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J Ohn S. and J Ames L. K Night F Oundation
A NNUAL REPORT 1999 T HE FIRST FIFTY YEARS J OHN S. AND JAMES L. KNIGHT FOUNDATION he John S. and James L. Kn i ght Fo u n d a ti on was estab- TA B L E O F CO N T E N T S l i s h ed in 1950 as a priva te fo u n d a ti on indepen d en t Tof the Kn i g ht bro t h ers’ n e ws p a per en terpri s e s . It is C h a i r m a n’s Letter 2 ded i c a ted to f urt h ering their ideals of s ervi ce to com mu n i ty, to the highest standards of j o u r n a l i s t ic excell en ce and to the Pr e s i d e n t ’s Message 4 defense of a free pre s s . In both their publishing and ph i l a n t h ropic undert a k i n g s , History 5 the Kn i ght bro t h ers shared a broad vi s i on and uncom m on devo ti on to the com m on wel f a re . It is those ide a l s , as well as Philanthropy Takes Root 6 t h eir ph i l a n t h ropic intere s t s , to wh i ch the Fo u n d a ti on rem a i n s The First Fifty Years 8 f a i t h f u l . -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
Kristine Stiles
Concerning Consequences STUDIES IN ART, DESTRUCTION, AND TRAUMA Kristine Stiles The University of Chicago Press Chicago and London KRISTINE STILES is the France Family Professor of Art, Art Flistory, and Visual Studies at Duke University. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2016 by Kristine Stiles All rights reserved. Published 2016. Printed in the United States of America 24 23 22 21 20 19 18 17 16 15 12345 ISBN13: 9780226774510 (cloth) ISBN13: 9780226774534 (paper) ISBN13: 9780226304403 (ebook) DOI: 10.7208/chicago/9780226304403.001.0001 Library of Congress CataloguinginPublication Data Stiles, Kristine, author. Concerning consequences : studies in art, destruction, and trauma / Kristine Stiles, pages cm Includes bibliographical references and index. ISBN 9780226774510 (cloth : alkaline paper) — ISBN 9780226774534 (paperback : alkaline paper) — ISBN 9780226304403 (ebook) 1. Art, Modern — 20th century. 2. Psychic trauma in art. 3. Violence in art. I. Title. N6490.S767 2016 709.04'075 —dc23 2015025618 © This paper meets the requirements of ANSI/NISO z39.481992 (Permanence of Paper). In conversation with Susan Swenson, Kim Jones explained that the drawing on the cover of this book depicts directional forces in "an Xman, dotman war game." The rectangles represent tanks and fortresses, and the lines are for tank movement, combat, and containment: "They're symbols. They're erased to show movement. 111 draw a tank, or I'll draw an X, and erase it, then redraw it in a different posmon... -
John Lennon – Człowiek I Artysta Niespełniony?
Tom 12/2020, ss. 43-72 ISSN 0860-5637 e-ISSN 2657-7704 DOI: 10.19251/rtnp/2020.12(3) www.rtnp.mazowiecka.edu.pl Andrzej Dorobek Mazowiecka Uczelnia Publiczna w Płocku ORCID: 0000-0002-5102-5182 JOHN LENNON – CZŁOWIEK I ARTYSTA NIESPEŁNIONY? JOHN LENNON: A MAN AND ARTIST UNFULFIILLED? Streszczenie: Niniejszy esej jest próbą syntetycznego, poniekąd psychoanalitycznego, ujęcia biografii Johna Lennona, zarówno jako ewidentnie zagubionego geniu- sza muzyki popularnej, jak i ofiary chłopięcego kompleksu zaniedbania przez uwielbianą matkę – później wysublimowanego w kompleks kobiecej dominacji i przeniesionego na Yoko Ono, jego drugą żonę i awangardową „muzę.” W re- zultacie ich związek, w znacznym stopniu wyidealizowany przez media, został ukazany w kontekście relacji Lennona z innymi kobietami (na przykład z ciotką Mimi), sprzecznych cech jego osobowości oraz ewolucji światopoglądowej i ar- tystycznej, która doprowadziła najpierw do dramatycznego rozdarcia między popowym supergwiazdorstwem a awangardowym artystostwem, ostatecznie zaś – do faktycznej niemocy twórczej w ciągu ostatnich pięciu lat życia. Per- John Lennon – człowiek i artysta niespełniony? spektywę komparatystyczną dla tych rozważań wyznaczać będą biografie Elvisa Presleya i Micka Jaggera. Słowa kluczowe: kompleks, trauma, dominacja, „krzyk pierwotny”, gwiaz- dorstwo, artyzm, niespełnienie Summary: In this essay, the author attempts at a synthetic insight into the biography of John Lennon, both as a confused genius of popular music and a victim of the childhood complex of motherly neglect: later transformed into the one of female domination and transferred onto Yoko Ono, his second wife and avant-garde “muse.” Consequently, their marriage, largely idealized by media, is shown here in the context of Lennon’s relations with other women (mainly his mother and aunt Mimi), his contradictory psychological traits and artistic/ ideological evolution that resulted in being torn between pop superstardom, avant-garde artistry and, in last five years, virtual creative impotence. -
Westfield Filmmaker Basler Spices Estfield Filmmaker Basler Spices
Page 20 Thursday, April 11, 2002 The Westfield Leader and THE TIMES of Scotch Plains – Fanwood A WATCHUNG COMMUNICATIONS, INC. PUBLICATION Artist of Pen & Ink By Michelle H. Le Poidevin the Week Father Ozzy Knows Best When It Comes to Acing Cable TV Ratings By MICHELLE H. Le POIDEVIN Specially Written for The Westfield Leader and The Times WWestfieldestfield FilmmakerFilmmaker BaslerBasler SpicesSpices Unless he’s carrying one toward his neighbor’s house because they’re playing their music too loud, Ozzy Osbourne isn’t likely to have any association with a Cleaver on his much ballyhooed MTV program, UpUp IndustryIndustry WWitithh JustJust AAdddd PepperPepper “The Osbournes.” For the man who proclaims himself the “Prince of UpUp IndustryIndustry WWitithh JustJust AAdddd PepperPepper (ahem...expletives) Darkness” manages to juggle his bad to the bone By KERRIANNE SPELLMAN CORT For a full description Specially Written for The Westfield Leader and The Times reputation, while doddering around the house, picking up dog drop- of the story, please visit pings and fretting over whether or not he the house can stand another WESTFIELD — Talent and per- www.justaddpepper.com/ sistence have proven to be a winning story. pet. The ironic concoction of these two personas makes the Tuesday combination for one local filmmaker. On Saturday, April night show a winning combo with all generations of viewers. It’s no Peter Paul Basler of Westfield paid 27, Basler’s work wonder that “The his dues like any Osbournes” rule the cable hopeful artist. Years of attending television charts. No- school, training, Robert Redford where else would you see studying abroad a man, who once bit off and working as a the head of a bat, cud- production assis- (1937- ) dling and cooing to a ter- tant on several films all paved the By MICHELLE H. -
National Endowment for the Arts Annual Report 1990
National Endowment For The Arts Annual Report National Endowment For The Arts 1990 Annual Report National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts for the Fiscal Year ended September 30, 1990. Respectfully, Jc Frohnmayer Chairman The President The White House Washington, D.C. April 1991 CONTENTS Chairman’s Statement ............................................................5 The Agency and its Functions .............................................29 . The National Council on the Arts ........................................30 Programs Dance ........................................................................................ 32 Design Arts .............................................................................. 53 Expansion Arts .....................................................................66 ... Folk Arts .................................................................................. 92 Inter-Arts ..................................................................................103. Literature ..............................................................................121 .... Media Arts: Film/Radio/Television ..................................137 .. Museum ................................................................................155 .... Music ....................................................................................186 .... 236 ~O~eera-Musicalater ................................................................................ -
Sundance Institute Announces Film Forward: Advancing Cultural Dialogue to Be Presented in Morocco September 27-30
SUNDANCE INSTITUTE ANNOUNCES FILM FORWARD: ADVANCING CULTURAL DIALOGUE TO BE PRESENTED IN MOROCCO SEPTEMBER 27-30 Filmmakers Cherien Dabis (Amreeka ) and Emmy Award Winner Stanley Nelson ( Freedom Riders ) Featured Participants for Screenings and Workshops Co-Hosted by the U.S. Embassy in Rabat RABAT, MOROCCO (September 23, 2011) — Film Forward: Advancing Cultural Dialogue , a Sundance Institute initiative in partnership with U.S. federal cultural agencies, will be presented in the Kingdom of Morocco September 27-30, in collaboration with the U.S. Embassy in Rabat. A selection of films and film- related events will be presented at locations in Tangier, Tetouan, Salé and Casablanca. Filmmakers Cherien Dabis (Amreeka ) and Stanley Nelson ( Freedom Riders ), as well as Caroline Libresco, Senior Programmer at Sundance Institute, will travel to Morocco to represent the initiative and engage with audiences. “In just the first year of this program, we’ve taken films and filmmakers around the world and built a dialogue with audiences in Tunisia, Turkey, China, Kenya, Puerto Rico and several other locations in the U.S.,” said Keri Putnam, Sundance Institute Executive Director. “Though each location is different, audiences are finding common themes and sharing their own experiences. It speaks to the goal of the program – showing the power of film to transcend culture barriers.” Screenings, including some for students and underserved youth, will take place at locations including the Cinematheque de Tanger, the Tangier American Legation Museum in conjunction with the American Language Center, University Abdelmalek Essadi, Abi bakr Errazi Junior High School, Cinema Hollywood, and School of Metiers du Cinema. Private workshops will be held at University Abdelmalek Essadi in Tetouan by Stanley Nelson who will explore the filmmaking challenges he faced with creating a historical film and how to effectively use rich archival footage to create a singular cinematic experience. -
2015-2 Grant Report Final Report for G-2013-42911
2015-2 Grant Report Final Report for G-2013-42911 Project Activities (per Grant Agreement) • Development of the hosted LocalWiki instance • Modifying existing code and importing existing LocalWiki instances into a centralized site • Creating user accounts and other new features • Outreach and community management • Hire an outreach director to build user base • Work with existing LocalWiki communities to increase completeness and reliability of pages and data • Framework for LocalDB, database of place information • Develop a plan for building LocalDB, an open database of place-based information. Current Status of Project Activities: To support the expansion of LocalWiki, a collaboratively edited local encyclopedia, into a hosted solution that can grow and experiment with new use cases. All project activities have been successfully completed. We have successfully re-architected LocalWiki as a hosted solution, and have successfully re- branded LocalWiki as the universal platform for local knowledge sharing. The new LocalWiki platform officially launched on January 26th, 2015. A live preview version of the new LocalWiki was available for much of the past year prior to this official launch. LocalWiki has grown to over 104,000 pages across 543 geographic communities, and receives over 400,000 unique visitors a month. Significant, essential work remains on the LocalWiki platform – e.g. improved internationalization, general structured data support, native mobile support, etc – but is outside the scope of this grant. Please see midterm grant report for more details on previous activities. Development of the hosted LocalWiki instance We have successfully developed and launched the new, hosted LocalWiki platform, which is available at https://localwiki.org. -
2020 Sundance Film Festival: 118 Feature Films Announced
FOR IMMEDIATE RELEASE Media Contact: December 4, 2019 Spencer Alcorn 310.360.1981 [email protected] 2020 SUNDANCE FILM FESTIVAL: 118 FEATURE FILMS ANNOUNCED Drawn From a Record High of 15,100 Submissions Across The Program, Including 3,853 Features, Selected Films Represent 27 Countries Once Upon A Time in Venezuela, photo by John Marquez; The Mountains Are a Dream That Call to Me, photo by Jake Magee; Bloody Nose, Empty Pockets, courtesy of Sundance Institute; Beast Beast, photo by Kristian Zuniga; I Carry You With Me, photo by Alejandro López; Ema, courtesy of Sundance Institute. Park City, UT — The nonprofit Sundance Institute announced today the showcase of new independent feature films selected across all categories for the 2020 Sundance Film Festival. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort, from January 23–February 2, 2020. The Sundance Film Festival is Sundance Institute’s flagship public program, widely regarded as the largest American independent film festival and attended by more than 120,000 people and 1,300 accredited press, and powered by more than 2,000 volunteers last year. Sundance Institute also presents public programs throughout the year and around the world, including Festivals in Hong Kong and London, an international short film tour, an indigenous shorts program, a free summer screening series in Utah, and more. Alongside these public programs, the majority of the nonprofit Institute's resources support independent artists around the world as they make and develop new work, via Labs, direct grants, fellowships, residencies and other strategic and tactical interventions. -
Green2015-An-Action-Plan-For-The
Green2015 Advisory Group Conveners and Participating Organizations Michael DiBerardinis, Department of Parks and Recreation Commissioner, co-convener Alan Greenberger, Deputy Mayor for Economic Development, co-convener Amtrak Citizens for Pennsylvania’s Future Delaware River Waterfront Corporation Delaware Valley Regional Planning Commission Fairmount Park Conservancy Fairmount Park Historic Preservation Trust Friends of the Wissahickon Greenspace Alliance Natural Land Trust Neighborhood Gardens Association Next Great City Coalition Office of City Councilman Darrell Clarke Office of Councilwoman Anna Verna Pennsylvania Department of Conservation and Natural Resources Pennsylvania Department of Transportation Pennsylvania Environmental Council Pennsylvania Horticultural Society Philadelphia Association of Community Development Corporations Philadelphia City Planning Commission Philadelphia Department of Commerce Philadelphia Department of Licenses and Inspections Philadelphia Department of Public Health Philadelphia Department of Public Property Philadelphia Department of Revenue Philadelphia Housing Authority Philadelphia Industrial Development Corporation Philadelphia Office of Housing and Community Development Philadelphia Office of Sustainability Philadelphia Office of Transportation and Utilities Philadelphia Orchard Project Philadelphia Parks Alliance Philadelphia Parks and Recreation Commission Philadelphia Water Department Redevelopment Authority of Philadelphia School District of Philadelphia Southeastern Pennsylvania Transportation -
Knight Foundation Supports Positive Youth Development
John S. and James L. Knight Foundation Writing the Story of Transformation Knight Foundation Supports Positive Youth Development Author Wellsys Corporation December 1, 2006 Commissioned by Julie E. Tarr, Ph.D., Director of Evaluation, [email protected] John S. and James L. Knight Foundation Abstract Knight Foundation funded 39 grants in eight communities that focused on positive outcomes for youth. To aid understanding of these grants for future decision-making, Knight Foundation engaged Wellsys Corporation to conduct this assessment for the period 2005-2007. Programs that had the greatest success and possibility for sustainability were connected to many community partners, offering joint services in some cases. Communities Akron, Ohio; Bradenton, Fla.; Columbia, S.C.; Columbus, Ga.; Fort Wayne, Ind.; Macon, Ga.; Milledgeville, Ga.; Palm Beach County, Fla.; JOHN S. AND JAMES L. KNIGHT FOUNDATION YOUTH CLUSTER ASSESSMENT ANNUAL REPORT DECEMBER 2006 This document was prepared by Wellsys Corporation. Wellsys Corporation 3783 Presidential Parkway, Suite113 Atlanta, Georgia 30340-9998 770-455-0928 770-455-0929 (fax) 800-293-7322 www.wellsyscorp.com [email protected] Navigating directions for people and systems. John S. and James L. Knight Foundation December 1, 2006 Youth Cluster Assessment-Annual Report-Final Wellsys Corporation TABLE OF CONTENTS I. Introduction………………………………………………………………………….…………...1 II. Methodology……………………………………………………………………………………...3 III. Grants and Grantees Overview…………………………………………………………….4 IV. Community Connections