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Participating Artists
The Flowers of War – Participating Artists Christopher Latham and in 2017 he was appointed Artist in Ibrahim Karaisli Artistic Director, The Flowers of War Residence at the Australian War Memorial, Muezzin – Re-Sounding Gallipoli project the first musician to be appointed to that Ibrahim Karaisli is head of Amity College’s role. Religion and Values department. Author, arranger, composer, conductor, violinist, Christopher Latham has performed Alexander Knight his whole life: as a solo boy treble in Musicians Baritone – Re-Sounding Gallipoli St Johns Cathedral, Brisbane, then a Now a graduate of the Sydney decade of studies in the US which led to Singers Conservatorium of Music, Alexander was touring as a violinist with the Australian awarded the 2016 German-Australian Chamber Orchestra from 1992 to 1998, Andrew Goodwin Opera Grant in August 2015, and and subsequently as an active chamber Tenor – Sacrifice; Race Against Time CD; subsequently won a year-long contract with musician. He worked as a noted editor with The Healers; Songs of the Great War; the Hessisches Staatstheater in Wiesbaden, Australia’s best composers for Boosey and Diggers’ Requiem Germany. He has performed with many of Hawkes, and worked as Artistic Director Born in Sydney, Andrew Goodwin studied Australia’s premier ensembles, including for the Four Winds Festival (Bermagui voice at the St. Petersburg Conservatory the Sydney Philharmonia Choirs, the Sydney 2004-2008), the Australian Festival of and in the UK. He has appeared with Chamber Choir, the Adelaide Chamber Chamber Music (Townsville 2005-2006), orchestras, opera companies and choral Singers and The Song Company. the Canberra International Music Festival societies in Europe, the UK, Asia and (CIMF 2009-2014) and the Village Building Australia, including the Bolshoi Opera, La Simon Lobelson Company’s Voices in the Forest (Canberra, Scala Milan and Opera Australia. -
(WA Opera Society
W.A.OPERA COMPANY (W.A. Opera Society - Forerunner) PR9290 Flyers and General 1. Faust – 14th to 23rd August; and La Boheme – 26th to 30th August. Flyer. 1969. 2. There’s a conspiracy brewing in Perth. It starts September 16th. ‘A Masked Ball’ Booklet. c1971. D 3. The bat comes to Perth on June 3. Don’t miss it. Flyer. 1971. 4. ‘The Gypsy Baron’ presented by The W.A. Opera Company – Gala Charity Premiere. Wednesday 10th May, 1972. Flyer. 5. 2 great love operas. Puccini’s ‘Madame Butterfly’ ; Rossini’s ‘The Barber of Seville’ on alternate nights. September 14-30. Flyer. 1972. D 6. ‘Rita’ by Donizetti and ‘Gallantry’ by Douglas Moore. Sept. 9th-11th, & 16th, 17th. 1p. flyer. c1976. 7. ‘Sour Angelica’ by Puccini, Invitation letter to workshop presentation. 1p..Undated. 8. Letter to members about Constitution Amendments. 2p. July 1976. 9. Notice of Extraordinary General Meeting re Constitution Change. 1p. 7 July 1976. 10. Notice of Extraordinay General Meeting – Agenda and Election Notice. 1p. July 1976. 11. Letter to Members summarising events occurring March – June 1976. 1p. July 1976. 12. Memo to Acting Interim Board of Directors re- Constitutional Developments and Confrontation Issues. 3p. July 1976. 13. Campaign letter for election of directors on to the Board. 3p. 1976. 14. Short Biographies on nominees for Board of Directors. 1p.. 1976. 15. Special Priviledge Offer. for ‘The Bear’ by William Walton and ‘William Derrincourt’ by Roger Smalley. 1p. 1977. 16. Membership Card. 1976. 17. Concession Vouchers for 1976 and 1977. 18. The Western Australian Opera Company 1980 Season. -
Engaging the Young Volunteer
Australian HThe Annual ReviewOSPITALLER of the2017 Australian Association of the Sovereign Order of Malta ENGAGING THE YOUNG VOLUNTEER KOREA Korean Delegation’s first report PILGRIMAGE Walking in the footsteps of St Paul COATS CAMPAIGN The Order’s 900 year old mission in action Lieutenant of the Grand Master Frà Giacomo Dalla Torre del Tempio di Sanguinetto was elected on 29 April 2017 by the Council Complete of State for one year. Australian WELCOME HOSPITALLER2017 elcome to the Australian Hospitaller magazine, the Annual Australian Review of the Australian Association of the Sovereign Order of Malta, for the year 2017. HThe Annual ReviewOSPITALLER of the2017 Australian Association of the Sovereign Order of Malta WThis edition takes a look at the challenge facing our Order both in Australia and the Order’s national associations around the world; that of engaging and recruiting young volunteers to the Order of Malta’s ENGAGING mission to the needs of the poor, the sick, the elderly, the handicapped, THE YOUNG the outcast and the refugee. Our article on Homelessness highlights the VOLUNTEER plight of the growing number of rough sleepers in Australia. In some of our cities, walking by these poor souls without your heart going out to them can be extremely hard and the many unanswered stories about their current situation and their plight are just as difficult to comprehend. KOREA Korean Delegation’s first report The Australian Association mourned the loss of a number of PILGRIMAGE members in 2017 and in this edition we have selected three obituaries: Walking in the footsteps of St Paul COATS CAMPAIGN the Association’s only Knight of Justice Frà Richard Divall AO OBE The Order’s 900 year old mission in action CMM; celebrated portrait painter Confrere Paul Fitzgerald AM KMG; and former Australian Association Master of Ceremonies Confrere Thomas (Tom) Hazell AO KHS KMG CMM. -
2021 Fantasy, Tragedy and Passion
MACA CLASSICS SERIES Saturday 8 May, 7.30pm Perth Concert Hall C3_A5_Program Cover.indd 1 26/3/21 7:50 am MACA HAS BEEN PARTNERING WITH WEST AUSTRALIAN SYMPHONY ORCHESTRA SINCE 2014 We are excited to continue our support towards their mission to touch souls and enrich lives through music. Over the last 10 years MACA has raised more than $12 million for various charity and community groups in support of the performing arts, cancer research, medical care, mental health and Aboriginal youth in remote communities across Western Australia. We pride ourselves on being a leader in the community supporting a wide range of initiatives. MACA is an integrated services contractor specialising in: • Mining • Crushing • Civil Construction • Infrastructure • Mineral Processing Equipment www.maca.net.au West Australian Symphony Orchestra respectfully acknowledges the Traditional Owners, Custodians and Elders of the Indigenous Nations across Western Australia and on whose Lands we work. MACA CLASSICS SERIES Fantasy, Tragedy and Passion Carl VINE V (5 mins) Felix MENDELSSOHN Violin Concerto in E minor (27 mins) Allegro molto appassionato – Andante – Allegro non troppo – Allegro molto vivace Interval (25 mins) Georges BIZET Carmen: Suite No.1 (12 mins) Prélude Aragonaise Intermezzo Les dragons d’Alcala Les Toréadors Pyotr Ilyich TCHAIKOVSKY Romeo and Juliet – Fantasy Overture (21 mins) Thaddeus Huang conductor Harry Bennetts violin Wesfarmers Arts Pre-concert Talk Find out more about the music in the concert with this week’s speaker, Jen Winley (see page 22 for her biography). The Pre-concert Talk will take place at 6.45pm in the Terrace Level Foyer. Wesfarmers Arts Meet the Artists Join tonight’s conductor, Thaddeus Huang and soloist, Harry Bennetts for a post-concert interview. -
Manyfaces of Inspiration Conversations on Australian Creativity
William Barton Bruce Beresford Tony Bilson Wendy Blacklock Joan Carden Geoffrey Chard David Clarkson Michael Crouch Rosemary Crumlin Tania De Jong Ross Edwards Robert Gard Stephen Kovacevic Greta Lanchbery Justin Macdonnell David Malouf John McCallum Elisabeth Murdoch Ted Myers Roland Peelman Helena Rathbone Rodney Seaborn John Shaw ManyFaces of Inspiration Conversations on Australian Creativity Dinah Shearing Rachael Swain ANTONY Ken Tribe Googie Withers JEFFREY Martin & Peter Wesley-Smith Many Faces of Inspiration — Antony Jeffrey.indd 1 2/09/10 4:52 PM ntony Jeffrey has worked A in arts management since 1975 when he joined the Australia Council as Music Board director. He was the first general manager of the Australian Chamber Orchestra and for many years has maintained a close association with the orchestra. Prior to that he was commercial manager of the Australian Opera. More recently he was general manager of the Song Company until 2009. He originally trained as an accountant with Price Waterhouse, where he worked in Australia and overseas until his passion for music seduced him into the professional music scene. Since that time, in addition to his executive appointments, he has worked as director or consultant to many arts organisations including the Australian Ballet, Melbourne Theatre Company, Lyric Opera of Queensland, Musica Viva, Australian Brandenburg Orchestra and the Australian Elizabethan Theatre Trust. He has been a leader in establishing philanthropy, corporate sponsor- ship and strategic planning in the arts in Australia, publishing several books in this field, notably 101 Good Ideas for Assisting the Arts. He was appointed a Member of the Order of Australia in 2008 for his services to the arts. -
Regent Theatre Ulumbarra Theatre, Bendigo
melbourne opera Part One of e Ring of the Nibelung WAGNER’S Regent Theatre Ulumbarra Theatre, Bendigo Principal Sponsor: Henkell Brothers Investment Managers Sponsors: Richard Wagner Society (VIC) • Wagner Society (nsw) Dr Alastair Jackson AM • Lady Potter AC CMRI • Angior Family Foundation Robert Salzer Foundation • Dr Douglas & Mrs Monica Mitchell • Roy Morgan Restart Investment to Sustain and Expand (RISE) Fund melbourneopera.com Classic bistro wine – ethereal, aromatic, textural, sophisticated and so easy to pair with food. They’re wines with poise and charm. Enjoy with friends over a few plates of tapas. debortoli.com.au /DeBortoliWines melbourne opera WAGNER’S COMPOSER & LIBRETTIST RICHARD WAGNER First performed at Munich National Theatre, Munich, Germany on 22nd September 1869. Wotan BASS Eddie Muliaumaseali’i Alberich BARITONE Simon Meadows Loge TENOR James Egglestone Fricka MEZZO-SOPRANO Sarah Sweeting Freia SOPRANO Lee Abrahmsen Froh TENOR Jason Wasley Donner BASS-BARITONE Darcy Carroll Erda MEZZO-SOPRANO Roxane Hislop Mime TENOR Michael Lapina Fasolt BASS Adrian Tamburini Fafner BASS Steven Gallop Woglinde SOPRANO Rebecca Rashleigh Wellgunde SOPRANO Louise Keast Flosshilde MEZZO-SOPRANO Karen Van Spall Conductors Anthony Negus, David Kram FEB 5, 21 Director Suzanne Chaundy Head of Music Raymond Lawrence Set Design Andrew Bailey Video Designer Tobias Edwards Lighting Designer Rob Sowinski Costume Designer Harriet Oxley Set Build & Construction Manager Greg Carroll German Language Diction Coach Carmen Jakobi Company Manager Robbie McPhee Producer Greg Hocking AM MELBOURNE OPERA ORCHESTRA The performance lasts approximately 2 hours 25 minutes with no interval. Principal Sponsor: Henkell Brothers Investment Managers Sponsors: Dr Alastair Jackson AM • Lady Potter AC CMRI • Angior Family Foundation Robert Salzer Foundation • Dr Douglas & Mrs Monica Mitchell • Roy Morgan Restart Investment to Sustain and The role of Loge, performed by James Egglestone, is proudly supported by Expland (RISE) Fund – an Australian the Richard Wagner Society of Victoria. -
Lists of Members University of Melbourne
Lists of Members University of Melbourne Governing Bodies, Faculties, Boards, Academic and Administrative Staff 2007 http://www.unimelb.edu.au/Members/index.html [Note: The conventions of the Commonwealth Universities Yearbook have been followed in listing the names and degrees of University staff and the abbreviations used for the names of universities and other degree-awarding institutions. Degrees with honours are not recorded, for example, Bachelor of Science with honours is shown as the basic degree BSc. It should be noted that the abbreviations of institutions used in these lists are not necessarily identical with those employed byth e institutions.] Lists of Members University ofMelbourn e 2007 TABLE OF CONTENTS Senior Office Bearers 1 Council 3 Committees 5 Committees (Committees of Council) 6 Councils of Halls of Residence 11 Committee of Convocation 13 Academic Board 16 Committees ofthe Academic Board : 16 Faculties 24 Boards 34 Professors 36 Readers 49 Professors Emeritus 51 Laureate Professors 58 Laureate Professorial Fellow 58 Vice-Chancellor's Fellows 59 Federation Fellows 60 Headso f Affiliated Colleges 61 Headso f Hallso f Residence 61 Teaching and Research Staff. , 62 Architecture, Building and Planning 62 Arts 63 Economics and Commerce 78 Education 83 Engineering 87 Land and Food Resources 95 Law 98 Medicine, Dentistry and Health Sciences 101 Melbourne Business School 156 Music ; 157 Science 159 Veterinary Science 170 Victorian College ofthe Arts 172 Faculty Administration 175 Graduate School Administration 180 Central -
Elizabethan Trust ·· News 300Eng8 Sepg8mber'74 No 12 Contentr Editor: Margaret Leask
elizabethan trust ·· news 300enG8 sepG8mber'74 no 12 contentr Editor: Margaret Leask The Stuttgart Ballet 3 Interview - Stella Adler and Ron Burrows 4 Fringe Engl ish in Brisbane - Albert Hunt and Richard Fotheringham 6 Puppetry News - The Marionette Theatre of Australia 8 London Scene - Gordon Beattie 9 Theatre in Canberra, Then and Now - Anne Godfrey-Smith 10 Dance Footnotes - Leonard Linden 12 Three Rooms, Harbour View - the ITI at the A.E.T.T: 13 Australian National Playwrights Conference 13 The Poets of Pleasure at N.I.D.A. - Maxlffland 14 Lucette Aldous 16 Melbourne Scene - BarryBalmer 18 Books 19 Australian Elizabethan Theatre Trust Conference 19 The Facts about the Elizabethen Trust Orchestras - Ken Mackenzie·Forbes20 Music - The War Requiem Twelve Years Later 21 Committees' Diary 21 Elizabeth Sweeting talks about Theatre Administration 22 New Opera South Austral ia - Stuart Thompson 24 Stageworld 25 R~o~s W Showguide 27 lHE N~TIONAL 1N5TITUrE IIIIID OF [)R,Al\MTIC ART at the University of New South Wales forme Sydney, Australia offers: Three year full-time training courses NEW for the Professional Theatre in ACTING BLOOD TECHNICAL PRODUCTION Blood is urgently required by the Red Cross Blood Transfusion Service. Help DESIGN save a life - giving blood is simple and harmless. A few minutes of your time Ther~ is a one year post-graduate could mean a lifetime to somebody student director's course for people else. ENROL NOW! already experienced in professional, university or amateur theatre. Sydney - 153 Clarence Street. (telephone 290 2555); Enquiries should be addressed to: Melbourne - 114 Flinders Street. -
The Complete Sacred Music of Nicolò Isouard (1773 – 1818) and Maltese Sacred Music for the Order of Malta in the Late Eighteenth Century
The Complete Sacred Music of Nicolò Isouard (1773 – 1818) and Maltese Sacred Music for The Order of Malta in the Late Eighteenth Century. By Richard Sydney Benedict Divall Doctor of Letters (Honoris Causa – Monash 1992) and Doctor of the University (Honoris Causa – Australian Catholic University 2004) A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy MCD University of Divinity 2013 MCD University of Divinity To Whom it May Concern This is to certify that the thesis and music editions presented by me for the degree of Doctor of Philosophy comprises only my original work except where due acknowledgment is made in the text to all other material used. Signature: ____________________________________ Name in Full: ____________________________________ Date: ____________________________________ Abstract. Nicolò Isouard (1773-1818) is considered Malta’s national composer. After studies in France and Naples, he returned to his homeland, where from 1794 to 1798 he was an aspiring composer, and employee of the Order of Malta. In 1994 a collection of thirty-three autographs of hitherto unknown sacred music by Isouard appeared at the Bibliothèque Nationale, Paris, and I recognised the importance of these manuscripts. My intentions are to provide a précis on the Order, as the sovereign entity ruling Malta at the time, and the sacred music composed for them in their great Conventual Church in Valletta – now St John’s Co-Cathedral. The thesis will provide the background to Isouard’s early career and a complete edition and commentary of all of his sacred music, including additional works found during the research process, and a catalogue of his stage works. -
Annual Report 2007-2008
National Library of Australia Annual Report 2007–2008 National Library of Australia Annual Report 2007–2008 National Library of Australia Annual Report 2007–2008 Published by the National Library of Australia Parkes Place West Parkes Canberra ACT 2600 ABN: 28 346 858 075 Telephone: (02) 6262 1111 TTY: 1800 026 372 Facsimile: (02) 6257 1703 Homepage: www.nla.gov.au Annual report: www.nla.gov.au/policy/annrep08/ © National Library of Australia 2008 National Library of Australia Annual report / National Library of Australia. — 8th (1967/68) — Canberra: NLA, 1968– — v.; 25 cm. Annual. Continues: National Library of Australia. Council. Annual report of the Council = ISSN 0069-0082. Report year ends 30 June. ISSN 0313-1971 = Annual report — National Library of Australia. 1. National Library of Australia –– Periodicals. 027.594 Coordinated by Public Programs Division, National Library of Australia Printed by Paragon Printers Australasia, Canberra Cover image: For the Benefi t of J. Butler and W. Bryant: at the Theatre, Sydney … 1796 broadside; 20.0 x 12.0 cm Australian Collection nla.aus-vn4200235 The highlight of the Library’s 2007–2008 acquisitions was a uniquely signifi cant addition to the record of Australian printing, publishing and theatre history. The single-sheet broadside playbill advertises a theatrical performance at the Sydney Theatre on 30 July 1796 and was printed by our fi rst printer, George Hughes. It is the earliest surviving example of a document printed in Australia. The playbill was found in a scrapbook in the collection of Library and Archives Canada. It was presented by the Canadian Prime Minister, Stephen Harper, to then Prime Minister, the Hon. -
Australian & International
Australian & International Posters Collectors’ List No. 182, 2016 Josef Lebovic Gallery 103a Anzac Parade (cnr Duke St) Kensington (Sydney) NSW P: (02) 9663 4848 E: [email protected] W: joseflebovicgallery.com 1. “Not Dead Yet!” or “The Counterfeit [Gold Rush]” Theatre JOSEF LEBOVIC GALLERY Royal, Glasgow, 1866. Letterpress theatre playbill, 75.4 x 25.2cm. Established 1977 Trimmed left margin, repaired minor tears and old folds, slight offset. Member: AA&ADA • A&NZAAB • IVPDA (USA) • AIPAD (USA) • IFPDA (USA) Linenbacked. $1,100 This playbill, dated Friday, 8th June, 1866, initially covers two plays, Faust & Address: 103a Anzac Parade, Kensington (Sydney), NSW Marguerite! and Quite a Romance!, before mentioning a play on the Gold Rush in Postal: PO Box 93, Kensington NSW 2033, Australia Bendigo, Australia. The play was adapted from the novel Not dead yet by the English author John Cordy Jeaffreson (1831-1901), and was published in 1864. Three Phone: +61 2 9663 4848 • Mobile: 0411 755 887 • ABN 15 800 737 094 scenes in the second act are set on the Bendigo gold diggings in the year 1862. Email: [email protected] • Website: joseflebovicgallery.com The playbill text includes “In rehearsal, and will shortly be produced, a three act drama by [actor] David Fisher with sensational effects and new scenery, Open: Monday to Saturday from 1-6pm by chance or by appointment. founded on actual occurrences, as narrated in the novel by J.C. Jeffreson [sic], which furnishes portions of the story of this play, called Not dead yet! or The Counterfeit: a tale of the times both in England and Australia. -
George Hogan
George Hogan Curriculum Vitae 201 East Ninth Avenue Belton, TX 76513 (254) 718-3222 Cell [email protected] INDEX Education Colleges and Universities Attended Degrees Received/Pending Opera Apprenticeships Vocal Master Classes Private Vocal Teachers Private Master Coach Conductors Stage Directors Teaching Experience University and High School Private Voice Studios Conservatory University Opera Theater Stage Directing Administrative Experience Professional Level University Level Church Level Conducting/Stage Directing Experience Professional Scholastic Church Educational Opera Experience Awards/Grants Professional Organizations Memberships Community Service Performance Credits Scholastic Opera/Musical Theater National Opera/Musical Theater International Opera Oratorio and Concert (Professional) Oratorio (Scholastic) Oratorio (Church) Recitals (Scholastic and Professional) Recitals (Church) Church Soloist Positions Critical Acclaim (Reviews) Oratorio, Musical Theater, Concert Opera. Staged Opera George Hogan Curriculum Vitae Education (Universities) Colleges and Universities Attended Major/Degree Attended McMurry College Music Major 1977-1978 Abilene, Texas George Peabody College Music Major 1978-1979 Nashville, Tennessee Scarritt College Religion/Arts 1979-80 Nashville, Tennessee Degrees Received Trevecca Nazarene University BM 1982 Academy of Vocal Arts Performance 1986 Philadelphia, Pennsylvania Certificate Southwestern Baptist Theological Seminary MM 2005 Fort Worth, Texas Education (Opera Apprenticeships) Merola Opera Program Apprentice