Inter-National-Ist Covers
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Elizabethan Trust ·· News 300Eng8 Sepg8mber'74 No 12 Contentr Editor: Margaret Leask
elizabethan trust ·· news 300enG8 sepG8mber'74 no 12 contentr Editor: Margaret Leask The Stuttgart Ballet 3 Interview - Stella Adler and Ron Burrows 4 Fringe Engl ish in Brisbane - Albert Hunt and Richard Fotheringham 6 Puppetry News - The Marionette Theatre of Australia 8 London Scene - Gordon Beattie 9 Theatre in Canberra, Then and Now - Anne Godfrey-Smith 10 Dance Footnotes - Leonard Linden 12 Three Rooms, Harbour View - the ITI at the A.E.T.T: 13 Australian National Playwrights Conference 13 The Poets of Pleasure at N.I.D.A. - Maxlffland 14 Lucette Aldous 16 Melbourne Scene - BarryBalmer 18 Books 19 Australian Elizabethan Theatre Trust Conference 19 The Facts about the Elizabethen Trust Orchestras - Ken Mackenzie·Forbes20 Music - The War Requiem Twelve Years Later 21 Committees' Diary 21 Elizabeth Sweeting talks about Theatre Administration 22 New Opera South Austral ia - Stuart Thompson 24 Stageworld 25 R~o~s W Showguide 27 lHE N~TIONAL 1N5TITUrE IIIIID OF [)R,Al\MTIC ART at the University of New South Wales forme Sydney, Australia offers: Three year full-time training courses NEW for the Professional Theatre in ACTING BLOOD TECHNICAL PRODUCTION Blood is urgently required by the Red Cross Blood Transfusion Service. Help DESIGN save a life - giving blood is simple and harmless. A few minutes of your time Ther~ is a one year post-graduate could mean a lifetime to somebody student director's course for people else. ENROL NOW! already experienced in professional, university or amateur theatre. Sydney - 153 Clarence Street. (telephone 290 2555); Enquiries should be addressed to: Melbourne - 114 Flinders Street. -
Annual Report 2007-2008
National Library of Australia Annual Report 2007–2008 National Library of Australia Annual Report 2007–2008 National Library of Australia Annual Report 2007–2008 Published by the National Library of Australia Parkes Place West Parkes Canberra ACT 2600 ABN: 28 346 858 075 Telephone: (02) 6262 1111 TTY: 1800 026 372 Facsimile: (02) 6257 1703 Homepage: www.nla.gov.au Annual report: www.nla.gov.au/policy/annrep08/ © National Library of Australia 2008 National Library of Australia Annual report / National Library of Australia. — 8th (1967/68) — Canberra: NLA, 1968– — v.; 25 cm. Annual. Continues: National Library of Australia. Council. Annual report of the Council = ISSN 0069-0082. Report year ends 30 June. ISSN 0313-1971 = Annual report — National Library of Australia. 1. National Library of Australia –– Periodicals. 027.594 Coordinated by Public Programs Division, National Library of Australia Printed by Paragon Printers Australasia, Canberra Cover image: For the Benefi t of J. Butler and W. Bryant: at the Theatre, Sydney … 1796 broadside; 20.0 x 12.0 cm Australian Collection nla.aus-vn4200235 The highlight of the Library’s 2007–2008 acquisitions was a uniquely signifi cant addition to the record of Australian printing, publishing and theatre history. The single-sheet broadside playbill advertises a theatrical performance at the Sydney Theatre on 30 July 1796 and was printed by our fi rst printer, George Hughes. It is the earliest surviving example of a document printed in Australia. The playbill was found in a scrapbook in the collection of Library and Archives Canada. It was presented by the Canadian Prime Minister, Stephen Harper, to then Prime Minister, the Hon. -
Australian & International
Australian & International Posters Collectors’ List No. 182, 2016 Josef Lebovic Gallery 103a Anzac Parade (cnr Duke St) Kensington (Sydney) NSW P: (02) 9663 4848 E: [email protected] W: joseflebovicgallery.com 1. “Not Dead Yet!” or “The Counterfeit [Gold Rush]” Theatre JOSEF LEBOVIC GALLERY Royal, Glasgow, 1866. Letterpress theatre playbill, 75.4 x 25.2cm. Established 1977 Trimmed left margin, repaired minor tears and old folds, slight offset. Member: AA&ADA • A&NZAAB • IVPDA (USA) • AIPAD (USA) • IFPDA (USA) Linenbacked. $1,100 This playbill, dated Friday, 8th June, 1866, initially covers two plays, Faust & Address: 103a Anzac Parade, Kensington (Sydney), NSW Marguerite! and Quite a Romance!, before mentioning a play on the Gold Rush in Postal: PO Box 93, Kensington NSW 2033, Australia Bendigo, Australia. The play was adapted from the novel Not dead yet by the English author John Cordy Jeaffreson (1831-1901), and was published in 1864. Three Phone: +61 2 9663 4848 • Mobile: 0411 755 887 • ABN 15 800 737 094 scenes in the second act are set on the Bendigo gold diggings in the year 1862. Email: [email protected] • Website: joseflebovicgallery.com The playbill text includes “In rehearsal, and will shortly be produced, a three act drama by [actor] David Fisher with sensational effects and new scenery, Open: Monday to Saturday from 1-6pm by chance or by appointment. founded on actual occurrences, as narrated in the novel by J.C. Jeffreson [sic], which furnishes portions of the story of this play, called Not dead yet! or The Counterfeit: a tale of the times both in England and Australia. -
Lesbian Gay Bisexual Transgender Material Survey
Material Survey PROJECT REPORT 2006 KATE DAVISON MUSEUM VICTORIA TABLE OF CONTENTS TABLE OF CONTENTS............................................................................................................. 1 PROJECT TEAM....................................................................................................................... 2 1. AIMS AND BACKGROUND .................................................................................................. 3 1.1 Project background ......................................................................................................... 3 2. CONTEXT.............................................................................................................................. 5 2.1 Addressing cultural diversity ........................................................................................... 5 2.2 Historical and national context of the project .................................................................. 7 3. METHODOLOGY .................................................................................................................. 9 3.1 Model for research .......................................................................................................... 9 3.2 Project resources .......................................................................................................... 10 3.3 Project methodology...................................................................................................... 10 3.4 Challenges for further consideration ............................................................................ -
Trust News, But, in Order to Get the Magazine to You on Time We Had to Go to Press Before the Finishing Touches Were Made
THE TROST NEWS We would like to show you our new design for the masthead of Trust News, but, in order to get the magazine to you on time we had to go to press before the finishing touches were made. Something to look forward to in the next edition. I'IATIOHAl. EI)I'I'IOII SEPTl!M8I!R 19881SS1'1 0314-0598 A PQ8LJC.ATJOIt Of'THE AaSTRALIAN ELIZABETHAN TROST THE TRUST: FIRM ~DANCE {fORTH' GUIDELINES FOR ON. THE FUTURE TIPTOE Professional assistance to the been to put a ceiling on the service IN THE TOP Australian arts -industry to ensure levy charged for processing dona its excellence and efficiency, the tions. Large single donations will END encouragement of greater interest no longer be charged the full 2% in and support of all fields of art by fee but a figure sufficient to cover all Australians are the new goals the administration of the donation Think of overseas tours by the set for The Trust by Adam Salzer, scheme which in June alone Australian arts and big city dance the newly appointed Chief Execu channelled $1.9 million to arts and theatre groups, such as The tive. organisations. Sydney Theatre Company and The "The Trust intends to set the Queensland Ballet spring to mind, pace and to become a focal point NEW 'NEWS' so, hands up if you can name the for the arts in Australia", he said. One of the first benefits for Australian dance company which "By this there is no suggestion that members is the upgrading of 'The played to enthusiastic audiences The Trust seeks control, on the Trust News' to focus on a broad in Rangoon, Ho Chi Minh City, contrary, we are advocating strong spectrum of arts activity through Bankgkok and Chiang MaL The local independence and intend to out Australia. -
Jim Cranfield – Tour Manger
Help solve the entertainment needs of an event with quality rather than quantity. The enclosed material will help you choose from the variety of performances and characters I have to offer. All acts are presented with universal appeal via music & vision. No language barrier! My aim is to help make the entertainment at your event memorable and unique. PACKAGE DEALS AVAILABLE! For the course of an event you might decide to book - Meet & Greet + Drum & Whistle + Slackwire Act. Packages save money and organization at the same time as giving the audience more from less. Train of Thoughts Performance length 55min. A story format show featuring the slackwire as a clothesline with the characters Nelligan & Deip. Incorporates a range of emotions within the story including comedy. Slackwire Performance length variable. Maximum length 30min. One fee applies for act options 1,2 or 3. (See slackwire description page) Drum & Whistle Performance length 15min. A comical mixture of clever ball juggling, and audience involvement. Meet & Greet or Roving Maximum length 120min. (2x60min sessions) A choice of character to ‘break the ice’ while adding a touch of class. Routines Performance length variable. Maximum length 15min. A selection of short stage routines designed for concert programmes. Fee is variable depending upon the character, style, or length of act. Workshops Participants explore - Circus, Character, Mime, and Movement, out of which come co- ordination health, fitness, and most importantly, self-esteem. Session lengths adjusted to your needs. Slackwire - performance art Maximum length 60min. This act features my new character not yet on website. Suitable for a modern environment. -
Brought up in Country Victoria in the Town of Stawell. Fascinated by Circuses That Came to Town
Brought up in country Victoria in the town of Stawell. Fascinated by circuses that came to town. Had my very own circus at the age of nine. It travelled in the house from room to room. The model circus tent I made was a replica of a life size one, and went up and down just like a real one. 1950's 1960's 1970's 1980's 1990's 2000 2003 When not in school, played games in the backyard conjuring up an imaginative world of entertainment. Loved inventing characters by dreaming up, and making up! Tied a rope between trees and began to walk on it. Learned to juggle lemons off our tree. Gave a constant puppet show to my bed ridden Grandma and in between playing Cowboys and Indians staged magic shows in dad's tool shed for neighbouring kids. Loved watching my dad play and march in the Stawell Brass Band. Did not have TV until 1963 Acted in school productions. Played tenor horn in the Stawell Salvation Army band. Went to Stawell Technical School. Wasn't interested in football, cricket or tennis but somehow found myself in the athletic team as a sprinter. Was interested in gymnastics, but the school didn't teach it. Was interested in drama, but the town did not have a theatre company and the school only read from MacBeth. While at school, specialised in art, then left for the city after year 11. Began work in Melbourne learning the trades of ticket writing and silk screening at Woolworth’s, but the love of the circus grew stronger. -
Adelaide Festival Centre Annual Report 2004-05
ADELAIDE FESTIVAL CENTRE ANNUAL REPORT 2004-05 16 September 2005 Adelaide Festival Centre King William Road ADELAIDE SA 5000 GPO Box 1269 ADELAIDE SA 5001 Telephone: (08) 8216 8600 Facsimile: (08) 8212 7849 Website: www.afct.org.au Our Vision: The Adelaide Festival Centre is considered one of the world’s best performing arts centres. Our Mission is to: Provide leadership and a visible focus for development and collaboration in the arts in South Australia. Engage with people and create opportunities to learn. Be focused on creative innovation. Work with, welcome and be accessible to the whole community. Provide outstanding customer service. 2 Introduction..........................................................................................................5 Highlights of 2004-05......................................................................................6 The Ring Cycle .................................................................................. 6 Open Day 2004................................................................................... 7 Adelaide Cabaret Festival................................................................. 7 Long-running favourites................................................................... 8 Chairman’s Report ...........................................................................................9 Chief Executive Officer’s Report .............................................................11 Adelaide Festival Centre Trust Act 1971.............................................14 Trustees -
2003/2004 Annual Report
ADELAIDE FESTIVAL CENTRE ANNUAL REPORT 2003-04 14 September 2004 Adelaide Festival Centre King William Road ADELAIDE SA 5000 GPO Box 1269 ADELAIDE SA 5001 Telephone: 8216 8600 Facsimile: 8212 7849 Website: www.afct.org.au 2 INTRODUCTION...................................................................................................................5 CHAIRMAN’S REPORT ......................................................................................................7 CHIEF EXECUTIVE OFFICER’S REPORT.....................................................................9 ARTISTIC PERFORMANCE .......................................................................................................9 BUSINESS PERFORMANCE ....................................................................................................11 BUSINESS SYSTEMS..............................................................................................................11 ADELAIDE FESTIVAL CENTRE TRUST ACT 1971....................................................14 TRUSTEES............................................................................................................................14 THE OBJECTIVES OF ARTS SA .....................................................................................15 THE OBJECTIVES OF THE ADELAIDE FESTIVAL CENTRE TRUST...................15 OBJECTIVE ONE................................................................................................................17 OVERVIEW ...........................................................................................................................17 -
Australian & International Posters
Australian & International Posters Collectors’ List No. 177, 2015 Josef Lebovic Gallery 103a Anzac Parade (cnr Duke Street) Kensington (Sydney) NSW Ph: (02) 9663 4848; Fax: (02) 9663 4447 Email: [email protected] Web: joseflebovicgallery.com JOSEF LEBOVIC GALLERY Established 1977 103a Anzac Parade, Kensington (Sydney) NSW Post: PO Box 93, Kensington NSW 2033, Australia Tel: (02) 9663 4848 • Fax: (02) 9663 4447 • Intl: (+61-2) Email: [email protected] • Web: joseflebovicgallery.com Open: Mon. to Sat. by appointment or by chance. ABN 15 800 737 094 Member: Aust. Art & Antique Dealers Assoc. • Aust. & New Zealand Assoc. of Antiquarian Booksellers • International Vintage Poster Dealers Assoc. • Assoc. of International Photography Art Dealers • International Fine Print Dealers Assoc. 1. Peter Kramer (Amer., 1823-1907). The Zavistowski Trio, c1871. Group of three tinted lithographs, two signed in image lower left or right, approx. 64.4 x 48cm each. COLLECTORS’ LIST No. 177, 2015 Missing portions to margins, soiling, repaired creases and tears. Linen-backed. The group $3,300 Titles read “Emmeline Zavistowski;” “Alice Zavistowski;” and “The Zavistowski Trio: Alice, Christine & Australian & International Posters Emmeline.” All include text “Ferd. Mayer & Sons, General Lithographers, 96 & 98 Fulton St, New York.” The Zavistowski Trio consisted of a mother (Christine) and her two daughters who were American burlesque actresses, singers and dancers. They were engaged by Australian entrepreneur George On exhibition from Saturday, 6 June to Saturday, 18 July. Coppin to tour Australia in 1871. They were said to be the “most expensive stars that have ever yet visited All items will be illustrated on our website from 13 June.