Metz, 5Th January 2015 PRESS RELEASE

Total Page:16

File Type:pdf, Size:1020Kb

Metz, 5Th January 2015 PRESS RELEASE Metz, 5th January 2015 PRESS RELEASE In 2015, the Centre Pompidou-Metz will display Yoko Ono’s Wish Trees Centre Pompidou-Metz en 2015 Yoko Ono – Wish Tree February 5 – 28 March 2015 Forum Press contact From February 2015, Yoko Ono’s Wish Trees will display their collective message of peace, hope and desire in the Forum of the Centre Pompidou-Metz. Centre Pompidou-Metz Noémie Gotti Communication and Press Officer telephone: 00 33 (0)3 87 15 39 63 email: [email protected] Claudine Colin Communication Diane Junqua telephone : 00 33 (0)1 42 72 60 01 email: centrepompidoumetz@claudinecolin .com Yoko Ono, Wish Tree Museum of Modern Art, New York, 2010 Photo by Anne Terada / Courtesy of Yoko Ono Wish Tree is a poetic installation created by Yoko Ono and is the name for a series of works that she has produced since the 1990s, in which trees become components and props for her conceptual project. For Yoko Ono an artwork must create desire and arouse the spectator’s curiosity: “All my works are a form of wishing. Keep wishing while you participate”. She often talks about how, as a child in Japan, she wrote out wishes on small pieces of paper which she then tied around the branches of trees in temple courtyards. Yoko Ono thus encourages the public to become involved in the construction of the work, by sharing this desire to make wishes, by identifying desires and daring to write them down on small pieces of paper. Wish Tree is an invitation to meditate on the meaning of life and the importance of hope, desire and communication. Visitors are invited to leave a record with their words and impressions on small blank labels hung on the branches of the Wish Tree, and they become metaphorical actors in a collective dynamic movement. The wishes collected in this way by Yoko Ono (of which there are now more than a million) are then kept at the site of IMAGINE PEACE TOWER, created by Yoko Ono in 2007 in memory of John Lennon, a beam of light and hope that illuminates the sky on the island of Viðey, near Reykjavik in Iceland. Yoko Ono's commitment to peace has always been an element and theme throughout her work. Her early instruction works were about imagination and peaceful actions. In London 1966, at the DIAS (Destruction In Art Symposium) she performed Shadow Piece in a playground that had been bombed in WW II. She traced the shadows of participants, as reminders of the horrors of the Tokyo bombing that left only shadows of victims etched and burnt into the pavement. Acorn Event, 1968, was her first collaboration with John Lennon. She made an important statement for peace with her conceptual meeting of East and West. The event was part of the National Sculpture Exhibition in the gardens of Coventry Cathedral, England. Rejecting all notions of monumentality and spectacular, they created an embryonic sculpture by planting two acorns, one facing east and the other facing west, representing the union of East and West, their desire for peace between these two hemispheres and the need for ecological awareness. After their marriage in 1969, Yoko Ono and John Lennon decided to turn their honeymoon into a public event dedicated to peace, called Bed-In, which took place at the height of the Vietnam War and resonated with the pacifist song named Give Peace A Chance. In the pacifist tradition of Martin Luther King and Gandhi, Yoko Ono’s work highlights the conceptual dimension of this performance, questioning the notions of identity and intimacy, space and time. On 15 December 1969, they launched an international publicity campaign for the promotion of peace in twelve cities around the world, with the message: “WAR IS OVER - if you want it - Happy Christmas from John and Yoko”, followed on 1 April 1973 by the invention of NUTOPIA, a nation living by the principles declared in the song “Imagine”, “a conceptual country with no land, no boundaries, no passports, only people. A country that belongs to all the world”. Yoko Ono was born in 1933 in Tokyo. She is an artist and musician who has pushed the boundaries of poetic, conceptual and political expression. Her interest in art and music began at an early age. Her family emigrated to New York in 1952 where she studied poetry, music and composition at Sarah Lawrence College. She met Edgar Varèse, Morton Feldman and John Cage in the late 1950s and became part of the avant-garde music scene, along with her first husband, Toshi Ichiyanagi, a young Japanese composer. She was an active participant in the Fluxus movement, created in 1961 at the initiative of George Maciunas, which brought together a fluctuating and eclectic community of artists living in the USA, Germany and Japan. Her work is celebrated in museums and galleries throughout the world and, in particular, by the retrospective of her work entitled Yes Yoko Ono held in Japan and North America in 2000. In 2009 she received the Lifetime Achievement Golden Lion at Venice Biennale. In May 2015, the Museum of Modern Art dedicates to her a major monography. With the support of the City of Metz. SOME VISUALS ARE AVAILABLE ON OUR PHOTOTHEQUE (www.centrepompidou-metz.fr/phototheque) : Login : presse Password : Pomp1d57 Yoko Ono, Wish Tree Museum of Modern Art, New York, 2010 Photo by Anne Terada Courtesy of Yoko Ono Yoko Ono, IMAGINE PEACE TOWER Videy Island, Reykjavík, Iceland Photo by Tetsuro Hamada Courtesy of Yoko Ono Yoko Ono, Cut Piece 1964 Performed by the artist on March 21, 1965 Carnegie Recital Hall, New York, NY Photo by Minoru Niizuma, Courtesy of Yoko Ono Yoko Ono and John Lennon, WAR IS OVER! Times Square, New York City, 1969 © Yoko Ono .
Recommended publications
  • Hédi A. Jaouad. “Limitless Undying Love”: the Ballad of John and Yoko and the Brownings
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Revue CMC Review (York University) Hédi A. Jaouad. “Limitless Undying Love”: The Ballad of John and Yoko and the Brownings. Manchester Center, Vermont: Shires Press, 2015. 132 pp. Hédi A. Jaouad is a distinguished scholar known for his expertise on Francophone North African (Maghrebi) literature. Professor of French and Francophone literature at Skidmore College, Saratoga Springs, New York, he is the Editor of CELAAN, the leading North American journal focusing on North African literature and language. He is also interested in Victorian literature, with particular concentration on Robert and Elizabeth Barrett Browning, on whom he published a previous book, The Brownings’ Shadow at Yaddo (2014). However, his current book, “Limitless Undying Love”: The Ballad of John and Yoko and the Brownings, shows a whole other side to his scholarship, for it links the Brownings to those icons of contemporary popular culture, John Lennon and Yoko Ono. This is a concise, economical little study (132 pp.), but it manages, in brief compass, to be pluridisciplinary, building bridges between poetry, music, and painting. As he modestly proclaims, it shows “his passion for more than one liberal art” (7). The title, “Limitless Undying Love,” comes from a late John Lennon song, “Across the Universe.” Hédi Jaouad reminds us that the titular “Ballad” applies to both poetry and music. He compares what he has called 19th-century “Browningmania” to 20th-century “Beatlemania,” both of which spread to North America in what has been popularly described as a “British Invasion.” Lest the reader assume Jaouad is only tracing coincidental parallels, he makes it clear from the outset that John and Yoko actually saw themselves as reincarnations of the Brownings, and consciously exploited the similarities in their lives and careers.
    [Show full text]
  • Pr-Dvd-Holdings-As-Of-September-18
    CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd.
    [Show full text]
  • John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
    THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums.
    [Show full text]
  • Discovering the Contemporary
    of formalist distance upon which modernists had relied for understanding the world. Critics increasingly pointed to a correspondence between the formal properties of 1960s art and the nature of the radically changing world that sur- rounded them. In fact formalism, the commitment to prior- itizing formal qualities of a work of art over its content, was being transformed in these years into a means of discovering content. Leo Steinberg described Rauschenberg’s work as “flat- bed painting,” one of the lasting critical metaphors invented 1 in response to the art of the immediate post-World War II Discovering the Contemporary period.5 The collisions across the surface of Rosenquist’s painting and the collection of materials on Rauschenberg’s surfaces were being viewed as models for a new form of realism, one that captured the relationships between people and things in the world outside the studio. The lesson that formal analysis could lead back into, rather than away from, content, often with very specific social significance, would be central to the creation and reception of late-twentieth- century art. 1.2 Roy Lichtenstein, Golf Ball, 1962. Oil on canvas, 32 32" (81.3 1.1 James Rosenquist, F-111, 1964–65. Oil on canvas with aluminum, 10 86' (3.04 26.21 m). The Museum of Modern Art, New York. 81.3 cm). Courtesy The Estate of Roy Lichtenstein. New Movements and New Metaphors Purchase Gift of Mr. and Mrs. Alex L. Hillman and Lillie P. Bliss Bequest (both by exchange). Acc. n.: 473.1996.a-w. Artists all over the world shared U.S.
    [Show full text]
  • Kristine Stiles
    Concerning Consequences STUDIES IN ART, DESTRUCTION, AND TRAUMA Kristine Stiles The University of Chicago Press Chicago and London KRISTINE STILES is the France Family Professor of Art, Art Flistory, and Visual Studies at Duke University. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2016 by Kristine Stiles All rights reserved. Published 2016. Printed in the United States of America 24 23 22 21 20 19 18 17 16 15 12345 ISBN­13: 978­0­226­77451­0 (cloth) ISBN­13: 978­0­226­77453­4 (paper) ISBN­13: 978­0­226­30440­3 (e­book) DOI: 10.7208/chicago/9780226304403.001.0001 Library of Congress Cataloguing­in­Publication Data Stiles, Kristine, author. Concerning consequences : studies in art, destruction, and trauma / Kristine Stiles, pages cm Includes bibliographical references and index. ISBN 978­0­226­77451­0 (cloth : alkaline paper) — ISBN 978­0­226­77453­4 (paperback : alkaline paper) — ISBN 978­0­226­30440­3 (e­book) 1. Art, Modern — 20th century. 2. Psychic trauma in art. 3. Violence in art. I. Title. N6490.S767 2016 709.04'075 —dc23 2015025618 © This paper meets the requirements of ANSI/NISO z39.48­1992 (Permanence of Paper). In conversation with Susan Swenson, Kim Jones explained that the drawing on the cover of this book depicts directional forces in "an X­man, dot­man war game." The rectangles represent tanks and fortresses, and the lines are for tank movement, combat, and containment: "They're symbols. They're erased to show movement. 111 draw a tank, or I'll draw an X, and erase it, then re­draw it in a different posmon...
    [Show full text]
  • John Lennon – Człowiek I Artysta Niespełniony?
    Tom 12/2020, ss. 43-72 ISSN 0860-5637 e-ISSN 2657-7704 DOI: 10.19251/rtnp/2020.12(3) www.rtnp.mazowiecka.edu.pl Andrzej Dorobek Mazowiecka Uczelnia Publiczna w Płocku ORCID: 0000-0002-5102-5182 JOHN LENNON – CZŁOWIEK I ARTYSTA NIESPEŁNIONY? JOHN LENNON: A MAN AND ARTIST UNFULFIILLED? Streszczenie: Niniejszy esej jest próbą syntetycznego, poniekąd psychoanalitycznego, ujęcia biografii Johna Lennona, zarówno jako ewidentnie zagubionego geniu- sza muzyki popularnej, jak i ofiary chłopięcego kompleksu zaniedbania przez uwielbianą matkę – później wysublimowanego w kompleks kobiecej dominacji i przeniesionego na Yoko Ono, jego drugą żonę i awangardową „muzę.” W re- zultacie ich związek, w znacznym stopniu wyidealizowany przez media, został ukazany w kontekście relacji Lennona z innymi kobietami (na przykład z ciotką Mimi), sprzecznych cech jego osobowości oraz ewolucji światopoglądowej i ar- tystycznej, która doprowadziła najpierw do dramatycznego rozdarcia między popowym supergwiazdorstwem a awangardowym artystostwem, ostatecznie zaś – do faktycznej niemocy twórczej w ciągu ostatnich pięciu lat życia. Per- John Lennon – człowiek i artysta niespełniony? spektywę komparatystyczną dla tych rozważań wyznaczać będą biografie Elvisa Presleya i Micka Jaggera. Słowa kluczowe: kompleks, trauma, dominacja, „krzyk pierwotny”, gwiaz- dorstwo, artyzm, niespełnienie Summary: In this essay, the author attempts at a synthetic insight into the biography of John Lennon, both as a confused genius of popular music and a victim of the childhood complex of motherly neglect: later transformed into the one of female domination and transferred onto Yoko Ono, his second wife and avant-garde “muse.” Consequently, their marriage, largely idealized by media, is shown here in the context of Lennon’s relations with other women (mainly his mother and aunt Mimi), his contradictory psychological traits and artistic/ ideological evolution that resulted in being torn between pop superstardom, avant-garde artistry and, in last five years, virtual creative impotence.
    [Show full text]
  • John Lennon / Plastic Ono Band, Yoko Ono / Plastic
    John Lennon Mother mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Mother Country: US Released: 1970 Style: Pop Rock MP3 version RAR size: 1530 mb FLAC version RAR size: 1745 mb WMA version RAR size: 1244 mb Rating: 4.8 Votes: 361 Other Formats: AC3 MPC FLAC MP2 ASF MOD AIFF Tracklist Hide Credits Mother –John Lennon / Plastic Ono Band*, A Producer – John & Yoko*, Phil SpectorWritten-By – 3:55 Yoko Ono / Plastic Ono Band* John Lennon Why B –Yoko Ono / Plastic Ono Band* 5:30 Producer – John & Yoko*Written-By – Yoko Ono Notes slightly different label than: Mother / Why On the right of the label instead of BMI it states (U.K.) Barcode and Other Identifiers Matrix / Runout (Side A): 45-X-47426 Z5 1827 Matrix / Runout (Side B): S-45-X-47427 Z6 1827#2 Matrix / Runout (Side A (Variant 1)): 45-X-47426 Z6 1827#2 Bell Sound 3f o Matrix / Runout (Side B (Variant 1)): S-45-X-47427 Z5 2 1827#2 Bell Sound sf 0 Rights Society (Side B): BMI Other versions Category Artist Title (Format) Label Category Country Year John Lennon / John Lennon / Plastic 1827 Plastic Ono Ono Band* - Mother Apple Records 1827 US 1970 Band* (7", Single) John Lennon / John Lennon / Plastic 30017 Plastic Ono Ono Band* - Mother / Apple Records 30017 Uruguay 1971 Band* Why (7", Single) John Lennon / John Lennon / Yoko Yoko Ono, Ono, Plastic Ono 1827 Apple Records 1827 US 1970 Plastic Ono Band* - Mother / Why Band* (7", Single) 8E 006-04726, 8E 006-04726, Parlophone, 8E 006-04726 John Lennon Mother (7", Single) 8E 006-04726 Portugal 1970 Parlophone M M John Lennon
    [Show full text]
  • Clifford the Big Red Dog Goes on Tour! MAY 2018 See Page 31 for Details
    Clifford The Big Red Dog goes on tour! MAY 2018 See page 31 for details NOVA Wonders Airs 8pm Wednesdays Journey to the frontiers of science, where researchers are tackling some of the biggest questions about life and the cosmos in this six-part mini-series. See story, p. 2 MONTANAPBS PROGRAM GUIDE MontanaPBS Guide On the Cover MAY 2018 · VOL. 31 · NO. 11 COPYRIGHT © 2018 MONTANAPBS, ALL RIGHTS RESERVED MEMBERSHIP 1-866-832-0829 SHOP 1-800-406-6383 EMAIL [email protected] WEBSITE www.montanapbs.org ONLINE VIDEO PLAYER watch.montanapbs.org The Guide to MontanaPBS is printed monthly by the Bozeman Daily Chronicle for MontanaPBS and the Friends of MontanaPBS, Inc., a nonprofit corporation (501(c)3) P.O. Box 10715, Bozeman, MT 59719-0715. The publication is sent to contributors to MontanaPBS. Basic annual membership is $35. Nonprofit periodical postage paid at Bozeman, MT. PLEASE SEND CHANGE OF ADDRESS INFORMATION TO: SHUTTERSTOCK OF COURTESY MontanaPBS Membership, P.O. Box 173345, Bozeman, MT 59717 KUSM-TV Channel Guide P.O. Box 173340 · Montana State University Mont. Capitol Coverage Bozeman, MT 59717–3340 MontanaPBS World OFFICE (406) 994-3437 FAX (406) 994-6545 MontanaPBS Create E-MAIL [email protected] MontanaPBS Kids BOZEMAN STAFF MontanaPBS HD INTERIM GENERAL MANAGER Aaron Pruitt INTERIM DIRECTOR OF CONTENT/ Billings 16.1 16.2 16.3 16.4 16.5 CHIEF OPERATOR Paul Heitt-Rennie Butte/Bozeman 9.1 9.2 9.3 9.4 9.5 SENIOR DIRECTOR OF DEVELOPMENT Crystal Beaty MEMBERSHIP/EVENTS MANAGER Erika Matsuda Great Falls 21.1 21.2 21.3 21.4 21.5 DEVELOPMENT ASST.
    [Show full text]
  • Russie. Adele, U2, Madonna, Yoko Ono, Radiohead, Patti Smith, Bruce
    AMNESTY INTERNATIONAL Lettre ouverte Index AI : EUR 46/031/2013 AILRC-FR 22 juillet 2013 Adele, U2, Madonna, Yoko Ono, Radiohead, Patti Smith, Bruce Springsteen, Ke$ha, Paul McCartney et Sting se joignent à plus de 100 musiciens pour réclamer la libération des Pussy Riot Chères Macha et Nadia, À l’approche du premier anniversaire de votre procès, nous tenions à vous écrire pour vous assurer que, partout dans le monde, des gens continuent de penser à vous et d’œuvrer à votre libération. Si vous étiez les contestataires les plus visibles, nous savons que beaucoup d’autres jeunes ont souffert durant les manifestations, et nous restons très préoccupés à leur sujet. Toutefois, à bien des égards, à travers votre incarcération, vous incarnez désormais cette jeunesse. De nombreux artistes ont exprimé leur inquiétude lorsque ces accusations ont été portées contre vous ; nous espérions vraiment que les autorités, dans cette affaire, feraient preuve d’un certain degré de compréhension, du sens des proportions, et même du sens de l’humour russe si caractéristique, mais force est de constater qu’il n’en fut rien. Votre procès terriblement inique et votre incarcération ont eu un très grand retentissement, particulièrement au sein de la communauté des artistes, des musiciens et des citoyens dans le monde entier, et notamment auprès des parents qui ressentent votre angoisse d’être séparées de vos enfants. Tout en comprenant qu’une action de contestation menée dans un lieu de culte puisse choquer, nous demandons aux autorités russes de revoir les sentences très lourdes prononcées, afin que vous puissiez retrouver vos enfants, vos familles et vos vies.
    [Show full text]
  • Scream from the Heart: Yoko Ono's Rock and Roll Revolution
    Volume ! La revue des musiques populaires 9 : 2 | 2012 Contre-cultures n°2 Scream from the Heart: Yoko Ono’s Rock and Roll Revolution Scream from the Heart : la révolution rock and roll de Yoko Ono Shelina Brown Electronic version URL: http://journals.openedition.org/volume/3415 DOI: 10.4000/volume.3415 ISSN: 1950-568X Printed version Date of publication: 15 December 2012 Number of pages: 107-123 ISBN: 978-2-913169-33-3 ISSN: 1634-5495 Electronic reference Shelina Brown, « Scream from the Heart: Yoko Ono’s Rock and Roll Revolution », Volume ! [Online], 9 : 2 | 2012, Online since 15 June 2016, connection on 10 December 2020. URL : http:// journals.openedition.org/volume/3415 ; DOI : https://doi.org/10.4000/volume.3415 L'auteur & les Éd. Mélanie Seteun 107 Scream from the Heart: Yoko Ono’s Rock and Roll Revolution par Shelina Brown UCLA Abstract: While most academic scholarship on Yoko Ono Résumé : Alors que la majorité de la littérature universi- focuses on her work as a pioneering conceptual and perfor- taire traitant de Yoko Ono se concentre sur son rôle pion- mance artist, little has been devoted to her accomplishments nier en tant qu’artiste conceptuelle et performeuse, peu de as an experimental rock vocalist. In this paper, I will discuss recherches ont porté sur ce qu’elle a accompli en tant que Yoko Ono’s searing vocalizations, or screams, as politically chanteuse rock expérimentale. Dans cet article, je traiterai charged instances of abject sonic art, situated within the de la virulence de son expression vocale – ses cris – en tant tumultuous socio-political context of 1960’s U.S.
    [Show full text]
  • “N” ROLL and SPORTS AUCTION FEATURING LADY GAGA, CHER, BONO, JOHN LENNON, PAUL Mccartney, MUHAMMAD ALI and MANY MORE…
    JULIEN’S AUCTIONS ANNOUNCES HISTORICAL ROCK “N” ROLL AND SPORTS AUCTION FEATURING LADY GAGA, CHER, BONO, JOHN LENNON, PAUL McCARTNEY, MUHAMMAD ALI AND MANY MORE… Beverly Hills, CA - Monday, November 7th, 2011 - Julien‟s Auctions, the world‟s premiere entertainment and celebrity auction house will once again make history when the doors open for a star studded auction that includes items from the worlds of Rock „n Roll, Sports, the Royal family and political memorabilia on Thursday, December 1, 2011 through Sunday, December 4, 2011 at the Julien‟s Auctions gallery in Beverly Hills. Julien‟s will highlight the rock „n roll portion of the auction event with a very rare offering of items from the Fame Monster herself, Lady Gaga. The award winning multi-platinum music icon‟s unmatched style can be seen on stage, in print, on billboards and at Julien‟s gallery. Her famous structured dress worn for the cover of Madame Figaro magazine in 2001 will be offered for auction. The now famous costume designed by and is estimated to sell for $10,000 - $20,000. Additionally the prop gun used in Lady Gaga‟s music video for “Born This Way,” will also be offered with an estimate of $6,000-$8,000. When you hear the words rock royalty, any collector knows it must mean The Beatles, The Rolling Stones or U2 amongst others. Included are stage worn outfits from the Beatles that have been on display at the Rock „n Roll Hall of Fame and Museum. These include John Lennon‟s stage worn collarless suit by D.A.
    [Show full text]
  • An Interview with YOKO ONO Daniel Rothbart
    INTERNATIONAL EDITION Great Britain £ 4 Japan ¥ 750 Canada $ 6.95 U.S.A. $ 5.00 Euro 6.00 o Vo l . 7 n 6 www.nyartsmagazine.com The Dragon Lady Speaks An Exclusive Interview with YOKO ONO Daniel Rothbart 06> 0 74470 94445 4 DKR: Your parents had conventional at the same time or I could be concentrating on hopes for your future. Was it difficult for you to just one because I’ve become so obsessed with defy their expectations and join the New York it. It depends on the character of the project. I art world in 1960? am centered in a way, and act according to my YO: Not really. My father had hopes for me beliefs. “Belief” is a strange word because at to be successful in the accepted forms of art or times I don’t have any beliefs, but I follow my music. And my mother too. But I really didn’t instincts. feel any enthusiasm for them and if you’re not DKR: How has Zen Buddhist philosophy enthusiastic about something you can’t be suc- influenced the development of your art? cessful at it, you know. YO: I think that I was influenced by all dif- DKR: Your work has extended to so many ferent religions and philosophies, including areas, from the visual arts, to literature, to Christianity. Christianity was a large influence, music. How would you characterize your inter- and Painting To Be Stepped On is derived from disciplinary approach to art making? my reaction to Christian history. When YO: Well I don’t.
    [Show full text]