Inter-National-Ist Covers

Total Page:16

File Type:pdf, Size:1020Kb

Inter-National-Ist Covers inter national ist THE NEXT WAVE OFOF INTERNANATIOONANAL ADVERTISERS FOR ADVERTISING, MARKETING + MEDIA FOR PROFESSIONALS ADVERTISING, MARKETING + MEDIA january 2004 Grey’s Carolyn Japan In Carter On Focus: Global Brands Tackling The In The 21st W orld’s No. 2 inside issue Century Ad Market www.inter-national-ist.com inter inter inter inter national ist january 2004 national national national ist ist ist inter national ist Cover Story inter national ist THE NEXT WAVE OF INTERNATIONAL ADVERTISERS inter Profile inter inter DOUGLAS GRUEHL helps Legato become part of the “next wave” nationalof international advertisers national national ist ist ist Commentary www.inter-national-ist.com Grey’s CAROLYN CARTER’S view of global brands in the 21st century FEATURES inter cover photo: ©brian fraunfelter/solus images issue inter SUBSCRIBE A Word from the Publisher and Editor/4 nationalLetters/4 ONLINE Frontlines/7 Group discounts Reports from Advertising Age, Meio & Mensagem, national AdAsia. The latest media surveys and more available for ist Media Matters/24 Examining CPM ist bulk shipping. Japan in Focus/26 Successes in the marketplace On Site in O&M’s new Tokyo offices People and Places/32 DoingBusiness interin...South Africa /34 The Rainbow Nation finds its feet inter Career Track /35 DEPARTMENTS Jungle Lovin’ nationalin Hong Kong /36 national STAFF deborah malone PUBLISHER 1-917-816-6416 [email protected] nancy s. giges EDITOR 1-914-683-5108 [email protected] istapril garston CREATIVE DIRECTOR [email protected] joan ranieri-certain DESIGN CONSULTANT [email protected] ist christine yun gardiner MARKETING,CIRCULATION,RESEARCH [email protected] mark grimaldi WEBMASTER www.mjg-designs.com D M • NY GLOBAL inter national ist is published six times a year by DMNY Global. ©2004 DMNY Global. Excerpts may be quotedDM•NY with proper attribution to inter national ist. GLOBAL inter national ist has been created to serve the international marketing communications industry. It is a publication for and by international marketing and media professionals. Printed by Miller Johnson, Inc., Meriden, CT. BPA International Membership Applied for. DM•NY GLOBAL DM•NY GLOBAL AFFILIATES EDITORIAL ADVISORY BOARD TO JOIN THE IAA, debra coughlin PHONE OR E-MAIL SENIOR VICE PRESIDENT YOUR LOCAL CHAPTER GLOBAL ADVERTISING MASTERCARD INTERNATIONAL ARGENTINA Rogelio Pianezza 54.11.4951.0575 [email protected] AUSTRALIA Heather robert crozier Leembruggen 61.2.9922.2515 [email protected] PUBLISHER AUSTRIA Eva Spani 43.1.531.170 [email protected] FORBES GLOBAL BAHRAIN Saritha Fernandes 973.22.52.62 [email protected] BOSNIA/HERZEGOVINA Samra Luckin 387.33.261.230 [email protected] BULGARIA Lyudmila Kableshkova neil gluckin 359.2.943.3341 [email protected] CHILE Henry Northcote 56.2.232.6610 EXECUTIVE DIRECTOR [email protected] CHINA Zeman Zhang 86.10.6331.7507 BRAND STRATEGY [email protected] CROATIA Marko Stojakovic 385.1.48.34.470 UBS AG [email protected] DENMARK Donald Nekman 45.7020.1126 [email protected] DOMINICAN REPUBLIC Donald Rowland toby hayward 809.562.3882 [email protected] EGYPT Mouchira Said 202.578.4951 [email protected] FINLAND Nina Franco EXECUTIVE VICE PRESIDENT 358.9.122.3361 [email protected] FRANCE ADVERTISING SALES Dominique Martin 33.1.4742.1342 [email protected] STAR GROUP LIMITED GERMANY Lutz Weidner 49.228.949.130 [email protected] HONG KONG Jessica Kam john holmes 852.2313.8023 [email protected] HUNGARY Adrienne Kaminszky 36.1.349.2717 [email protected] INDIA Pheroza Bilimoria CHAIRMAN 91.22.282.4883 [email protected] LATIN AMERICA & CARIBBEAN ISRAEL David Admon 972.3.5656356 [email protected] J. WALTER THOMPSON ITALY Alessandra De Bevoise 39.2.885.8921 [email protected] JAPAN Minoru Ichihana 81.3.3569.0351 graeme hutton [email protected] JORDAN Asmaa H. Abu Ghazaleh 962.77.446441 [email protected] KOREA Wooshik Hong SENIOR VICE PRESIDENT [email protected] KUWAIT Daoud Moujaes 965.968.3916 GLOBAL CLIENT SERVICES DIRECTOR [email protected] LEBANON Alfred Barakat ZENITHOPTIMEDIA GROUP 961.3.242.299 [email protected] MALAYSIA J. Matthews 60.3.7460.8535 [email protected] MALTA Joe Zammit robin kent 356.3291.4616 [email protected] MEXICO Lucia Abdo 52.5.5728.4800 [email protected] NIGERIA May Nzeribe CHAIRMAN & CEO 234.1.496.6197 [email protected] PAKISTAN Syed Mahmood UNIVERSAL MCCANN Hashmi 92.2.756.0530 [email protected] PARAGUAY Ruben Ovelar Melgarejo 595.21.453.090 kevin razvi [email protected] RUSSIA Erkin Salakhitdinov EXECUTIVE VICE PRESIDENT 7.095.234.2805/06/07 [email protected] SINGAPORE Patsy Ee CNN ADSALES [email protected] SLOVENIA Marko Majer 386.61.2000.800 [email protected] SPAIN Ana de la Puente 34.91.315.9936 SRI LANKA Mangala Yasashri Wickramarachchi alan rutherford 94.1.597.551 [email protected] SWEDEN Ronnie Eide WORLDWIDE HEAD OF MEDIA 46.70.557.4295 [email protected] SWITZERLAND UNILEVER Edith Moosbrugger 41.1.383.2662 [email protected] SYRIA Jocelyne Vitale 963.11.612.9404 [email protected] TAIPEI Raymond Hung So 886.2.771.80888 [email protected] andrew sibley TURKEY Aysenur Atli 90.212.325.3790 ADVERTISING MANAGER EMEA [email protected] UAE Carla Hosni CISCO SYSTEMS 971.4.394.0286 [email protected] UNITED KINGDOM Annika McCaskie 44.207.381.8777 [email protected] URUGUAY Silvana Saavedra 598.2.903.24.41 [email protected] anne c. toulouse US-FLORIDA Muriel Sommers 1.305.529.5006 [email protected] VICE PRESIDENT US-MID AMERICA Daniel M O’Brien 1.312.693.7826 BRAND MANAGEMENT & ADVERTISING [email protected] US-NEW YORK THE BOEING CO. Bernadette Brennan 1.646.495.5160 [email protected] US-WEST Ian Beavis [email protected] 1.415.218.8612 UZBEKISTAN Victoria Kim 998.71.1173.2887/86/2934 [email protected] VENEZUELA Raul Sanz-Machado 58.2.237.8322 [email protected] COMING march issue Cover Story: What Is Next? The New Advertising Reality Commentary by Simon Sherwood, chief operating officer, Bartle Bogle Hegarty future issues Marketing Accountability: Is ROI the Only Answer? Re-marriage: Media & Creative Together Again? Editorial submissions are encouraged. Submissions may be edited for length and style. Send your story suggestions and ideas including photos and calendar items to [email protected]. IMPORTANT DATES march issue mayissue AD RESERVATIONS: February 2 AD RESERVATIONS: March 24 MATERIALS: February 9 MATERIALS: April 7 Contact: advertising @inter-national-ist.com View from the Board: The Role of International Media in the Lives of Business Decision Makers A global study that brings new light on how and why top executives consume international media. the from Bo w ar ie d V : The Role of International Media in the Lives of Business Decision Makers For information and a presentation of the findings, please call your contact at any of the companies mentioned above. LETTERS SORTING OUT COMPLEXITY I just received a copy of inter national ist. Congrats on [having] …the guts and the vision to launch a new product during uncertain economic forecasts—if only your optimism can spill over It’s hard to believe that a year has passed since we took the plunge to clients and agencies maybe the global economy into the tough world of publishing … at a time we knew would be tough but also will pick up sooner and faster. Best of luck. one that we thought may give a boost to this important industry.And we would like to STEPHEN A. O’CONNOR CEO & Group Publisher think that we are helping to make a difference.As we said then and believe even more Budapest, Warsaw, Prague Business Journals so now, the viability of an international advertising and marketing communications My, how some things have changed since industry is vitally important to the needs of modern society.As the year progressed, we spoke this summer in preparation for your story in the [October/November] issue of inter national ist. we heard increasing signs of optimism, and those continue. The airline industry, at least from an advertising perspective is, in some parts of the world, beginning to resemble its old self. In the We knew that even the definition of “international” was complex U.K., for example, airline advertising has become much less tactical in nature, with a number when it comes to communications, and that has been reinforced in this past year as we of airlines running branding ads aimed at both the leisure and business traveler. Product talked to scores of people in this industry about the global-local challenge. It’s become features ranging from extra leg room in the economy section to fully reclining complex for lots of reasons…expert communicators know that pan-regional and global sleeper seats in club (business) class are now running with a fair amount of regularity. vehicles are vital as indicated by the most recent study “A View from the Board” To be sure, the airlines and hotels are still reported on in this issue. Equally vital are strong national media that talk to people in running price-led advertising aimed at putting “bottoms in seats” and “heads in beds,” their own language, and we use the word “language” in the broadest sense. respectively. That said, branding advertising from the airline business, though, has begun to again be a rather regular feature among publications in the U.K., and But there are other elements that complicate.We have been in on discussions I suspect, in other parts of the world.
Recommended publications
  • Elizabethan Trust ·· News 300Eng8 Sepg8mber'74 No 12 Contentr Editor: Margaret Leask
    elizabethan trust ·· news 300enG8 sepG8mber'74 no 12 contentr Editor: Margaret Leask The Stuttgart Ballet 3 Interview - Stella Adler and Ron Burrows 4 Fringe Engl ish in Brisbane - Albert Hunt and Richard Fotheringham 6 Puppetry News - The Marionette Theatre of Australia 8 London Scene - Gordon Beattie 9 Theatre in Canberra, Then and Now - Anne Godfrey-Smith 10 Dance Footnotes - Leonard Linden 12 Three Rooms, Harbour View - the ITI at the A.E.T.T: 13 Australian National Playwrights Conference 13 The Poets of Pleasure at N.I.D.A. - Maxlffland 14 Lucette Aldous 16 Melbourne Scene - BarryBalmer 18 Books 19 Australian Elizabethan Theatre Trust Conference 19 The Facts about the Elizabethen Trust Orchestras - Ken Mackenzie·Forbes20 Music - The War Requiem Twelve Years Later 21 Committees' Diary 21 Elizabeth Sweeting talks about Theatre Administration 22 New Opera South Austral ia - Stuart Thompson 24 Stageworld 25 R~o~s W Showguide 27 lHE N~TIONAL 1N5TITUrE IIIIID OF [)R,Al\MTIC ART at the University of New South Wales forme Sydney, Australia offers: Three year full-time training courses NEW for the Professional Theatre in ACTING BLOOD TECHNICAL PRODUCTION Blood is urgently required by the Red Cross Blood Transfusion Service. Help DESIGN save a life - giving blood is simple and harmless. A few minutes of your time Ther~ is a one year post-graduate could mean a lifetime to somebody student director's course for people else. ENROL NOW! already experienced in professional, university or amateur theatre. Sydney - 153 Clarence Street. (telephone 290 2555); Enquiries should be addressed to: Melbourne - 114 Flinders Street.
    [Show full text]
  • Annual Report 2007-2008
    National Library of Australia Annual Report 2007–2008 National Library of Australia Annual Report 2007–2008 National Library of Australia Annual Report 2007–2008 Published by the National Library of Australia Parkes Place West Parkes Canberra ACT 2600 ABN: 28 346 858 075 Telephone: (02) 6262 1111 TTY: 1800 026 372 Facsimile: (02) 6257 1703 Homepage: www.nla.gov.au Annual report: www.nla.gov.au/policy/annrep08/ © National Library of Australia 2008 National Library of Australia Annual report / National Library of Australia. — 8th (1967/68) — Canberra: NLA, 1968– — v.; 25 cm. Annual. Continues: National Library of Australia. Council. Annual report of the Council = ISSN 0069-0082. Report year ends 30 June. ISSN 0313-1971 = Annual report — National Library of Australia. 1. National Library of Australia –– Periodicals. 027.594 Coordinated by Public Programs Division, National Library of Australia Printed by Paragon Printers Australasia, Canberra Cover image: For the Benefi t of J. Butler and W. Bryant: at the Theatre, Sydney … 1796 broadside; 20.0 x 12.0 cm Australian Collection nla.aus-vn4200235 The highlight of the Library’s 2007–2008 acquisitions was a uniquely signifi cant addition to the record of Australian printing, publishing and theatre history. The single-sheet broadside playbill advertises a theatrical performance at the Sydney Theatre on 30 July 1796 and was printed by our fi rst printer, George Hughes. It is the earliest surviving example of a document printed in Australia. The playbill was found in a scrapbook in the collection of Library and Archives Canada. It was presented by the Canadian Prime Minister, Stephen Harper, to then Prime Minister, the Hon.
    [Show full text]
  • Australian & International
    Australian & International Posters Collectors’ List No. 182, 2016 Josef Lebovic Gallery 103a Anzac Parade (cnr Duke St) Kensington (Sydney) NSW P: (02) 9663 4848 E: [email protected] W: joseflebovicgallery.com 1. “Not Dead Yet!” or “The Counterfeit [Gold Rush]” Theatre JOSEF LEBOVIC GALLERY Royal, Glasgow, 1866. Letterpress theatre playbill, 75.4 x 25.2cm. Established 1977 Trimmed left margin, repaired minor tears and old folds, slight offset. Member: AA&ADA • A&NZAAB • IVPDA (USA) • AIPAD (USA) • IFPDA (USA) Linen­backed. $1,100 This playbill, dated Friday, 8th June, 1866, initially covers two plays, Faust & Address: 103a Anzac Parade, Kensington (Sydney), NSW Marguerite! and Quite a Romance!, before mentioning a play on the Gold Rush in Postal: PO Box 93, Kensington NSW 2033, Australia Bendigo, Australia. The play was adapted from the novel Not dead yet by the English author John Cordy Jeaffreson (1831-1901), and was published in 1864. Three Phone: +61 2 9663 4848 • Mobile: 0411 755 887 • ABN 15 800 737 094 scenes in the second act are set on the Bendigo gold diggings in the year 1862. Email: [email protected] • Website: joseflebovicgallery.com The playbill text includes “In rehearsal, and will shortly be produced, a three act drama by [actor] David Fisher with sensational effects and new scenery, Open: Monday to Saturday from 1-6pm by chance or by appointment. founded on actual occurrences, as narrated in the novel by J.C. Jeffreson [sic], which furnishes portions of the story of this play, called Not dead yet! or The Counterfeit: a tale of the times both in England and Australia.
    [Show full text]
  • Lesbian Gay Bisexual Transgender Material Survey
    Material Survey PROJECT REPORT 2006 KATE DAVISON MUSEUM VICTORIA TABLE OF CONTENTS TABLE OF CONTENTS............................................................................................................. 1 PROJECT TEAM....................................................................................................................... 2 1. AIMS AND BACKGROUND .................................................................................................. 3 1.1 Project background ......................................................................................................... 3 2. CONTEXT.............................................................................................................................. 5 2.1 Addressing cultural diversity ........................................................................................... 5 2.2 Historical and national context of the project .................................................................. 7 3. METHODOLOGY .................................................................................................................. 9 3.1 Model for research .......................................................................................................... 9 3.2 Project resources .......................................................................................................... 10 3.3 Project methodology...................................................................................................... 10 3.4 Challenges for further consideration ............................................................................
    [Show full text]
  • Trust News, But, in Order to Get the Magazine to You on Time We Had to Go to Press Before the Finishing Touches Were Made
    THE TROST NEWS We would like to show you our new design for the masthead of Trust News, but, in order to get the magazine to you on time we had to go to press before the finishing touches were made. Something to look forward to in the next edition. I'IATIOHAl. EI)I'I'IOII SEPTl!M8I!R 19881SS1'1 0314-0598 A PQ8LJC.ATJOIt Of'THE AaSTRALIAN ELIZABETHAN TROST THE TRUST: FIRM ~DANCE {fORTH' GUIDELINES FOR ON. THE FUTURE TIPTOE Professional assistance to the been to put a ceiling on the service IN THE TOP Australian arts -industry to ensure levy charged for processing dona­ its excellence and efficiency, the tions. Large single donations will END encouragement of greater interest no longer be charged the full 2% in and support of all fields of art by fee but a figure sufficient to cover all Australians are the new goals the administration of the donation Think of overseas tours by the set for The Trust by Adam Salzer, scheme which in June alone Australian arts and big city dance the newly appointed Chief Execu­ channelled $1.9 million to arts and theatre groups, such as The tive. organisations. Sydney Theatre Company and The "The Trust intends to set the Queensland Ballet spring to mind, pace and to become a focal point NEW 'NEWS' so, hands up if you can name the for the arts in Australia", he said. One of the first benefits for Australian dance company which "By this there is no suggestion that members is the upgrading of 'The played to enthusiastic audiences The Trust seeks control, on the Trust News' to focus on a broad in Rangoon, Ho Chi Minh City, contrary, we are advocating strong spectrum of arts activity through­ Bankgkok and Chiang MaL The local independence and intend to out Australia.
    [Show full text]
  • Jim Cranfield – Tour Manger
    Help solve the entertainment needs of an event with quality rather than quantity. The enclosed material will help you choose from the variety of performances and characters I have to offer. All acts are presented with universal appeal via music & vision. No language barrier! My aim is to help make the entertainment at your event memorable and unique. PACKAGE DEALS AVAILABLE! For the course of an event you might decide to book - Meet & Greet + Drum & Whistle + Slackwire Act. Packages save money and organization at the same time as giving the audience more from less. Train of Thoughts Performance length 55min. A story format show featuring the slackwire as a clothesline with the characters Nelligan & Deip. Incorporates a range of emotions within the story including comedy. Slackwire Performance length variable. Maximum length 30min. One fee applies for act options 1,2 or 3. (See slackwire description page) Drum & Whistle Performance length 15min. A comical mixture of clever ball juggling, and audience involvement. Meet & Greet or Roving Maximum length 120min. (2x60min sessions) A choice of character to ‘break the ice’ while adding a touch of class. Routines Performance length variable. Maximum length 15min. A selection of short stage routines designed for concert programmes. Fee is variable depending upon the character, style, or length of act. Workshops Participants explore - Circus, Character, Mime, and Movement, out of which come co- ordination health, fitness, and most importantly, self-esteem. Session lengths adjusted to your needs. Slackwire - performance art Maximum length 60min. This act features my new character not yet on website. Suitable for a modern environment.
    [Show full text]
  • Brought up in Country Victoria in the Town of Stawell. Fascinated by Circuses That Came to Town
    Brought up in country Victoria in the town of Stawell. Fascinated by circuses that came to town. Had my very own circus at the age of nine. It travelled in the house from room to room. The model circus tent I made was a replica of a life size one, and went up and down just like a real one. 1950's 1960's 1970's 1980's 1990's 2000 2003 When not in school, played games in the backyard conjuring up an imaginative world of entertainment. Loved inventing characters by dreaming up, and making up! Tied a rope between trees and began to walk on it. Learned to juggle lemons off our tree. Gave a constant puppet show to my bed ridden Grandma and in between playing Cowboys and Indians staged magic shows in dad's tool shed for neighbouring kids. Loved watching my dad play and march in the Stawell Brass Band. Did not have TV until 1963 Acted in school productions. Played tenor horn in the Stawell Salvation Army band. Went to Stawell Technical School. Wasn't interested in football, cricket or tennis but somehow found myself in the athletic team as a sprinter. Was interested in gymnastics, but the school didn't teach it. Was interested in drama, but the town did not have a theatre company and the school only read from MacBeth. While at school, specialised in art, then left for the city after year 11. Began work in Melbourne learning the trades of ticket writing and silk screening at Woolworth’s, but the love of the circus grew stronger.
    [Show full text]
  • Adelaide Festival Centre Annual Report 2004-05
    ADELAIDE FESTIVAL CENTRE ANNUAL REPORT 2004-05 16 September 2005 Adelaide Festival Centre King William Road ADELAIDE SA 5000 GPO Box 1269 ADELAIDE SA 5001 Telephone: (08) 8216 8600 Facsimile: (08) 8212 7849 Website: www.afct.org.au Our Vision: The Adelaide Festival Centre is considered one of the world’s best performing arts centres. Our Mission is to: Provide leadership and a visible focus for development and collaboration in the arts in South Australia. Engage with people and create opportunities to learn. Be focused on creative innovation. Work with, welcome and be accessible to the whole community. Provide outstanding customer service. 2 Introduction..........................................................................................................5 Highlights of 2004-05......................................................................................6 The Ring Cycle .................................................................................. 6 Open Day 2004................................................................................... 7 Adelaide Cabaret Festival................................................................. 7 Long-running favourites................................................................... 8 Chairman’s Report ...........................................................................................9 Chief Executive Officer’s Report .............................................................11 Adelaide Festival Centre Trust Act 1971.............................................14 Trustees
    [Show full text]
  • 2003/2004 Annual Report
    ADELAIDE FESTIVAL CENTRE ANNUAL REPORT 2003-04 14 September 2004 Adelaide Festival Centre King William Road ADELAIDE SA 5000 GPO Box 1269 ADELAIDE SA 5001 Telephone: 8216 8600 Facsimile: 8212 7849 Website: www.afct.org.au 2 INTRODUCTION...................................................................................................................5 CHAIRMAN’S REPORT ......................................................................................................7 CHIEF EXECUTIVE OFFICER’S REPORT.....................................................................9 ARTISTIC PERFORMANCE .......................................................................................................9 BUSINESS PERFORMANCE ....................................................................................................11 BUSINESS SYSTEMS..............................................................................................................11 ADELAIDE FESTIVAL CENTRE TRUST ACT 1971....................................................14 TRUSTEES............................................................................................................................14 THE OBJECTIVES OF ARTS SA .....................................................................................15 THE OBJECTIVES OF THE ADELAIDE FESTIVAL CENTRE TRUST...................15 OBJECTIVE ONE................................................................................................................17 OVERVIEW ...........................................................................................................................17
    [Show full text]
  • Australian & International Posters
    Australian & International Posters Collectors’ List No. 177, 2015 Josef Lebovic Gallery 103a Anzac Parade (cnr Duke Street) Kensington (Sydney) NSW Ph: (02) 9663 4848; Fax: (02) 9663 4447 Email: [email protected] Web: joseflebovicgallery.com JOSEF LEBOVIC GALLERY Established 1977 103a Anzac Parade, Kensington (Sydney) NSW Post: PO Box 93, Kensington NSW 2033, Australia Tel: (02) 9663 4848 • Fax: (02) 9663 4447 • Intl: (+61-2) Email: [email protected] • Web: joseflebovicgallery.com Open: Mon. to Sat. by appointment or by chance. ABN 15 800 737 094 Member: Aust. Art & Antique Dealers Assoc. • Aust. & New Zealand Assoc. of Antiquarian Booksellers • International Vintage Poster Dealers Assoc. • Assoc. of International Photography Art Dealers • International Fine Print Dealers Assoc. 1. Peter Kramer (Amer., 1823-1907). The Zavistowski Trio, c1871. Group of three tinted lithographs, two signed in image lower left or right, approx. 64.4 x 48cm each. COLLECTORS’ LIST No. 177, 2015 Missing portions to margins, soiling, repaired creases and tears. Linen-backed. The group $3,300 Titles read “Emmeline Zavistowski;” “Alice Zavistowski;” and “The Zavistowski Trio: Alice, Christine & Australian & International Posters Emmeline.” All include text “Ferd. Mayer & Sons, General Lithographers, 96 & 98 Fulton St, New York.” The Zavistowski Trio consisted of a mother (Christine) and her two daughters who were American burlesque actresses, singers and dancers. They were engaged by Australian entrepreneur George On exhibition from Saturday, 6 June to Saturday, 18 July. Coppin to tour Australia in 1871. They were said to be the “most expensive stars that have ever yet visited All items will be illustrated on our website from 13 June.
    [Show full text]