DOCSLIB.ORG

[C1SJ]⋙ Going Platinum: KISS, Donna Summer, and How Neil Bogart Built Casablanca Records by Brett Ermilio, Josh Levine #V1BZ6N

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
[C1SJ]⋙ Going Platinum: KISS, Donna Summer, and How Neil Bogart Built Casablanca Records by Brett Ermilio, Josh Levine #V1BZ6N Going Platinum: KISS, Donna Summer, and How Neil Bogart Built Casablanca Records Brett Ermilio, Josh Levine Click here if your download doesn"t start automatically Going Platinum: KISS, Donna Summer, and How Neil Bogart Built Casablanca Records Brett Ermilio, Josh Levine Going Platinum: KISS, Donna Summer, and How Neil Bogart Built Casablanca Records Brett Ermilio, Josh Levine The story of the legendary producer, Neil Bogart, founder of Casablanca Records, who made superstars of the 1970’s that have stood the test of time: KISS, Donna Summer, the Village People, and Parliament- Funkadelic. Bogart is the upcoming subject of the Justin Timberlake film Spinning Gold. Download Going Platinum: KISS, Donna Summer, and How Neil B ...pdf Read Online Going Platinum: KISS, Donna Summer, and How Neil ...pdf Download and Read Free Online Going Platinum: KISS, Donna Summer, and How Neil Bogart Built Casablanca Records Brett Ermilio, Josh Levine From reader reviews: Michael Bennett: The event that you get from Going Platinum: KISS, Donna Summer, and How Neil Bogart Built Casablanca Records is the more deep you digging the information that hide in the words the more you get thinking about reading it. It does not mean that this book is hard to understand but Going Platinum: KISS, Donna Summer, and How Neil Bogart Built Casablanca Records giving you buzz feeling of reading. The article writer conveys their point in particular way that can be understood by anyone who read the idea because the author of this e-book is well-known enough. That book also makes your personal vocabulary increase well. That makes it easy to understand then can go along, both in printed or e-book style are available. We advise you for having this particular Going Platinum: KISS, Donna Summer, and How Neil Bogart Built Casablanca Records instantly. Monica Ceja: Information is provisions for individuals to get better life, information nowadays can get by anyone on everywhere. The information can be a understanding or any news even an issue. What people must be consider when those information which is from the former life are challenging to be find than now is taking seriously which one would work to believe or which one typically the resource are convinced. If you obtain the unstable resource then you get it as your main information there will be huge disadvantage for you. All of those possibilities will not happen within you if you take Going Platinum: KISS, Donna Summer, and How Neil Bogart Built Casablanca Records as the daily resource information. Brian Rankins: Spent a free time and energy to be fun activity to try and do! A lot of people spent their free time with their family, or their friends. Usually they doing activity like watching television, gonna beach, or picnic in the park. They actually doing same task every week. Do you feel it? Do you wish to something different to fill your own personal free time/ holiday? Can be reading a book might be option to fill your no cost time/ holiday. The first thing that you'll ask may be what kinds of guide that you should read. If you want to try out look for book, may be the e-book untitled Going Platinum: KISS, Donna Summer, and How Neil Bogart Built Casablanca Records can be fine book to read. May be it could be best activity to you. Ann Yoho: Reading can called imagination hangout, why? Because when you find yourself reading a book especially book entitled Going Platinum: KISS, Donna Summer, and How Neil Bogart Built Casablanca Records your mind will drift away trough every dimension, wandering in every single aspect that maybe not known for but surely will become your mind friends. Imaging just about every word written in a e-book then become one contact form conclusion and explanation in which maybe you never get ahead of. The Going Platinum: KISS, Donna Summer, and How Neil Bogart Built Casablanca Records giving you another experience more than blown away your brain but also giving you useful data for your better life in this particular era. So now let us present to you the relaxing pattern this is your body and mind are going to be pleased when you are finished looking at it, like winning a. Do you want to try this extraordinary wasting spare time activity? Download and Read Online Going Platinum: KISS, Donna Summer, and How Neil Bogart Built Casablanca Records Brett Ermilio, Josh Levine #V1BZ6NX2J4O Read Going Platinum: KISS, Donna Summer, and How Neil Bogart Built Casablanca Records by Brett Ermilio, Josh Levine for online ebook Going Platinum: KISS, Donna Summer, and How Neil Bogart Built Casablanca Records by Brett Ermilio, Josh Levine Free PDF d0wnl0ad, audio books, books to read, good books to read, cheap books, good books, online books, books online, book reviews epub, read books online, books to read online, online library, greatbooks to read, PDF best books to read, top books to read Going Platinum: KISS, Donna Summer, and How Neil Bogart Built Casablanca Records by Brett Ermilio, Josh Levine books to read online. Online Going Platinum: KISS, Donna Summer, and How Neil Bogart Built Casablanca Records by Brett Ermilio, Josh Levine ebook PDF download Going Platinum: KISS, Donna Summer, and How Neil Bogart Built Casablanca Records by Brett Ermilio, Josh Levine Doc Going Platinum: KISS, Donna Summer, and How Neil Bogart Built Casablanca Records by Brett Ermilio, Josh Levine Mobipocket Going Platinum: KISS, Donna Summer, and How Neil Bogart Built Casablanca Records by Brett Ermilio, Josh Levine EPub.
Load more

Recommended publications
  • J2P and P2J Ver 1
    3 `- General News Labels, RIAA Protest Total LP Airings 'VFW YORK - lo oirrualts Un- Ing ffte rimas tu enable fans tu set Up lease *kohl, and ',sea schedule the. stones of radio', inn programming l hryatt. Records; Ahnw4 Erregun, pnvaskrrad show cd sotidarits, the their taping aquipmenl. programs free of c erclal Utter and ahllils to attract audiences and Allantic Records; Gil Friesen, A &M heads of all the mar. branch and in Lottko SUIS Indlsklual record rupi lens, cunmurcial adse1114et . Record.; Kenneth (;amble, Phila- dependent record .companies hate is- companies hale contacted radio +la- -Some gib a step further will, paid ' 1 hl+ Is an alhwal f record es- delphia inlarnallonal Records; Stun. sued a tatement condemning nwarm Iluns dhol the praclke, but he sass newspaper ads listing all lilies e11111 es lo radl l eseculives lu stop ley Gurlikos, RIAA; BS. !towel! Jr., practice to radio Malins in Mooed hsowl this ..peal, RIAA Is retsina and falladea l hours, again with the fostering the h taping of record- Navhb ro Records; Alan Livingston, casting complete I Ps without inter on the radio stations lu teary 11 Is In promise of ram cnnllnarcials. ings ... In hall the eonnlerelal free 211th Century-Fos Records: Bruce ruplla.l which allows Im ea.) Mom their own Interest 10 discourage broadcasting of new release records I.undrrll, CBS Records, lapina. home lapina. Ile sass his Irganita RKO Stops- See p,6 as ball for hume -toper Ilsteni- r.IIlp. Also: JYrrell McCracken. Word The statement, released Ihr gh tiny at this Ilnw has no plans to fol.
    [Show full text]
  • Young Americans to Emotional Rescue: Selected Meetings
    YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music.
    [Show full text]
  • Donna Summer, Giorgio Moroder, and “I Feel Love”
    Thamyris/Intersecting No. 26 (2013) 43–54 Turning the Machine into a Slovenly Machine: Donna Summer, Giorgio Moroder, and “I Feel Love” Tilman Baumgärtel The track “I Feel Love” by Donna Summer still seems to come out of another world. Even though the song was produced three decades ago, it still sounds alien and futurist. And the world, out of which “I Feel Love” came, has been built out of loops, nothing but loops. The song rattles on and on like a machine gun. The loops appear deceptively simple at first. “I Feel Love” is based on the electronic throb of a pattern out of a few synthesizer notes the sequencer repeats over and over and occasionally transposes. But in the framework of these minimalist preconditions the track develops a field of rhythmic differences, deviations, and shifts. The blunt, mechanical thumping of a machine turns into complex polyrhythms, strict rule turns into confusing diversity, and eventually becomes an organism out of repetitions. Even Donna Summer herself eventually got lost in the confusing labyrinth of rhythms in “I Feel Love.” In this essay I want to show how producer Giorgio Moroder succeeded in trans- forming the clatter of the synthesizer loops of “I Feel Love” into an organic pulse with the help of a relatively simple production trick. Then, I want to discuss how “I Feel Love” systematically dissolves and collapses antithetical oppositions. This pro- duction trick not only lends an organic quality to the mechanical loops, but, in the process, amalgamates nature and technology on a musical level.
    [Show full text]
  • Ic/Record Industry July 12, 1975 $1.50 Albums Jefferson Starship
    DEDICATED TO THE NEEDS IC/RECORD INDUSTRY JULY 12, 1975 $1.50 SINGLES SLEEPERS ALBUMS ZZ TOP, "TUSH" (prod. by Bill Ham) (Hamstein, BEVERLY BREMERS, "WHAT I DID FOR LOVE" JEFFERSON STARSHIP, "RED OCTOPUS." BMI). That little of band from (prod. by Charlie Calello/Mickey Balin's back and all involved are at JEFFERSON Texas had a considerable top 40 Eichner( (Wren, BMI/American Com- their best; this album is remarkable, 40-1/10 STARSHIP showdown with "La Grange" from pass, ASCAP). First female treat- and will inevitably find itself in a their "Tres Hombres" album. The ment of the super ballad from the charttopping slot. Prepare to be en- long-awaited follow-up from the score of the most heralded musical veloped in the love theme: the Bolin - mammoth "Fandango" set comes in of the season, "A Chorus Line." authored "Miracles" is wrapped in a tight little hard rock package, lust Lady who scored with "Don't Say lyrical and melodic grace; "Play on waiting to be let loose to boogie, You Don't Remember" doin' every- Love" and "Tumblin" hit hard on all boogie, boogie! London 5N 220. thing right! Columbia 3 10180. levels. Grunt BFL1 0999 (RCA) (6.98). RED OCTOPUS TAVARES, "IT ONLY TAKES A MINUTE" (prod. CARL ORFF/INSTRUMENTAL ENSEMBLE, ERIC BURDON BAND, "STOP." That by Dennis Lambert & Brian Potter/ "STREET SONG" (prod. by Harmonia Burdon-branded electrified energy satu- OHaven Prod.) (ABC Dunhill/One of a Mundi) (no pub. info). Few classical rates the grooves with the intense Kind, BMI). Most consistent r&b hit - singles are released and fewer still headiness that has become his trade- makers at the Tower advance their prove themselves.
    [Show full text]
  • The Inside Story of Casablanca Records Larry Harris, Curt Gooch, Jeff Suhs - Book Free
    [pdf] And Party Every Day: The Inside Story Of Casablanca Records Larry Harris, Curt Gooch, Jeff Suhs - book free Download PDF And Party Every Day: The Inside Story Of Casablanca Records Free Online, Download And Party Every Day: The Inside Story Of Casablanca Records E-Books, Read Best Book Online And Party Every Day: The Inside Story Of Casablanca Records, And Party Every Day: The Inside Story Of Casablanca Records Free Read Online, And Party Every Day: The Inside Story Of Casablanca Records Free Download, PDF And Party Every Day: The Inside Story Of Casablanca Records Popular Download, And Party Every Day: The Inside Story Of Casablanca Records Free Download, by Larry Harris, Curt Gooch, Jeff Suhs And Party Every Day: The Inside Story Of Casablanca Records, free online And Party Every Day: The Inside Story Of Casablanca Records, And Party Every Day: The Inside Story Of Casablanca Records Free PDF Online, And Party Every Day: The Inside Story Of Casablanca Records Ebook Download, And Party Every Day: The Inside Story Of Casablanca Records Book Download, Download And Party Every Day: The Inside Story Of Casablanca Records PDF, I Was So Mad And Party Every Day: The Inside Story Of Casablanca Records Larry Harris, Curt Gooch, Jeff Suhs Ebook Download, Read And Party Every Day: The Inside Story Of Casablanca Records Online Free, full book And Party Every Day: The Inside Story Of Casablanca Records, PDF And Party Every Day: The Inside Story Of Casablanca Records Free Download, And Party Every Day: The Inside Story Of Casablanca Records Ebooks, And Party Every Day: The Inside Story Of Casablanca Records Full Download, Read And Party Every Day: The Inside Story Of Casablanca Records Books Online Free, DOWNLOAD CLICK HERE kindle, mobi, azw, pdf Description: A fascinating read, one-off series by Richard Bower on how we have evolved from a humble start at Oxford University's School of Economics.
    [Show full text]
  • Discourse on Disco
    Chapter 1: Introduction to the cultural context of electronic dance music The rhythmic structures of dance music arise primarily from the genre’s focus on moving dancers, but they reveal other influences as well. The poumtchak pattern has strong associations with both disco music and various genres of electronic dance music, and these associations affect the pattern’s presence in popular music in general. Its status and musical role there has varied according to the reputation of these genres. In the following introduction I will not present a complete history of related contributors, places, or events but rather examine those developments that shaped prevailing opinions and fields of tension within electronic dance music culture in particular. This culture in turn affects the choices that must be made in dance music production, for example involving the poumtchak pattern. My historical overview extends from the 1970s to the 1990s and covers predominantly the disco era, the Chicago house scene, the acid house/rave era, and the post-rave club-oriented house scene in England.5 The disco era of the 1970s DISCOURSE ON DISCO The image of John Travolta in his disco suit from the 1977 motion picture Saturday Night Fever has become an icon of the disco era and its popularity. Like Blackboard Jungle and Rock Around the Clock two decades earlier, this movie was an important vehicle for the distribution of a new dance music culture to America and the entire Western world, and the impact of its construction of disco was gigantic.6 It became a model for local disco cultures around the world and comprised the core of a common understanding of disco in mainstream popular music culture.
    [Show full text]
  • LIT2013000004 - Andy Gibb.Pdf
    •, \.. .. ,-,, i ~ .«t ~' ,,; ~-· ·I NOT\CE OF ENTR'Y.OF APPEARANCE AS AllORNE'< OR REPRESEN1' Al\VE DATE In re: Andrew Roy Gibb October 27, 1978 application for status as permanent resident FILE No. Al I (b)(6) I hereby enter my appearanc:e as attorney for (or representative of), and at the reQUest of, the fol'lowing" named person(s): - NAME \ 0 Petitioner Applicant Andrew Roy Gibb 0 Beneficiary D "ADDRESS (Apt. No,) (Number & Street) (City) (State) (ZIP Code) Mi NAME O Applicant (b)(6) D ADDRESS (Apt, No,) (Number & Street) (City} (ZIP Code) Check Applicable ltem(a) below: lXJ I I am an attorney and a member in good standing of the bar of the Supreme Court of the United States or of the highest court of the following State, territory; insular possession, or District of Columbia A;r;:ka.nsa§ Simt:eme Coy;ct and am not under -a (NBme of Court) court or administrative agency order ·suspending, enjoining, restraining, disbarring, or otherwise restricting me in practicing law. [] 2. I am an accredited representative of the following named religious, charitable, ,social service, or similar organization established in the United States and which is so recognized by the Board: [] i I am associated with ) the. attomey of record who previously fited a notice of appearance in this case and my appearance is at his request. (If '!J<?V. check this item, also check item 1 or 2 whichever is a1wropriate .) [] 4. Others (Explain fully.) '• SIGNATURE COMPLETE ADDRESS Willi~P .A. 2311 Biscayne, Suite 320 ' By: V ? Litle Rock, Arkansas 72207 /I ' f.
    [Show full text]
  • Kiss Alive! Mp3, Flac, Wma
    Kiss Alive! mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Alive! Country: US Released: 1975 Style: Hard Rock, Glam MP3 version RAR size: 1843 mb FLAC version RAR size: 1360 mb WMA version RAR size: 1451 mb Rating: 4.8 Votes: 356 Other Formats: XM MMF RA XM WAV VOX AU Tracklist Hide Credits Deuce A1 3:32 Written-By – Simmons* Strutter A2 3:12 Written-By – Simmons*, Stanley* Got To Choose A3 3:35 Written-By – Stanley* Hotter Than Hell A4 3:11 Written-By – Stanley* Firehouse A5 3:42 Written-By – Stanley* Nothin' To Lose B1 3:23 Written-By – Simmons* C'mon And Love Me B2 2:52 Written-By – Stanley* Parasite B3 3:21 Written-By – Frehley* She B4 6:42 Written-By – Simmons*, Coronel* Watchin' You C1 3:37 Written-By – Simmons* 100,000 Years C2 11:52 Written-By – Simmons*, Stanley* Black Diamond C3 5:21 Written-By – Stanley* Rock Bottom D1 3:08 Written-By – Frehley*, Stanley* Cold Gin D2 5:21 Written-By – Frehley* Rock And Roll All Nite D3 3:37 Written-By – Simmons*, Stanley* Let Me Go, Rock 'N Roll D4 5:09 Written-By – Simmons*, Stanley* Companies, etc. Phonographic Copyright (p) – Casablanca Record And Filmworks, Inc. Copyright (c) – Casablanca Records, Inc. Published By – Phonogram Printed By – Polygram Industries Messageries Mixed At – Electric Lady Studios Credits Design – Dennis Woloch Performer [Kiss] – Ace Frehley, Gene Simmons, Paul Stanley, Peter Criss Photography By – David Spindel, Fin Costello, John Kelly , Mike Martineau, Phillipe Morgan, Stephen Levy Producer, Engineer, Mixed By – Eddie Kramer Notes Recorded live during the Dressed To Kill tour.
    [Show full text]
  • Issue 431 Decent Exposure: Too Much TV? If It Seems Like Every Time You Turn on the TV There’S Another Awards Show, You’Re Right
    January 20, 2015, Issue 431 Decent Exposure: Too Much TV? If it seems like every time you turn on the TV there’s another awards show, you’re right. A quick, unofficial count reveals nearly 20 opportunities a year for artists to get valuable screen time on either country or all-genre shows. Add to that the myriad of daytime and late night talk shows and the number jumps to nearly 40. When is enough enough ... or even too much? Country Aircheck asked Sony/Nashville Chairman/CEO Gary Overton, Warner Music Nashville’s SVP/Publicity Wes Vause, Spalding Entertainment’s Clarence Spalding (Jason Aldean, Rascal Flatts) and The Green Room Owner/Publicist Mary Hilliard Harrington (Aldean, Lady Antebellum) to find out how they create “must see TV” while protecting their artists from overexposure. “Carrie Underwood, Miranda Lambert, Kenny Chesney and Brad Paisley get asked to All Saints: Mercury’s Canaan Smith (c) celebrates a day do everything under the sun,” says Overton. well spent at the Country Cares for St. Jude seminar with “I speak with their managers at least once a (l-r) The Country Club with Dee Jay Silver’s Keith Kaufman, Gary Overton week. So many times whether it’s the timing WGH/Norfolk’s Dave Paulus, Curb’s Mike Rogers, Campbell Entertainment’s Craig Campbell, WGH/Norfolk’s John Shomby or another reason, the answer has to be, ‘We and Mercury’s Jack Christopher. can’t do it.’ We’re very calculated about what makes sense.” It All Begins With A Song: For top artists, the channel to television clicks on with an artist’s album cycle.
    [Show full text]
  • Thesis Writing Deliverables (Pdf)
    DEFENSE SPEECH Discovering and listening to music has always been my biggest passion in life and my primary way of coping with my emotions. I think its main appeal to me since childhood has been the comfort it brings in knowing that at some point in time, another human felt the same thing as me and was able to survive and express it by making something beautiful. For my project, I recorded a 9 track album called Strange Machines while I was on leave of absence last year. This term, I created a 20 minute extended music video to accompany it. All of this lives on a page I coded on my personal website with some fun bonus content that I’ll scroll through at the end of this presentation. I’ll put the link in the comments so anyone who’s interested can check it out at their own pace. I have so much fun making music and feel proud when I have a cohesive finished product at the end. I’m not interested in becoming a virtuoso musician or a professional producer. A lot of trained musicians gatekeep, intimidate, and discourage amateurs. People mystify and mythologize the creative process as if it’s the product of some elusive, innate genius rather than practice, experimentation, and a simple love of music. As someone who’s work exists entirely as digital recordings, there’s no inherent reason for me to be an amazing guitar player who can play a song perfectly all the way through, as mistakes can be easily cut out and re-recorded.
    [Show full text]
  • Second Kiss Free
    FREE SECOND KISS PDF Natalie Palmer | 237 pages | 30 Nov 2010 | Tate Publishing & Enterprises | 9781616637675 | English | United States セカンド・キス (Second Kiss) | Vocaloid Lyrics Wiki | Fandom Well known for its members' face Second Kiss and stage outfits, the group rose to prominence in the mid-to-late s with its elaborate live performances, which featured fire breathingblood-spitting, smoking guitars, shooting Second Kiss, levitating drum kits, and pyrotechnics. The band has gone through several lineup changes, with Second Kiss and Simmons Second Kiss the only members to feature in every lineup. The original and best-known lineup consists of Stanley vocals and rhythm guitarSimmons vocals and bassFrehley lead guitar and vocalsand Criss drums and vocals. With their make-up and costumes, the band members took on the personae of comic book-style characters: the Starchild Stanleythe Demon Simmonsthe Spaceman or Space Ace Frehleyand the Catman Criss. Due to creative differences, both Second Kiss and Frehley had departed the group by InKiss began performing without makeup and costumes, thus marking the beginning of the band's "unmasked" era that would last for over a decade. The band Second Kiss a commercial resurgence during this era, with the Platinum-certified album Lick It Up successfully Second Kiss them to a new generation of fans, and its music videos received regular airplay on MTV. Eric Carrwho had replaced Criss indied in of heart cancer and was replaced by Eric Singer. In response to a wave of Kiss nostalgia in the mids, the original lineup re-united inwhich also saw the return of its makeup and stage costumes.
    [Show full text]
  • Iake ~F Ppard
    \ \ I / / / I HllE' IAKE ving a f**king ood time!" Coverdale ~F PPARD NEIL YOUNG delivered the " The return of the THE POLICE e feelgood rock band! JACK BRUCE &JUDAS 0 PRIEST'S iHTERS NOSTRADAMUS : graduated to Rock? Is negoing :ise 1rd?" II _ a -=v"'J . ·nts Issue 120 Regulars~ 8 COMMUNICATION BREAKDOWN Rock's lippy-est letters page, 10THEDIRT The Jimi Hendrix sex tape; inside The Rolling Stones in 1969; interviews with Robin Trower, Opeth, Blue Oyster Cult and the hottest new bands: Howlin Rain, To-Mera and Jaded Sun. 25 EVERY HOME SHOULD HAVE ONE Wolfmother's Andrew Stockdale on the influence and terrifying effect of The Beatles' White Album, 26 THE STORIES BEHIND THE SONGS Investigated by the FBI, covered by every band, ever- the inside story of Louie Louie, 28Q&A "I've been playing since 1956!" Steve Miller looks back over several decades of joking, smoking and midnight toking, 71REVIEWED Triumphant new albums from Uriah Heep, Judas Priest, Opeth, Tom Petty's Mudcrutch, Glenn Hughes and Rush; Black Crowes & more caught live! 90 BUYER'S GUIDE The best ofNeil Young and where to find it 99RADAR Your essential guide to all the rock-related gigs on this month, WHITESNAKE: NEILZLOZOWER; KISS: NEIL ZlOZOWER/LYDIA CHRISS; NEIL YOUNG: ROSS GIMORE/REDFERNS COMMUNICATION ~ BllEAKDOWN ~ Send your letters to: Communication Breakdown, CLASSIC ROCK, Future, 2 Balcombe Street. London NWl 6NA, or email them to us at: oassicrock ii futurenet.co.uk. We regret we cannot reply to phone calls. For more letters and comment. visit www.classicrockmagazine.com.
    [Show full text]