Lookingglass Alice Friends Who Have Worked Together in 2014? We Avoid Death at All Adapted and Directed by David Catlin for Many Years

Total Page:16

File Type:pdf, Size:1020Kb

Lookingglass Alice Friends Who Have Worked Together in 2014? We Avoid Death at All Adapted and Directed by David Catlin for Many Years Lookingglass Theatre Company proudly presents Andrew White♦ Rachel E. Kraft Philip R. Smith♦ Heidi Stillman♦ Artistic Director Executive Director Producing Artistic Director Artistic Director of New Work John Musial♦ Sally Dolembo Christine A. Binder♦, USA Rick Sims♦ Scenic Designer Costume Designer Lighting Designer Composer/Sound Designer Mieka van der Ploeg Rebecca Pechter* Joel Hobson Chad Hain Properties Designer Production Stage Manager Production Manager Technical Director CAST Tina...................................J. Nicole Brooks♦* Maxine...............................Deanna Dunagan* Todd......................................Raymond Fox♦* Daughter.............................Louise Lamson♦* UNDERSTUDIES Diane Dorsey*, Colm O’Reilly, Lanise Antoine Shelley* and Danielle Zuckerman USA denotes Member of United Scenic Artists, the union for Designers, Artists and Craftspeople; *Member of Actors’ Equity Association, the union for professional actors and stage managers; ♦Lookingglass Theatre Company Ensemble Member, Artistic Associate or Production Affiliate DEATH TAX received its World Premiere in the 2012 Humana Festival of New American Plays at ACTORS THEATRE OF LOUISVILLE. DEATH TAX is presented by special arrangement with Dramatists Play Service, Inc., New York. Opening Night Sponsor Lookingglass Theatre Company is a member of Theatre Communications Group (TCG), the national service organization for American Theatre, and of the League of Chicago Theatres, the local service organization for theatre. Death Tax 1 PRODUCTION STAFF Assistant Technical Director.............................................................................................Ben Dawson In Conversation Administrative and Production Assistant.............................................................................Kelly Crook with Heidi Stillman and Lucas Hnath Assistant Stage Manager..................................................................................................Nora Mally* Interview by Literary Manager and Company Dramaturg Marti Lyons Assistant Costume Designer.......................................................................................Noel Huntzinger Assistant Lighting Designer................................................................................................Bailey Rosa Assistant Properties Designer......................................................................................... Danielle Case Dialect Coach............................................................................................................Eva Breneman♦ MARTI LYONS: Heidi, how did this nurses that had been accused Dramaturg.........................................................................................................................Marti Lyons collaboration come about? of “helping” patients die a little Master Carpenter.........................................................................................................Isaac Schoepp faster. The alleged motivations Carpenters.........................................................................................Elijah King and Dustin Pettegrew HEIDI STILLMAN: I saw the Scenic Charge...................................................................................................................Zoe Shiffrin production of Death Tax at the always had something to do with Assistant Charge Scenic Artist........................................................................................Meg Grgurich Humana Theatre Festival in money. That’s the obvious germ Master Electrician................................................................................................................Jeff Glass for the play. The less obvious Assistant Master Electrician........................................................................................Megan Snowder Louisville in 2012. We loved the Electricians....................................................................Erik Barry, Steve Burdsall, Nicholas J. Carroll, play so much I hunted Lucas germ probably has something to John Kelly, Shawn Kronk, Simon Robinson down before we headed back to do with an old job of mine: I used Nora Rubenstone, Elizabeth Smith, Karen Thompson, and Chris Wilham to counsel folks who were fighting Wardrobe Supervisor..................................................................................................David Galbreath Chicago. I was very eager to meet Costume Manager...............................................................................................Mieka van der Ploeg him to express how much the play to keep their unemployment Hair and Make-up.......................................................................................................Christine Conley resonated with me. A few months insurance benefits. I’d help Wigs.....................................................................................................................Samantha Umstead claimants--and the law students Draper.................................................................................................................................Beth Über later we scheduled a reading at Stitcher...................................................................................................................Katelyn Hendricks Lookingglass. This past winter the who would represent the Sound Engineer................................................................................................Christopher M. LaPorte claimants at hearings —craft Deck Crew.................................................................................Jeanette Klemeyer and Robert Tolzien Lookingglass Ensemble voted to Casting......................................................................................Philip R. Smith♦ with Raymond Fox♦ include Death Tax as part of our their stories into a compelling Stage Management Intern............................................................................................Janice Johnson 2014–2015 season. legal argument. I think that Scene Shop Intern.............................................................................................................Erin Ohland influenced the voice of the play; Electrics Intern..............................................................................................................Arianna Brown ML: Lucas, what was the initial each scene works a bit like a set inspiration for Death Tax? of legal arguments. Everyone USA denotes Member of United Scenic Artists, the union for Designers, Artists and Craftspeople; is rationalizing; everyone is *Member of Actors’ Equity Association, the union for professional actors and stage managers; LUCAS HNATH: I never accurately ♦Lookingglass Theatre Company Ensemble Member, Artistic Associate or Production Affiliate recall the inspirations for plays. convinced that they’re doing the Partial support for open captioning provided by Theatre Development Fund. I think it’s because they tend only reasonable thing they can do. Theatre Development Fund to come from a network of very ML: Heidi, can you tell us a bit different thoughts and ideas about your collaborators? that had been running around my head for years. I can say that HS: We are fortunate to have my mother, a Hospice chaplain, Ensemble Members J. Nicole “One of Chicago’s Best had once told me about some Brooks and Raymond Fox as Steakhouses” well as Artistic Associate Louise Lamson as part of the four-person Make your next pre-theatre dinner reservation. cast of Death Tax . We are also 909 N. Michigan Avenue, Chicago IL | 312.255.9009 honored that Deanna Dunagan is returning to the Lookingglass TheGrill.com Across from the Hancock Building stage to play Maxine. Deanna off Michigan Avenue. gave an incredible performance 2 Lookingglass Theatre Company Death Tax 3 in The North China Lover for can be so easily reframed and me last season. I am thrilled to reinterpreted with the adjustment have her back for Death Tax. of a couple key words. Beyond Additionally, Ensemble Member that I just liked the title because Don’t miss the rest of John Musial is designing the it sounded vaguely like a B-movie set along with Artistic Associate thriller, and there’s something Lookingglass’ 2014–2015 Season Christine A. Binder (lights) and kind of perverse about tacking Upgrade your ticket to Death Tax to a season my husband, Artistic Associate such a blunt title onto a play. subscription for as little as $136 Rick Sims, designing sound. I’m really looking forward to HS: Like taxes, death is inevitable. this collaboration with my artist Are we handling it well in America Lookingglass Alice friends who have worked together in 2014? We avoid death at all Adapted and Directed by David Catlin for many years. costs, quite literally. And we keep From the works of Lewis Carroll it at bay at much cost. We remove Produced in association with The Actors Gymnasium ML: Can you both speak a little the dying from us. Few of us die November 12, 2014– February 15, 2015 bit about the title of the play? at home. We put the old people I know we can trace it back to elsewhere and we pay for Benjamin Franklin’s quote “In Title and Deed expensive and invasive medical this world nothing can be said Written by Will Eno procedures well into old age. to be certain, except death and Directed by Marti Lyons I think there are other cultures taxes,” but it also seems so March 18–May 3, 2015 that live more intimately with relevant to our contemporary death, who prepare for death
Recommended publications
  • Non-Equity Jeff Award Nominations Rescinded for the Hypocrites
    Editor’s Note: The complete list of Non-Equity Jeff Awards nominees follows this release and is also available on-line in the News and Events section at www.jeffawards.org. Non-Equity Jeff Award Nominations Rescinded for The Hypocrites Additional Nominations Announced Saturday, April 25, 2015 - Chicago, IL. Early Friday, April 24, 2015, Sean Graney, who recently returned to Chicago to resume his post as Artistic Director of The Hypocrites, informed the Joseph Jefferson Awards Committee that he just learned the theater company had been operating under an Equity CAT-N contract for the duration of the 2014-2015 Non-Equity season. Over the past year, requests for judging its productions were made to the Non-Equity Wing without the committee having knowledge of the company’s Equity status. The Jeff Committee was aware that two of the productions had Equity performers (as indicated in the program); however, the committee has now confirmed that these were not guest contracts. As such, the company’s productions are not eligible for consideration in the Non- Equity Wing, and all related Non-Equity Jeff Award nominations have been rescinded. The productions in question will be shifted to the Equity Wing for awards consideration during its current season, which commenced on August 1, 2014 and will end on July 30, 2015. A revised listing of nominees follows for the 2014-2015 Non-Equity Jeff Awards. 2015 NON-EQUITY JEFF AWARD NOMINEES PRODUCTION - PLAY "Exit Strategy" - Jackalope Theatre Company "The Jungle" - Oracle Productions "Men Should Weep" - Griffin Theatre Company "Monstrous Regiment" - Lifeline Theatre "Ruined" - Eclipse Theatre Company" PRODUCTION - MUSICAL "Assassins" - Kokandy Productions "The Full Monty" - Kokandy Productions "Jesus Christ Superstar" - Theo Ubique Cabaret Theatre "Titanic" - Griffin Theatre Company "The Wild Party" - Bailiwick Chicago PRODUCTION - REVUE "Always..
    [Show full text]
  • Annual Report
    ANNUAL REPORT Fiscal Year 2017: July 2016 – June 2017 Season 33 "I love to sing, I love connecting with my fellow members, and I love sharing our music with the community." — Jon Brockelman, Tenor 2 2 Welcome to CGMC Since 1985, Chicago Gay Men’s Chorus has been a leading voice of social justice, offering a safe and support- ive environment for LGBTQ+ performers to celebrate their talents and share our message of diversity and inclusivity through our shows. Fiscal year 2017 (from July 2016 – June 2017) included more than 40 public performances. In addition to our traditional programming, for the first time we also piloted a high school outreach program to share our message with the next generation. We plan to continue outreach programs like this in future years. The season kicked off in September 2016 with ourThe Great Gaymerican Songbook cabaret performance at Mayslake Peabody Estate in Oak Brook and the Uptown Underground on the north side of the city. Our holiday show Home for the Holidivas in December 2016 brought us to the Harris Theater, the North Shore Center for the Performing Arts in Skokie, and the Beverly Art Center. Lipsticks & Lyrics: The Dragtones, our live singing drag show in February 2017, featured several iconic girl groups, to the delight of our audience in four shows at Uptown Underground. Finally, our spring show *B-Town: From Barbershop to Boybands in May 2017 brought us back to rock the Harris Theater, North Shore Center for the Performing Arts, and the Beverly Arts Center. Outside of our regular mainstage shows, we performed at numerous community events across Chicagoland, including the Chicago AIDS Run/Walk opening ceremony, National Anthem for American Veterans for Equal Rights (AVER) memorial in Boystown and a Chicago Fire soccer game, Market Days, and Midsommarfest.
    [Show full text]
  • The Brief Chronicle ANOTHER PART of the FOREST
    WRITERS’ THEATRE THE BRIEF CHRONICLE ISSUE FOurTEEN SEPTEMBER 2006 1 SHOW TITLE ANOTHER PART OF THE FOREST Michael Halberstam Artistic Director Jennifer Bielstein Executive Director 05 ON STAGE: ANOTHER PART OF THE FOREST 06 THE ART OF SELF-PRESERVATION 08 ARTISTIC CONVERSATION 11 “Change is the law of life. And those who DOWN SOUTH 17 STARS, BARS AND THE STORY OF SALT look only to the past or present are certain BACKSTAGE: 20 EVENTS 24 DONOR SPOTLIGHT 31 CELEBRATING 15 YEARS 35 IN BRIEF to miss the future.” JOHN F. KENNEDY 2 SHOW TITLE 847-242-6000 | writerstheatre.org 1 Dear Friends: Dear Friends, By now, many of you will have heard that Jennifer Bielstein, our esteemed Executive Director, As you are now aware, I am leaving Writers’ Theatre to become the Managing Director at is leaving us to fulfill the same role at Actors Theatre of Louisville. Jennifer has been a Actors Theatre of Louisville, a regional theatre known internationally for their ambitious remarkable presence at Writers’ Theatre and her excellent management skills and nurturing commitment to the development of new work for the theatre. They have an annual festival personal instincts have transformed our infrastructure during her tenure. Where she has called the Humana Festival of New American Plays which is attended by people from not served as initiator or catalyst for innovation, she has been present to provide stability, around the world who love theatre. encouragement and communication tools in order to assure success. Personally, I have been freed from the shackles of administrative tasking which frequently exhausted me prior I have to extend my most sincere thanks to Michael Halberstam, the Board of Trustees, to rehearsal.
    [Show full text]
  • Matt Hawkins Assistant Professor of the Practice Head of Musical Theatre
    Matt Hawkins Assistant Professor of the Practice Head of Musical Theatre Phone: (574) 631-9821 Email: [email protected] Areas of Specialization: History of the American Broadway Musical, Modern performance styles and techniques (musical and non-musical), Period movement and dance styles, Psycho- physical acting in performance, Physical and emotional risk and how it relates to Clowning, Direction and conceptualization of heightened theatrical stage productions (musical and non-musical), Dramaturgical analysis of theatrical texts/plays, Violence and stage combat in performance with a focus on tai-chi and the use of theatrical weaponry, Designing innovative interdisciplinary work for the stage and the classroom, utilizing Shakespeare as a tool for community outreach and education. Classes: Musical Theatre History, Musical Theatre Performance Techniques, Musical Theatre Movement/Dance Styles Matt Hawkins is a Chicago based director, actor, fight choreographer and movement director. Directing credits include: Macbeth (Chicago Public Schools at Chicago Shakespeare); The Fantasticks (remount at South Coast Rep), Hair, A Funny Thing Happened On The Way To the Forum, Pirates of Penzance (Wirtz Center for the Performing Arts at Northwestern University); Cabaret, The Tennessee Williams Project, 365 Days/365 Plays (The Hypocrites); CYRANO, Hatfield & McCoy (The House Theatre of Chicago); Humbaba, Lysistrata, 27 Wagons Full of Cotton, All That Shines, Lady M (The University of Iowa); 12 Angry Men (DePaul University); The Suicide (Roosevelt University);
    [Show full text]
  • Theatrical Lighting Designer Resume
    SELECTED PROFESSIONAL EXPERIENCE 2014-2017 Vortex Lighting, Inc. – Hollywood, CA Studio Assistant/Draftsman (Owner: Anne Militello) 2016 LA Opera – Los Angeles, CA Lighting Assistant Intern (Moby-Dick | Lighting Designer: Gavan Swift) Lighting Assistant Intern (Gianni Schicchi | Lighting Designer: York Kennedy) Lighting Assistant Intern (Pagliacci | Lighting Designer: York Kennedy) MATTHEW BAYE | lighting designer 2011-2012 BravO! Dance and Talent Competition Lighting Engineer (Technical Director: Jeff O’Brien) 308.440.4126 [email protected] 2010 Chicago Dance Festival – Museum of Contemporary Art, Pritzker Pavilion, Harris Theater www.matthewbayelighting.com Assistant Lighting Director (Lighting Director: Laurel Shoemaker) Assistant Production Director (Production Director: Todd Clark) Master of Fine Arts LIGHTING DESIGNER Lighting Design DATE TITLE LOCATION DIRECTOR California Institute of the Arts 2017 NEXT Dance The Sharon Disney Lund Eva Flores Graduated - May 2017 Dance Theater 2016 Dreamlandia CalArts Coffeehouse Theater Mark Valdez Bachelor of Fine Arts 2016 The Glass Mountain Walt Disney Modular Theater Jongee Woo Design and Technical Production 2015 Debysi American Cement Building Kira Blazek (Emphasis in Lighting) 2015 Another Troy CalArts E407 Dan Bonnell University of Nebraska-Lincoln Graduated - May 2012 2015 The Bear CalArts BB2 Rachel Shull 2014 Three Old Women CalArts F100 Paola Pilnik 2014 Student Dance Concert The Sharon Disney Lund Kira Blazek CONSOLES SOFTWARE Dance Theater Eos Vectorworks 2014 The Lockout
    [Show full text]
  • The Nightmare Before Christmas
    Featuring the Chicago Philharmonic View in browser 50 E Congress Pkwy Lily Oberman Chicago, IL 312.341.2331 (office) | 973.699.5312 (cell) AuditoriumTheatre.org [email protected] Release date: July 17, 2018 DISNEY IN CONCERT: TIM BURTON’S THE NIGHTMARE BEFORE CHRISTMAS COMES TO THE AUDITORIUM THEATRE ON OCTOBER 31 TICKETS ON SALE JULY 27 AT NOON COMMEMORATING THE 25th ANNIVERSARY OF THE CLASSIC FILM Chicago Philharmonic Performs Danny Elfman’s Renowned Score Live to Film Disney in Concert: Tim Burton’s The Nightmare Before Christmas – October 31, 2018 (Chicago, IL) – Jack Skellington and the residents of Halloween Town pay a visit to Chicago on October 31, 2018, when Disney in Concert: Tim Burton’s The Nightmare Before Christmas comes to the Auditorium Theatre. Tickets go on sale Friday, July 27 at noon and will be available online at AuditoriumTheatre.org, by phone at 312.341.2300, or in person at the Auditorium Theatre Box Office (50 E Congress Pkwy). Tickets start at $30. Tickets are also on sale now as part of the Auditorium's American Music Series subscription and for groups of 10 or more people. The Halloween screening commemorates the 25th anniversary of Tim Burton's stop-motion masterpiece and features the Chicago Philharmonic performing Danny Elfman's beloved score. Attendees are encouraged to dress in costume and celebrate Halloween in the Auditorium Theatre lobby. "We are beyond thrilled to celebrate the 25th anniversary of this classic film on our historic stage with the acclaimed musicians of the Chicago Philharmonic, right on Halloween!" says C.J.
    [Show full text]
  • New Studio on Broadway: Music Theatre and Acting
    ® ® 2019 CELEBRATING JIMMY NEDERLANDER James M. Nederlander or “Jimmy,” Chairman of The Nederlander Organization, was the visionary theatrical impresario who built one of the largest private live entertainment companies in the world known for producing and presenting world-class entertainment since 1912. Jimmy started working in the theatre at age 7 sweeping floors for his father, David Tobias (D.T.) Nederlander, in Detroit, Michigan. During a career that spanned over 70 years, Jimmy amassed a network of premier legitimate theatres including nine on Broadway: the Brooks Atkinson, Gershwin, Lunt-Fontanne, Marquis, Minskoff, Nederlander, Neil Simon, Richard Rodgers, and the world famous Palace; in Los Angeles: The Pantages; in London: the Adelphi, Aldwych, and Dominion; and in Chicago: the Auditorium, Broadway Playhouse, Cadillac Palace, and CIBC Theatres, and the Oriental Theatre which this year was renamed the James M. Nederlander Theatre in Jimmy’s honor. He produced over one hundred acclaimed Broadway musicals and plays including Annie, Applause, La Cage aux Folles, Les Liaisons Dangereuses, Me and My Girl, Nine, Noises Off, Peter Pan, Sweet Charity, The Life and Adventures of Nicholas Nickelby, The Will Rogers Follies, Woman of the Year, and many more. “Generous,” “loyal” and “trusted” are just a few of the accolades his friends use to describe him. Jimmy was beloved by the industry and the recipient of many distinguished honors including an Honorary Doctorate of Fine Arts from the University of Connecticut (2014), the Exploring the Arts Foundation Award (2014), the United Nations Foundation Champion Award (2012), The Broadway League’s Schoenfeld Vision for Arts Education Award (2011), the New York Pop’s Man of the Year (2008), and the special Tony Award for Lifetime Achievement (2004).
    [Show full text]
  • 2014 Jeff Awards Set for Tonight in Chicago; Goodman & Drury Lane
    broadwayworld.com http://www.broadwayworld.com/article/2014-Jeff-Awards-Set-for-Tonight-in-Chicago-Goodman-Drury-Lane-Lead-Nominations-20141013 2014 Jeff Awards Set for Tonight in Chicago; Goodman & Drury Lane Lead Nominations by BWW News October 13 7:34 AM Desk 2014 The 46th Annual Jeff Awards ceremony honoring excellence in professional theatre produced within the immediate Chicago area is tonight, October 13 at Drury Lane Oakbrook, 100 Drury Lane, Oakbrook Terrace. Four world premiere plays and two new adaptations seen first by Chicago audiences were among those receiving Jeff nominations by the Jeff Awards Committee. There are 179 nominations in 35 categories for Chicago Equity theatrical productions that opened between August 1, 2013 and July 31, 2014. In the Large Theatre category, Goodman Theatre's "Brigadoon" and Drury Lane Production's "LES MISERABLES" each garnered nine nominations. Goodman's "Brigadoon" was nominated for Production Musical-Large, Director and Choreographer Rachel Rockwell as well as acting and design awards. "LES MISERABLES" from Drury Lane Productions also received nine nominations, including Production Musical-Large and Director Rachel Rockwell. In the coveted Ensemble category, the Jeff Awards Committee nominated six productions: Porchlight Music Theatre's "Ain't Misbehavin' ", a musical revue celebrating the music of Fats Waller and other greats of the Harlem Renaissance; Mercury Theatre Chicago's "Avenue Q" , a musical with puppets about 20-somethings in NY seeking the purpose of life; Writers Theatre's "The Old Man and the Old Moon" with guest artists Pigpen Theatre Co., a fable of an old man who must abandon his job of filling up the moon each month; Remy Bumppo Theatre Company's "Our Class", a powerful story of a Jewish massacre in Poland during WWII; Seanachaí Theatre Company's "The Seafarer", Irish playwright Conor McPherson's boozy mystical yarn of confrontations on a dark Christmas Eve; and Court Theatre's "Seven Guitars", August Wilson's 1940's tale of fate, justice, and the death of a blues guitarist.
    [Show full text]
  • Tension Increases As Veto Session Nears G TE SOSIN Amon by KA Ic Headed Meny D from LGBT Groupsr Ythese Optimist Days
    WCT TALKS WITH TONY WINNER AUDRA MCDONALD WINDY CITY THE VOICE OF CHICAGO’S GAY, LESBIAN, BI AND TRANS COMMUNITY SINCE 1985 OCT. 16, 2013 VOL 29, NO. 3 PAGE 23 www.WindyCityMediaGroup.comTIMES Tension increases as KAMENY AMONG veto session nears THOSE HONORED BY KATE SOSIN AT LEGACY It’s a familiar line from LGBT groups these days. PROJEct’S “Our sense is that we’re feeling very optimistic headed DEDICATION into veto session,” said Ed Yohnka, director of com- munications for the American Civil Liberties Union of page 5 Illinois. But how close, neither sponsors nor LGBT leaders will say. “There isn’t a lot of new information just yet,” said Bernard Cherkasov, CEO of Equality Illinois, adding that he does not have a firm roll call. “Springfield sometimes works in mysterious ways.” Sponsors have just two windows of time to pass equal marriage legislation through the house if they want to make good on a promise to call the bill during veto ses- sion. They can call for a vote during the week of Oct. 22. Nov. 5-7 will provide the other opportunity. Rep. Greg Harris, chief sponsor of the bill, predicted a vote during veto session, after spring session ended without a vote May 31. Harris told a packed gallery in the state capitol that night that his colleagues were State Rep. Ken Dunkin hosted a benefit for his re-election campaign Oct. 10. He is the chief co-sponsor of the SOCCER’S ABBY marriage equality bill. He’s pictured here with fellow reps at the event, from left: Dunkin, Christian Mitchell WAMBACH Turn to page 9 (South Side), Greg Harris (North Side, chief sponsor) and Derrick Smith (West Side).
    [Show full text]
  • Individual and Organizational Donors
    INDIVIDUAL AND ORGANIZATIONAL Illinois Tool Works Foundation Colliers International The Irving Harris Foundation Community Memorial Foundation DONORS J.R. Albert Foundation Crain's Chicago Business Jones Lang LaSalle Patrick and Anna M. Cudahy Fund $100,000 and above The Joyce Foundation Cushman & Wakefield of Illinois, Inc. Anonymous (8) Julie and Brian Simmons Foundation The Damico Family Foundation The Aidmatrix Foundation Knight Family Foundation Mr. Floyd E. Dillman and Dr. Amy Weiler Bank of America Russell and Josephine Kott DLA Piper LLP (US) Charter One Memorial Charitable Trust Eagle Seven, LLC The Chicago Community Trust Henrietta Lange Burk Fund The Earl and Brenda Shapiro Foundation Feeding America Levenfeld Pearlstein, LLC Eastdil Secured Daniel Haerther Living Trust Chicago and NW Mazda Dealers C. J. Eaton Hillshire Brands Foundation Mr. Clyde S. McGregor and Edelstein Foundation JPMorgan Chase Ms. LeAnn Pedersen Pope Eli and Dina Field Family Foundation Mr. Michael L. Keiser and Mrs. Rosalind Keiser Elizabeth Morse Genius Charitable Trust Mr. and Mrs. Eugene F. Fama Kraft Foods Foundation Mr. Saumya Nandi and Ms. Martha Delgado Mr. and Mrs. James Ferry, III Mr. Irving F. Lauf, Jr. Mr. and Mrs. David J. Neithercut Fortune Brands, Inc. Ann and Robert H. Lurie Foundation Dr. Tim D. Noel and Mrs. Joni L. Noel Franklin Philanthropic Foundation McDonald's Corporation Ms. Abby H. Ohl and Mr. Arthur H. Ellis Garvey's Office Products Polk Bros. Foundation The John C. & Carolyn Noonan GE Foundation J.B. and M.K. Pritzker Family Foundation Parmer Private Foundation General Iron Industries Charitable Foundation The Retirement Research Foundation Ms. Laura S.
    [Show full text]
  • Showtime 2004
    FOR IMMEDIATE RELEASE Contact: Cathy Taylor, Cathy Taylor Public Relations (773) 564-9564; [email protected] Ben Thiem, Director of Member Services, League of Chicago Theatres (312) 554-9800; [email protected] SUMMER 2019 THEATER HIGHLIGHTS Chicago, IL – Celebrating 2019 as the Year of Chicago Theatre, Chicago will continue to produce some of the most exciting work in the country this summer. Offerings from the city’s more than 250 producing theaters feature everything from the latest musicals to highly anticipated world premieres. For a comprehensive list of Chicago productions including a Summer Theatre Guide, visit the League of Chicago website, ChicagoPlays.com. Half-price tickets are available at HotTix.org or at the two Hot Tix half- price ticket locations: across from the Chicago Cultural Center at Expo72 (72 E. Randolph) and Block Thirty Seven, Shops at 108 N. State. Hot Tix offers half-price tickets for the current week and some performances in advance. “As we approach the halfway point of the Year of Chicago Theatre, I encourage every Chicagoan and visitor to attend a production by one of our 250 theater companies. This summer, there is a wide range of offerings, including an impressive number of musicals and world premieres. Simply, there is something for everyone,” notes Deb Clapp, Executive Director of the League of Chicago Theatres. The following is a selection of notable work playing in Chicago throughout the summer: New works and adaptations include: Lookingglass Theatre presents a new adaptation of Mary Shelley’s Frankenstein. Mary Shelley’s unsettling story crackles to life as Victor Frankenstein must contend with his unholy creation.
    [Show full text]
  • August Osage County.Qxd 10/26/2009 6:30 PM Page I
    August Osage County.qxd 10/26/2009 6:30 PM Page i AUGUST: OSAGE COUNTY BY TRACY LETTS ★ ★ DRAMATISTS PLAY SERVICE INC. August Osage County.qxd 10/26/2009 6:30 PM Page 2 AUGUST: OSAGE COUNTY Copyright © 2009, Tracy Letts All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of AUGUST: OSAGE COUNTY is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (includ- ing the Dominion of Canada and the rest of the British Commonwealth), and of all countries cov- ered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lec- turing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopy- ing, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territo- ries, possessions and Canada for AUGUST: OSAGE COUNTY are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016. No pro- fessional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of DRAMATISTS PLAY SERVICE, INC., and paying the requisite fee.
    [Show full text]