The Delaunes of Blackfriars - Gideon Delaune and His Family Circle Revisited
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Syndale Valley Walk • Earth, Wind and Water Protect Plants and Animals, and Take Your Litter Home
PEACE, SOLITUDE: Syndale A RURAL WAY OF LIFE Valley Walk faversham.org/walking NEWNHAM – EASTLING – STALISFIELD – DODDINGTON Peace, solitude: a rural way of life “Enchant, stay Escape to a land that time forgot, where farming, food and rural traditions remain the cornerstones of community life among the beautiful and graceful, unspoilt and picturesque scenery of the Syndale Valley. but do this, eat well” Running through the mid Kent Downs – an Area of Outstanding Natural Beauty – the chalk valley remains one of the few Charles Pierre Monselet timeless landscapes in this busy corner of Kent. Not without its own share of historic highlights and notoriety, your walk begins in the ancient settlement of Newnham, nestled in the Syndale Valley since at least the 12th century. Here the Romans grew grapes and James Pimm was born – creator of one of Britain’s best-loved summer drinks, the eponymous Pimms. The Revd. Granville Wheler proved the existence of electric current in 1725 at Otterden Place – just one of the grand homes that pepper your path as you make your way through ancient woods, working farmland and historic grazing pastures. Many of the woods on your route are still hunted by wildfowlers who sell their game to local butchers and restaurants, while others support the rural craft of coppicing - common in this area. Traditional coppicing of sweet chestnut shoots for fence stakes extends the life of the trees and floods the woodland floor with light in spring and summer, promoting an abundance of flowers and food for wildlife. As you pass back into sweeping open fields you may see kestrels and other birds of prey. -
Edward Hasted the History and Topographical Survey of the County
Edward Hasted The history and topographical survey of the county of Kent, second edition, volume 6 Canterbury 1798 <i> THE HISTORY AND TOPOGRAPHICAL SURVEY OF THE COUNTY OF KENT. CONTAINING THE ANTIENT AND PRESENT STATE OF IT, CIVIL AND ECCLESIASTICAL; COLLECTED FROM PUBLIC RECORDS, AND OTHER AUTHORITIES: ILLUSTRATED WITH MAPS, VIEWS, ANTIQUITIES, &c. THE SECOND EDITION, IMPROVED, CORRECTED, AND CONTINUED TO THE PRESENT TIME. By EDWARD HASTED, Esq. F. R. S. and S. A. LATE OF CANTERBURY. Ex his omnibus, longe sunt humanissimi qui Cantium incolunt. Fortes creantur fortibus et bonis, Nec imbellem feroces progenerant. VOLUME VI. CANTERBURY PRINTED BY W. BRISTOW, ON THE PARADE. M.DCC.XCVIII. <ii> <blank> <iii> TO THOMAS ASTLE, ESQ. F. R. S. AND F. S. A. ONE OF THE TRUSTEES OF THE BRITISH MUSEUM, KEEPER OF THE RECORDS IN THE TOWER, &c. &c. SIR, THOUGH it is certainly a presumption in me to offer this Volume to your notice, yet the many years I have been in the habit of friendship with you, as= sures me, that you will receive it, not for the worth of it, but as a mark of my grateful respect and esteem, and the more so I hope, as to you I am indebted for my first rudiments of antiquarian learning. You, Sir, first taught me those rudiments, and to your kind auspices since, I owe all I have attained to in them; for your eminence in the republic of letters, so long iv established by your justly esteemed and learned pub= lications, is such, as few have equalled, and none have surpassed; your distinguished knowledge in the va= rious records of the History of this County, as well as of the diplomatique papers of the State, has justly entitled you, through his Majesty’s judicious choice, in preference to all others, to preside over the reposi= tories, where those archives are kept, which during the time you have been entrusted with them, you have filled to the universal benefit and satisfaction of every one. -
The Midwives of Seventeenth-Century London
The Midwives of Seventeenth-Century London DOREEN EVENDEN Mount Saint Vincent University published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge cb22ru, uk http://www.cup.cam.ac.uk 40 West 20th Street, New York, ny 10011-4211, usa http://www.cup.org 10 Stamford Road, Oakleigh, Melbourne 3166, Australia Ruiz de AlarcoÂn 13, 28014 Madrid, Spain q Doreen Evenden 2000 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2000 Printed in the United States of America bv Typeface Bembo 10/12 pt. System DeskTopPro/ux [ ] A catalog record for this book is available from the British Library. Library of Congress Cataloging in Publication data Evenden, Doreen. The midwives of seventeenth-century London / Doreen Evenden. p. cm. ± (Cambridge studies in the history of medicine) Includes bibliographical references and index. isbn 0-521-66107-2 (hc) 1. Midwives ± England ± London ± History ± 17th century. 2. Obstetrics ± England ± London ± History ± 17th century. 3. Obstetricians ± England ± London ± History ± 17th century. 4. n-uk-en. I. Title. II. Series. rg950.e94 1999 618.2©09421©09032 ± dc21 99-26518 cip isbn 0 521 66107 2 hardback CONTENTS List of Tables and Figures page xiii Acknowledgements xv List of Abbreviations xvii Introduction 1 Early Modern Midwifery Texts 6 The Subjects of the Study 13 Sources and Methodology 17 1 Ecclesiastical Licensing of Midwives 24 Origins of Licensing 25 Oaths and Articles Relating to the Midwife's Of®ce 27 Midwives and the Churching Ritual 31 Acquiring a Licence 34 Midwives at Visitations 42 2 Pre-Licensed Experience 50 Length of Experience 50 Deputy Midwives 54 Matrilineal Midwifery Links 59 Senior Midwives 62 Midwives' Referees 65 Competence vs. -
Chapter 2 - the Search for William Atterbury's Parents
William Atterbury (1711-1766) - The Family Patriarch and His Legacy Chapter 2 - The Search for William Atterbury's Parents This work will investigate the ancestry and descendants of a person named William Atterbury, who was born in London, England in 1711 (author's assumed date), who was transported a convict from New Gate Prison to Annapolis Maryland in 1733, and who died in Loudoun County Virginia in about 1766. This William Atterbury was the progenitor of the author's family and of most Atteberrys living in America today. In the pursuit of this research into the William Atterbury family in America the author has found only three other published works to exist on Atterbury families in America: 1. In 1933 L. Effingham de Forest and Anne Lawrence de Forest published a book entitled The Descendants of Job Atterbury.1 That work presents the genealogy of Job Atterbury, who first appeared in American records when some of his children were recorded born in New Jersey starting in 1795. The de Forests represent Job Atterbury to have been the first of that surname to have settled in America. Such assertion is clearly incorrect as there are records of several other earlier Atterburys. This will be the last mention of Job Atterbury and his descendants, as there is no known connection to the William Atterbury family. 2. In 1984 Voncille Attebery Winter, PhD. and Wilma Attebery Mitchell, self published their work entitled The Descendants of William Atterbury, 1733 Emigrant.2 The Winter- Mitchell book culminated many years of research by these William Atterbury descendants, and was the single, most comprehensive document found by the author to have been written on this family. -
Part Two Patrons and Printers
PART TWO PATRONS AND PRINTERS CHAPTER VI PATRONAGE The Significance of Dedications The Elizabethan period was a watershed in the history of literary patronage. The printing press had provided a means for easier publication, distribution and availability of books; and therefore a great patron, the public, was accessible to all authors who managed to get Into print. In previous times there were too many discourage- ments and hardships to be borne so that writing attracted only the dedicated and clearly talented writer. In addition, generous patrons were not at all plentiful and most authors had to be engaged in other occupations to make a living. In the last half of the sixteenth century, a far-reaching change is easily discernible. By that time there were more writers than there were patrons, and a noticeable change occurred In the relationship between patron and protge'. In- stead of a writer quietly producing a piece of literature for his patron's circle of friends, as he would have done in medieval times, he was now merely one of a crowd of unattached suitors clamouring for the favours and benefits of the rich. Only a fortunate few were able to find a patron generous enough to enable them to live by their pen. 1 Most had to work at other vocations and/or cultivate the patronage of the public and the publishers. •The fact that only a small number of persons had more than a few works dedicated to them indicates the difficulty in finding a beneficent patron. An examination of 568 dedications of religious works reveals that only ten &catees received more than ten dedications and only twelve received between four and nine. -
Partbooks and the Music Collection Will Be Open from 12 May to 13 August 2016 in the Upper Library at Christ Church
Tudor Partbooks and the Music Collection will be open from 12 May to 13 August 2016 in the Upper Library at Christ Church. The exhibition showcases the music-books used by singers in the age of Queen Elizabeth I, with special emphasis on partbooks. This is the result of a successful collaboration with the Tudor Partbooks Project (Oxford University, Faculty of Music) and the Oxford Early Music Festival. The exhibition is curated by Dr John Milsom and Dr Cristina Neagu. Visiting hours: Monday - Friday 10.00 am - 1.00 pm 2:00 pm - 4.30 pm (provided there is a member of staff available in the Upper Library). The new exhibition opened with a concert by Magnificat, featuring pieces from the Christ Church Music Collection. This is one of the world’s premier vocal ensembles, internationally acclaimed for its performance of Renaissance choral masterpieces. Concert programme Robert White Christe qui lux Lamentations William Byrd Come to me grief O that most rare breast Thomas Tallis Salvator mundi (II) Salvator mundi (I) The concert was followed by a talk by Dr John Milsom, leading Tudor music scholar, and a drinks reception in the Cathedral. Tudor partbooks and the music collection Detail from Mus 864b choirbooks 1. CHOIRBOOK LAYOUT: A CLASSIC FOUR-VOICE MOTET In the fifteenth and sixteenth centuries, church choirs typically sang from large choirbooks, in which different areas of the double-page spread displayed the various voice-parts of a composition. This example shows the famous Ave Maria … virgo serena by Josquin Desprez. Each of the motet’s four voices is headed with a large capital A. -
William Byrd Festival 2008
This book has been published by the Church Music Association of America for distribution at the William Byrd Festival 2008. It is also available for online sales in two editions. Clicking these links will take you to a site from which you can order them. Softcover Hardcover A Byrd Celebration William Byrd 1540–1623 A Byrd Celebration LECTURES AT THE WILLIAM BYRD FESTIVAL EDITED BY RICHARD TURBET CMAA Church Music Association of America Cover picture is of the Lincoln Cathedral, England, where William Byrd was the choirmaster and organ- ist for nine years, 1563–1572. Copyright © 2008 Church Music Association of America Church Music Association of America 12421 New Point Drive Harbor Cove Richmond, Virginia 23233 Fax 240-363-6480 [email protected] website musicasacra.com TABLE OF CONTENTS Acknowledgments . .7 Preface . .9 BIOGRAPHY . .11 William Byrd: A Brief Biography . .13 Kerry McCarthy “Blame Not the Printer”: William Byrd’s Publishing Drive, 1588–1591 . .17 Philip Brett Byrd and Friends . .67 Kerry McCarthy William Byrd, Catholic and Careerist . .75 Joseph Kerman MASSES . .85 The Masses of William Byrd . .87 William Peter Mahrt Byrd’s Masses in Context . .95 David Trendell CANTIONES . .103 Byrd’s Musical Recusancy . .105 David Trendell Grave and Merrie, Major and Minor: Expressive Paradoxes in Byrd’s Cantiones Sacrae, 1589 . .113 William Peter Mahrt Savonarola, Byrd, and Infelix ego . .123 David Trendell William Byrd’s Art of Melody . .131 William Peter Mahrt GRADUALIA . .139 Rose Garlands and Gunpowder: Byrd’s Musical World in 1605 . .141 Kerry McCarthy The Economy of Byrd’s Gradualia . .151 William Peter Mahrt 5 6 — A Byrd Celebration ENGLISH MUSIC . -
The Copmanthorpe Story -So Here It Is
The Copmanthorpe Story INDEX 1 General information 2 The Danes 3 Changes in name 4 - 12 Lords of the Manor 13 - 14 John Wood 15 - 16 Extract from Court Rolls 17 - 19 Knights Templars 20 - Old land measures 21 - 26 St Giles 27 Gibbet 27 - 28 Methodist Chapel 29 - 32 The Old School 32 - 34 Copmanthorpe Station 34 - 36 The Youth Club 36 - 37 The Recreation Centre 37 - 38 The Womens Institute 38 The Parish Council 39 - 40 The Conservation Area 40 - 49 Houses and People 49 Trades and Population 50 Census Returns 51 - 52 Poorhouses 52 - 53 Population 53 - 54 Roads 54 - 57 Drome Road - 57 Squadron RFC 57 - 59 Change 59 - 60 Library 60 Yorkshire Pudding The Coat of Arms on the cover of this book is reproduced from the original bookplate used by John Wood, Lord of the Manor of Copmanthorpe from 1709 to 1757. The bookplate was donated by Mr. Anthony Boynton Wood, the present Lord of the Manor of Copmanthorpe who has very kindly given his permission to use the bookplate in this manner. First printed 1983 Second Extended-version 1995 I originally wrote this little book for the benefit of the Copmanthorpe Village Trust, sadly now defunct. There have been many requests since then for the Copmanthorpe Story -so here it is. More information has been found so this book is now in an extended form. I am particularly grateful to Mr. Anthony Boynton Wood, Lord of the Manor of Copmanthorpe for his original research which has provided such invaluable information about his family and the Lords of the Manor of Copmanthorpe much of which was hitherto unknown. -
Cromwelliana
CROMWELLIANA Published by The Cromwell Association, a registered charity, this Cromwelliana annual journal of Civil War and Cromwellian studies contains articles, book reviews, a bibliography and other comments, contributions and III Series papers. Details of availability and prices of both this edition and previous editions of Cromwelliana are available on our website: The Journal of www.olivercromwell.org. The 2018 Cromwelliana Cromwell Association The Cr The omwell Association omwell No 1 ‘promoting our understanding of the 17th century’ 2018 The Cromwell Association The Cromwell Museum 01480 708008 Grammar School Walk President: Professor PETER GAUNT, PhD, FRHistS Huntingdon www.cromwellmuseum.org PE29 3LF Vice Presidents: PAT BARNES Rt Hon FRANK DOBSON, PC Rt Hon STEPHEN DORRELL, PC The Cromwell Museum is in the former Huntingdon Grammar School Dr PATRICK LITTLE, PhD, FRHistS where Cromwell received his early education. The Cromwell Trust and Professor JOHN MORRILL, DPhil, FBA, FRHistS Museum are dedicated to preserving and communicating the assets, legacy Rt Hon the LORD NASEBY, PC and times of Oliver Cromwell. In addition to the permanent collection the Dr STEPHEN K. ROBERTS, PhD, FSA, FRHistS museum has a programme of changing temporary exhibitions and activities. Professor BLAIR WORDEN, FBA Opening times Chairman: JOHN GOLDSMITH Honorary Secretary: JOHN NEWLAND April – October Honorary Treasurer: GEOFFREY BUSH Membership Officer PAUL ROBBINS 11.00am – 3.30pm, Tuesday – Sunday The Cromwell Association was formed in 1937 and is a registered charity (reg no. November – March 1132954). The purpose of the Association is to advance the education of the public 1.30pm – 3.30pm, Tuesday – Sunday (11.00am – 3.30pm Saturday) in both the life and legacy of Oliver Cromwell (1599–1658), politician, soldier and statesman, and the wider history of the seventeenth century. -
BARDGATE Was Shakespeare a Secret Catholic?
BARDGATE Was Shakespeare a Secret Catholic? Peter W. Dickson ❦ ANY persons comfortable in the modern tolerant secular culture may recoil from the idea that the genius behind the works attributed to William Shakespeare could be found in his religious orientation, a growing suspicion among scholars who sense that the man from Stratford-on-Avon might have been living a “double life” as a secret Roman Catholic. This discussion about whether the Bard remained inwardly a Catholic while Queen Elizabeth and her regime sought the suppression and execution of large numbers of Catholics (especially after 1581) was until recently confined to the quiet groves of academe. Those scholars of Shakespeare’s works aware of this history (not all are!) usually consider the old Catholic/Protestant argument as too unsavory a topic and are probably happy with the possibility that it may now be too esoteric for a broader audience. The disinclination to probe into the religious issues of the time meshes well with the mania known as “multiculturalism” or the politics of “diversity” which holds that personal identity should be understood in terms of differences arising from physical characteristics––race, gender or sexual orientation––as opposed to what is inside one’s mind. At the same time, these new cultural trends have fueled an egalitarian spirit that encourages the leveling down or unmasking of persons who have served as symbols of greatness in the past. The Bard in this regard has not been spared clini- cal dissection by deconstructionists, feminists, historicists and the like. This new iconoclasm encourages scholars to ask whether he might have been a racist or a sexist toward women as well as being perhaps an anti-Semite, given his portrayal of Shylock in The Merchant of Venice. -
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qwertyuiopasdfghjklzxcvbnmqwertJune 20, 2014 yuiopasdf ghjklzxcvbnmqwertyuiop asdfghjklzxcvbnmqwertyuiopasdfg hjklzxcvbnmqwertyuiopasdfghjklzx MY SEARCH FOR THE ORIGINS OF cvbnmqwertyuiopasdfghjklzxcvbnDEACON JOHN DONE mqwertyuiopasdfghjklzxcvbnmqwePresented to The Doane Family Association Research Committee rtyuiopasdfghjklzxcvbnmqwertyuio by pasdfghjklzxcvbnmqwertyuiopasdf Maureen Scott Committee Member ghjklzxcvbnmqwertyuiopasdfghjklz 2014 xcvbnmqwertyuiop asdfghjklzxcvbn mqwertyDuiopasdfghjklzxcvbnmq wertyuiopasdfghjklzxcvbnmqwerty uiopasdfghjklzxcvbnmqwertyuiopa sdfghjklzxcvbnmqwertyuiopasdfghj klzxcvbnmqwertyuiopasdfghjklzxcv bnmrtyuiopasdfghjklzxcvbnmqwert1 yuiopasdfghjklzxcvbnmqwertyuiop June 20, 2014 Table of Contents Preamble:....................................................................................................pg. 3 Sections: 1 - The City of London and Its People..........................................................pg. 4 2 - City of London Pilgrims...........................................................................pg. .9 3 - PossiBle Links with Deacon John Done..................................................pg. 11 4 - Previous Lines of Inquiry........................................................................pg. 16 5 - Y-DNA Project.........................................................................................pg. 19 Summary / Recommendations:.................................................................pg. 20 References:................................................................................................pg. -
A Short History of English Printing : 1476-1900
J \ Books about Books Edited by A. W. Pollard A Short History of English Printing BOOKS ABOUT BOOKS Edited bv A. W. POLLARD POPULAR RE-ISSUE BOOKS IN MANUSCRIPT. By Falconer Madan, Bodley's Librarian, Oxford. THE BINDING OF BOOKS. By H. P. HORNE. A SHORT HISTORY OF ENGLISH PRINTING. By II. K. Plomer. EARLY ILLUSTRATED BOOKS. By A. W. POLI.ARD. Other volumes in pi-eparatioit. A Short History of English Printing 1476-1900 By Henry R. Plomer London Kegan Paul, Trench, Triibncr & Co., Ltd. Broadway House, 68-74 Carter Lane, E.C, MDCCCCXV I-'irst Edition, 1900 Second (Popular) Edition, 1915 The rights of translation and of reproduction are reserved Editor's Preface When Mr. Plomer consented at my request to write a short history of EngHsh printing which should stop neither at the end of the fifteenth century, nor at the end of the sixteenth century, nor at 1640, but should come down, as best it could, to our ovm day, we were not without appre- hensions that the task might prove one of some difficulty. How difficult it would be we had certainly no idea, or the book would never have been begun, and now that it is Imished I would bespeak the reader's sympathies, on Mr. Plomer 's behalf, that its inevitable shortcomings may be the more generously forgiven. If we look at what has already been written on the subject the diffi- culties will be more easily appreciated. In England, as in other countries, the period in the history of the press which is best known to us is, by the perversity of antiquaries, that which is furthest removed from our own time.