic Flute. The: Overture K. 620 STA 7 Mozart, W. A. Magic Flute, The: Overture K. 620 PIEMOP V. 1. 87 Mozart, W. A. Magic Flute. The: O vertm K. 620 DHE V. 3. 10 Mozart, W. A. Magic Flute. The: Overture K. 620 GUM V .2, 18 Mozart, W. A. Magic Flute. The: Overture K. 620 BEL V .2 ,24 Mozart, W. A. Magic Flute, The: Overture K. 620 JUN V. 1.31 Mozart, W. A. Magic Flute. The: Overture K. 620 KOL 19 Mozart, W. A Magic Flute. The: Overture K. 620 RIG 23 Mozart, W. A. Magic Flute. The: Overture K. 620 NEK V. 1. 80 Mozart, W. A. Magic Flute. The: Overture K. 620 GWK V .2. 18 Mozart, W. A. Marriage of Figaro. The: Overture K. PIEMOP V. 1,54 492 Mozart, W. A. Marriage of Figaro, The: Overture K. DHE V .2, 7 492 Mozart, W. A. Marriage of Figaro, The: Overture K. STA 4 492 Mozart. W. A. Marriage of Figaro, The: Overture K. KOL 16 492 Mozart. W. A. Marriage of Figaro, The: Overture K. BEL V .2, 24 492 Mozart, W. A. Marriage of Figaro, The: Overture K. RIG 16 492 Mozart, W. A. Marriage of Figaro, The: Overture K. JUN V. 1, 19 492 Mozart. W. A. Marriage of Figaro, The: Overture K. NEK V. 1,81 492 Mozart, W. A. Maurerische Trauermusik K. 477 PIEMMIS 39 Mozart, W. A. Missa soiemnis K 337 PIEMMIS 74 Mozart, W. A. Piano Concerto No. 10 K. 365 PIEMK 100 Mozart. W. A. Piano Concerto No. 11 K. 413 PIEMK 6 Mozart. W. A Piano Concerto No. 13 K. 415 PIEMK 6 Mozart. W. A. Piano Concerto No. 13 K. 415 DEG V. 1,2 49 Mozart, W. A. Piano Concerto No. 15 K. 450 DEG V. 1,2 Mozart, W. A. Piano Concerto No. 15 K. 450 PIEMK 11 Mozart, W. A. Piano Concerto No. 16 K. 4SI PIEMK 16 Mozart, W. A. Piano Concerto No. 16 K. 451 DEG V. 1,3 Mozart, W. A. Piano Concerto No. 17 K. 453 PIEMK 21 Mozart, W. A. Piano Concerto No. 17 K. 453 DEG V. 1,3 Mozart, W. A. Pitno Concerto No. 18 K. 456 PIEMK 31 Mozart, W. A. Piano Concerto No. 18 K. 456 C£G V. 1,6 Mozart, W. A. Piano Concerto No. 19 K. 459 PIEMK 39 Mozart, W. A. Piano Concerto No. 19 K. 459 DEG V. 1,7 Mozart, W. A. Piano Concerto No. 20 K. 466 RIG 12 Mozart, W. A. Piano Concerto No. 20 K. 466 PIEMK 48 Mozart, W. A Piano Concerto No. 20 K. 466 STA 5 Mozart, W. A. Piano Concerto No. 20 K. 466 NEK V. 1, 71 Mozart, W. A. Piano Concerto No. 20 K. 466 DEG V. 1,9 Mozart, W. A. Piano Concerto No. 21 K. 467 PIEMK 54 Mozart, W. A Piano Concerto No. 21 K 467 DEG V. 1, 10 Mozart, W. A. Piano Concerto No. 22 K. 482 RIG 13 Mozart, W. A. Piano Concerto No. 22 K. 482 PIEMK 62 Mozart, W. A. Piano Concerto No. 22 K. 482 DEG V. 1, 11 Mozart, W. A. Piano Concerto No. 23 K. 488 PIEMK 68 Mozart, W. A Piano Concerto No. 23 K. 488 DEG V. 1, 14 Mozart, W. A. Piano Concerto No. 24 K. 491 PIEMK 76 Mozart, W. A. Piano Concerto No. 24 K. 491 NEK V. 1, 74 Mozart, W. A Piano Concerto No. 24 fC 491 DEG V. 1, 16 Mozart, W. A. Piano Concerto No. 25 K.. 503 PIEMK 84 Mozart, W. A. Piano Concerto No. 25 K, 503 DEG V. 1, 17 Mozart, W. A. Piano Concerto No. 26 K. 537 PIEMK 92 Mozart, W. A. Piano Concerto No. 26 K. 537 DEG V. 1,20 Mozart, W. A. Piano Concerto No. 27 K. 595 PIEMK 95 Mozart, W. A. Piano Concerto No. 27 K. 595 DEG V. 1,20 Mozart, W. A. Quintet STA 10 Mozart, W. A. Requiem K. 626 NEK V. 1,92 Mozart, W. A. Requiem K. 626 PIEMMIS 92 Mozart, W. A. Serenade No 9 K. 320 Posthom PIEMMIS 69 Serenade Mozart, W. A. Serenade No. 10 K. 361 Gran Partita NEK V. 1,88 Mozart, W. A. Serenade No. 5 K. 204 NEK V. 1, 83 Mozart, W. A. Serenade No. 7 K. 250 HaAier NEK V. 1,83 Serenade Mozart, W. A. Serenade No. 7 K. 250 Hafher JUN R 1, 10 Serenade Mozart, W. A. Serenade No. 7 K. 250 Haffiier PIEMMIS 63 Serenade Mozart, W. A. Serenade No. 9 K. 320 BEL V .2, 15 Mozart, W. A. Serenade No. 9 K. 320 NEK V. 1,87 Mozart, W. A. Symphony K. 76 PIEMMIS 5 Mozart, W. A. Symphony No. 1 K. 16 GUM V .2, 14 Mozart, W. A. Symphony No. 1 K. 16 DHE V. 11, 10 Mozart, W. A. Symphony No. 1 K. 16 GWK V .2, 14 Mozart, W. A. Symphony No. 12 K. 110 PIEMMIS 7 Mozart, W. A. Symphony No. 13 K. 112 GUM V .2, 16 Mozart, W. A. Symphony No. 13 K. 113 GWK V.2, 16 50 Mozart, W. A. Symphony No. 25 K. 183 PIEMMIS 9 Mozart, W. A. Symphony No. 26 K. 184 PIEMMIS 7 Mozart, W. A. Symphony No. 3 1 K. 297 Pariser PIEMMIS 13 Mozart, W. A. Symphony No. 32 K. 318 PIEMMIS 17 Mozart, W. A. Symphony No. 33 K. 319 PIEMMIS 18 Mozart, W. A. Symphony No. 34 K. 338 PIEMMIS 23 Mozart, W. A. Symphony No. 35 K. 385 Haffiier JUN V. 1, 11 Mozart, W. A. Symphony No. 35 K. 385 Haffiier BEL V .2, 16 Mozart, W. A. Symphony No. 35 K. 385 Haffiier NEK V. 1, 50 Mozart, W. A. Symphony No. 35 K. 385 Haffiier PIEMMIS 27 Mozart, W. A. Symphony No. 36 K. 425 Linzer STA 7 Mozart, W. A. Symphony No. 36 K. 425 Linzer RIG 20 Mozart, W. A. Symphony No. 36 K. 425 Linzer BEL V .2, 16 Mozart, W. A. Symphony No. 36 K. 425 Linzer NEK V. 1, 52 Mozart, W. A. Symphony No. 36 K. 425 Linzer PIEMMIS 33 Mozart, W. A. Symphony No. 36 K. 425 Linzer JUN V. 1, 12 Mozart, W. A. Symphony No. 38 K. 504 Prague STA 7 Mozart, W. A. Symphony No. 38 K. 504 Prague BEL V .2 , 16 Mozart, W. A. Symphony No. 38 K. 504 Prague NEK V. 1,54 Mozart, W. A. Symphony No. 38 K. 504 Prague JUN V. 1, 13 Mozart, W. A. Symphony No. 38 K. 504 Prague RIG 17 Mozart, W. A. Symphony No. 38 K. 504 Prague PIEMMIS 40 Mozart, W. A. Symphony No. 39 K. 543 PIEMMIS 45 Mozart, W. A. Symphony No. 39 K. 543 STA 5 Mozart, W. A. Symphony No. 39 K. 543 NEK V. 1, 58 Mozart, W. A. Symphony No. 4 K. 19 GUM V. 1,23 Mozart, W. A. Symphony No. 40 K. 550 STA 8 Mozart, W. A. Symphony No. 40 K. 550 BEL V. 2, 18 Mozart, W. A. Symphony No. 40 K. 550 RIG 20 Mozart, W. A. Symphony No. 40 KL 550 PIEMMIS 50 Mozart, W. A. Symphony No. 40 K. 550 JUN V. I, 15 Mozart, W. A. Symphony No. 40 K. 550 NEK V. 1,62 Mozart, W. A. Symphony No. 41 K. 551 Jupiter BEL V .2 ,20 Mozart, W. A. Symphony No. 41 K. 551 Jupiter STA 8 Mozart, W. A. Symphony No. 41 K. 551 Jupiter PIEMMIS 56 Mozart, W. A. Symphony No. 41 K. 551 Jupiter RIG 12 Mozart, W. A. Symphony No. 41 K. 551 Jupiter JUN V. 1, 16 Mozart, W. A. Symphony No. 41 K. 551 Jupiter KOL 20 Mozart, W. A. Symphony No. 41 K. 551 Jupiter NEK V. 1, 65 Mozart, W. A. Symphony No. 6 K, 43 GUM V .2, 16 Mozart, W. A. Symphony No. 6 K. 43 GWK V .2, 16 Mozart, W. A. Wind Serenade K. 412 PIEMK 104 Mozart, W. A. Wind Serenade K. 447 PIEMK 105 Mozart. W. A. Wind Serenade K 622 PIEMK 102 Mozart, W. A. Zaide K. 344 PIEMOP V . I , 15 Mozart, W.A. Symphony No. 39 K. 543 RIG 19 Mussorgsky, M. Bilder eine Ausstellung ANG V. 10,6 Mussorgsky, M. La fiera di Sorcinsky RIG 155 Mussorgsky, M. Pictures at an Exhibition BOL 55 Mussorgsky, M. Quadri di un'esposizione RIG 151 Mussorgsky, M. Una notte sul monte Calvo RIG 151 Nicodè, J. Symphonische Variationen Op. 27 BEL V .2 ,25 Nikolai, O. Die lustigen Weiber von Windsor JUN V. 4 ,8 51 Paganini, N. Violin Concerto No. 1 Op. 6 DEG V .2, 19 Paganini, N. Violin Concerto No. 2 Op. 7 DEG V .2 ,20 Paisidio, G. Nina pazza per amore RIG 10 Paisidlo, G. Nina pazza per amore STA 1 Pergolesi-Stravinsky Chant du Rossignol STA 82 Pergoiesi'Stravinsky Suite STA 79 Petrassi, G. First Concerto for Orchestra RIG 303 Petrassi, G. Third Concerto for Orchestra RIG 303 Piemc, G. Cydalise et le Chevre DHE V .2 ,8 Pieme, G. Preludio et Fughetta DHE V.2, 8 Pizzetti, I. Canti della stagione alta RIG 269 Pizzetti, I. Debora e Jaèle RIG 268 Pizzetti, I. Debora e Jaèle STA 65 Pizzetti, I. Tre prdudi sinfonid STA 118 Pizzetti, I. Tre preludi sinfonici RIG 266 Ponchielli, A. Giaconda, La STA 83 Ponchielli, A. Gioconda, La RIG 147 Porrino, E. Sardegna RIG 312 Poulenc, F. Piano Concerto RIG 298 Prokofiev, S. Chout: Suite Op. 71a SCH 19 Prokofiev, S. Cinderella SAV 47 Prokofiev, S. Classical Symphony Op. 25 SCH 21 Prokofiev, S. Lieutenant Kijé Suite Op. 60 SCH 24 Prokofiev, S. Peter and the Wolf Op. 67 SCH 26 Prokofiev. S. Peter and the Wolf Op. 67 RIG 292 Prokofiev, S. Piano Concerto No. 3 Op. 26 SCH 26 Prokofiev. S. Romeo & Juliet Op. 64 SAV 38 Prokofiev, S. Romeo & Juliet Op. 64 SCH 29 Prokofiev. S. Symphony No. 3 Op. 44 SCH 31 Prokofiev. S. Symphony No. 5 Op. 100 SCH 33 Prokofiev. S. Symphony No. 6 Op. 111 SCH 37 Prokofiev. S. Symphony No. 7 Op. 131 SCH 41 Prokofiev. S. The Love of Three Oranges Op. 33b SCH 25 Prokofiev. S. The Ugly Duckling SAV 61 Prokofiev. S. Violin Concerto No. 2 Op. 63 SCH 41 PuccinL G. Boheme, La RIG 178 Puccini, G. Boheme, La STA 102 Puccini. G. Fanciulla del West, La RIG 185 Puccini. G. Fanciulla del West, La STA 108 Puccini. G. Gianni Schicchi RIG 189 Puccini. G. Gianni Sdiicchi STA 112 Puccini. G. Madame Butterfly RIG 182 Puccini. G. Madame Butterfly STA 106 Puccini. G. Madame Butterfly DHE V. 11, 11 Puccini. G. Suor Angelica RIG 189 Puccini. G. Suor Angelica STA III Puccini. G. Tabarro. II RIG 187 Puccini. G. Tabarro, II STA 110 Puccini, G. Tosca RIG 180 Puccini. G. Tosca STA 104 Puccini. G. RIG 191 Rabaud. H. Divertissement sur de Chansons DHE V. II. 11 Russes Rabaud, H. Marouf DHE V. I, 1 Ravel, M. Alborado del Gracioso RIG 245 Ravel. M. Alborado del Gracioso DHE V .2 ,6 Ravel, M. Bolero DHE V. 1, 1 Ravel, M. Bolero RIG 248 Ravel, M. Bolero STA 93 Ravel. M Bolero KOL 21 Ravel, M. L'Enânt et les Sortilèges RIG 248 Ravel, M. L'Enfant et les Sortilèges DHE V. 11, 10 Ravel, M. L’Heure Espagnols RIG 247 Ravel, M. L’Heure E^Mgnole DHE V. 4, 14 Ravel, M. Pavane for a Dead Infant SCH 42 Ravel, M Piano Concerto G Major DHE V .2, 5 Ravel, M. Piano Concerto G Major RIG 248 Ravel, M. Piano Concerto G Major KOL 22 Ravel, M Rhapsody Espagnole DHE V .2 ,6 Ravel, M. Rhapsody Espagnole RIG 246 Ravel, M. Rhapsody Espagnole STA 93 Ravel, M. Rhapsody Espagnole KOL 23 Reinthaler, C. Symphony No. 1 Op. 12 BEL V .2 ,26 Respighi, O. Ancient Dances and Airs STA 68 Respighi, O. Ancient Dances and Airs RIG 257 Respighi, 0. Belfàgor RIG 257 Respighi, O. Church Windows RIG 261 Respighi, O. Church Windows STA 77 Respighi, O. Church Windows BOL 43 Respighi, O. Fountains o f Rome RIG 255 Respighi, 0. Fountains of Rome STA 71 Respighi, O. Gli Ucelli RIG 261 Respighi, O. Gli Ucelli STA 74 Respighi, O. Metamorphoseon Modi XII RIG 265 Respighi, O. Pines of Rome, The RIG 255 Respighi, O. Pines of Rome, The STA 76 Respighi, 0. Pines of Rome, The DHE V. 11, 11 Respighi, O. Pines of Rome The BOL 42 Respighi, O. Trittico Botticelliano RIG 263 Respighi, O. Trittico Botticelliano STA 72 Riccitelli, P. Compagnacci, 1 RIG 266 Riccitelli, P. Compagnacci, 1 STA 125 Rietz, J. Concert Overture Op. 7 BEL V. 2,27 Rimsky-Korsakov, N. Capriccio Espagnol Op. 34 ANG V. 10,4 Rimsky-Korsakov. N. Capriccio Espagnol Op. 34 BOL 53 Rimsky-Korsakov, N. Scheherazade Op. 35 RIG 173 Rimsky-Korsakov, N. Scheherazade Op. 35 DHE V. 3, 11 Rimsky-Korsakov, N. Scheherazade Op. 35 KES V .2, 17 Rimsky-Korsakov, N. Scheherazade Op. 35 KOL 23 Rimsky-Korsakov, N. Schdierazade Op. 35 ANG V. 10, 3 Rimsky-Korsakov. N. Scheherazade Op. 35 STA 121 Rimsky-Korsakov, N. Scheherazade Op. 35 BOL 52 Rocca. L. Dibuk, 11 RIG 294 Rossini. G. Barber of Seville The RIG 60 Rossini, G. Barber of Seville, The STA 42 53 RossùiL, G. Barber o f Seville. The JUN V .3 ,7 Rossini, G. Barber of Seville. The KOL 24 Rossini, G. Cambiali di Matrimonio. La RIG 59 RossinL G. Cambiali di Matrimonio. La STA 44 RossinL G. Cenerentola, La RIG 64 RossinL G. Cenerentola, La STA 45 RossinL G. Diebiscfae Elster. Die: Overture JUN V .3 ,6 RossinL G. Gazza ladra. La: Overture STA 46 RossinL G. Gazza la* a. La: Overture RIG 64 RossinL G. Italian in Algiers RIG 60 RossinL G. Italian in Algiers STA 45 RossinL G. L’Assedio di Corinto STA 45 RossinL G. Scale di seta. La RIG 59 RossinL G. Scala di seta. La STA 45 RossinL G. Semiramide STA 42 RossinL G. Tancredi RIG 60 RossinL G. Tancredi STA 44 RossinL G. William Tell DHE V 11, 12 Rubinstein, A. Faust, Musikalisches Charakterbild BEL V.2,28 Saint-Saëns, C. Cello Concerto No. 1 Op. 33 DEG V .3.20 Saint-Saëns, C. Phaeton DHE V .2. 8 Saint-Saëns, C. Piano Concerto No. 3 Op. 29 DEG V. 3, 14 Saint-Saëns, C. Piano Concerto No. 4 Op. 44 DEG V. 3. 16 Saint-Saëns, C. Piano Concerto No. 5 Op. 103 DEG V. 3. 18 Saint-Saëns, C. Symphonie No. 3 DHE V .3, 11 Saint-Saëns, C. Violin Concerto No. 3 Op. 61 DEG V. 3, 19 Saint-Saëns, C. Danse Macabre DHE V. 11, 12 SalierL A. Annibale in Capua RIG 11 Sanunartini, G. Pastorale STA 118 Sanunartini, G. Pastorale RIG 5 Scheinpflug, P. Overture Op. IS RIG 250 Schoenberg, A. Chamber Symphony No. 2 Op. 38 SCH 47 Schoenberg, A. Chamber Symphony No. 2 Op. 38 SCH 42 Schoenberg, A. Concerto for Piano & Orchestra Op. 42 SCH 43 Schoenberg, A. Concerto for Violin & Orchestra Op. SCH 45 36 Schoenberg, A. Variations Op. 31 RIG 245 Schubert. F. Octet Op. 166 STA 90 Schubert, F. Octet Op. 166 DHE V. 12, 12 Schubert, F. Octet Op. 166 GUM V. 2,28 Schubert, F. Octet Op. 166 JUN V. 3, 14 Schubert, F. Octet Op. 166 GWK V .2 ,28 Schubert, F. Rosamunde Op. 26 BEL V .2 ,28 Schubert, F. Rosamunde Op. 26 JUN V. 3, 13 Schubert, F. Symphony No. 8 D. 759 Unfinished STA 90 Schubert, F. Symphony No. 8 D. 759 Unfinished RIG 68 Schubert, F. Symphony No. 8 D. 759 Unfinished JUN V. 3, 14 Schubert, F. Symphony No. 8 D. 759 Unfinished BEL V .2,30 Schuman, W. American Festival: Overture SCH 49 Schuman, W. Judith SCH 50 Schuman, W. New England Triptych SCH 50 Schuman. W. Symphony No. 3 SCH 52 54 Schuman, W. Symphony No. 6 SCH 56 Schuman, W. Symphony No. 8 SCH 58 Schumann, R. C dlo Concerto Op. 129 DEG V .2 ,21 Schumann, R. Genoveva: Overture Op. 81 JUN V. 3. 19 Schumann, R. Piano Concerto Op. 54 JUN V. 3, 18 Schumann, R. Piano Concerto Op. 54 DEG V .2 ,22 Schumann, R. Symphony No. 1 Op. 38 RIG 79 Schumann, R. Symphony No. 1 Op. 38 GUM V .2 ,29 Schumann, R. Symphony No. 1 Op. 38 KOL 27 Schumann, R. Symphony No. 1 Op. 38 BEL V .2 ,31 Schumann, R. Symphony No. 1 Op. 38 JUN V. 3, 15 Schumann, R. Symphony No. 1 Op. 38 STA 92 Schumann, R. Symphony No. 1 Op. 38 GWK V .2 ,29 Schumann, R. Symphony No. 2 Op. 61 RIG 79 Schumann, R. Symphony No. 2 Op. 61 DHE V. 11, 10 Schumann, R. Symphony No. 2 Op. 61 STA 92 Schumann. R. Symphony No. 2 Op. 61 BEL V.2, 31 Schumann, R. Symphony No. 2 Op. 97 BEL V. 2, 33 Schumann, R. Symphony No. 3 Op. 97 JUN V.3, 15 Schumann, R. Symphony No. 4 Op. 120 JUN V. 3. 17 Schumann, R. Symphony No. 4 Op. 120 BEL V.2, 36 Scriabin, A. Piano Concerto Op. 20 DEG V. 3,21 Shostakovich, D. Katerina Ismailova RIG 308 Shostakovid), D. Symdiony No. 1 Op. 10 SCH 59 Shostakovich, D. Symphony No. 1 Op. 10 KES V .2 ,28 Shostakovidi, D. Symphony No. 1 Op. 10 RIG 306 Shostakovich, D. Symphony No. 10 Op. 93 ANG V. 10,38 Shostakovich, D. Symphony No. 10 Op. 93 BOL 74 Shostakovidi, D. Symphony No. 11 Op. 103 ANG V. 10,40 Shostakovich, D. Symphony No. 11 Op. 103 BOL 76 Shostakovich, D. Symphony No. 12 Op. 112 SCH 74 Shostakovich, D. Symphony No. 12 Op. 112 ANG V. 10,43 Shostakovich, D. Symphony No. 12 Op. 112 BOL 79 Shostakovich, D. Symphony No. 5 Op. 47 SCH 61 Shostakovich, D. Symphony No. 6 Op. 53-54 SCH 64 Shostakovich, D. Symphony No. 7 Op. 60 Leningrad SCH 66 Shostakovich, D. Symphony No. 7 Op. 60 Leningrad ANG V. 10,22 Shostakovich, D. Symphony No. 7 Op. 60 Leningrad BOL 58 Shostakovich, D. Symphony No. 8 Op. 65 SCH 68 Shostakovich, D. Symphony No. 8 Op. 65 ANG V. 10,29 Shostakovich, D. Symphony No. 8 Op. 65 BOL 65 Shostakovich, D. Symphony No. 9 Op. 70 ANG V. 10,35 Shostakovich, D. Symphony No. 9 Op. 70 BOL 71 Shostakovich, D. Symphony No. 9 Op.70 RIG 307 Shostakovich, D. Symphony No. 9 Op.70 SCH 72 Shostakovich, D. Symphony No. 9 Op.70 KOL 27 Shostakovich, D. Violin Concerto Op. 99 ANG V. 10,44 Shostakovich, D. Violin Concerto Op. 99 BOL 80 Sibelius, J. Symphony No. 2 Op. 43 RIG 226 Sibelius, J. Violin Concerto Op. 47 DEG V. 3,21 Smetana, B. Bartered Bride: Overture KOL 28 Smetana, F. Bartered Bride: Overture DHE V. 4, 14 Smetana, H. Bartered Bride : Overture KES V.2, 18 55 Smetana, H. Sposa venduta. La RIG 127 Spohr, L. Clarinet Concerto No. 1 Op. 26 DEG V .2 ,23 Spontini, G. Vestale, La RIG 10 Spontini. G. Vestale, La STA 1 Stadio, C. Due cadcnzf al concerto Op. 96 per STA 6 Fagotto e Orchestra di W. A. Mozart Strauss, R. Also Spradi Zaralhusira Op. 30 BOE 14 Strauss, R. Also Sprach Zarathustia Op. 30 RIG 214 Strauss, R. Death and Transfiguration Op. 24 RIG 209 Strauss, R. Death and Transfiguration Op 24 BOE 6 Strauss, R. Death and Transfiguration Op. 24 BOL 8 Strauss, R. Don Juan Op. 20 RIG 208 Strauss, R. Don Juan Op. 20 BOE 3 Strauss, R. Don Juan Op. 20 BOL 5 Strauss, R. Op. 35 BOL 16 Strauss, R. Don Quixote Op. 35 RIG 216 Strauss, R. Don Quixote Op. 35 BOE 20 Strauss, R. Don Quixote Op. 35 KOL 29 Strauss, R. Op 40 BOE 29 Strauss, R. Ein Heldenldien Op. 40 KOL 30 Strauss, R. Ein Heldenleben Op. 40 RIG 223 Strauss, R. Italian Symphony Op. 16 RIG 205 Strauss, R. Macbeth Qp. 23 RIG 209 Strauss, R. Salome Op. 54 KOL 30 Strauss, R. Sinfimia Domestics Op. 53 RIG 225 Strauss, R. Sinfbnia Domestics Op. 53 BOE 34 Strauss, R. Sinfonia Domestics Op. 53 BOL 25 Strauss, R. Symphony Op. 12 RIG 202 Strauss, R. Till Eulenspiegel Op. 28 DHE V. 12, 12 Strauss. R. Till Eulenspiegel Op. 28 RIG 211 Strauss. R. Till Eulenspiegel Op. 28 BOE 6 Strauss, R. Till Eulenspiegel Op. 28 KOL 30 Strauss, R. Till Eulenspiegel Op 28 BOL 11 Stravinsky, 1. A Sermon, A Narrative & A Prayer MOR 152 Stravinsky, I. Abraham & Issac MOR 1 Stravinsky, I. MOR 4 Stravinsky, I. Capriccio MOR 6 Stravinsky, I. Capriccio RIG 281 Stravinsky, I. Chant du rossignol RIG 279 Stravinsky, I. Concertino for 12 Instruments MOR 13 Stravinsky. 1. Concerto for Piano and Wind MOR 15 Instruments Stravinsky. I. Concerto in D for Violin and Orchestra MOR 17 Stravinsky, I. MOR 25 Stravinsky. 1. Danses Concertantes SCH 75 Stravinsky. I. Dumbarton Oaks Concerto MOR 21 Stravinsky, I. Dumbarton Oaks Concerto SCH 75 Stravinsky, 1. Eight Instrumental Miniatures MOR 28 Stravinsky, 1. Fairy’s Kiss, The MOR 29 Stravinsky, I. Firebird STA 77 Stravinsky, I. Firebird DHE V. 1,2 Stravinsky. I. Firebird DHE V. 1,4 Stravinsky, I. Firebird RIG 278 56 Stravinsky. I. Firebird: Ballet MOR 34 Stravinsky. I. Firebird: Suite MOR 46 Stravinsky, 1. Firebird: Suite KES V .2 ,31 Stravinsky. I. Firebird: Suite KOL 31 Stravinsky, I. Flood MOR 49 Stravinsky. I. Four Etudes for Orchestra MOR 51 Stravinsky, I. Four Norwegian Moods MOR 53 Stravinsky, I. Four Norwegian Moods SCH 78 Stravinsky, I. Jeu De Cartes MOR 56 Stravinsky, I. Jeu De Cartes SCH 76 Stravinsky, I. L’Histoire DHE V. 1,2 Stravinsky. I. Mass MOR 60 Stravinsky. I. MOR 63 Stravinsky, I. Di MOR 67 Venosa Ad Cd Annum Stravinsky, I. Movements (or Piano & Orchestra MOR 68 Stravinsky, I. Nightingale & Song of the MOR 68,159 Nightingale, The Stravinsky, I. Octet for Wind Instruments MOR 74 Stravinsky, I. MOR 83 Stravinsky, I. Orpheus MOR 92 Stravinsky, I. Persephone MOR 94 Stravinsky, I. Petrouchka MOR 98 Stravinsky, I. Pulcinella DHE V. 3, 12 Stravinsky, I. Pulcinella & Pulcinella Suite MOR 107 Stravinsky, I. Pulcinella: Suite KOL 32 Stravinsky. I. MOR 134 Stravinsky, I. MOR 136 Stravinsky. I. Rite o f Spring, The BOL 41 Stravinsky. I. Rite o f Spring, The RIG 278 Stravinsky, 1. Rite o f Spring, The MOR 138 Stravinsky. I. Rite o f Spring, The STA 78 Stravinsky, 1. Rite of Spring The KOL 31 Stravinsky. I. Scènes de Ballet MOR 149 Stravinsky. I. Septet MOR 150 Stravinsky. I. Soldiers Tale, The MOR 153 Stravinsky, I. Suite No. 1 MOR 161 Stravinsky, I. Suite No. 2 MOR 163 Stravinsky, 1. Symphonies of Wind Instruments MOR 163 Stravinsky, 1. Symphony in C MOR 166 Stravinsky, 1. Symphony in C SCH 79 Stravinsky, I. Symphony in Three Movements MOR 173 Stravinsky, 1. Symphony in Three Movements SCH 81 Stravinsky, I. Symphony of MOR 179 Stravinsky, I. The Rake's Progress MOR 117 Stravinsky, I. Variations MOR 183 Stravinsky, I. Violin Concerto in D SCH 82 Stravinsky-Pergolcsi Suite di Pulcinella RIG 283 Svendsen, J. Symphony No. 1 Op. 4 BEL V .2, 38 Tchaikovsky. P. 1812: Overture Op. 49 PEZ 14 Tchaikovsky. P. 1812: Overture Op. 49 POP 79 Tchaikovsky, P. Capriccio Italian Op. 45 RIG 159 57 Tchaikovsky. P. Capriccio Italian Op. 45 JUN V. 3,35 Tchaikovsky, P. Op. 45 PEZ 12 Tchaikovsky, P. Capriccio Italien Op. 45 POP 71 Tchaikovsky, P. Charodeyka SCHY 67 Tchaikovsky, P. Cherevichsky SCHY 3 Tchaikovsky, P. Concerto for Violin Op 35 PEZ 5 Tchaikovsky, P. Concerto-Fantasie for Piano and POP 87 Orchestra Op. 56 Tchaikovsky, P. Der Sturm Op. 18 POP 74 Tdiaikovsky, P. Op. 24 JUN V. 3,32 Tchaikovsky, P. Eugene Onegin Op. 24 SCHY 32 Tchaikovsky, P. Op. 77 POP 86 Tchaikovsky, P. Francesca da Rimini Op. 32 PEZ 4 Tchaikovsky, P. Francesca da Rimini Op. 32 POP 67 Tchaikovsky, P. Op. 67 POP 82 Tchaikovsky, P. SCHY 60 Tchaikovsky, P. Symphony Op 58 POP 47 Tchaikovsky, P. Op. 31 PEZ 2 Tchaikovsky, P. Mazepa SCHY 14 Tchaikovsky, P. Nutcracker, The GAR 1-18 Tchaikovsky, P. Nutcracker, The Suite Op. 71A ANG V. 10,21 Tchaikovsky, P. Nutcracker, The Suite Op 71A SCHY 97 Tchaikovsky, P. Nutcracker, The Suite Op. 71A PEZ 22 Tchaikovdcy, P. Piano Concerto No. 1 Op. 23 PEZ 1 Tchaikovsky, P. Piano Concerto No. 1 Op. 23 POP 89 Tchaikovsky, P. Piano Concerto No. 1 Op. 23 DEG V .3 ,22 Tchaikovsky, P. Piano Concerto No. 2 Op. 44 POP 91 Tchaikovsky, P. Piano Concerto No. 2 Op. 44 DEG V 3,24 Tchaikovsky, P. Piano Concerto No. 3 Op. 75 POP 92 Tchaikovsky, P. Pique Dame Op. 68 SCHY 43 Tchaikovsky, P. Pique Dame Op. 68 JUN V 3,32 Tchaikovsky, P. Rokoko Variations Op. 33 POP 94 Tchaikovsky, P. Romeo & Juliet PEZ 30 Tchaikovsky, P. Romeo and Juliet POP 65 Tchaikovsky, P. Romeo and Juliet RIG 162 Tchaikovsky, P. Slawischer Marsch Op. 31 POP 77 Tchaikovsky, P. Sleeping Beauty SCHY 88 Tchaikovsky, P. Suite No. I Op. 43 POP 54 Tchaikovsky, P. Suite No. 2 Op. 53 POP 57 Tchaikovsky. P. Suite No. 3 Op. 55 POP 60 Tchaikovsky, P. Suite No. 4 Op. 61 POP 64 Tchaikovsky, P. Op. 20 SCHY 81 Tchaikovsky, P. Symphony No. 1 Op. 13 POP 6 Tchaikovsky, P. Symphony No. I Op. 13 ANG V. 10, 9 Tchaikovsky, P. Symphony No. 2 Op. 17 POP 12 Tchaikovsky, P. Symphony No. 2 Op. 17 ANG V. 10, 12 Tchaikovsky, P. Symphony No. 3 Op. 23 POP 16 Tchaikovsky, P. Symphony No. 3 Op. 29 ANG V. 10, 15 Tchaikovsky, P. Symphony No. 4 Op. 36 KES V.2, 19 Tchaikovsky, P. Symphony No. 4 Op. 36 PEZ 7 Tchaikovsky. P. Symphony No. 4 Op. 36 KOL 33 Tchaikovsky, P. Symphony No. 4 Op. 36 POP 23 Tchaikovsky, P. Symphony No. 4 Op. 36 JUN V. 3,25 S8 Tchaikovsky. P. Symphony No. 4 Op. 36 RIG 155 Tchaikovsky, P. Symphony No. S Op. 64 KES V .2 ,22 Tchaikovsky, P. Symphony No. 5 Op. 64 PEZ 16 Tchaikovsky. P. Symphony No. 5 Op. 64 KOL 35 Tchaikovsky, P. Symphony No. 5 Op. 64 POP 33 Tchaikovsky, P. Symphony No. 5 Op. 64 BEL V .2 ,41 Tchaikovsky, P. Symphony No. 5 Op. 64 JUN V .3 ,27 Tchaikovsky, P. Symphony No. 5 Op. 64 RIG 163 Tdiaikovsky, P. Symphony No. 6 Op. 74 Padiedque KOL 37 Tchaikovsky, P. Symphony No. 6 Op. 74 Ptfheb'que POP 41 Tdiaikovsky, P. Symphony No. 6 Op. 74 Padiedque PEZ 25 Tchaikovsky, P. Symphony No. 6 Op. 74 Padiedque JUN V. 3,30 Tchaikovsky, P. Symphony No. 6 Op. 74 Padiedque RIG 167 Tchaikovsky, P. Symphony No. 6 Op. 74 Ptthedque KES V .2 ,25 Tdiaikovsky, P. Variations on a Rococo Theme Op. 33 DEG V. 3,25 Tchaikovsky, P. Violin Concerto Op. 35 POP 95 Tchaikovsky, P. Violin Concerto Op. 35 RIG 157 Tchaikovsky, P. Violin Concerto Op. 35 DEG V. 3,26 Testi, F. Celestina, La RIG 319 Thomas, A. Mignon DHE V .7 ,9 Thomson, V. Seine at Night, The SCH 84 Tomasi, R Rosi4re du Village, LA DHE V. 7,12 Vasilenko, S. Mirandola NEK 14 Verdi, G. Aida RIG 114 Verdi, 0. Aida STA 50 Verdi, G. Aida JUN V. 4,23 Verdi, G. Aida BOL 46 Verdi. G. ATda DHE V. 8, 14 Verdi, G. Don Carlos JUN V .4,28 Verdi, G. FalstafT RIG 122 Verdi, G. FalstafT STA 56 Verdi, G. Falstaff JUN V. 4, 33 Verdi, G. Forza del Destino, La JUN V. 4, 26 Verdi. G. Forza del destino. La STA 47 Verdi, G. Forza del destino. La RIG 112 Verdi, G. Masked Ball, The JUN V .4,22 Verdi, G. Masked Ball, The STA 48 Verdi, G. Masked Ball, The RIG 112 Verdi, G. Masked Ball, The BOL 44 Verdi, G. Othello RIG 118 Verdi, G. Othello STA 53 Verdi, G. Othello KOL 37 Verdi, G. Othello JUN V. 4, 30 Verdi, G. Othello BOL 49 Verdi, G. Requiem Mass BOL 40 Verdi, G. Requiem Mass RIG 117 Verdi, G. Requiem Mass STA 60 Verdi, G. Requiem Mass JUN V .4, 37 Verdi, G. Requiem Mass NEK V. 4, 11 Verdi. G. Rigoletto RIG 108 Verdi, G. Rigoletto STA 49 Verdi. G. Rigoletto JUN V. 4, 17 Verdi, G. Rigoletto BOL 45 59 Verdi, G. Sicilian Vespers RIG no Verdi, G. Sicilian Vespers STA 48 Verdi, G. Sicilian Vespers JUN V .4,21 Verdi, G. Sicilian Vespers BOL 44 Verdi, G. Traviata, La RIG 109 Verdi, G. Traviata, La STA 46 Verdi, G. Traviata, La JUN V. 4, 19 Verdi, G. Traviata. La DHE V. 5,3 Verdi, G. Troubador, Der JUN V. 4, 18 Veretti, A. Burlesca RIG 299 Vieuxtemps, R Violin Concerto No. 4 Op. 31 DEG V .2 ,23 Vieuxtemps, R Violin Concerto No. 5 Op. 37 DEG V .2, 24 Viotti, G. Piano Concerto in G Minor DEG V .2 ,25 Wagner, R. Crepuscoio degli Dei, n RIG 95 Wagner, R. Fate, La RIG 81 Wagner, R. Faust: Overture ALB 30 Wagner, R. Flying Dutchman, The ALB 4 Wagner, R. Flying Dutchman, The MAGW 3 Wagner. R. Gdtterdimmenng MAGW V. 7,23 Wagner, R. RIG 87 Wagner, R. Lohengrin KOL 38 Wagner, R. Lohengrin ALB 7 Wagner, R, Lohengrin MAGW 13 Wagner, R. Mastersinger of Nuremberg, The: BOL 35 Overture Wagner, R. Meistersinger of Nuremburg, The: NEK V .4 ,4 Overture Wagner, R. Meistersinger of Nuremburg, The: STA 88 Overture Wagner, R. Meistersinger of Nuremburg, The: RIG 103 Overture Wagner, R. Meistersinger of Nuremburg, The: KOL 39 Overture Wagner, R. Meistersinger of Nuremburg, The: MAGW V .6 ,3 Overture Wagner, R. Meistersinger of Nuremburg, The: KES V .2 ,3 0 Overture Wagner, R. Meistersinger of Nuremburg, The: ALB 14 Overture Wagner, R. Parsi&l RIG 105 Wagner, R. ParsiAl ALB 28 Wagner, R, Parsi&l MAGW V. 7,40 Wagner, R, Rheingold, The MAGW V .6, 18 Wagner, R. Rhinegoid, The STA 86 Wagner. R, Rhinegold, The DHE V. 12, 12 Wagner, R. Rhinegoid, The ALB 19 Wagner, R. ALB 3 Wagner, R. Rienzi RIG 83 Wagner, R. Ring of the Nibelung MAGW V. 6. 18 Wagner, R. Ring of the Nibelung RIG 89 Wagner, R. Idyll RIG 107 Wagner. R. ALB 24 Wagner, R. Siegfried Idyll MAGW V .7 ,3 60 Wagner, R, Siegfried idyll ALB 31 Wagner, R, Siegfried Idyll RIG 92 Wagner, R, TannbSuser NEK V .4 ,3 Wagner, R. Tannhiuser RIG 86 Wagner, R. Tannhiuser ALB 5 Wagner, R. Tannhiuser STA 86 Wagner, R, Tannhiuser MAGW 8 Wagner, R. The Twilight of the Gods ALB 26 Wagner, R. Tristan and Isolda MAGW 19 Wagner, R. Tristan and Isolda RIG 97 Wagner, R. Tristan and Isolda ALB 9 Wagner, R. Tristan and Isolda BOL 30 Wagner, R. Vascello fantasma, II RIG 84 Wagner, R. Walkdre,Die STA 87 Wagner, R. WalkOre, Die ALB 21 Wagner, R. WalkOre, Die MAGW V. 6,30 Wagner, R. WalkOre, Die RIG 90 Wagner, R. WalkOre, Die NEK V .4 ,3 Weber, C. M. Abu Hassan; Overture GWK V .2 ,3 0 Weber, C. M. Abu Hassan: Overture JUN V. 3,6 Weber, C. M. Beherrscher der Deister, Der Overture GWK V .2,28 Weber, C. M. Beherrscher der Geister, Der Overture GUM V .2,28 Weber, C. M. Bdienrscher der Geister, Der Overture JUN V. 3.6 Weber, C. M. Clarinet Concerto No. 1 Op. 73 DEG V .2,25 Weber, C. M. Clarinet Concerto No. 2 Op. 74 DEG V .Z 2 5 Weber, C. M. Concerto Op. 75 (Mis Marked) GUM V .2 ,7 Weber, C. M. Concerto Op. 75 (Mis Marked) GWK V .Z 7 Weber, C. M. : Overture GWK V .2, 17 Weber. C. M. Euryanthe: Overture GUM V .2, 17 Weber, C. M. Euryanthe: Overture JUN V .3 ,5 Weber, C. M. Euryanthe: Overture NEK V .4 ,8 Weber, C. M. Euryanthe: Overture BEL V .2 ,46 Weber, C. M. Franco cacciatore, II: Overture RIG 58 Weber, C. M. Freischutz, Den Overture NEK V. 4 ,6 Weber, C. M. Freischutz, Den Overture STA 61 Weber, C. M. Freischutz, Den Overture JUN V .3 ,4 Weber, C. M. Freischutz, Den Overture KOL 40 Weber, C. M. Freischutz, Den Overture BEL V .2 ,47 Weber, C. M. Hungarian Rondo Op. 35 GUM V. 1,28 Weber, C. M. Invitation to Dance NEK V. 4, 10 Weber, C. M. Jubel Overture Op. 59 BEL V .2 ,45 Weber, C. M. Konzertstucke for Piano Op. 79 DEG V .2 ,26 Weber. C. M. NEK V. 4,5 Weber, C. M. Oberon GWK V .2 ,31 Weber, C.M. Euryanthe: Aria RIG 59 Weinberger, J. Polka & Fugue from “Shvanda” SCH 84 Wienawsky. H. Violin Concerto No. 2 Op. 22 DEG V .2 ,26 Wolf-Ferrari, E. Quattro rusteghi, I RIG 250 Wolf-Ferrari, E. Quattro rusteghi, I STA 122 Wolf-Ferrari, E. Segreto di Susanna. II RIG 253 Wolf-Ferrari. E. Segreto di Susanna, II STA 124

61 Zafred. M. Sesta sinfonica RIG 318 Zandonai, R. Francesca da Rimini RIG 287 Zandonai, R. Francesca da Rimini STA 125

62 APPENDIX B

ALPHABETICAL UST OF PUBLISHED BASSOON EXCERPTS BY TITLE

63 Compowr Work Sowcc Page Tdiaikovsky, P. 1812: Overture Op. 49 PEZ 14 Tchaikovsky, P. 1812: Overture Op. 49 POP 79 Stravinsky. I. A Sennon. A Narrative & A Prayer MOR 152 Mozart, W. A. Abduction from the Seraglio, The K. JUN V. 1,29 384 Stravinsky, I. Abraham & Issac MOR 1 Weber, C. M. Abu Hassan: Overture GWK V .2,30 Weber, C. M. Abu Hassan: Overture JUN V.3.6 Brahms, J. Academic Festive: Overture Op 80 NEK V. 3, 78 Brahms, J. Academic Festive: Overture Op. 80 BEL V. 1,44 Brahms, J. Academic Festive: Overture Op. 80 WEL V. 1,42 Cilea. F. Adriana Lecouveur RIG 237 Cilea, F. Adriana Lecouveur STA 67 Handel, G. F. Agrippina SIEH 4 Verdi, G. Aida RIG 114 Verdi, G. Aida STA 50 Verdi, G. Aida JUN V .4,23 Verdi, G. Aida BOL 46 Verdi, G. Alda DHE V. 8, 14 Ravel, M- Alborado del Gracioso RIG 245 Ravel, M. Alborado del Gracioso DHE V.2,6 Strauss, R. Also Sprach Zarathustra Op. 30 BOE 14 Strauss, R. Also Sprach Zarathustra Op. 30 RIG 214 Schuman, W. American Festival: Overture SCH 49 MascagnL P Amico Fritz RIG 241 Dallapicolla, L. An Mathilde RIG 305 Cherubini, L. Anacreon, Die: Overture GWK V .2,28 Cherubini, L. Anacreon, Die: Overture GUM V .Z 2 9 Cherubini, L. Anacreon, Die: Overture JUN V. 3,3 Cherubini, L. Anacreon, Die: Overture GUM V .Z 2 8 Cherubini, L. Anacreon, Die: Overture RIG 26 Respighi, O. Ancient Dances and Airs STA 68 Respighi, O. Ancient Dances and Airs RIG 257 Giordano, U. Andrea Châtier RIG 237 Giordano, U. Andrea Châtier STA 97 Barber, S. Andromache’s Farewell SCH 1 Salieri, A. Armibale in Capua RIG 11 Liviabella, L. Antigone RIG 302 Dukas, P. Ariane et Barbe Bleue DHE V. 8, 15 Bach, J. S. B Minor Mass NEK V. 1.3 Bach, J. S. B Minor Overture BWV 1067 SIEBOB 6 Ibert, J. Ballade de la Geôle de Reading, La DHE V.6, 8 Rossini, G. Barber of Saville, The RIG 60 Rossini, G. Barber of Saville, The STA 42 Rossini, G. Barber of Saville, The JUN V. 3,7 Rossini, G. Barber of Saville, The KOL 24 Smetana, H. Bartered Bride : Overtire KES V.2, 18 Smetana, B. Bartered Bride: Overture KOL 28 Smetana, F. Bartered Bride: Overture DHE V. 4, 14 Weber, C. M. Beherrscher der Deister, Der: Overture GWK V .2,28 Weber, C. M. Beherrscher der Geister, Der Overture GUM V. 2,28 64 Weber. C. M. Beherrscher der Geister, Der. Overture JUN V. 3 ,6 Respighi, O. Belfmgor RIG 257 Berlioz, H. Benvenuto Cellini: Overture NEK V. 3, 18 Mussorgsky. M. Bilder eine Ausstellung ANG V. 10.6 Delvincourt. C Boccacerie DHE V .9 .4 Puccini. G. Bohême, La RIG 178 Puccini, G. Bohême. La STA 102 Brahms, J. Bohemian Danses (Mis Ihint) DHE V. 10.6 Ravel, M. Bolero DHE V. 1. 1 Ravel, M. Bolero RIG 248 Ravel, M. Bolero STA 93 Ravel, M. Bolero KOL 21 Chabrier. E. Bourrée Fantasque. La DHE V .9 .4 Veretti, A. Burlesca RIG 299 Bach, J. S. C Major Overture BWV 1066 SIEBOB 4 Rossini, G. Cambiali di Matrimanio. La RIG 59 Rossini, G. Cambiali di Matrimonio, La STA 44 Bach, J. S. Cantata “Ach Gott, wie manches SIEBK V. 1.4 Her2leid” BWV3 Bach, J. S. Cantata "Ach, ich sehe, itzT BWV 162 SIEBK V .2 ,46 Badi, J. S. Cantata "Also hat Gott die Welt SIEBK V. 1,54 geliebTBWV68 Bach, J. S. Cantata "Àrge dicfa, o Seele, nicht” SIEBK V .2 ,68 BWV 186 Bach, J. S. Cantata "Auf Christi Himmelfidirt SIEBK V .2, 32 allein" BWV 128 Bach, J. S. Cantata "Barmherziges Herze der SIEBK V .2 ,66 ewigen Liebe” BWV 185 Bach, J. S. Cantata "Bereitet die Wege, bereitet SIEBK V .2 ,36 dieBahn” BWV 132 Bach. J. S. Cantata "Bisher habt ihr nichts gebeten SIEBK V. 1,61 in meinem Namen” BWV 87 Bach, J. S. Cantata "Brich dem Hungrigen dein SIEBK V. 1.28 Brot” BWV 39 Bach. J. S. Cantata "Christ lag in Todesbanden” SIEBK V. 1,6 BWV 4 Bach. J. S. Cantata "Christ unser Herr zum Jordan SIEBK V. 1.7 kam” BWV 7 Bach, J. S. Cantata "Christum wir sollen loben SIEBK V .2 ,22 schon” BWV 121 Bach, J. S. Cantata "Das neugebome Kindelein” SIEBK V .2, 24 BWV 122 Bach, J. S. Cantata "Dazu ist erschienen der Sohn SIEBK V 1,30 Gottes” BWV 40 Bach, J. S. Cantata "Dem Gerechten muB das SIEBK V. 2, 74 Lichr BWV 195 Bach, J. S. Cantata "Der Herr denket an uns" SIEBK V. 2, 76 BWV 196 Bach, J. S. Cantata "Der Hinunel lacht. die Erde SIEBK V. 1. 18 iubilierct” BWV31 Bach, J. S. Cantata "Du Friedefiirst, Herr Jesu SIEBK V. 2, 16 Christ” BWV 116 Bach. J. S. Cantata "Du wahro- Gott und Davids SIEBK V. 1. 14 65 Sohn” BWV 23 Bach, J. S. Cantata "Ein feste Burg ist unser Gott” SIEBK V. 1,60 BWV 80 Bach. J. S. Cantata “Erhalt uns. Hctt, bci deinem SIEBK V .2,28 Wort” BWV 126 Bach, J. S. Cantata “Ersdialkt, ihr Lieder” BWV SIEBK V .2 ,54 172 Bach, J. S. Cantata “ErwOnschtes Freundenlichf’ SIEBK V .2 .64 BWV 184 Bach, J. S. Cantata “Es ist dir gesagt, Mensch, SIEBK V. 1,34 was gut ist” BWV 45 Bach, J. S. Cantata “Es ist nichts Gesundes an SIEBK V. 1, 16 meinem Leibe” BWV 25 Badi, J. S. Cantata “Falsdie Welt, dir trau ich SIEBK V. 1,47 nicht” BWV52 Bach, J. S. Cantata “Gelobet sei der Hetr, mein SIEBK V .2 ,34 Gott” BVW 129 Bach, J. S. Cantata “Gott der Herr ist Sonn und SIEBK V. 1,59 SdiikT BWV 79 Bach, J. S. Cantata “Gott flttvet auf mit Jauchzen” SIEBK V. 1,32 BWV 43 Bach, J. S. Cantata “Gott is meinem KânigT BWV SIEBK V. 1, 58 71 Bach, J. S. Cantata “Gott soil allein mein Herze SIEBK V.2, 53 haben” BWV 169 Bach, J. S. Cantata “Gottes Zeit ist die allerbeste SIEBK V .2 ,6 Zeit” BWV 106 Bach, J. S. Cantata “Halt im Gedfichtnis Jesum SIEBK V. 1, 53 ChrisT BWV 67 Bach, J. S. Cantata “Hetr Jesu Christ, du hOchstes SIEBK V .2, 14 Gut” BWV 113 Bach, J. S. Cantata “Herr Jesu Christ, wah’r SIEBK V .2,30 Mensch und Gott” BWV 127 Bach, J. S. Cantata “fferz und Mund und Tat und SIEBK V .2 ,40 Leben” BWV 147 Bach, J. S. Cantata “Himmelskdnig, sei SIEBK V .2, 62 willkommen” BWV 181 Bach, J. S. Cantata “HocherwOnschetes SIEBK V .2, 72 Freudenfest” BWV 194 Bach. J. S. Cantata “Ich geh’ und suche mit SIEBK V. 1, 36 Verlangen” BWV 49 Bach, J. S. Cantata “Ich glaube, lieber Herr” SIEBK V. 2, 10 BWV 109 Bach, J. S. Cantata “Ich hab in Gottes Herz und SIEBK V. 1,64 Sinn” BWV 92 Bach, J. S. Cantata “Ich batte viel BekOmmemis” SIEBK V. 1, 12 BWV 21 Bach, J. S. Cantata “Ich ruf zu dir, Herr Jesu SIEBK V. 2, 56 ChrisT BWV 177 Bach, J. S. Cantata “Ihr werdet weinen und SIEBK V .2 ,4 heulen” BWV 103 Bach, J. S. Cantata “In allen meinen Taten” BWV SIEBK V. 1,68 97 Bach. J. S. Cantata “Jauchzet Gott in allen SIEBK V. 1,44 66 Landen” BWVSl Bach, J. S. Cantata “Leichtgesinnte Flattefgeister” SIEBK V.2, 59 BWV 181 Bach. J. S. Cantata “Lobe den Herron, den SIEBK V .2 ,38 michtigen Kflnig der Ehren” BWV 132 B adi,J. S. Cantata “Man singet mit Freuden vom SIEBK V.2,42 Sies” BWV 149 Bach, J. S. Cantata “Meine Seel erhebt den Hem” SIEBK V. 1,8 BWV 10 Badi, J. S. Cantata “Meinen Jesum laB ich nicht” SIEBK V .2 ,26 BWV 124 Bach, J. S. Cantata “Nach dir, Herr, verlanget SIEBK V .2 ,44 mich” BWV ISO Bach, J. S. Cantata “Nin konun, der Heiden SIEBK V. 1, 50 Heilan

88 Strauss, R. Till Eulenspiegel Op. 28 BOL 11 Bach, J. S. Toccata NEK V. 1,20 Barber, S. Toccata Festiva SCH 6 Puccini, G. Tosca RIG 180 Puccini, G. Tosca STA 104 Liszt, F. TotentanzOp. 126 CÆG V .2, 16 Brahms, J. Tragic: Overtire Op. 81 NEK V. 3,81 Brahms, J. Tragic: Overture Op. 81 BEL V. 1,45 Brahms, J. Tragic: Overtire Op. 81 WEL V. 1,43 Verdi, G. Traviata, La RIG 109 Verdi, G. Traviata, La STA 46 Verdi, G. Traviata, La JUN V. 4, 19 Verdi, G. Traviata, La DHE V .5 ,3 Pizzetti, I. Tre preludi sinfonici STA 118 Pizzetti, I. Tre preludi sinfonici RIG 266 Beethoven, L. Triple Concerto Op. 56 PIEBMIS 25 Beethoven, L. Triple Concerto Op. 56 DEG V. 1, 29 Wagner, R. Tristan and Isolda MAGW 19 Wagner, R. Tristan and Isolda RIG 97 Wagner, R. Tristan and Isolda ALB 9 Wagner, R. Tristan and Isolda BOL 30 Respighi, O. Trittico Botticelliano RIG 263 Respifdii, O. Trittico Botticelliano STA 72 Debussy, C. Trois Ballades DHE V. 10,5 Ibert, J. Trois pièces brèves DHE V. 10, 7 Verdi, G. Troubador, Der JUN V. 4, 18 Haydn, F. J. Trumpet Concerto in E'’ DEG V .2, 13 Puccini, G. Turandot RIG 191 Beethoven, L. Turkish March Op. 113 NEK V .2 ,91 Mussorgsky, M. Una notte sul monte Calvo RIG 151 Stravinsky, I. Variations MOR 183 Carter, E. Variations for Orchestra SCH 10 Tchaikovsky, P. Variations on a Rococo Theme Op. 33 DEG V. 3,25 Schoenberg, A. Variations Op. 31 RIG 245 Wagner, R. Vascello fiuitasma, 11 RIG 84 Spontini, G. Vestale, La RIG 10 Spontini, G. Vestale. La STA 1 Brahms, J. Violin and Cello Concerto Op. 102 DEG V .2, 9 Barber, S. Violin Concerto SCH 1 Stravinsky, 1. Violin Concerto in D SCH 82 Bruch, M. Violin Concerto No. 1 Op. 26 DEG V. 3,2 Paganini, N. Violin Concerto No. 1 Op. 6 DEG V. 2, 19 Wienawsky, H. Violin Concerto No. 2 Op. 22 DEG V. 2, 26 Prokofiev, S. Violin Concerto No. 2 Op. 63 SCH 41 Paganini, N. Violin Concerto No. 2 Op 7 DEG V.2, 20 Saint-Saëns, C. Violin Concerto No. 3 Op 61 DEG V. 3, 19 Vieuxtemps, H. Violin Concerto No. 4 Op. 31 DEG V. 2,23 Vieuxtemps, H. Violin Concerto No. 5 Op. 37 DEG V .2, 24 Glazunov, A. Violin Concerto Op. 16 DEG V. 3,8 Tchaikovsky, P. Violin Concerto Op. 35 POP 95 Tchaikovsky, P. Violin Concerto Op. 35 RIG 157 Tchaikovsky, P. Violin Concerto Op. 35 DEG V. 3, 26 Sibelius. J. Violin Concerto Op. 47 DEG V. 3,21 89 Dvorak, A. Violin Concerto Op. S3 NEK V .4 ,2 7 Dvorak. A. Violin Concerto Op S3 DEG V .3 .6 Beethoven. L. Violin Concerto Op. 61 RIG 50 Beethoven. L. Violin Concerto Op. 61 NEK V .Z 8 0 Beethoven. L. Violin Concerto Op. 61 DHE V. 10,6 Beethoven. L. Violin Concerto Op 61 NEK V.2.79 Beethoven. L. Violin Concerto Op. 61 STA 39 Beethoven, L. Violin Concerto Op. 61 KOL 5 Beethoven. L. Violin Concerto Op. 61 PIEBMIS 22 Beethoven, L. Violin Concerto Op. 61 DEG V. 1,31 Mendelssohn. F. Violin Concerto Op. 64 DEG V .2 ,18 Brahms. J. Violin Concerto Op. 77 NEK V. 3.83 Brahms, J. Violin Concerto Op. 77 KOL 12 Brahms. J. Violin Concerto Op 77 DEG V .2. 8 Shostakovidi, D. Violin Concerto Op. 99 ANG V. 10,44 Shostakovich, D. Violin Concerto Op. 99 BOL 80 Lortzing, A. Waflfenschmied, Der JUN V .4 ,8 Wagner, R. WalkOre,Die STA 87 Wagner, R. WalkOre.Die ALB 21 Wagner, R. WaOcOre. Die MAGW V. 6,30 Wagner, R. WalkOre.Die RIG 90 Wagner, R. WalkOre.Die NEK V .4 .3 Catalan i, A. Wally, La RIG 176 Catalani, A. Wally, La STA 84 Berlioz, H. Wandering Lights Minuet NEK V. 3,22 Cherubini, L. WassetrSger. Der: Overture BEL V. 1,49 Cherubini. L. Wassetrlger. Der: Overture WEL V. 1,47 Handel. G. F Water Music NEK V. 1,31 Beethoven, L. WeQie des Hauses, Die: Overture Op. GWK V .2, 14 114 Beethoven, L. Weihe des Hauses, Die: Overture Op. BEL V. 1,34 114 Beethoven, L. Weihe des Hauses, Die: Overture Op. PIEBMIS 79 114 Beethoven, L. Weihe des Hauses, Die: Overture Op. STA 38 114 Beethoven, L. Weihe des Hauses, Die: Overture Op. GUM V .2, 14 114 Beethoven, L. Weihe des Hauses, Die: Overture Op. WEL V. 1, 32 114 Boieldieu, A. Weisse Dame, Die: Overture GWK V .2 ,28 Boieldieu. A. Wiesse Dame, Die: Overture GUM V. 2, 28 Boieldieu. A. Wiesse Dame, Die: Overture JUN V .3,3 Lortzing, A. WildschOtz, Der JUN V .4 ,6 Rossini, G. William Tell DHE V. 11, 12 Mozart, W. A. Wind Serenade K. 412 PIEMK 104 Mozart. W. A. Wind Serenade K 447 PIEMK 105 Mozart, W. A. Wind Serenade K. 622 PIEMK 102 Berg, A Wozzeck RIG 289 Britten, B. Young Person’s Guide to the Orchestra RIG 314 Op. 34 Mozart, W. A. Zaide K. 344 PIEMOP V. 1, 15

90 APPENDIX C

ALPHABETICAL LIST OF TITLES BY SOURCE

91 Compoaer Work Scarce Paie Wagner, R. Faust; Overture ALB 30 Wagner, R. Flying Dutchman, The ALB 4 Wagner. R. Lohengrin ALB 7 Wagner, R. Meistersingar of Nuremburg, The: ALB 14 Overture Wagner, R. Parsifiil ALB 28 Wagner, R. Rhinegold. The ALB 19 Wagner, R. Rienzi ALB 3 Wagner, R. Siegfried Idyll ALB 24 Wagner, R. Siegfried Idyll ALB 31 Wagner, R. Tannhâuser ALB 5 Wagner, R. The Twilight of the Gods ALB 26 Wagner, R. Tristan and Isolda ALB 9 Wagner, R. Walkflre. Die ALB 21 Mussorgsky, M. Bilder eine Ausstellung ANG V. 10,6 Rimsky Korsakov, N. Capriccio Espagnol Op. 34 ANG V. 10,4 Katcfaaturian. A. Gajana: Nallet ANG V. 10,45 Tchaikovsky, P. Nutcracker. The Suite Op. 7IA ANG V. 10,21 Borodin, A. Polovitsian Dances ANG V. 10, 5 Rimsky-Korsakov, N. Scheherazade Op. 35 ANG V. 10,3 Tchaikovsky, P. Symphony No. 1 Op. 13 ANG V. 10,9 Shostakovich, D. Symphony No. 10 Op. 93 ANG V. 10, 38 Shostakovich. D. Symphony No. II Op. 103 ANG V. 10,40 Shostakovich, D. Symphony No. 12 Op. 112 ANG V. 10,43 Tchaikovsky. P. Symphony No. 2 Op. 17 ANG V. 10, 12 Tchaikovsky, P. Symphony No. 3 Op. 29 ANG V. 10. 15 Shostakovich, D. Symphony No. 7 Op. 60 Leningrad ANG V. 10,22 Shostakovich. D. Symphony No. 8 Op. 65 ANG V. 10.29 Shostakovich, D. Symphony No. 9 Op. 70 ANG V. 10, 35 Shostakovich, D. Violin Concerto Op. 99 ANG V. 10,44 Brahms, J. Academic Festive: Overture Op. 80 BEL V. 1,44 Rietz, J. Concert Overture Op. 7 BEL V. 2,27 Beethoven, L. Corioian: Overture Op. 62 BEL V. 1,32 Beethoven, L. Egmont: Overture Op. 84 BEL V. 1.31 Weber, C. M. Euryanthe: Overture BEL V .2 ,46 Rubinstein, A. Faust Musikalisches Charakterbild BEL V. 2,28 Weber, C. M. Freischutz, D er Overture BEL V .2 ,47 Brahms, J. Haydn Variations Op. 56* BEL V. 1,41 Weber, C. M. Jubel Overture Op. 59 BEL V .2 ,45 Beethoven, L. Leonora No. 3: Overture Op. 72 BEL V. 1, 33 Cherubini, L. Lodoiska: Overture BEL V. 1,49 Mozart, W A. Magic Flute, The: Overture K. 620 BEL V. 2,24 Mozart, W. A. Marriage of Figaro, The: Overture K. BEL V .2 ,24 492 Liszt, F. Mazeppa No. 6 BEL V. 2,6 Mendelssohn, F. Midsummer Night’s Dream Op. 61 BEL V .2, 12 Gade, N. Nachklinge von Ossian Op. 1 : BEL V. 1,50 Overture Liszt. F. Preludes, Les No. 3 BEL V .2, 7 Beethoven, L. Prometheus Op. 43 BEL V. 1,27 Schubert F. Rosamunde Op. 26 BEL V .2 ,28 92 Mendelssohn. F. Roy Bias: Overtire Op. 95 BEL V .2, 14 Jadassohn S. Serenade No. 2 Op 46 BEL V .2, 5 Mozart, W. A. Serenade No. 9 K. 320 BEL V .2. 15 Nicodè. J. Symphonische Variationen Op. 27 BEL V .2 .25 Reinthaler, C. Symphony No. I Op. 12 BEL V .2 ,26 Beethoven. L. Symphony No. I Op 21 BEL V. 1,3 Gemsheim. F. Symphony No. 1 Op. 32 BEL V. 1,55 Schumann. R. Symphony No. 1 Op. 38 BEL V .2, 31 Svendsen. J. Symphony No. 1 Op 4 BEL V .2 ,38 Brahms, J. Symphony No. I Op. 68 BEL V. 1,35 Mendelssohn, F. Symphony No. 1 Op.ll BEL V .2, 9 BurgmOiler. N. Symphony No. 2 Op. 11 BEL V. 1.47 Beethoven, L. Symphony No. 2 Op. 36 BEL V. 1,4 Schumann, R. Symphony No. 2 Op 61 BEL V .2, 31 Brahms. J. Symphony No. 2 Op. 73 BEL V. 1,36 Schumann, R. Symphony No. 2 Op. 97 BEL V .2, 33 Beethoven. L. Symphony No. 3 Op. 55 Eroica BEL V. 1.7 Mendelssohn. F. Symphony No. 3 Op 56 BEL V .2, 10 Brahms, J. Symphony No. 3 Op. 90 BEL V. 1. 38 Mozart, W. A. Symphony No. 35 K. 385 Haffiier BEL V .2, 16 Mozart, W. A Symphony No. 36 K. 425 Linzer BEL V .2, 16 Mozart. W. A. Symphony No. 38 K. 504 Prague BEL V .2, 16 Schumann. R. Symphony No. 4 Op. 120 BEL V .2 ,36 Gade. N. Symphony No. 4 Op. 20 BEL V. 1. 50 Beethoven. L. Symphony No. 4 Op. 60 BEL V .l. 10 Mozart. W. A. Symphony No. 40 K. 550 BEL V .2. 18 Mozart. W. A. Symphony No. 41 K. 551 Jupiter BEL V .2 ,20 Beethoven. L. Symphony No. 5 Op. 60 BEL V. 1. 13 Tchaikovsky. P. Symphony No. 5 Op. 64 BEL V .2 .41 Beethoven. L. Symphony No. 6 Op. 68 Pastorale BEL V. 1, 15 Beethoven. L. Symphony No. 7 Op. 92 BEL V. 1. 17 Schubert. F. Symphony No. 8 D. 759 Unfinished BEL V .2 ,30 Gade. N. Symphony No. 8 Op. 47 BEL V. 1. 52 Beethoven. L. Symphony No. 8 Op. 93 BEL V. 1. 19 Haydn, P. J. Symphony No. 88 BEL V. 2,3 Beethoven, L. Symphony No. 9 Op. 125 BEL V. 1.20 Haydn. F. J. Symphony No. 90 BEL V. 2.4 Haydn. F. J. Symphony No. 98 BEL V .2 ,2 Goetz, H. Symphony Op. 9 BEL V. 1. 58 Brahms. J. Tragic: Overture Op. 81 BEL V. 1.45 Cherubini. L. WassetrSger. Der: Overture BEL V. 1.49 Beethoven, L. Weihe des Hauses, Die: Overture Op. BEL V. 1. 34 114 Strauss. R. Also Sprach Zarathustra Op. 30 BOE 14 Strauss. R. Death and Transfiguration Op. 24 BOE 6 Strauss. R, Don Juan Op. 20 BOE 3 Strauss. R. Don Quixote Op. 35 BOE 20 Strauss. R. Bin Heldenleben Op. 40 BOE 29 Strauss. R. Sinfonia Domestica Op. 53 BOE 34 Strauss. R Till Eulenspiegel Op. 28 BOE 6 Verdi. G. Aida BOL 46 Rimsky-Korsakov. N. Capriccio Espagnol Op. 34 BOL 53 Respighi. 0. Church Windows BOL 43 93 Strauss, R. Death and Transfiguration Op. 24 BOL 8 Strauss, R. Don Juan Op. 20 BOL 5 Strauss, R. Don Quixote Op. 35 BOL 16 Katchaturian, A. Gajana: Ballet BOL 81 Verdi, G. Masked BalL The BOL 44 Wagner, R. Mastersinger of Nuremberg, The: BOL 35 Overture Verdi, G. Othello BOL 49 Mussorgsky, M. Pictures at an Exhibition BOL 55 Re^ighi, O. Fines of Rome, The BOL 42 Borodin, A. Prince Igor BOL 54 Verdi, G. Requiem Mass BOL 40 Verdi, G. Rigoietto BOL 45 Stravinsky, I. Rite of Spring. The BOL 41 Rimsky-Korsakov, N. Scheherazade Op. 35 BOL 52 Verdi, G. Sicilian Vespers BOL 44 Strauss, R. Sinfonia Domestica Op 53 BOL 25 Shostakovich, D. Symphony No. 10 Op. 93 BOL 74 Shostakovidi, D. Symphony No. 11 Op. 103 BOL 76 Shostakovich, D. Symphony No. 12 Op. 112 BOL 79 Shostakovich, D. Symphony No. 7 Op. 60 Leningrad BOL 58 Shostakovidi, D. Symphony No. 8 Op. 65 BOL 65 Shostakovich, D. Symphony No. 9 Op. 70 BOL 71 Strauss, R. Till Eulenqiiegel Op. 28 BOL II Wagner, R. Tristan and Isolda BOL 30 Shostakovidi, D. Violin Concerto Op. 99 BOL 80 Mendelssohn, F. Capriccio Brfllant Op. 22 DEG V.2, 17 Saint-Saëns, C. Cello Concerto No. 1 Op. 33 DEG V .3,20 Dvorak, A. Cello Concerto Op. 104 DEG V .3,5 Schumann, R. Cello Concerto Op. 129 DEG V .2 ,21 Mozart, W. A. Clarinet Concerto K. 622 DEG V 1,21 Spohr, L. Clarinet Concerto No. 1 Op. 26 DEG V .2 ,23 Weber, C. M. Clarinet Concerto No. 1 Op. 73 DEG V .2 ,25 Weber, C. M. Clarinet Concerto No. 2 Op. 74 DEG V .2 ,25 Moscheles, I. Concertante for Flute and Oboe DEG V.2, 19 Mendelssohn, F. Concerto for Two Pianos in A" DEG V.2, 16 Mendelssohn, F. Concerto for Two Pianos in E" DEG V.2, 16 Koussevitsky, S. Double Bass Concerto Op. 3 DEG V. 3,11 Debussy, C. Fantasy in E Minor DEG V. 3,2 Liszt, F. Fantasy on Hungarian Themes Op. 123 DEG V .2 ,15 Berlioz, H. Harold in Italy Op. 16 DEG V. 1,3 Weber, C. M. Konzertstucke for Piano Op. 79 DEG V .2 ,26 Viotti, G. Piano Concerto in G Minor DEG V .2 ,25 Chopin, F. Piano Concerto No. 1 Op. 11 DEG V. 2, 10 Liszt, F. Piano Concerto No. I Op. 124 DEG V.2, 14 Beethoven, L. Piano Concerto No. 1 Op. 15 DEG V. 1.21 Brahms, J. Piano Concerto No. I Op. 15 DEG V.2,6 Tchaikovsky, P. Piano Concerto No. 1 Op. 23 DEG V. 3,22 Mozart, W. A. Piano Concerto No. 13 K. 415 DEG V. 1,2 Mozart, W. A. Piano Concerto No. 15 K. 450 DEG V. 1,2 Mozart, W. A. Piano Concerto No. 16 K. 451 DEG V. 1,3 Mozart, W. A. Piano Concerto No. 17 K. 453 DEG V. 1,3 Mozart, W. A. Piano Concerto No. 18 K. 456 DEG V. 1,6 94 Mozart, W. A. Piano Concerto No. 19 K. 459 DEG V. 1,7 Liszt, F. Piano Concerto No. 2 Op. 125 DEG V .2, 14 Beethoven, L. Piano Concerto No. 2 Op. 19 DEG V. 1,24 Chopin, F. Piano Concerto No. 2 Op. 21 DEG V.2,12 Mendelssohn, F. Piano Concerto No. 2 Op. 40 DEG V .2, 17 Tdiaikovsicy, P. Piano Concerto No. 2 Op. 44 DEG V. 3,24 Brahms, J. Piano Concerto No. 2 Op. 83 DEG V .2 ,8 Mozart, W. A. Piano Concerto No. 20 K. 466 DEG V. 1,9 Mozart, W. A. Piano Concerto No. 21 K. 467 DEG V. 1, 10 Mozart, W. A. Piano Concerto No. 22 K. 482 DEG V. 1, 11 Mozart, W. A. Piano Concerto No. 23 K. 488 DEG V. 1,14 Mozart, W. A. Piano Concerto No. 24 K. 491 DEG V. 1, 16 Mozart, W. A. Piano Concerto No. 25 K. 503 DEG V 1,17 Mozart, W. A. Piano Concerto No. 26 K. 537 DEG V. 1,20 Mozart, W. A. Piano Concerto No. 27 K. 595 DEG V. 1,20 Saint-Saëns, C. Piano Concerto No. 3 Op. 29 DEG V. 3, 14 Beethoven, L. Piano Concerto No. 3 Op. 37 DEG V. 1,24 Saint-Saëns, C. Piano Concerto No. 4 Op. 44 DEG V. 3, 16 Beethoven, L. Piano Concerto No. 4 Op. 58 DEG V. 1,26 Saint-Saëns, C. Piano Concerto No. 5 Op. 103 DEG V. 3, 18 Beethoven, L. Piano Concerto No. 5 Op. 73 DEG V. 1,27 Grieg, E. Piano Concerto Op. 16 DEG V. 3, 10 Scriabin, A. Piano Concerto Op. 20 DEG V. 3,21 Dvorak, A. Piano Concerto Op. 33 DEG V. 3,4 Busoni, F. Piano Concerto Op. 39 DEG V. 3,2 Schumann, R. Piano Concerto Op. 54 DEG V .2 ,22 Debussy. C. Priemere Rhapsody DEG V. 3,3 Beethoven, L. Romance Op. 40 DEG V. 1,29 Beethoven. L. Romance Op. 50 DEG V. 1,29 Franck, C. Symphonie Variations DEG V. 3,8 Lalo, E. Symphonie Espagnole Op. 21 DEG V. 3, 12 Liszt, F. TotentanzOp. 126 DEG V .2, 16 Beethoven, L. Triple Concerto Op. 56 DEG V. 1,29 Haydn, F. J. Trumpet Concerto in E^ DEG V .2, 13 Tchaikovsky, P. Variations on a Rococo Theme Op. 33 DEG V. 3,25 Brahms, J. Violin and Cello Concerto Op. 102 DEG V .2 ,9 Bruch, M. Violin Concerto No. 1 Op. 26 DEG V .3 ,2 Paganini, N. Violin Concerto No. 1 Op. 6 DEG V .2, 19 Wienawsky, H. Violin Concerto No. 2 Op. 22 DEG V .2 ,26 Paganini, N. Violin Concerto No. 2 Op. 7 DEG V .2 ,20 Saint-Saëns, C. Violin Concerto No. 3 Op. 61 DEG V. 3, 19 Vieuxtemps, H. Violin Concerto No. 4 Op. 31 DEG V .2 ,23 Vieuxtemps, H. Violin Concerto No. 5 Op. 37 DEG V .2 ,24 Glazunov, A. Violin Concerto Op. 16 DEG V. 3,8 Tchaikovsky, P. Violin Concerto Op. 35 DEG V. 3.26 Sibelius, J. Violin Concerto Op. 47 DEG V .3,21 Dvorak, A. Violin Concerto Op. 53 DEG V. 3,6 Beethoven, L. Violin Concerto Op. 61 DEG V. 1,31 Mendelssohn, F. Violin Concerto Op. 64 DEG V .2, 18 Brahms, J. Violin Concerto Op. 77 DEG V .2, 8 Verdi, G. Alda DHE V. 8, 14 Ravel. M. Alborado del Gracioso DHE V .Z 6 Dukas, P. Ariane et Barbe Bleue DHE V. 8, 15 95 Ibert. J. Ballade de la Geôle de Reading, La DHE V .6 ,8 Smetana, F. Bartered Bride; Overture DHE V. 4, 14 Delvinoouit, C. Boccacerie DHE V .9 ,4 Brahms. J. Bohemian Danses (Mis Print) DHE V. 10,6 Ravel, M. Bolero DHE V. 1, 1 Chabrier, E. Bourrée Fantasque, La DHE V .9 .4 Bizet, G. Carmen DHE V .6 ,6 Mascagni, P Cavalerie Rusticana DHE V. 4, 13 Ibert, J. Concerto for Flute and Orchestra DHE V. 8, 16 Mozart, W. A. Cosi An tutte: Overture K. S8S DHE V. 1,3 Fieme,G. Cydalise et le Chevre DHE V .2, 8 Berlioz, R Damnation of Faust, The DHE V. 10, 8 Saint-SaCns, C. Danse Macabre DHE V. 11, 12 Ibert, J. Diane de Poitiers DHE V. 3 ,9 Rabatid, H. Divertissement sur de Chansons DHE V. 11. 11 Russes Ibert, J. Escales DHE V .2, 5 Beethoven, L. Fantasie fir Piano DHE V .6 ,5 Beethoven, L. FidelioOp.72 DHE V. 7, 10 Stravinsky, I. Firebird DHE V. 1,2 Stravinsky, I. Firebird DHE V. 1,4 Messager, A. Fortimio DHE V. 7, 10 Ibert, J. Golgotha DHE V. 8, 13 Bizet, G. Jolie Fille de Perth DHE V. 4, 13 Bizet, G. L'Arlesienne Suite No. 1 DHE V. 8, 13 Ravel, M. L’Enfint et les Sortilèges DHE V. 11, 10 Ravel. M. L’Heure Espagnole DHE V. 4. 14 Stravinsky, I L’Histoire DHE V. 1,2 Martinu, B. La Bagarre DHE V. 7. 12 Boieldieu, P. Le Dame Blanche DHE V. 1,3 Charpentier, G. Louise DHE V .6 .5 Puccini, G. Madame Butterfly DHE V. 11, 11 Mozart, W. A. Magic Flûte, The: Overture K. 620 DHE V. 3, 10 Massinet, J. Manon DHE V. 5,4 R abaud,R Marouf DHE V. 1, 1 Mozart, W. A. Marnage of Figaro, The: Overture K. DHE V .2, 7 492 Debussy. C. Mer, La DHE V .9 ,4 Thomas, A. Mignon DHE V .7 ,9 Gounod, C. Mireille DHE V. 10,6 Schubert, F. Octet Op. 166 DHE V. 12, 12 Bach, J. S. Overture in C BWV 1066 DHE V. 10, 5 Beethoven, L. Overture Op. 124 DHE V. 5, 1 Cavallo, L. Paillasse DHE V .6 ,7 Fauré, G. Pénélope DHE V. 8, 15 Saint-Saëns, C. Phaeton DHE V .2, 8 Ravel. M. Piano Concerto G Major DHE V .2, 5 Respighi. O. Pines of Rome, The DHE V. 11, 11 Pieme, G Preludio et Fughetta DHE V.2, 8 Stravinsky, 1 Pulcinella DHE V. 3. 12 Ravel, M. Rhapaody Espagnole DHE V .2 ,6 Wagner, R. Rhinegold, The DHE V. 12, 12 Berlioz, R Romeo and Juliet DHE V .9,3 96 Ddxissy. C- Ronde de Printemps DHE V. 10,6 Tomasi. H. Rosière du )^llage, LA DHE V. 7, 12 Bachelet, A. Scèmo DHE V. 10, 5 Rimsky-Korsakov. N. Scheherazade Op. 35 DHE V. 3, 11 Dukas, P. Sorcerer’s Apprentice, The DHE V .5 ,2 Berlioz, H. Symphonie Fantastique (Mis Marked) DHE V. 10, 7 Op. 14 Berlioz, H. Symphonie Fantastique Op. 14 DHE V. 3, 10 Saint-Saëns, C. SymtAonie No. 3 DHE V. 3, 11 Haydn, F. J. Symphony m C DHE V .7 ,9 Mozart, W. A. Symphony No. 1 K. 16 DHE V. 11, 10 Borodin, A. Symphony No. 1 Op. ? DHE V .6 ,8 Schumann, R. Symphony No. 2 Op. 61 DHE V. 11, 10 Borodin, A Symphony No. 2 Op. 73 DHE V .9 ,4 Beethoven, L. Symphony No. 3 Op. 55 Eroica DHE V. 8, 16 Mendelssohn, F. Symphony No. 3 Op. 56 DHE V. 11,9 Beethoven, L. Symphony No. 5 Op. 67 DHE V. 4, 15 Beethoven, L. Symphony No. 6 Op. 68 Pastorale DHE V .4, 15 Beethoven, L. Symphony No. 8 Op. 93 DHE V. 4, 16 Beethoven, L. Symphony No. 9 Op. 125 DHE V .9, 1 Balakirev, M. Thamar DHE V .9 ,4 Strauss, R. Till Eulenspi%el Op. 28 DHE V. 12, 12 Verdi, G. Traviata, La DHE V. 5,3 Debussy, C. Trois Ballades DHE V. 10, 5 Ibert, J. Trois pièces brèves DHE V. 10,7 Beethoven, L. Violin Concerto Op. 61 DHE V. 10,6 Rossini, G. William Tell DHE V. 11, 12 Tchaikovsky, P. Nutcracker, The GAR 1-18 Cherubini, L. Anacreon. Die: Overture GUM V .2 ,29 Cherubini, L. Anacreon, Die: Overture GUM V. 2,28 Weber. C. M. Beherrscher der Geister, Der Overture GUM V.2,28 Weber, C. M. Concerto Op. 75 (Mis Marked) GUM V .2, 7 Lortzing, A. Czar imd Zimmermann GUM V .2, 17 Weber, C. M. Euryanthe: Overture GUM V.2, 17 Beethoven, L. Fidelio Op. 72 GUM V .2 ,2 Weber, C. M. Hungarian Rondo Op. 35 GUM V. 1,28 Beethoven, L. Leonora No. 3: Overture Op. 72 GUM V .2 ,20 Mozart, W. A. Magic Flute, The: Overture K. 620 GUM V .2, 18 Schubert, F. Octet Op. 166 GUM V.2, 28 Adam, A. Postilion V. Longjumeau, Der GUM V .2, 19 Beethoven, L. Prometheus Op. 43 GUM V .2 ,26 Beethoven, L. Quintet Op. 16 GUM V.2,22 Mendelssohn, F. Scherzo No. 1 GUM V. 2,4 Beethoven, L. Septet Op. 20 GUM V .2 ,21 Auber, P. Stumme von Portici, Die: Overture GUM V .2 ,29 Mozart, W. A. Symphony No. I K. 16 GUM V. 2, 14 Beethoven, L. Symphony No. 1 Op. 21 GUM V. 1,2 Schumann, R. Symphony No. 1 Op. 38 GUM V .2 ,29 Haydn, F. J. Symphony No. 104 London Symphony GUM V. 1,22 Haydn, F. J. Symphony No. 11 GUM V .2 ,25 Haydn, F. J. Symphony No. 12 GUM V. 1,23 Haydn, F. J. Symphony No. 13 GUM V .Z 2 9 Mozart. W. A. Symphony No. 13 KL 112 GUM V .2, 16 97 Haydn. F. J. Symidiony No. 14 GUM V .2 .24 Haydn. F. J. Symphony No. 2 GUM V. 1.21 Beethovoi, L. Symphony No. 2 Op. 36 GUM V. 1.3 Beethoven. L. Symphony No. 3 Op. 55 Eroica GUM V. 1.6 Mendelssohn. F. Symphony No. 3 Op. 56 GUM V. 1,26 Mozait, W. A. Symphony No. 4 K. 19 GUM V. 1.23 Beethoven. L. Symphony No. 4 Op. 60 GUM V. 1.7 Mendelssohn, F. Symphony No. 4 Op. 90 GUM V. 1. 27 Beethoven. L. Symphony No. 5 Op. 67 GUM V. 1.9 Haydn, F. J. Symphony No. 6 "Symph mit dem GUM V .2 ,23 Paukenschlag” Mozait, W. A. Symphony No. 6 K. 43 GUM V .2. 16 Beethoven. L. Symphony No. 6 Op. 68 Pastorale GUM V. 1, 10 Beethoven, L. Symphony No. 7 Op. 92 GUM V. 1. 12 Beethoven, L. Symphony No. 8 Op. 93 GUM V. 1. 14 Beethoven, L. Symphony No. 9 Op. 125 GUM V. 1. 15 Beethoven, L. Weihe des Hauses, Die: Overture Op. GUM V.2. 14 114 Boieldieu, A. Wiesse Dame. Die: Overture GUM V. 2,28 Beethoven. L. Fidelio Op. 72 GUMWIE 8 Beethoven. L. Leonora No. 3: Overture Op. 72 GUMWIE 6 Beethoven. L. Overture Op. 124 GUMWIE 3 Beethoven, L. Prometheus Op. 43 GUMWIE 4 Beethoven. L. Quintet Op. 16 GUMWIE 10 Beethoven. L. Septet Op. 20 GUMWIE 7 Beethoven. L. Symphony No. 1 Op. 21 GUMWIE 12 Beethoven. L. Symphony No. 2 Op. 36 GUMWIE 13 Beethoven. L. Symphony No. 3 Op. 55 Eroica GUMWIE 16 Beethoven. L. Symphony No. 4 Op. 60 GUMWIE 17 Beethoven. L. Symphony No. 5 Op. 65 GUMWIE 19 Beethoven. L. Swnphony No. 6 Op. 68 Pastorale GUMWIE 20 Beethoven. L. Symphony No. 7 Op. 92 GUMWIE 22 Beethoven. L. Symphony No. 8 Op. 93 GUMWIE 24 Beethoven. L. Symphony No. 9 Op. 125 GUMWIE 23 Weber, C. M. Abu Hassan: Overture GWK V .2 ,30 Cherubini. L. Anacreon. Die: Overture GWK V .2 ,28 Weber, C. M. Beherrscher der Deister. D er Overture GWK V .2 ,28 Weber, C. M. Concerto Op. 75 (Mis Marked) GWK V .2. 7 Lortzing. A. Czar und Zimmermann GWK V .2, 17 Weber, C. M. Euryanthe: Overture GWK V .2, 17 Beethoven. L. Fidelio Op. 72 GWK V .2.2 Beethoven, L. Leonora No. 3: Overture Op. 72 GWK V .2 .20 Mozart, W. A. Magic Flute, The: Overture K. 620 GWK V .2. 18 Mendelssohn, F. Midsummer Night’s Dream Op. 61 GWK V .2 .4 Weber, C. M. Oberon GWK V .2,31 Schubert, F. Octet Op. 166 GWK V .2 ,28 Adam, A Postilion V. Longjumeau. Der GWK V .2. 19 Beethoven, L. Prometheus Op. 43 GWK V .2 .26 Beethoven, L. Quintet Op. 16 GWK V.2.22 Beethoven, L. Septet Op. 20 GWK V .2 ,21 Auber, F. Stumme von Portici. Die: Overture GWK V .2 ,29 Mozart, W. A. Symphony No. I K. 16 GWK V .2. 14 Schumann, R. Symphony No. 1 Op. 38 GWK V .2 .29 98 Haydn, F. J. Syinohony No. 11 GWK V .2 .25 Haydn, F. J. Symphony No. 13 GWK V .2 .30 Mozart, W. A. Symphony No. 13 K. 113 GWK V .2, 16 Haydn, F. J. Symphony No. 14 GWK V .2 .24 Haydn, F. J. Symphony No. 6 “Symph mit dem GWK V .2 ,23 Paukenschlag” Mozart, W. A. Symphony No. 6 K. 43 GWK V .2 ,16 Beethoven, L. Weihe des Hauses, Die: Overture Op. GWK V .2, 14 114 Boieldieu, A. Weisse Dame, Die: Overtm GWK V .2 .28 Mozart, W. A. Abduction from the Seraglio, The K. JUN V. 1,29 384 Weber, C. M. Abu l&ssan: Overture JUN V. 3.6 Verdi, G. Aida JUN V. 4,23 Cherubini, L. Anacreon. Die: Overture JUN V. 3,3 Rossini, G. Barber of Saville, The JUN V .3 ,7 Weber. C. M. Beherrscher der Geister, Der; Overture JUN V .3 ,6 Tchaikovsky, P. Capriccio Italian Op. 45 JUN V. 3,35 Mozart, W. A. Cosi An tulte: Overture K. 588 JUN V. 1,34 Lortzing, A. Czar und Zimmermann JUN V .4, 5 Nikolai, O. Die lustigen Weiber von Windsor JUN V .4. 8 Rossini, G. Diebische Elster, Die: Overture JUN V. 3.6 Verdi, G. Don Carlos JUN V .4 .28 Mozart, W. A. Don Giovanni: Oveture K. 527 JUN V. 1, 33 Donizetti, G. Don Pasquale JUN V .4.3 Tchaikovsky, P. Eugene Onegin Op. 24 JUN V. 3.32 Weber, C. M. Euryanthe: Overture JUN V .3 ,5 Verdi, G. Falstaff JUN V. 4,33 Verdi, G. Forza del Destino, La JUN V. 4,26 Weber, C. M Freischutz, Der Overture JUN V. 3,4 Schumann, R. Genoveva: Overture Op. 81 JUN V. 3. 19 DonizettL G. Liebestrank, Der JUN V .4 ,4 Mozart, W A. Magic Flute, The: Overture K. 620 JUN V. 1,31 Mozart, W. A. Marriage of Figaro, The: Overture K. JUN V. 1, 19 492 Verdi. G. Masked Ball, The JUN V. 4,22 Mendelssohn, F. Midsummer Night’s Dream Op. 61 JUN V. 3,22 Schubert, F. Octet Op. 166 JUN V. 3, 14 Verdi, G. Othello JUN V. 4, 30 Schumann, R Piano Concerto Op. 54 JUN V. 3, 18 Tchaikovsky, P. Pique Dame Op. 68 JUN V. 3, 32 Verdi, G. Requiem Mass JUN V. 4, 37 Verdi, G. Rigoietto JUN V. 4, 17 Berlioz, H. Roman Carnival: Overture Op. 9 JUN V. 3, 24 Schubert, F. Rosamunde Op. 26 JUN V. 3, 13 Mendelssohn. F. Roy Bias: Overture Op. 95 JUN V. 3,22 Mozart, W. A. Serenade No. 7 K. 250 Haffrier JUN H. 1, 10 Serenade Verdi. G. Sicilian Vespers JUN V.4,21 Auber, F. Stumme von Portici, Die: Overture JUN V. 3,4 Berlioz, H. Symphonie Fantastique Op. 14 JUN V. 3,23 Schumann, R. Symphony No. 1 Op. 38 JUN V. 3, 15 Haydn, F. J. Symphony No. 10 JUN V. 1,4 99 Haydn, F. J. Symphony No. 104 London Symphony JUN V. 1,3 Haydn, F. J. Symphony No. 12 JUN V. 1,5 Haydn. F. J. Symphony No. 13 JUN V. 1.6 Haydn. F. J. Symphony No. 14 JUN V. 1.7 Haydn, F. J. Symphony No. IS La Reine JUN V. 1,8 Haydn. F. J. Symphony No. 27 JUN V. 1.9 Mendelssohn, F. Symphony No. 3 Op. 56 JUN V 3.20 Schumann. R. Symphony No. 3 Op. 97 JUN V .3. 15 Mozart, W. A. Symphony No. 35 K. 385 Haffiier JUN V. 1. 11 Mozart, W. A. Symphony No. 36 K. 425 Lmaa* JUN V. 1, 12 Mozart, W. A. Symphony No. 38 K. 504 Prague JUN V. 1. 13 Schumann, R. Symphony No. 4 Op. 120 JUN V.3, 17 Tdiaikovsky, P. Symphony No. 4 Op. 36 JUN V .3,25 Mozart, W. A. Symphony No. 40 K. 550 JUN V. 1, 15 Mozart, W. A. Symphony No. 41 K. 551 Jupiter JUN V. 1, 16 Tdiaikovsky, P. Symphony No. 5 Op. 64 JUN V. 3,27 Haydn, F. J. Symphony No. 6 ‘^ymfdi mit dem JUN V. 1,4 Paukenschlag” Tchaikovsky, P. Symgdiony No. 6 Op. 74 Pathétique JUN V. 3, 30 Schubert, F. Symphony No. 8 D. 759 Unfinished JUN V. 3, 14 Verdi. G. Traviata, La JUN V. 4, 19 Verdi, G. Troubador, Der JUN V. 4, 18 Lortzing. A. Waffimschmied, Der JUN V .4 ,8 Boieldieu, A Wiesse Dame, Die: Overture JUN V. 3,3 Lortzing, A. WildschOtz. Der JUN V .4 ,6 Smetana. H. Bartered Bride : Overture KES V .2, 18 Beethoven, L. Corioian: Overtm Op. 62 KES V. 1,27 Beethoven, L. Egmont: Overtm Op. 84 KES V. 1,26 Stravinsky. I. Firebird: Suite KES V .2,31 Beethoven, L. Leonora No. 3: Overture Op. 72 KES V. 1,25 Wagner, R. Meistersinger of Nuremburg, The: KES V .2 ,30 Overture Haydn. F. J. Oxford Symphony KES V 1.3 Liszt. F. Preludes, Les No. 3 KES V .2, 16 Rimsky-Korsakov, N. Scheherazade Op. 35 KES V .2, 17 Shostakovich, O. Symphony No. 1 Op. 10 KES V .2 ,28 Beethoven. L. Symphony No. 1 Op. 21 KES V. 1.5 Brahms, J. Symphony No. 1 Op. 68 KES V. 1.27 Beethoven, L. Symphony No. 2 Op. 36 KES V. 1,6 Brahms. J. Symphony No. 2 Op. 73 KES V .2, 3 Beethoven, L. Symphony No. 3 Op. 55 Eroica KES V 1.8 Brahms. J. Symphony No. 3 Op. 90 KES V .2, 8 Tchaikovsky. P. Symphony No. 4 Op. 36 KES V .2, 19 Beethoven. L. Symphony No. 4 Op 60 KES V. 1. 10 Brahms, J. Symphony No. 4 Op. 98 KES V .2, 12 Tchaikovsky, P. Symphony No. 5 Op. 64 KES V.2,22 Beethoven. L. Symphony No. 5 Op. 67 KES V. 1, 12 Beethoven, L. Symphony No. 6 Op. 68 Pastorale KES V. 1. 15 Tchaikovsky, P. Symphony No. 6 Op. 74 Pathétique KES V .2 ,25 Beethoven. L. Symphony No. 7 Op. 92 KES V. 1, 19 Haydn. F. J. Symphony No. 8 KES V. 1,4 Beethoven. L. Symphony No. 8 Op. 93 KES V. 1,22 Rossini. G. Barber of Saville, The KOL 24 100 Smetana. B. Bartered Bride; Overture KOL 28 Ravel, M. Bolero KOL 21 Bizet, G. Carmen KOL 9 Beethoven. L. Corioian: Overture Op. 62 KOL 4 Mozart, W. A. Cosi â n tutte: Overture K. 588 KOL 17 Strauss, R. Don Quixote Op. 35 KOL 29 Strauss, R. Ein Heldenleben Op. 40 KOL 30 Beethoven, L. Fidelio Op. 72 KOL 6 Stravinsky, I. Firebird; Suite KOL 31 Weber, C. M. Freischutz, Der Overture KOL 40 Brahms, J. Haydn Variations Op. 56^ KOL 11 Beethoven, L. Leonora No. 3: Overture Op. 72 KOL 5 Donizetti, G. Liebestrank. Der KOL 12 Wagner, R. Lohengrin KOL 38 Mozart, W. A. Magic Flute, The; Overture K. 620 KOL 19 Mozart, W A Marriage of Figaro, The: Overture K. KOL 16 492 Wagner, R. Meistersinger of Nuremburg, The; KOL 39 Overture Verdi, G. Othello KOL 37 Leoncavallo, R. Pagliacci KOL 15 Ravel, M. Piano Concerto G Major KOL 22 Stravinsky, I. Pulcinella: Suite KOL 32 Ravel, M. Rhapsody Espagnole KOL 23 Stravinsky, I. Rite o f Spring, The KOL 31 Strauss, R. Salome Op. 54 KOL 30 Rimsky-Korsakov, N. Scheherazade Op. 35 KOL 23 Berlioz, H. Symphonie Fantastique Op. 14 KOL 7 Schumann, R. Symphony No. 1 Op. 38 KOL 27 Brahms, J. Symphony No. 2 Op. 73 KOL 10 Beethoven, L. Symphony No. 3 Op. 55 Eroica KOL 1 Tchaikovsky, P. Symphony No. 4 Op. 36 KOL 33 Beethoven, L. Symphony No. 4 Op. 60 KOL 1 Mozart, W. A. Symphony No. 41 K. 551 Jupiter KOL 20 Tchaikovsky, P. Symphony No. 5 Op. 64 KOL 35 Beethoven, L. Symphony No 6 Op. 68 Pastorale KOL 3 Tchaikovsky, P. Symphony No. 6 Op. 74 Pathétique KOL 37 Haydn, F. J. Symphony No. 88 KOL 14 Beethoven, L. Symphony No. 9 Op. 125 KOL 3 Shostakovich, D. Symphony No. 9 Op. 70 KOL 27 Haydn. F. J. Symphony No. 90 KOL 13 Strauss, R. Till Eulenspiegel Op. 28 KOL 30 Beethoven, L. Violin Concerto Op. 61 KOL 5 Brahms, J. Violin Concerto Op. 77 KOL 12 Wagner, R. Flying Dutchman, The MAGW 3 Wagner, R. GOtterdimmerung MAGW V 7,23 Wagner, R. Lohengrin MAGW 13 Wagner, R. Meistersinger of Nuremburg, The: MAGW V .6 ,3 Overture Wagner, R. ParsiAl MAGW V. 7,40 Wagner, R. Rheingold, The MAGW V. 6, 18 Wagner, R. Ring o f the Nibelung MAGW V. 6, 18 Wagner, R. Siegfried Idyll MAGW V. 7,3 101 Wagner, R. Tmnhluser MAGW 8 Wagner, R. Tristan and Isolda MAGW 19 Wagner, R. WalkOre,Die MAGW V. 6,30 Stravinsky, 1. A Sermon, A Narrative & A Prayer MOR 152 Stravinsky, I. Abraham & Issac MOR I Stravinsky, 1. Canticum Sacrum MOR 4 Stravinsky, I. Capriccio MOR 6 Bach/Stravinsky Choral Variations MOR 8 Stravinsky, 1. Concertino for 12 Instruments M(W 13 Stravinsky, I. Concerto for Piano and Wind MOR 15 Instruments Stravinsky, I. Concerto in D for Violin and Orchestra MOR 17 Stravinsky, I. Danses Concertantes MOR 25 Stravinsky, I. Dumbarton Oaks Concerto MOR 21 Stravinsky, I. Eight Instrumental Miniatures MOR 28 Stravinsky, 1. Fairy’s Kiss, The MOR 29 Stravinsky, I. Firebird: Ballet MOR 34 Stravinsky. I. Firebird: Suite MOR 46 Stravinsky, I. Flood MOR 49 Stravinsky, i. Four Etudes for Orchestra MOR 51 Stravinsky, I. Four Norwegian Moods MOR 53 Stravinsky, I. Jeu De Cartes MOR 56 Stravinsky, I. Mass MOR 60 Stravinsky, I. Mavra MOR 63 Stravinsky, I. Monumentum Pro Gesualdo Di MOR 67 Venosa Ad Cd Annum Stravinsky, I. Movements for Piano & Ordiestra MOR 68 Stravinsky, I. Nightingale & Song of the MOR 68, 159 Nitditingale. The Stravinsky, I. Octet for Wind Instruments MOR 74 Stravinsky, I. Oedipus Rex MOR 83 Stravinsky, I. Orpheus MOR 92 Stravinsky, I. Persephone MOR 94 Stravinsky, I. Petrouchka MOR 98 Stravinsky, I. Pulcinella & Pulcinella Suite MOR 107 Stravinsky, I. Renard MOR 134 Stravinsky, I. Requiem Canticles MOR 136 Stravinsky, I. Rite of Spring, The MOR 138 Stravinsky. I. Scènes de Ballet MOR 149 Stravinsky, I. Septet MOR 150 Stravinsky. I. Soldiers Tale. The MOR 153 Stravinsky. 1. Suite No. 1 MOR 161 Stravinsky. I. Suite No. 2 MOR 163 Stravinsky. I. Symphonies of Wind Instruments MOR 163 Stravinsky. I. Symphony in C MOR 166 Stravinsky. I. Symphony in Three Movements MOR 173 Stravinsky, I. Symphony of Psalms MOR 179 Stravinsky. I. The Rake's Progress MOR 117 Stravinsky. I. Variations MOR 183 Brahms. J. Academic Festive: Overture Op. 80 NEK V. 3, 78 Bach. J. S. B Minor Mass NEK V. 1,3 Berlioz. H. Benvenuto Cellini: Overture NEK V. 3, 18 Bizet, G. Carmen NEK V .3,30 1 0 2 Haydn. F. J. Cdlo Concerto NEK V- 1,48 Dvorak, A. Cello Concerto On. 104 NEK V .4 .27 Beethoven. L. Choral Fantasy NEK V.2,91 Beethoven. L. Consecration of the House NEK V .2. 77 Beethoven, L. Corioian; Overture Op. 62 NEK V .2, 72 Liszt. F. Dance Macabre NEK V. 4. 56 Liszt. F. Dante NEK V .4. 54 Mozart. W. A. Divertimento No. 2 K. 131 NEK V. 1,82 Mozart. W. A. Don Giovanni: Overture K. 527 NEK V. 1, 78 Beethoven, L. Egmont: Overture Op. 84 NEK V. 2,75 Weber. C. M. Euryanthe: Overture NEK V. 4,8 Bach. J. S. Fantasia and Fugue NEK V. 1,24 Bizet, G. Fatherland: Overture NEK V. 3,33 Liszt, F. Faust NEK V. 4, 52 Weber. C. M Freischutz, Der Overtue NEK V. 4,6 Brahms. J. German Requiem NEK V. 3.64 Berlioz. R Harold in Italy NEK V. 3.9 Brahms, J. Haydn Variations Op. 56^ NEK V. 3.70 Brahms. J. Hungarian Dance No. 5 NEK V. 3.92 Brahms. J. Hungarian Dance No. 6 NEK V. 3.92 Berlioz. R Hungarian March NEK V. 3.21 Liszt, F. Hungarian Rhapsody No. 1 NEK V. 4.42 Liszt, F. Hungarian Rhapsody No. 2 NEK V. 4,43 Debussy. C. Iberia NEK V. 4.34 Weber. C. M. Invitation to Dance NEK V. 4. 10 Handel, G. F Judas Maccabeus NEK V. 1,30 Bizet. G. L’Arlesienne Suite No. 1 NEK V. 3.27 Bizet, G. L’Arlesienne Suite No. 2 NEK V. 3.29 Beethoven. L. Leonora No. 3: Overture Op. 72 NEK V. 2.73 Mozart, W. A. Magic Flute, The: Overture K. 620 NEK V. 1,80 Mozart, W. A. Marriage of Figaro, The: Overture K. NEK V. 1,81 492 Liszt, F. Mazeppa No. 6 NEK V. 4,50 Wagner, R. Meistersinger of Nuremberg, The: NEK V. 4 ,4 Overture Liszt, F. Mephisto Waltz NEK V. 4, 57 Debussy. C. Mer, La NEK V. 4.29 Vasilenko. S. Mirandola NEK 14 Massinet, J. Neopolitan Scenes NEK V. 4, 58 Debussy, C. Nocturnes NEK V .4, 31 Grieg, E. Norwegian Dances Op. 35 NEK V. 4, 19 Weber, C. M. Oberon NEK V .4, 5 Liszt, F. Orpheus NEK V .4, 51 Bach, J. S. Passacaglia NEK V. 1, 12 Grieg, E. Peer Gynt Op. 46 NEK V. 4, 16 Dukas, P. Peri, La NEK V. 4,37 Debussy, C. Petit Suite NEK V. 4, 33 Massinet, J. Phocdra NEK V .4, 60 Liszt, F. Piano Concerto No. 1 Op. 124 NEK V. 4, 55 Beethoven, L. Piano Concerto No. 1 Op. 15 NEK V .2, 81 Brahms. J. Piano Concerto No. 1 Op. 15 NEK V. 3, 88 Liszt, F. Piano Concerto No. 2 Op. 125 NEK V. 4, 56 Beethoven, L Piano Concerto No. 2 Op. 19 NEK V. 2, 83 103 Brahms, J. Piano Concerto No. 2 Op. 83 NEK V. 3,91 Mozart. W. A. Piano Concerto No. 20 K. 466 NEK V. 1.71 Mozart, W. A. Piano Concerto No. 24 K 491 NEK V. 1, 74 Beethoven, L. Piano Concerto No. 3 Op. 37 NEK V .2, 84 Beethoven, L. Piano Concerto No. 4 Op. 58 NEK V .2 ,85 Beethoven, L. Piano Concerto No. S Op. 73 NEK V .2, 87 G h% .E . Piano Concerto Op. 16 NEK V. 4,20 Dvorak, A. Piano Concerto Op. 33 NEK V. 4,28 Bach, J. S. Prelude and Fugue BWV 582 NEK V. 1,25 Liszt, F. Preludes, Les No. 3 NEK V .4 ,46 Liszt, F. Prometheus NEK V. 4,49 Beethoven, L. Prometheus Op. 43 NEK V .2 ,64 Berlioz, R Requiem NEK V .3 ,23 Mozart, W. A. Requiem K. 626 NEK V. 1,92 Verdi, G. Requiem Mass NEK V .4. 11 Berlioz, R Roman Carnival: Overture Op. 9 NEK V. 3, 15 Handel, G. F Samson and Delilah NEK V. 1, 30 Mozart, W. A. Serenade No. 10 K. 361 Gran Partita NEK V. 1, 88 Mozart, W. A. Serenade No. 5 K. 204 NEK V. 1, 83 Mozart, W. A. Serenade No. 7 K. 250 Haffiier NEK V. 1, 83 Serenade Mozart, W. A. Serenade No. 9 K. 320 NEK V. 1,87 Dvorak, A. Slavonic Dances Op. 46 NEK V. 4,25 Dvorak., A. Slavonic Rhapsody No. 1 Op.45 NEK V. 4,23 Dvorak, A. Slavonic Rhapsody No. 3 Op.45 NEK V. 4,24 Dukas, P. Sorcerer’s Apprentice, The NEK V 4, 38 Dvorak, A. Symphonic Poem Op. 78 NEK V .4 ,23 Berlioz, R Symphonie Fantastique Op. 14 NEK V. 3,3 Beethoven. L. Symphony Jena NEK -V .Z 2 Bizet, G. Symphony No. 1 NEK V. 3,26 Beethoven, L. Symphony No. 1 Op. 21 NEK V .2 ,4 Brahms, J. Symphony No. 1 Op. 68 NEK V .3 ,35 Haydn, F. J. Symphony No. 100 NEK V. 1,44 Haydn, F. J. Symphony No. 13 NEK V. 1,41 Haydn, F. J. Symphony No. 2 NEK V. 1,35 Beethoven, L. Symphony No. 2 Op. 36 NEK V .2, 7 Brahms, J. Symphony No. 2 Op. 73 NEK V. 3,44 Beethoven, L. Symphony No. 3 Op. 55 Eroica NEK V. 2, 12 Brahms, J. Symphony No. 3 Op. 90 NEK V.3, 51 Mozart, W. A. Symphony No. 35 K. 385 Haffiier NEK V. 1, 50 Mozart, W. A. Symphony No. 36 K. 425 Linzer NEK V. 1,52 Mozart, W. A. Symphony No. 38 K. 504 Prague NEK V. 1,54 Mozart, W. A. Symphony No. 39 K. 543 NEK V. 1,58 Beethoven, L. Symphony No. 4 Op. 60 NEK V. 2, 19 Brahms, J. Symphony No. 4 Op. 98 NEK V. 3,58 Mozart, W. A. Symphony No. 40 K. 550 NEK V. 1,62 Mozart, W. A. Symphony No. 41 K. 551 Jupiter NEK V. 1,65 Bruckner, A. Symphony No. 5 NEK V. 3,93 Grieg, E. Symphony No. 5 NEK V .4,21 Beethoven, L. Symphony No. 5 Op. 67 NEK V .2, 23 Beethoven, L. Symphony No. 6 Op. 68 Pastorale NEK V .2, 33 Beethoven, L. Symphony No. 7 Op. 92 NEK V .2 ,38 Haydn, F. J. Symphony No. 8 NEK V. 1,40 104 Beethoven, L. Symphony No. 8 Op. 93 NEK V .2 ,44 Bruckner, A. Symphony No. 9 NEK V .3 .96 Beethoven, L. Symphony No. 9 Op. 125 NEK V .2 ,48 Wagner, R. Tannhâuser NEK V .4 ,3 Liszt, F. Tasso NEK V .4 ,48 Badi, J. S. Toccata NEK V. 1,20 Brahms, J. Tragic: Overture Op. 81 NEK V. 3, 81 Beethoven, L. Turkish March Op. 113 NEK V .2 ,91 Dvorak, A. Violin Concerto Op. 53 NEK V. 4,27 Beethoven, L. Violin Concerto Op. 61 NEK V .2, 80 Beethoven, L. Violin Concerto Op. 61 NEK V .2, 79 Brahms, J. Violin Concerto Op. 77 NEK V. 3, 83 Wagner, R. WalkOre.Die NEK V .4, 3 Berlioz, H. Wandering Lights Minuet NEK V .3 ,22 HandeL G. F Water M usk NEK V. 1,31 Tchaikovsky, P. 1812: Overture Op. 49 PEZ 14 Tchaikovsky, P. Capriccio Italien Op. 45 PEZ 12 Tchaikovsky, P. Concerto for Violin Op. 35 PEZ 5 Tchaikovsky, P. Francesca da Rimini Op. 32 PEZ 4 Tchaikovsky, P. Marche Slave Op. 31 PEZ 2 Tchaikovsky, P. Nutcracker, The Suite Op. 71A PEZ 22 Tchaikovsky, P. Piano Concerto No. 1 Op. 23 PEZ 1 Tchaikovsky, P. Romeo & Juliet PEZ 30 Tchaikovsky, P. Symphony No. 4 Op. 36 PEZ 7 Tchaikovsky, P. Symphony No. 5 Op. 64 PEZ 16 Tchaikovsky, P. Symphony No. 6 Op. 74 Pathétique PEZ 25 Beethoven, L. Corioian: Overture Op. 62 PIEBMIS 76 Beethoven, L. Die Ruinen von Athen Op. 113 PIEBMIS 69 Beethoven, L. Egmont: Overture Op. 84 PIEBMIS 75 Beethoven, L. Fidelio Op. 72b PIEBMIS 45 Beethoven, L. King Stephan: Overture Op. 117 PIEBMIS 72 Beethoven, L. Leonora No. 3: Overture Op. 72 PIEBMIS 40 Beethoven, L. Leon ore No. 1: Overture Op. 138 PIEBMIS 37 Beethoven. L. Leonore No. 2: Overture Op. 72a PIEBMIS 38 Beethoven, L. Mass Op. 86 PIEBMIS 28 Beethoven, L. Missa solenmis Op. 123 PIEBMIS 29 Beethoven. L. Namensfeier: Overture Op. 115 PIEBMIS 73 Beethoven, L. Piano Concerto No. 1 Op. 15 PIEBMIS 3 Beethoven, L. Piano Concerto No. 2 Op. 19 PIEBMIS 6 Beethoven, L. Piano Concerto No. 3 Op. 37 PIEBMIS 6 Beethoven, L. Piano Concerto No. 4 Op. 58 PIEBMIS 12 Beethoven. L. Piano Concerto No. 5 Op. 73 PIEBMIS 17 Beethoven, L. Prometheus Op. 43 PIEBMIS 61 Beethoven. L. Triple Concerto Op. 56 PIEBMIS 25 Beethoven. L. Violin Concerto Op. 61 PIEBMIS 22 Beethoven. L. Weihe des Hauses, Die: Overture Op. PIEBMIS 79 114 Beethoven. L. Symphony No. 1 Op. 21 PIEBS 3 Beethoven, L. Symphony No. 2 Op. 36 PIEBS 6 Beethoven. L. Symphony No. 3 Op. 55 Eroica PIEBS 15 Beethoven, L. Symphony No. 4 Op. 60 PIEBS 20 Beethoven. L. Symphony No. 5 Op. 67 PIEBS 25 Beethoven. L. Symphony No. 6 Op. 68 Pastorale PIEBS 33 105 Beethoven. L. Symphony No. 7 Op. 92 PIEBS 37 Beethoven, L. Symphony No. 8 Op. 93 PIEBS 44 Beethoven, L. Symphony No, 9 Op. 125 PIEBS 47 Mahler, G. Das Lied von der Erde PIEMAH 122 Mahler, G. Kindertotenlieder PIEMAH 124 Mahler, G. Symphony No. 1 PIEMAH 2 Mahler, G. Symphony No. 2 PIEMAH 13 Mahlo-, G. Symphony No. 3 PIEMAH 27 Mahler, G. Symphony No. 4 PIEMAH 37 Mahler, G. Symphony No. 5 PIEMAH 45 Mahler, G. Symphony No. 6 PIEMAH 63 Mahler, G. Symphony No. 7 PIEMAH 81 Mahler, G. Symphony No. 8 PIEMAH 98 Mahler, G. Symphony No. 9 PIEMAH 104 Mozart, W. A. Piano Concerto No. 10 K. 365 PIEMK 100 Mozart, W. A. Piano Concerto No. 11 K. 413 PIEMK 6 Mozait, W. A. Piano Concerto No. 13 K. 415 PIEMK 6 Mozart, W. A. Piano Concerto No. 15 K. 450 PIEMK II Mozart, W. A. Piano Concerto No. 16 K. 451 PIEMK 16 Mozart, W. A. Piano Concerto No. 17 K. 453 PIEMK 21 Mozart, W. A. Piano Concerto No. 18 K. 456 PIEMK 31 Mozart, W. A. Piano Concerto No. 19 K. 459 PIEMK 39 Mozart, W. A. Piano Concerto No. 20 K. 466 PIEMK 48 Mozart, W. A. Piano Concerto No. 21 fC. 467 PIEMK 54 Mozart, W. A. Piano Concerto No. 22 K. 482 PIEMK 62 Mozart, W. A. Piano Concerto No. 23 K. 488 PIEMK 68 Mozart, W. A. Piano Concerto No. 24 K. 491 PIEMK 76 Mozart, W. A. Piano Concerto No. 25 K. 503 PIEMK 84 Mozart, W. A. Piano Concerto No. 26 K. 537 PIEMK 92 Mozart, W. A. Piano Concerto No. 27 K. 595 PIEMK 95 Mozart, W. A. Wind Serenade K. 412 PIEMK 104 Mozart, W. A. Wind Serenade K. 447 PIEMK 105 Mozart, W. A. Wind Serenade K. 622 PIEMK 102 Mozart, W. A. Cher C Moll K. 427 PIEMMIS 78 Mozart, W. A. Divertimento No. 2 K. 131 PIEMMIS 73 Mozart, W. A. Maurerische Trauermusik K. 477 PIEMMIS 39 Mozart, W. A. Missa solenmis K. 337 PIEMMIS 74 Mozart, W. A. Requiem K. 626 PIEMMIS 92 Mozart, W. A. Serenade No 9 K. 320 Posthom PIEMMIS 69 Serenade Mozart, W. A. Serenade No. 7 K. 250 Haffiier PIEMMIS 63 Serenade Mozart, W. A Symphony K. 76 PIEMMIS 5 Mozart, W. A. Symphony No. 12 K. 110 PIEMMIS 7 Mozart, W. A. Symphony No. 25 K. 183 PIEMMIS 9 Mozart, W. A. Symphony No. 26 K. 184 PIEMMIS 7 Mozart, W. A. Symphony No. 31 K. 297 Pariser PIEMMIS 13 Mozart, W. A. Symphony No. 32 fC 318 PIEMMIS 17 Mozart, W. A. Symphony No. 33 K. 319 PIEMMIS 18 Mozart, W. A. Symphony No. 34 K. 338 PIEMMIS 23 Mozart, W. A. Symphony No. 35 K. 385 Haffiier PIEMMIS 27 Mozart, W. A. Symphony No. 36 K. 425 Linzer PIEMMIS 33 Mozart. W. A. Symphony No. 38 K. 504 Prague PIEMMIS 40 106 Mozart, W. A. Symphony No. 39 K. 543 PIEMMIS 45 Mozart, W. A. Symphony No. 40 K. 550 PIEMMIS 50 Mozart, W. A. Symphony No. 41 K. 551 Jupiter PIEMMIS 56 Mozart, W. A. Finta Glardiniera. La K. 196 PIEMOP V. 1.7 Mozart, W. A. Idomeneo: Ballet Music K. 367 PIEMOP V. 1,52 Mozart, W. A. Idomeneo; Ballet Music K. 367 PIEMOP V. 1,22 Mozart, W. A. Magic Flute, The; Overture K. 620 PIEMOP V. 1, 87 Mozart, W. A. Marnage of Figaro, The: Overture K. PIEMOP V. 1,54 492 Mozart, W. A. Zaide K. 344 PIEMOP V. 1, 15 Tchaikovsky, P. 1812: Overture Op. 49 POP 79 Tchaikovsky, P. Capriccio Italien Op. 45 POP 71 Tchaikovsky, P. Concerto>Fantasie for Piano and POP 87 Orchestra Op. 56 Tchaikovsky, P. Der Sturm Op. 18 POP 74 Tchaikovsky, P. Fatian Op. 77 POP 86 Tchaikovsky, P. Francesca da Rimini Op. 32 POP 67 Tchaikovsky, P. Hamlet Op. 67 POP 82 Tchaikovsky, P. Manfied Symphony Op. 58 POP 47 Tchaikovsky, P. Piano Concerto No. 1 Op. 23 POP 89 Tchaikovsky, P. Piano Concerto No. 2 Op. 44 POP 91 Tchaikovsky, P. Piano Concerto No. 3 Op. 75 POP 92 Tchaikovsky, P. Rokoko Variations Op. 33 POP 94 Tchaikovsky, P. Romeo and Juliet POP 65 Tchaikovsky, P. Slawischer Marsch Op. 31 POP 77 Tchaikovsky, P. Suite No. 1 Op. 43 POP 54 Tchaikovsky, P. Suite No. 2 Op. 53 POP 57 Tchaikovsky, P. Suite No. 3 Op. 55 POP 60 Tchaikovsky, P. Suite No. 4 Op. 61 POP 64 Tchaikovsky, P. Symphony No. 1 Op. 13 POP 6 Tchaikovsky, P. Symphony No. 2 Op. 17 POP 12 Tchaikovsky, P. Symphony No. 3 Op. 23 POP 16 Tchaikovsky, P. Symphony No. 4 Op. 36 POP 23 Tchaikovsky, P. Symphony No. 5 Op. 64 POP 33 Tchaikovsky, P. Symphony No. 6 Op. 74 Pathétique POP 41 Tchaikovsky, P. Violin Concerto Op. 35 POP 95 Cilea, F. Adriana Lecouveur RIG 237 Verdi, G. Aida RIG 114 Ravel, M. Alborado del Gracioso RIG 245 Strauss, R. Also Sprach Zarathustra Op. 30 RIG 214 Mascagni, P Amico Fritz RIG 241 Dallapicolla, L. An Matfailde RIG 305 Cherubini, L. Anacreon, Die: Overture RIG 26 Respighi, O. Ancient Dances and Airs RIG 257 Giordano. U. Andrea Chénier RIG 237 Salieri, A. Annibale in Capua RIG 11 Liviabella, L. Antigone RIG 302 Rossini, G. Barber of Saville, The RIG 60 Respighi. O. BelAgor RIG 257 Puccini, G. Scheme, La RIG 178 Ravel, M. Bolero RIG 248 Veretti. A. Burlesca RIG 299 Rossini, G. Cambiali di Matrimonio, La | RIG 59 107 Pizzetti I. Canti della stagione aha RIG 269 Stravinsky, 1. Capriccio RIG 281 Tchaikovsky, P. Capriccio Italian Op. 45 RIG 159 Bizet, G. Carmen RIG 149 Mascagni P Ca Valeria Rusticana RIG 241 Testi, F. Celestirw, La RIG 319 Rossini G Cenerentola, La RIG 64 Stravinsky, I. Chant du rossignol RIG 279 Respighi, O. Church Windows RIG 261 Ricciteili P. Compagnaccj I RIG 266 Malipiero, G. F. Concerti RIG 273 Bartok, B. Concerto for Orchestra RIG 270 Liviabella. L. Concerto for Orchestra RIG 301 Castelnuovo* Concerto Italiano for Violin RIG 298 Tedesco, M. Beethoven, L. Corioian: Overtwe Op. 62 RIG 51 Mozart, W. A. Cosi fon tutte: Overture K. 588 RIG 23 Wagner, R. Crepuscolo degli D ei II RIG 95 Berlioz, H. Damnation o f Fausi The RIG 72 Kodaly, Z. Dances of Galanta RIG 277 Strauss, R. Death and Transfiguration Op. 24 RIG 209 Pizzetti I. Debora e Jaèle RIG 268 Malipiero, G F. Décima sinfonia RIG 275 Rocca, L. Dibuk,n RIG 294 Bussoni, F. Doctor Faust RIG 235 Casteinuovo* Dodicesima notte. La RIG 298 Tedesco, M. Strauss, R. Don Juan Op. 20 RIG 208 Donizetti G. Don Pasquale RIG 68 Strauss. R. Don Quixote Op. 35 RIG 216 Enescu, G. Edipo Op. 23 RIG 335 Strauss, R. Ein Heldenldren Op. 40 RIG 223 Weber, C M. Euryanthe: Aria RIG 59 Verdi, G. Falstaff RIG 122 Puccini G. Fanciulla del W esi La RIG 185 Wagner, R. Fate, La RIG 81 Liviabella, L. Favole di poeta RIG 301 Donizetti G. Favorita, La RIG 66 Giordano, U. Fedora RIG 239 Beethoven, L. Fidelio Op. 72: Duet RIG 52 Mendelssohn, F. Fingals Cave Op. 26: Overture RIG 77 Stravinsky, 1. Firebird RIG 278 Petrassi, G. First Concerto for Orchestra RIG 303 Verdi, G. Forza del destino. La RIG 112 Respighi. O. Fountains of Rome RIG 255 Zandonai, R, Francesca da Rimini RIG 287 Weber, C. M. Franco cacciatore, II: Overture RIG 58 Rossini G. Gazza ladra. La: Overture RIG 64 Puccini, G. Gianni Schicchi RIG 189 Casella. A. Giara, La RIG 287 Ponchielli A. Gioconda, La RIG 147 Respighi. O. Gli Ucelii RIG 261 Brahms, J. Haydn Variations Op. 56^ RIG 129 108 Ddjussy, C. Iberia RIG 200 Bucci, V. 11 Contrabosso Grot RIG 315 Beethoven, L. Inaugurazione: Overture RIG 57 Mascagni, P. Iris RIG 241 Rossini, G. Italian in Algiers RIG 60 Strauss, R. Italian Symphony Op. 16 RIG 205 Glinka, M. I. Kamarinskaia RIG 76 Shostakovich, D. Katerina Ismailova RIG 308 Mahler, G. Kindertotenlieder RIG 196 Messiaen, O. L’Ascension RIG 311 Donizetti, G. L’Eisir d’Amore, Una fiotiva lacrima RIG 66 Ravel. M. L'Enfint et les Sortilèges RIG 248 Ravel, M. L’Heure Espagnole RIG 247 Mussorgsky, M La fiera di Sorcinsky RIG 155 Mascagni, P La mascho’e RIG 244 Beethoven, L. Leonora No. 3: Overtire Op. 72 RIG 53 Wagner, R. Lohengrin RIG 87 Berg, A. Lulu RIG 290 Strauss, R. Macbeth Op. 23 RIG 209 Puccini, G. Madame Butterfly RIG 182 Mozart, W. A. Magic Flute, The: Overture K. 620 RIG 23 Mozart, W. A. Marriage of Figaro, The: Overture K. RIG 16 492 Verdi. G Masked BaU, The RIG 112 Cherubini, L. Medea: Aria RIG 24 Wagner, R Meistersinger of Nuremburg, The: RIG 103 Overture Boito, A. Mephistopheles RIG 172 Debussy, C. Mer, La RIG 198 Giordano, U. Mese Mariano RIG 240 Respighi, O. Metamorphoseon Modi XII RIG 265 Mendelssohn, F. Midsummer Night’s Dream Op. 61 RIG 78 Bucci, V. Mirandolina Suite RIG 316 Beethoven, L. Missa solemnis Op. 123 RIG 55 Liviabella, L. Monte Mario RIG 302 De Falla, M. Nights in the Gardens of Spain RIG 254 Paisiello, G. Nina pazza per amore RIG 10 Debussy, C. Nocturnes RIG 197 Verdi, G. Othello RIG 118 Liadow, T. Otto canti Russi Op. 58 RIG 178 Bach. J. S. Overture in C BWV 1066 RIG 2 Scheinpflug, P. Overture Op. 15 RIG 250 Leoncavallo. R Pagliacci RIG 194 Malipiero, G.F. Pantea RIG 273 Wagner, R Parsifal RIG 105 Sanunartini. G. Pastorale RIG 5 Prokofiev. S. Peter and the Wolf Op. 67 RIG 292 Poulenc. F. Piano Concerto RIG 298 Ravel. M. Piano Concerto G Major RIG 248 Chopin, F. Piano Concerto No. 1 Op. 11 RIG 80 Mozart. W. A. Piano Concerto No. 20 K. 466 RIG 12 Mozart. W. A. Piano Concerto No. 22 K. 482 RIG 13 109 Beethoven, L. Piano Conœito No. S Op. 73 RIG 54 Respighi, O. Pines of Rome, The RIG 255 Beethoven, L. Prometheus Op. 43 RIG 48 Mussorgsky. M. Ouatfci di im’esposizione RIG 151 Wolf-Fenari, E. Quattro rusteghi, I RIG 250 Verdi, G. Requiem Mass RIG 117 Ravel, M. Rhapsody Espagnole RIG 246 Wagner, R. Rienzi RIG 83 Verdi, G. Rigoietto RIG 108 Wagner, R. Ring o f the Nibelimg RIG 89 Stravinsky, I. Rite of Spring. The RIG 278 Tchaikovsky, P. Romeo and Juliet RIG 162 Porrino, E. Sardegna RIG 312 Handel, G. F. Saul RIG 3 Rossini, G. Scale di seta. La RIG 59 Mancicelli, L. Scene Veneziane RIG 174 Rimsky-Korsakov, N. Scheherazade Op. 35 RIG 173 Wolf-Ferrari, E. Segreto di Susanna, II RIG 253 Francaix, J. Serenade RIG 312 Zafred, M. Sesta sinibnica RIG 318 Verdi, G. Sicilian Vespers RIG 110 Wagner, R. S i^fried Idyll RIG 107 Wagner, R Siegfried Idyll RIG 92 Strauss, R. Sinfonia Domestica Op. 53 RIG 225 Dukas, P. Sorcerer’s Apprentice, The RIG 232 Smetana, H. Sposa venduta. La RIG 127 Ghedini, G. Studi per m affiesco di battaglia RIG 293 Stravinsky-Pergolesi Suite di Pulcinella RIG 283 Liviabella, L. Suite fiabesca RIG 301 Liviabella, L. Suite per laia fiaba RIG 202 Marinuzzi. G. Suite Sicilians RIG 276 Puccini, G. Suor Angelica RIG 189 Hindemith, P. Symphonic Metamorphosis RIG 297 Berlioz, H. Symphonie Fantastique Op. 14 RIG 68 Haydn, F. J. Symphony in B® Major RIG 5 Haydn, F. J. Symphony in C RIG 9 Haydn, F. J. Symphony in E** Major RIG 5 Mahler, G. Symphony No. 1 RIG 196 Shostakovich, D Symphony No. 1 Op. 10 RIG 306 Beethoven, L. Symphony No. 1 Op. 21 RIG 27 Schumann, R. Symphony No. 1 Op. 38 RIG 79 Brahms, J. Symphony No. 1 Op. 68 RIG 132 Beethoven, L. Symphony No. 2 Op. 36 RIG 28 Sibelius, J. Symphony No. 2 Op. 43 RIG 226 Schumann, R. Symphony No. 2 Op. 61 RIG 79 Brahms. J. Symphony No. 2 Op. 73 RIG 136 Brunetti, G. Symphony No. 23 RIG 10 Mahler, G. Symphony No. 3 RIG 196 Beethoven, L. Symphony No. 3 Op. 55 Eroica RIG 30 Brahms. J. Symphony No. 3 Op. 90 RIG 140 Mozart, W A. Symphony No. 36 K. 425 Linzer RIG 20 Mozart. W. A. Symphony No. 38 K. 504 Prague RIG 17 Mozart, W.A. Symphony No. 39 K. 543 RIG 19 110 Kremikov, T.N. Symphony No. 4 RIG 313 Tdiaikovsky. P. Symphony No. 4 Op. 36 RIG 155 Beethoven, L. Symphony No. 4 Op. 60 RIG 33 Brahms. J. Symphony No. 4 Op. 98 RIG 142 Mozart, W. A. Symphony No. 40 K. 550 RIG 20 Mozart, W. A. Symphony No. 41 K. 551 Jupiter RIG 12 Tchaikovsky, P. Symphony No. 5 Op. 64 RIG 163 Beethoven, L Symphony No. 5 Op. 67 RIG 36 Beethoven, L. Symphony No. 6 Op. 68 Pastorale RIG 38 Tchaikovsky, P. Symphony No. 6 Op. 74 Pathétique RIG 167 Beethoven, L. Symphony No. 7 Op. 92 RIG 41 Schubert, F. Symphony No. 8 D. 759 Unfinished RIG 68 Beethoven, L. Symphony No. 8 Op. 93 RIG 42 Haydn, F. J. Symphony No. 85 RIG 6 Haydn, F. J. Symphony No. 88 RIG 8 Mahler, G. Symphony No. 9 RIG 324 Beethoven, L. Symphony No. 9 Op. 125 RIG 44 Dvorak, A. Symphony No. 9 Op. 95 RIG 170 Shostakovich, D. Symphony No. 9 Op.70 RIG 307 Strauss, R. Symphony Op. 12 RIG 202 Puccini, G. Tabarro, B RIG 187 Rossini, G. Tancredi RIG 60 Wagner, R. Tannhiuser RIG 86 Dallapicoila, L. Tartiniana for Violin and Orchestra RIG 305 Fetrassi, G. Third Concerto for Orchestra RIG 303 Strauss, R. Till Eulenspiegel Op. 28 RIG 211 Puccini. G. Tosca RIG 180 Verdi, G. Traviata. La RIG 109 Fizzetti. I. Tre preludi sinfonici RIG 266 Wagner, R. Tristan and Isolda RIG 97 Respighi, O. Trittico Botticelliano RIG 263 Puccini, G. Turandot RIG 191 Mussorgsky. M Una notte sul monte Calvo RIG 151 Schoenberg, A. Variations Op. 31 RIG 245 Wagner. R. Vasoello fimtasma, II RIG 84 Spontini, G. Vestale, La RIG 10 Tchaikovsky, P. Violin Concerto Op. 35 RIG 157 Beethoven, L. Violin Concerto Op. 61 RIG 50 Wagner, R. WalkOre, Die RIG 90 Catalan i, A. Wally, La RIG 176 Berg, A. Wozzeck RIG 289 Britten, B. Young Person's Guide to the Orchestra RIG 314 Op. 34 Prokofiev, S. Cinderella SAV 47 Prokofiev, S. Romeo & Juliet Op. 64 SAV 38 Khachatiflian, A. Spartacus SAV 70 Gliere, R. The Bronze Horseman SAV 21 Asafyev, B. The Fountain of Bakhchirsaram SAV 2 Prokofiev, S. The Ugly Duckling SAV 61 Schuman, W. American Festival; Overture SCH 49 Barber. S. Andromache’s Farewell SCH 1 Einem, G. von Capriccio SCH 12 Barber, S. Cello Concerto SCH 2 Ill School berg. A. Chamber Symphony No. 2 Op. 38 SCH 47 SchoenbcTR, A. Chamber Symphony No. 2 Op. 38 SCH 42 Prokofiev, S. Chout: Suite Op. 71a SCH 19 Prokofiev. S. Classical Symphony Op. 25 SCH 21 Blacher, B. Concerto for Clarinet, Bassoon, SCH 6 Trumpet & Strings Schoenberg. A. Concerto for Piano & Orchestra Op. 42 SCH 43 Schoenberg, A. Concerto for Violin A Orchestra Op. SCH 45 36 Stravinsky, I. Danses Concertantes SCH 75 Hindemid), P. Die Harmonie der Welt SCH 14 Stravinsky, I. Dumbarton Oaks Concerto SCH 75 Barber, S. First Symphony SCH 5 Stravinsky, I. Four Norwegian Moods SCH 78 Stravinsky, I. Jeu De Cartes SCH 76 Schuman, W. Judith SCH 50 Prokofiev, S. Lieutenant Kiié Suite Op. 60 SCH 24 Barber, S. Medea’s Meditation A Dance of SCH 2 Vengeance Hindemith, P. Neues vom Tage SCH 14 Schuman, W. New England Triptych SCH 50 De Falla, M. Nights in the Gardens of Spain SCH 12 Bernstein, L. On the Waterfiont SCH 6 Ravel, M. Pavane for a Dead Infint SCH 42 Prokofiev, S. Peter and the Wolf Op. 67 SCH 26 Hindemith, P. PhiOiarmonisches Konzert SCH 15 Barber, S. Piano Concerto SCH 3 Prokofiev. S. Piano Concerto No. 3 Op. 26 SCH 26 Hindemith, P. Pittsburgh Symphony SCH 16 Holst, G. Planets, The SCH 16 Weinberger. J. Polka A Fugue fitxn ‘’Shvanda” SCH 84 Prokofiev, S. Romeo A Juliet Op. 64 SCH 29 Bloch, S. Schelomo SCH 8 Barber, S. Second Essay for Orchestra SCH 4 Thomson, V. Seine at Night, The SCH 84 Hindemith, P. Sinfonietta in E SCH 16 Hindemith, P. Symphonic Metamorphosis SCH 16 Stravinsky, 1. Symphony in C SCH 79 Stravinsky, I. Symphony in Three Movements SCH 81 Shostakovich, D. Symphony No. 1 Op. 10 SCH 59 Shostakovich, D. Symphony No. 12 Op. 112 SCH 74 Harris, R. Symphony No. 3 SCH 13 Schuman, W. Symphony No. 3 SCH 52 Prokofiev, S. Symphony No. 3 Op. 44 SCH 31 Prokofiev, S. Symphony No. 5 Op. 100 SCH 33 Shostakovich, D. Symphony No. 5 Op. 47 SCH 61 Schuman, W. Symphony No. 6 SCH 56 Prokofiev, S. Symphony No. 6 Op. 111 SCH 37 Shostakovich, D. Symphony No. 6 Op. 53-54 SCH 64 Prokofiev, S. Symphony No. 7 Op. 131 SCH 41 Shostakovich, D. Symphony No. 7 Op. 60 Leningrad SCH 66 Schuman, W. Symphony No. 8 SCH 58 Shostakovich, D. Symphony No. 8 Op. 65 SCH 68 1 1 2 Shostakovidu D. Symphony No. 9 Op.70 SCH 72 Prokofiev, S. The Love of Three Oranges Op. 33b SCH 25 Barber, S. Toccata Festiva SCH 6 Carter, E. Variations for Orchestra SCH 10 Barber. S. Violm Concerto SCH 1 Stravinsky, I. Violin Concerto in D SCH 82 Prokofiev, S. Violin Concerto No. 2 Op. 63 SCH 41 Tchaikovsky, P. Charodeyka SCHV 67 Tdiaflcovsky, P. Cherevichsky SCHY 3 Tchaikovsky, P. Eugene Oiegin Op. 24 SCHY 32 Tchaikovsky, P. loianta SCHY 60 Tchaikovsky, P. Mazepa SCHY 14 Tchaikovsky, P. Nutcracker, The Suite Op. 71A SCHY 97 Tchaikovsky, P. Pique Dame Op. 68 SCHY 43 Tchaikovsky, P. Sleeping Beauty SCHY 88 Tchaikovsky. P. Swan Lake Op. 20 SCHY 81 Bach, J. S. Cantata ‘‘Adi Gott, wie manches SIEBK V. 1,4 HerzlekT BWV 3 Bach, J. S. Cantata “Ach, ich sche, itzt” BWV 162 SIEBK V .2 ,4 6 Bach, J. S. Cantata “Also hat Gott die Welt SIEBK V. 1,54 geliebt” BWV68 Bach, J. S. Cantata “Arge dich, o Seele, nicht” SIEBK V .2 ,6 8 BWV 186 Bach, J. S. Cantata “Auf Christi Himmelfidirt SIEBK V.2,32 allein” BWV 128 Bach, J. S. Cantata “Barmherziges Herze der SIEBK V .2 ,6 6 ewigen Liebe“ BWV 185 Bach, J. S. Cantata “Bereitet die Wege, bereitet SIEBK V.2,36 die Bahn" BWV 132 Bach, J. S. Cantata “Bisher habt ihr nichts gebeten SIEBK V. 1,61 in meinem Namen” BWV 87 Bach, J. S. Cantata “Brich dem Hungrigen dein SIEBK V. 1,28 Brot” BWV 39 Bach, J. S. Cantata “Christ lag in Todesbanden” SIEBK V. 1,6 BWV 4 Bach. J. S. Cantata “Christ unser Herr zum Jordan SIEBK V. 1,7 kam” BWV7 Bach, J. S. Cantata “Christum wir sollen loben SIEBK V .2,22 schon” BWV 121 Bach, J. S. Cantata “Das neugebome Kindelein“ SIEBK V .2,24 BWV 122 Bach, J. S. Cantata “Dazu ist ersdiienen der Sohn SIEBK V. 1, 30 Gottes” BWV40 Bach, J. S. Cantata “Dem Gerechten muQ das SIEBK V. 2, 74 Lichr BWV 195 Bach, J. S. Cantata “Der Herr denket an uns” SIEBK V .2 ,7 6 BWV 196 Bach, J. S. Cantata “Der Himmel lacht, die Erde SIEBK V. 1, 18 jubiiieret” BWV 31 Bach, J. S. Cantata “Du FriedefOrst, Herr Jesu SIEBK V. 2, 16 Chrisr BWV 116 Bach. J. S. Cantata “Du wahrer Gott und Davids SIEBK V 1, 14 Sohn“ BWV 23 113 Bach, J. S. Cantata “Ein feste Burg ist inser Gott” SIEBK V 1,60 BWV 80 Bach, J. S. Cantata ‘‘Eriialt uns, Hetr, bei deinem SIEBK V .2,28 Woft” BWV 126 Bach, J. S. Cantata “Erschallet, ihr Lieder” BWV SIEBK V .2,54 172 Bach, J. S. Cantata “ErwOnschtes Fireundenlicfaf' SIEBK V .2,64 BWV 184 Bach, J. S. Cantata “Es ist dir gesagt, Mensch, SIEBK V. 1, 34 was gut ist” BWV 45 Bach, J. S. Cantata “Es ist nichts Gestaides an SIEBK V. 1, 16 mdnem Ldbe” BWV 25 Bach, J. S. Cantata “Falscfae Weh, dir trau ich SIEBK V. 1,47 n ich r BWV 52 Badi, J. S. Cantata “Gelobet sei der Hetr, mein SIEBK V .2,34 Gotr BVW 129 Bach, J. S. Cantata “Gott der Herr ist Sonn und SIEBK V. I, 59 Schikr BWV 79 Bach, J. S. Cantata “Gott flOiret auf mit Jauchzen” SIEBK V- 1, 32 BWV 43 Bach, J. S. Cantata “Gott is meinem KOnig” BWV SIEBK V. 1,58 71 Bach, J. S. Cantata “Gott soil aliein mein Herze SIEBK V .2,53 haben” BWV 169 Bach, J. S. Cantata “Gottes Zeit ist die allerbeste SIEBK V .2 ,6 Zeit” BWV 106 Bach, J. S. Cantata “Halt im GedScfamis Jesum SIEBK V. 1, 53 ChrisT BWV67 Bach, J. S. Cantata “Herr Jesu Christ, du hOchstes SIEBK V .2, 14 Out” BWV 113 Bach, J. S. Cantata “Herr Jesu Christ, wah’r SIEBK V .2,30 Mensch und Gott” BWV 127 Bach, J. S. Cantata “Herz und Mund und Tat und SIEBK V. 2,40 Leben” BWV 147 Bach, J. S. Cantata “HimmelskAiig, sei SIEBK V .2 ,62 willkommen” BWV 181 Bach, J. S. Cantata “HocherwOnschetes SIEBK V .2, 72 FreudenfesT BWV 194 Bach, J. S. Cantata “Ich geh’ und suche mit SIEBK V. I, 36 Verlangen” BWV 49 Bach, J. S. Cantata “Ich glaube, lieber Herr” SIEBK V .2, 10 BWV 109 Bach, J. S. Cantata “Ich hab in Gottes Herz und SIEBK V. 1,64 Sinn” BWV 92 Bach, J. S. Cantata “Ich hatte vie! BekOmmemis” SIEBK V. 1, 12 BWV 21 Bach, J. S. Cantata “Ich n if zu dir, Herr Jesu SIEBK V .2, 56 Christ” BWV 177 Bach, J. S. Cantata “Dir werdet weinen und SIEBK V .2 ,4 heulen” BWV 103 Bach, J. S. Cantata “In allen meinen Taten” BWV SIEBK V. 1,68 97 Bach, J. S. Cantata “Jauchzet Gott in allen SIEBK V. 1,44 Landen” BWV51 114 Bach, J. S. Cantata **Leichtgesnmte Flattergeister” SIEBK V .2 . 59 BWV 181 Bach, J. S. Cantata “Lobe den Herrcn, dm SIEBK V .2 ,38 michtigm Kdnig der Ehrm” BWV 132 Bach, J. S. Cantata “Man singet mit Freuden vom SIEBK V .2 ,42 Sieg” BWV 149 Badi, J. S. Cantata “Meine Seel erhefat den Hem” SIEBK V. 1.8 BWV 10 Bach, J. S. Cantata “Meinm Jesum laB ich nicht” SIEBK V .2 ,26 BWV 124 Bach, J. S. Cantata “Nach dir, Herr. verianget SIEBK V .2 ,44 mich” BWV 150 Bach, J. S. Cantata “Nin komm, der Heiden SIEBK V. 1, 50 Heilan

118 APPENDIX D

ALPHABETICAL USX OF SELECTED COLLECTIONS BY COMPOSER AND TITLE

119 Compoaer Work Sonrce rmtt Adam, A. Postillon V. Longjumeau, Der GUM v . 2 , 19 Auber, F. Stumme von Portict, Die: Overture GUM V .2 ,29 Bach, J. S. Overture in C BWV 1066 STA 2 Beethoven, L. Fidelio Op. 72 GUM V .2 ,2 Beethoven, L. Leonora No. 3: Overture Op. 72 GUM V .2 .20 Beethoven, L. Prometheus Op. 43 GUM V .2 ,26 Beethoven, L. Quintet Op. 16 GUM V .2 ,2 2 Beethoven, L. Septet Op. 20 GUM V .2 ,21 Beethoven, L. Symphony No. 1 Op. 21 GUM V. 1,2 Beethoven, L. Symphony No. 2 Op. 36 GUM V. 1,3 Beethoven, L. Symphony No. 3 Op. 55 Eroica GUM V. 1.6 Beethoven, L. Symphony No. 4 Op. 60 GUM V. 1,7 Beethoven, L. Symphony No. 5 Op. 67 GUM V. 1,9 Beethoven, L. Symphony No. 6 Op. 68 Pastorale GUM V. 1, 10 Beethoven, L. Symphony No. 7 Op. 92 GUM V. 1. 12 Beethoven, L. Symphony No. 8 Op. 93 GUM V. 1, 14 Beethoven, L. Symphony No. 9 Op. 125 GUM V. 1, 15 Beethoven, L. Weflie des Hauses, Die: Overture Op. GUM V .2, 14 114 Beethoven, L. Coriolan: Overture Op. 62 KOL 4 Beethoven, L. Fidelio Op. 72 KOL 6 Beethoven, L. Leonora No. 3: Overture Op. 72 KOL 5 Beethoven, L. Symphony No. 3 Op. 55 Eroica KOL 1 Beethoven, L. Symphony No. 4 Op. 60 KOL 1 Beethoven, L. Symphony No. 6 Op. 68 Pastorale KOL 3 Beethoven, L. Symphony No. 9 Op. 125 KOL 3 Beethoven, L. Violin Concerto Op. 61 KOL 5 Beethoven, L. Coriolan: Overture Op. 62 STA 36 Beethoven, L. Fidelio Op. 72: Duet STA 38 Beethoven, L. Leonora No. 3: Overture Op. 72 STA 37 Beethoven, L. Missa solenmis Op. 123 STA 40 Beethoven, L. Octet Op. 103 STA 32 Beethoven, L. Promedieus Op. 43 STA 36 Beethoven, L. Quintet Op. 16 STA 27 Beethoven, L. Quintet Op 73 STA 19 Beethoven. L. Septet Op. 20 STA 28 Beethoven, L. Symphony No. 1 Op 21 STA 12 Beethoven, L. Symphony No. 2 Op. 36 STA 12 Beethoven, L. Symphony No. 3 Op 55 Eroica STA 14 Beethoven, L. Symphony No. 4 Op. 60 STA 16 Beethoven, L. Symphony No. 5 Op. 67 STA 18 Beethoven, L. Symphony No. 6 Op 68 Pastorale STA 20 Beethoven, L. Symphony No. 7 Op. 92 STA 22 Beethoven, L. Symphony No. 8 Op. 93 STA 23 Beethoven, L. Symphony No. 9 Op. 125 STA 24 Beethoven, L. Violin Concerto Op. 61 STA 39 Beethoven, L. Weihe des Hauses, Die: Overture Op. STA 38 114 Berlioz, H. Symphonie Fantastique Op. 14 KOL 7 Berlioz, H. Damnation of Faust, The STA 61 Bizet, G. Carmen KOL 9 120 Boieldieu, A. Wicsse Dame, Die: Overture GUM V .2,28 Boito. A. Menhistofiheles STA 66 Brahms, J. Haydn Variations Op. 56* KOL 11 Brahms. J. Symphony No. 2 Op. 73 KOL 10 Brahms, J. Violin Concerto Op. 77 KOL 12 Brahms, J. (hiydn Variations Op. 56* STA 95 Brahms, J. Symphony No. 3 Op. 90 STA 94 Catalan], A. Wally. La STA 84 Cherubini, L. Anacreon, Die: Overture GUM V .2 ,29 Cherubini, L. Anacreon, Die: Overture GUM V .2,28 Cilea, F. Adriana Lecouveur STA 67 De Falla, M. Nights in the Gardens of Spain STA 64 Debussy, C. Prelude to the Afternoon of a Fawn STA 68 Donizetti, G. Liebestrank, Der KOL 12 Donizetti, G Favorita, La STA 89 Donizetti, G L’Eisir d’Amore, Ihta fiirtiva lacrima STA 90 Giordano, U. Andrea Chénier STA 97 Giordano, U. Fedora STA 98 Haydn, F. J Symphony in B" STA 3 Haydn, F. J. Symphony No. 104 London Symphony GUM V. 1,22 Haydn, F. J. Symphony No. 11 GUM V .2 ,25 Haydn, F. J. Symphony No. 12 GUM V. 1.23 Haydn, F. J. Symphony No. 13 GUM V .2 ,29 Haydn, F. J. Symphony No. 14 GUM V .2,24 Haydn. F. J. Symphony No. 2 GUM V. 1.21 Haydn, F. J. Symphony No. 6 “Symph mit dem GUM V .2 ,23 Paukenschlag” Haydn, F. J. Symphony No. 88 KOL 14 Haydn. F. J. Symphony No. 90 KOL 13 Haydn, F. J. Symphony in C STA 4 Haydn, F. J. Symphony in G STA 3 Leoncavallo, R. Pagliacci KOL 15 Leoncavallo. R. Pagliacci STA 126 Lortzing. A. Czar und Zimmermann GUM V .2, 17 Mancinelli, L. Scene Veneziane STA 116 Marinuzzi, G. Suite Siciliana STA 116 Mascagni. P. Iris STA 100 Mendelssohn, F. Scherzo No. 1 GUM V .2 ,4 Mendelssohn. F. Symphony No. 3 Op. 56 GUM V. 1,26 Mendelssohn. F. Symphony No. 4 Op. 90 GUM V. 1,27 Mendelssohn, F. Midsummer Night’s Dream Op. 61 STA 90 Mozart. W. A Magic Flute, The: Overture K. 620 GUM V. 2, 18 Mozart. W. A. Symphony No. 1 K. 16 GUM V .2, 14 Mozart. W. A Symphony No. 13 K. 112 GUM V .2, 16 Mozart, W. A. Symphony No. 4 K. 19 GUM V. 1,23 Mozart, W. A. Symphony No. 6 K. 43 GUM V .2, 16 Mozart, W. A Cosi fan tutte: Overture K. 588 KOL 17 Mozart. W. A Magic Flute, The: Overture K. 620 KOL 19 Mozart, W. A Marriage of Figaro, The: Overture K. KOL 16 492 Mozart, W. A Symphony No. 41 K. 551 Jupiter KOL 20 Mozart, W. A. Cosi fan tutte: Overture K. 588 STA 6 Mozart, W. A. Don Giovanni: Overture K. 527 | STA 10 121 Mozart, W. A. Magic Flute. The: Overture K. 620 STA 7 Mozart, W. A. Marnage o f Figaro, The: Overture K. STA 4 492 Mozart, W. A. Piano Concerto No. 20 K. 466 STA 5 Mozart, W. A. Quintet STA 10 Mozart, W. A Symphony No. 36 K. 425 Linzer STA 7 Mozart, W. A. Symphony No. 38 K. 504 Prague STA 7 Mozart, W. A. Symphony No. 39 K. 543 STA 5 Mozart, W. A. Symphony No. 40 K. 550 STA 8 Mozart, W. A. Symphony No. 41 K. 551 Jupiter STA 8 Paisiello, G. Nina pazza per amore STA 1 Pergolesi-Stravinsky Chant du Rossignol STA 82 Pergolesi-Stravinsky Pulcinella Suite STA 79 Pizzetti, L Debora e Jaele STA 65 Pizzetti, I. Tre preludi sinfonici STA 118 PonchiellL. A. Giaconda. La STA 83 Puccini, G. Boheme, La STA 102 Puccini, G. Fanciulla del West, La STA 108 Puccini, G. Gianni Schicchi STA 112 Puccini, G. Madame Butterfly STA 106 Puccini, G. Suor Angelica STA 111 Puccini, G. Tabarro, D STA 110 Puccini, G. Tosca STA 104 Ravel, M. Bolero KOL 21 Ravel, M. Piano Concerto G Major KOL 22 Ravel, M. Rhapsody Espagnole KOL 23 Ravel, M Bolero STA 93 Ravel, M. Rhapsody Espagnole STA 93 Respighi, O. Ancient Dances and Airs STA 68 Respighi, O. Church Windows STA 77 Respighi, O. Fountains of Rome STA 71 Respighi, O. Gli Ucelli STA 74 Respighi, O. Pines of Rome, The STA 76 Respighi, O. Trittico Botticelliano STA 72 Riccitelli, P. Compagnacci, 1 STA 125 Rimsky-Korsakov, N. Scheherazade Op. 35 KOL 23 Rimsky-Korsakov, N. Scheherazade Op. 35 STA 121 Rossini, G. Barber of Sa ville. The KOL 24 Rossini, G. Barber of Seville, The STA 42 Rossini, G. Cambiali di Matrimonio, La STA 44 Rossini, G. Cenerentola, La STA 45 Rossini, G. Gazza ladra. La: Overture STA 46 Rossini, G. Italian in Algigs STA 45 Rossini, G. L’Assedio di Corinto STA 45 Rossini, G. Scala di seta. La STA 45 Rossini. G. Semiramide STA 42 Rossini. G. Tancredi STA 44 Sammartini, G. Pastorale STA 118 Schubert. F. Octet Op. 166 GUM V .2,28 Schubert. F. Octet Op. 166 STA 90 Schubert. F. Symphony No. 8 D. 759 Unfinished STA 90 Schumann. R. Symphony No. 1 Op. 38 GUM V. 2,29 Schumann. R. Symphony No. ! Op. 38 KOL 27 122 Schumann, R. Symphony No. 1 Op. 38 STA 92 Schumann, R. Symphony No. 2 Op. 61 STA 92 Shostakovich, D. Symphony No. 9 Op.70 KOL 27 Smetana. B. Bartered Bride: Overture KOL 28 Spontini, G. Vestale. La STA 1 Stadio, C. Due cadenze al concerto Op. 96 per STA 6 Fagotto e Orchestra di W. A. Mozart Strauss, R. Don Quixote Op. 35 KOL 29 Strauss, R. Ein Heldenleben Op. 40 KOL 30 Strauss, R. Salome Op. 54 KOL 30 Strauss, R. Till Eulenspiegel Op. 28 KOL 30 Stravinsky, I. Firebird: Suite KOL 31 Stravinsky, 1. Pulcinella: Suite KOL 32 Stravinsky, I. Rite o f Spring. The KOL 31 Stravinsky, I. Firebird STA 77 Stravinsky, I. Rite of Spring. The STA 78 Tchaikovsky, P. Symphony No. 4 Op. 36 KOL 33 Tchaikovsky. P. Symphony No. 5 Op. 64 KOL 35 Tchaikovsky, P. Symphony No. 6 Op. 74 Pathétique KOL 37 Verdi, G. Othello KOL 37 Verdi, G. Aida STA 50 VerdûG. Falstaff STA 56 Verdû G. Forza del destino. La STA 47 Verdû G. Masked BalL The STA 48 Verdi, G. Othello STA 53 Verdû G. Requiem Mass STA 60 Verdû G. Rigoletto STA 49 Verdû G. Sicilian Vespers STA 48 Verdi, G. Traviata. La STA 46 Wagner, R. Lohengrin KOL 38 Wagner, R. Meistersinger o f Nuremburg, The: KOL 39 Overture Wagner, R. Meistersinger of Nuremburg, The: STA 88 Overture Wagner, R. Rhinegold, The STA 86 Wagner, R. TannhAuser STA 86 Wagner, R. WalkOre, Die STA 87 Weber, C. M. Beherrscher der Geister. Der: Overture GUM V .2,28 Weber, C. M. Concerto Op. 75 (Mis Marked) GUM V .2, 7 Weber, C. M. Euryanthe: Overture GUM V.2, 17 Weber, C. M. Hungarian Rondo Op. 35 GUM V 1, 28 Weber, C. M. Freischutz, D er Overture KOL 40 Weber, C. M. Freischutz, D er Overture STA 61 Wolf-Ferrari, E. Quattro rusteghi, 1 STA 122 Wolf-Ferrari. E. Segreto di Susanna, 11 STA 124 Zandonai, R. | Francesca da Rimini STA 125

1 2 3 APPENDIX E

ALPHABETICAL LIST OF SELECTED COLLECTIONS BY TITLE

124 CoBDOwr Work Source P»«e Cilea, F. Adriana Lecouveur STA 67 VerdûG. Aida STA 50 Cherubini. L. Anacreon. Die: Overture GUM V.2.29 Cherubini, L. Anacreon, Die: Overture GUM V .2,28 Respishi. O Ancient Dances and Airs STA 68 Giordano. (J. Andrea Chénier STA 97 Rossini, G. Barber of Seville. The KOL 24 Rossini. G. Barber of Seville. The STA 42 Smetana. B. Bartsed Bride: Overture KOL 28 Weber, C. M. Beherrscher der Geister, Der Overture GUM V .2,28 Puccini, G. Boheme. La STA 102 Ravel, M Bolero KOL 21 Ravel, M. Bolero STA 93 Rossini. G. Cambiali di Matrnnonio. La STA 44 Bizet, G. Carmen KOL 9 Rossini, G. Cenerentola. La STA 45 Pergolesi-Stravinsky Chant du Rossignol STA 82 Respighi, O. Church Windows STA 77 Riccitelli. P. Compagnacci. I STA 125 Weber, C. M. Concerto Op. 75 (Mis Marked) GUM V .2 .7 Beethoven. L. Coriolan: Overture Op. 62 KOL 4 Beethoven. L. Coriolan: Overture Op. 62 STA 36 Mozart, W. A. Cosi fim tutte: Overture K. 588 KOL 17 Mozart, W. A. Cosi &n tutte: Overture K. 588 STA 6 Lortzing, A. Czar und Zimmermann GUM V.2. 17 Berlioz. H. Damnation of Faust. The STA 61 Pizzetti, I. Debora e Jaéle STA 65 Mozart. W. A. Don Giovanni: Overture K. 527 STA 10 Strauss, R. Don Quixote Op. 35 KOL 29 Stadio, C. Due cadenze al concerto Op. 96 per STA 6 Fagotto e Orchestra di W. A. Mozart Strauss, R. Ein Heldenleben Op. 40 KOL 30 Weber, C. M. Euryanthe: Overture GUM V.2. 17 Verdi, G. Falstaff STA 56 Puccini, G. Fanciulla del West. La STA 108 Donizetti. G. Favorita. La STA 89 Giordano, U. Fedora STA 98 Beethoven. L. Fidelio Op. 72 GUM V .2 .2 Beethoven. L. Fidelio Op. 72 KOL 6 Beethoven. L. Fidelio Op. 72: Duet STA 38 Stravinsky. I. Firebird STA 77 Stravinsky, I. Firebird: Suite KOL 31 Verdi. G. Forza del destino. La STA 47 Respighi, O. Fountains o f Rome STA 71 Zandonai, R. Francesca da Rimini STA 125 Weber, C. M. Freischutz, Der Overture KOL 40 Weber, C. M. Freischutz, Der: Overture STA 61 Rossini, G. Gazza ladra. La: Overture STA 46 PonchiellL A. Giaconda, La STA 83 Puccini, G. Gianni Schicchi STA 112 Respighi, O. Gli Ucelli STA 74 125 Brahms. J. Haydn Variations Op. 56* KOL 11 Brahms, J. Haydn Variations Op. 56* STA 95 Weber, C. M. Hungarian Rondo Op. 35 GUM V. 1,28 Mascaonl P. Iris STA 100 Rossini, G. Italian in Algiers STA 45 Rossini, G. L’Assedio di Corinto STA 45 Donizetti, G. L’Eisir d’Amore. Una fiirtiva lacrima STA 90 Beethoven, L. Leonora No. 3: Overture Op. 72 GUM V .2 ,20 Beethoven, L. Leonora No. 3: Overttae Op. 72 KOL 5 Beethoven, L. Leonora No. 3: Overture Op. 72 STA 37 Donizetti, G. Liebestrank, Der KOL 12 Wagner, R. Lohengrin KOL 38 Puccini, G. Madame Butterfly STA 106 Mozart, W. A. Magic Flute, The: Overture K. 620 GUM V .2 ,18 Mozart W. A. Magic Fhite, The: Overture K. 620 KOL 19 M ozart W. A. Magic Fhite, The: Overture K. 620 STA 7 M ozart W. A. Marriage of Figaro, The: Overture K. KOL 16 492 Mozart W. A. Marriage of Figaro, The: Overture K. STA 4 492 Verdi, G. Masked BalL The STA 48 Wagner, R. Meistersinger of Nuremburg, The: KOL 39 Overture Wagner, R. Meistersinger of Nuremburg, The: STA 88 Overture Boito, A. Mephistopheles STA 66 Mendelssohn, F. Midsummer Night’s Dream Op. 61 STA 90 Beethoven, L. Missa solemnis Op. 123 STA 40 De Falla, M. Nights in the Gardens of Spain STA 64 Paisiello, G Nina pazza per amore STA 1 Beethoven, L. Octet Op. 103 STA 32 Schubert F. Octet Op. 166 GUM V.2,28 Schubert F. Octet Op. 166 STA 90 Verdi, G. Othello KOL 37 Verdi, G. Othello STA 53 Bach, J. S. Overture in C BWV 1066 STA 2 Leoncavallo, R. Pagliacci KOL 15 Leoncavallo, R. Pagliacci STA 126 Sammartini, G. Pastorale STA 118 Ravel, M. Piano Concerto G Major KOL 22 Mozart, W. A. Piano Concerto No. 20 K. 466 STA 5 Respighi, O. Pines of Rome, The STA 76 Adam, A. Postilion V. Longjumeau, Der GUM V.2, 19 Debussy, C. Prelude to the Afternoon of a Fawn STA 68 Beethoven, L. Prometheus Op. 43 GUM V .2 ,26 Beethoven, L. Prometheus Op. 43 STA 36 Pergolesi-Stravinsky Pulcinella Suite STA 79 Stravinsky, 1. Pulcinella: Suite KOL 32 Wolf-Ferrari, E. Quattro rusteghL 1 STA 122 Mozart W. A. Quintet STA 10 Beethoven, L. Quintet Op. 16 GUM V .2,22 Beethoven, L. Quintet Op. 16 STA 27 Beethoven, L. Quintet Op. 73 STA 19 126 Verdi G. Requiem Mass STA 60 Ravel. M. Rhapsody Espagnole KOL 23 Ravel, M Rhapsody Espagnole STA 93 Wagner. R. Rhinttold. The STA 86 Verdi G. Rigoletto STA 49 Stravinsky. I. Rite o f Spring. The KOL 31 Stravinsky. I. Rite of Spring, The STA 78 Strauss, R. Salome Op. 54 KOL 30 Rossini G. Scala di seta. La STA 45 Mancinelli. L. Scene Veneziane STA 116 Rimsky-Korsakov. N. Scheherazade Op. 35 KOL 23 Rimsky-Korsakov. N. Scheherazade Op. 35 STA 121 Mendelssohn. F. SdierzoNo. 1 GUM V .2 ,4 Wolf-Fenari E. Segreto di Sussma. 11 STA 124 Rossini G. Semiramide STA 42 Beethoven. L. Septet Op. 20 GUM V .2 ,21 Beethoven, L. Septet Op. 20 STA 28 Verdi G. Sicilian Vespers STA 48 Auber, F. Stumme von Portici, Die: Overture GUM V.2,29 Marinuzzi. G. Suite Siciliana STA 116 Puccini G. Suor Angelica STA 111 Berlioz. H. Symphonie Fantastique Op. 14 KOL 7 Haydn. F. J Symphony in B^ STA 3 Haydn, F. J. Symphony in C STA 4 Haydn, F. J. Symphony in G STA 3 Mozart, W. A. Symphony No. I K. 16 GUM V.2, 14 Beethoven, L. Symphony No. 1 Op. 21 GUM V. 1,2 Beethoven, L. Symphony No. 1 Op. 21 STA 12 Schumann, R. Symphony No. 1 Op. 38 GUM V. 2,29 Schumann, R. Symphony No. 1 Op. 38 KOL 27 Schumann, R. Symphony No. 1 Op. 38 STA 92 Haydn, F. J. Symphony No. 104 London Symphony GUM V. 1,22 Haydn. F. J. Symphony No. 11 GUM V .2, 25 Haydn, F. J. Symphony No. 12 GUM V. 1, 23 Haydn. F. J. Symphony No. 13 GUM V. 2, 29 Mozart, W. A. Symphony No. 13 K. 112 GUM V. 2, 16 Haydn, F. J. Symphony No. 14 GUM V .2,24 Haydn, F. J. Symphony No. 2 GUM V. 1,21 Beethoven, L. Symphony No. 2 Op. 36 GUM V. 1,3 Beethoven, L. Symphony No. 2 Op. 36 STA 12 Schumann, R. Symphony No. 2 Op. 61 STA 92 Brahms, J. Symphony No. 2 Op. 73 KOL 10 Beethoven, L. Symphony No. 3 Op. 55 Eroica GUM V 1,6 Beethoven, L. Symphony No. 3 Op. 55 Eroica KOL 1 Beethoven, L. Symphony No. 3 Op. 55 Eroica STA 14 Mendelssohn, F. Symphony No. 3 Op. 56 GUM V. 1,26 Brahms, J. Symphony No. 3 Op 90 STA 94 Mozart, W. A. Symphony No. 36 K. 425 Linzer STA 7 Mozart, W. A. Symphony No. 38 K. 504 Prague STA 7 Mozart, W. A. Symphony No. 39 K. 543 STA 5 Mozart, W. A. Symphony No. 4 K. 19 GUM V 1,23 Tchaikovsky, P. Symphony No. 4 Op. 36 KOL 33 Beethoven, L. Symphony No. 4 Op. 60 GUM V. 1,7 127 Beethoven. L. Symphony No. 4 Op. 60 KOL 1 Beethoven, L. Symphony No. 4 Op. 60 STA 16 Mendelssohn, F. Symphony No. 4 Op. 90 GUM V. 1,27 Mozart, W. A. Symphony No. 40 K. 550 STA 8 Mozart, W. A. Symphony No. 41 K. 551 Jupiter KOL 20 Mozart, W. A Symphony No. 41 K. 551 Jv ite r STA 8 Tchaikovsky, P. Symphony No. 5 Op. 64 KOL 35 Beethoven, L. Symphony No. 5 Op. 67 GUM V. 1,9 Beethoven, L. Symphony No. 5 Op. 67 STA 18 Haydn, F. J. Symphony No. 6 “Symph mit dem GUM V .2 ,23 Paukenschlag” Mozart, W. A. Symphony No. 6 fC 43 GUM V .2, 16 Beethoven, L. Symphony No. 6 Op. 68 Putorale GUM V. 1, 10 Beethoven, L. Symphony No. 6 Op. 68 ftstorale KOL 3 Beethoven, L. Symphony No. 6 Op. 68 Pmtorale STA 20 Tchaikovsky, P. Symphony No. 6 Op. 74 Pathétique KOL 37 Beethoven, L. Symphony No. 7 Op. 92 GUM V. 1, 12 Beethoven, L. Symphony No. 7 Op. 92 STA 22 Schubert, F. Symphony No. 8 D. 759 Unfinished STA 90 Beethoven, L. Symphony No. 8 Op. 93 GUM V. 1, 14 Beethoven, L. Symphony No. 8 Op. 93 STA 23 Haydn, F. J. Symphony No. 88 KOL 14 Beethoven, L. Symphony No. 9 Op. 125 GUM V. 1, 15 Beethoven, L. Symphony No. 9 Op. 125 KOL 3 Beethoven, L. Symphony No. 9 Op. 125 STA 24 Shostakovidi, D. Symphony No. 9 Op.70 KOL 27 Haydn, F. J. Symphony No. 90 KOL 13 Puccini, G. Tabarro, D STA 110 Rossini. G. Tancredi STA 44 Wagner, R. Tannhiuser STA 86 Strauss, R. Till Eulenspiegel Op. 28 KOL 30 Puccini, G. Tosca STA 104 Verdi, G. Traviata, La STA 46 Pizzetti, I. Tre preludi sinfonici STA 118 Respighi, O. Trittioo Botticelliano STA 72 Spontini, G. Vestale. La STA 1 Beethoven, L. Violin Concerto Op. 61 KOL 5 Beethoven, L. Violin Concerto Op. 61 STA 39 Brahms, J. Violin Concerto Op. 77 KOL 12 Wagner, R. WalkOre, Die STA 87 Catalani, A. Wally, La STA 84 Beethoven, L. Weihe des Hauses, Die; Overture Op. GUM V. 2, 14 114 Beethoven, L. Weihe des Hauses, Die; Overture Op. STA 38 114 Boieldieu, A. Wiesse Dame, Die: Overture GUM V .2 ,2 8

128 APPENDIX F

EXCERPT BIBLIOGRAPHY

Albert, eA Orchestral Studies from Operas and Concert Works. New York: International, 1947.

Angerhôfer, Günter, ed. Orchesterstudien fiir Fayott. Heft 10. Russische und Sowejetische Meister. Leipzig: Hofineister, 1962.

Bohm, Johannes, ed. : Orchesterstudien aus den Svmphonischen Werken fur Fagott und Kontrafagott. Leipzig: Peters, 1910.

Bolfan, Marijan, ed. Orkestarske Studije za Fagot. Knjazevac, Karadordeva (Yugoslavia): Izdavca organizacija, 1980.

Degen, Bruce N, con^iler. Orchestral Passages for Bassoon from the concertos of M ozart and Beethoven. Volume I. Lawrence, Kansas: Bocal Music, 1994.

Degen, Bruce N, con^iler. Orchestral Passages for Bassoon from the concertos of Berlioz. Brahms. Chopin. Havdn. Liszt. Mendelssohn. Moscheles. Paganini. Schumann. Spohr. Vieuxtemps. ViottL Weber and Wieniawskv. Volume II. Lawrence, Kansas: Bocal Music, 1994.

Degen, Bruce N, compiler. Orchestral Passages for Bassoon: Late 19*** and Earlv 20*** Centurv Concertos. Volume III. Lawrence, Kansas: Bocal Music, 1994.

Dhérin, Gustave, ed. Traits Difficiles. Tires d’ouvres svmphoniques et dramatiques. Volumes 1-11. Paris: Leduc, 1948-1954.

Gardner, Larry, ed. Bassoon Passages from Ballet bv Peter Ilvich Tchaikovskv. Fresno, CA: Self Published. 1998.

Gumbert, Friedrich. Orchesterstudien fur Fagott Eine Sammlung schwieriger Stellen aus Svmphonien und andem Werken. Hefl I and II. Leipzig: Merserberger, n.d.

129 Gumbert, Friedrich, Christian Wiegand and Wilhelm Knochenhauer, ed. Orchesterstudien fiir Fagott von Gumbert-Wiegland. Heft ü. Leipzig: Hofineister, ca. 1930.

Gumbert, Friedrich, and Christian Wiegand, e d .. Orchesterstudien für Fagott Eine Sammlung schwieriger Stellen aus Svmphonien und andem Werken. Heft I. Leipzig: Hofineister, ca. 1900

Junge, Georg, ed. Fagott-Studien. VoL I and O. Berlin: Friedrich Wilhelm FrOlich Musikverlag, 1938.

Junge, Georg, ed. Orchesterstudien ftr Fagott. Heft I. III. IV. Leipzig: VEB Friedrich Hofineister, 1954-6.

Kessler, Claude (Clarke), ed. Bassoon Passages. Books I and ü. New York: Belwin, Inc., 1947.

Kolbinger, Karl and Alfitd Rinderqtacher, ed. Orchester Probespiel. Fagott/Kontrafagott. Frankfurt: Peters, 1992.

Mages, Raimund, ed. Orchesterstudien fttr Fagott. Heft VI and VIT. Leipzig: VEB Friedrich Hofineister, 1962.

Mages, Raimund, ed. Orchesterstudien flir Fagott. Two volumes. Hofiieim: Friedrich Hofineister Musikverlag, 1997.

Morelli, Frank A, ed. Igor Stravinskv — Difficult Passages for the Bassoon and Contrabassoon. London: Boosey and Hawkes, 1997.

Nekliudov, Yuri, ed. Orkestrowe trudnosti dlia faeota. Tetrad I-IV / Zarubzhnve klassiki. Moscow: Gosudarstvennoe Muzykalnoe Izdatelstvo, 1960.

PezzL Vincenzo, ed. Peter I. Tchaikovskv Orchestra Studies for Bassoon. Philadelphia: Elkan-VogeL 1948.

Piesk, Gunter, ed. Orchesterstudien. Beethoven Werke aufler Sinfonien. Frankfurt: Zimmermann, 1984.

Piesk. Günter, ed. Orchesterstudien. Beethoven Sinfonien. Frankfurt: Zimmermann, 1982.

Piesk. Günter, ed. Orchesterstudien. Fagott. Mahler. Frankfurt: Zimmermann. 1993.

Piesk. Günter, ed. Orchesterstudien. Fagott. Mnyarr Knnygrte. Frankfurt: Zimmermann, 1993.

1 3 0 Piesk, Günter, ed. Orchesterstudien. Fagott Mozart Sinfonien. Serenaden. DivertimentL Chorwerice. Frankfurt: Zinunermann, 1993.

Piesk, Günter, ed. Orchesterstudien. Fayott. Mozart Opem. Frankfurt: Zimmermann, 1993.

Popov, Valeri S, ed. Orchesterstudien. FagotL Tchaikowskv Werke auBer Ballette und Opem. Frankfurt: Zimmermann, 1993.

Righini, Fernando, ed. II Fagotto in Orchestra. Milano: Published by Author, 1971.

Saveliev, B., ed. Orkestrowe trudnosti dlia fagota. Izdatelstvo Muzyka, 1964.

Schoenbach, Sol, conqsUer. Twentieth Centurv Orchestra Studies for Bassoon. Henry Charles Smith, ed. New York: G. Schirmer, 1970.

Schubert, Y, ed. Orkestrowe trudnosti dlia fagota. Tchaikowsky Ballet and Opera, 1 and 2 Bassoons. Moscow: Gosudarstvennoe Muzykalnoe Izdatelstvo, 1952.

Siebach, Konrad, ed. Studien fttr tiefe Instrumente nach Instrumental-Bafltimmen aus Werken Johann Sebastian Bach. Leq>zig: VEB Friedrich Hofineister, 1958.

Siebach, Konrad, ed. Hândel-Studien fttr tiefe Instrumente. Leipzig: VEB Friedrich Hofineister, 1959.

Siebach, Konrad, ed. Bach-Studien fOr Violoncello-KontrabaB-Fagott. Heft I. Leipzig: VEB Friedrich Hofineister, 1967.

Siebach, Konrad, ed. Bach-Studien für Violoncello-KontrabaB-Fagott. Heft II. Leipzig: VEB Friedrich Hofineister, 1967.

Stadio. Giro, ed. Passi Difficili e “A Solo” per Fagotto. 1932. Milan: Ricordi, 1954, 1992.

Weller, Curt, ed. Orchesterstudien fÛr Fagott. volume I. Kassel: Breitkopf und Hartel, 1909.

[Weller, Curt, ed.] Orchesterstudien fÜr FagotL volumes I-VI. Melville. NY: Belwin Mills. n.d. N. B.: The companies o f Belwin, Inc. and Mills Music Co., merged in 1969 to form Belwin Mills.

131 APPENDIX G

CHRONOLOGICAL LISTING OF ORCHESTRAL EXCERPTS

Gumbert, Friedrich. Orchesterstudien fttr Fagott Eine Sammluny schwieriger Stellen aus Svmphonien und andem Werken. Heft I and II. Leipzig: Merserberger, n.d.

Gumbert, Friedrich, and Christian Wiegand, ed.. Orchesterstudien für Fagott Eine Sammlung schwieriger Stellen aus Svmphonien und andem Werken . Heft I. Leipzig: Hofineister, ca. 1900

Weller, Curt, ed. Orchesterstudien fiir Fagott. volume I. Kassel: Breitkopf und Hârtel, 1909.

Bohm, Johannes, ed. Richard Strauss: Orchesterstudien aus den Svmphonischen Werken fur Fagott und Kontrafagott, Leipzig: Peters, 1910.

Gumbert, Friedrich, Christian Wiegand and Wilhelm Knochenhauer, ed. Orchesterstudien fur Fagott von Gumbert-Wiegland. Heft II. Leipzig: Hofineister, ca. 1930.

Stadio, Ciro, ed. Passi Difficili e “A Solo” per Fagotto. 1932. Milan: Ricordi, 1954, 1992.

Junge, Georg, ed. Fagott-Studien. VoL I and n. Berlin: Friedrich Wilhelm Frôlich Musikverlag. 1938.

Albert, ed. Orchestral Studies fi-om Operas and Concert Works. New York: IntemationaL 1947.

Kessler, Claude (Clarke), ed. Bassoon Passages. Books I and U. New York: Belwin, Inc., 1947.

Dhérin, Gustave, ed. Traits Difficiles. Tires d’ouvres svmphoniques et dramatiques. Volumes 1-11. Paris: Leduc, 1948-1954.

Pezzi, Vincenzo, ed. Peter I. Tchaikovskv Orchestra Studies for Bassoon. Philadelphia: Elkan-Vogel, 1948.

1 3 2 Schubert, Y, ed. Orkestrowe trudnosti dlia fayota. Tchaikowsky Ballet and Opera, 1 and 2 Bassoons. Moscow: Gosudarstvennoe Muzykalnoe Izdatelstvo, 1952.

Junge, Georg, ed. Orchesterstudien fiir Fagott. Heft I. DI. IV. Leipzig: VEB Friedrich Hofineister, 1954-6.

Siebach, Konrad, ed. Studien fttr tiefe Instrumente nach Instrumental-Bafltimmen aus Werken Johann Sebastian Bach, Leipzig: VEB Friedrich Hofineister, 1958.

Siebach, Konrad, ed. Hgndel-Studien fttr tiefè Instrumente. Leipzig: VEB Friedrich Hofineister, 1959.

Nekliudov, Yuri, ed. Orkestrowe trudnosti dlia fayota. Tetrad I-IV / Tamhyhnve klassiki. Moscow: Gosudarstvennoe Muzykalnoe Izdatelstvo, 1960.

Angerhôfer, Günter, ed. Orchesterstudien fiir Fagott. Heft 10. Russische und Soweietische Meister. Leipzig: Hofineister, 1962.

Mages, Raimund, ed. Orchesterstudien für Fagott. Heft VI and VU. Leipzig: VEB Friedrich Hofineister, 1962.

Saveliev, B., ed. Orkestrowe trudnosti dlia fitgota. Izdatelstvo Muzyka, 1964.

Siebach, Konrad, ed. Bach-Studien fiir Violoncello-KontrabaB-Fagott. Heft I. Leipzig: VEB Friedrich Hofineister, 1965.

Siebach, Konrad, ed. Bach-Studien fiir Violoncello-KontrabaB-Fagott. Heft H. Leipzig: VEB Friedrich Hofineister, 1967.

Schoenbach, Sol, con^iler. Twentieth Centurv Orchestra Studies for Bassoon. Henry Charles Smith, ed. New York: G. Schirmer, 1970.

Righini, Fernando, ed. Il Fagotto in Orchestra. Milano: Published by Author, 1971.

Bolfan, Marijan, ed. Orkestarske Studije za Fagot. Knjazevac, Karadordeva (Yugoslavia): Izdavca organizacija, 1980.

Piesk. Günter, ed. Orchesterstudien. Beethoven Sinfonien. Frankfurt: Zimmermann, 1982 .

Piesk, Günter, ed. Orchesterstudien. Beethoven Werke aufler Sinfonien. Frankfurt: Zimmermann, 1984.

Kolbinger, Karl and AlfiwI Rinderspacher, ed. Orchester Probespiel. Fagott/Kontrafagott. Frankfurt: Peters, 1992.

133 Piesk, Günter, ed. Orchesterstudien. Fagott. Mahler. Frankfurt: Zimmermann, 1993.

Piesk, Günter, ed. Orchesterstudien. PayotL Mny-ait Konzertg Frankfurt: Zimmermann, 1993.

Piesk, Günter, ed. Orchesterstudien. Fagott. Mmzat Sinfonien. Serenaden. Divert imentL Chorwerke. Frankfurt: Zimmermann, 1993.

Piesk, Günter, ed. Orchesterstudien. Fayott Mozart Opem. Frankfurt: Zimmermann, 1993.

Popov, Valeri S, ed. Orchesterstudien. Fagott. Tchaikowskv Werke auBer Ballette und Opem. Frankfurt: Zimmermann, 1993.

Degen, Bruce N, compiler. Orchestral Passages for Bassoon from the concertos of Mozart and Beethoven. Volume I. Lawrence, Kansas: Bocal Music, 1994.

Degen, Bruce N, compiler. Orchestral Passages for Bassoon from the concertos of Berlioz. Brahms. Chopin. Havdn, Liszt. Mendelssohn. Moscheles. Payanini. Schumann. Spohr. Vieuxtemps. ViottL Weber and Wieniawskv. Volume H. Lawrence, Kansas: Bocal Music, 1994.

Degen, Bruce N, compiler. Orchestral Passages for Bassoon: Late 19* and Earlv 20*** Centurv Concertos. Volume HI. Lawrence, Kansas: Bocal Music, 1994.

Mages, Raimund, ed. Orchesterstudien fflr Fagott. Two volumes. Hofiieim: Friedrich Hofineister Musikverlag, 1997.

MorellL Frank A, ed. Igor Stravinskv — Difficult Passages for the Bassoon and Contrabassoon. London: Boosey and Hawkes, 1997.

Gardner, Larry, ed. Bassoon Passages from the Nutcracker Ballet bv Peter Ilvich Tchaikovskv. Fresno, CA: Self Published, 1998.

[Weller, Curt, ed.] Orchesterstudien fiir Fagott volumes I-VI. Melville, NY: Belwin Mills, n.d. N. B.: The companies o f Belwin, Inc. and Mills Music Co., merged in 1969 to form Belwin Mills.

134 APPENDIX H

Subject: Information, please

Date: Wed, 26 Jan 2000 11:51:05 -0500

From: Thomas Heck [email protected]

To: [email protected]

CC: [email protected]

Ciao, Massimo,

This time h is I who have a question for you! One of our grad students here at OSU, Tama Kott, is doing a document on bassoon orchestral excerpt collections, and needs information on one of the most inqwrtant editors of such publications, one

STADIO, Ciro

He published such an anthology with Ricordi in 1932, reissued in 1954, and again in 1992. The student has been unable to find ANY information on Prof. Stadio. We have checked a number of international and Italian biographical dictionaries of musicians.

Can you help us at all? As much as his life dates would be great, but a biography, however small, would be wonderful, anche in italiano!

Grazie mille!

Tom

Thomas F. Heck Head, OSU Music & Dance Library — E-Mail: [email protected]— And Professor of Musicology Office phone:...(614) 688-0106 SuUivant Hall, 1813 N. High St. Office fox: ...... (614) 292-8012 Columbus, OH 43210-3929 USA Home vox/fax: (614) 442-8226 Personal home page: home.co lumbus.rr.com/heck

135 APPENDIX I

Date: Thu, 03 Feb 2000 09:01:04 +1000

From: Massimo Gentiii-Tedeschi [email protected]

Subject: Information, Please

To: Thomas Heck [email protected]

Dear Tom.

It’s a pleasure bearii% you, I hope you are all well in columbus. Giro Stadio has written in foct some things for wind instruments that I have found in the Conservatory holdings; if you want I can send you a list of his works here. They are nuinly o f the years 1928-31 and almost all bear the phrase “Professore nel Liceo Musicale di Cagliarf'. There is also a score with an autograph dedication to the library. Despite some research, I have found nothing el%. Writing to the Conservatory of Cagliari might tell us the precise years when he has taught there, but I fear not a lot more. If you want I can try going deeper.

I go ahead anyway see if if I can find anything more.

All the best

Massimo Gentiii-Tedeschi tel. +39-02762110219 Ufficio Ricerca Fondi Musicali fax. +39-0276003097 via Conservatorio, 12 email [email protected] 1-20122 Milano http ://www. cilea. it/music/musserv. htm#URFM

136 BIBLIOGRAPHY

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142