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DREW Deascentis
DREW DeASCENTIS SELECTED CREDITS ASSASSINATION NATION (2018) MIRACLES FROM HEAVEN (2016) LOOPER (2012) THE BROTHERS BLOOM (2008) BRICK (2005) BIOGRAPHY Drew DeAscentis is an accomplished music editor known for films such as ‘Miracles from Heaven’, ‘Looper’, ‘Assassination Nation’ and ‘The Brothers Bloom’. FILM CREDITS Hypnotized (2019) El Dia del Temblor (2017) Music Editor Music Editor Directed by Juan Curi (composer, Carlo Siliotto) | Directed by Kuno Becker (composer, Carlo AG Studios Siliotto) | Teté Films, Videocine Rattlesnake (2019) We Don’t Belong Here (2017) Music Editor Music Editor Directed by Zak Hilditch (composer, Ian Directed by Peer Pederson (composer, Michael Hultquist) | Campfire, Netflix Yezerski) | Bright Space Struggle: The Life and Lost Art of Szukalski Lea to the Rescue (2016) (2018) Music Editor Music Editor Directed by Nadia Tass (composer, Kenneth Directed by Ireneusz Dobrowolski (composer, Burgomaster) | Martin Chase Productions Amotz Plessner) | Film Street, Netflix Time Toys (2016) The Great Buster (2018) Music Editor Music Editor Directed by Mark Rosman (composer, Kenneth Directed by Peter Bogdanovich | Cohen Media Burgomaster) | Madalyn Productions Group Miracles from HeaVen (2016) Assassination Nation (2018) Music Editor Music Editor Directed by Patricia Riggen (composer, Carlo Directed by Sam Levinson (composer, Ian Siliotto) | Columbia Pictures Hultquist) | Bron Studios, Neon Jackie & Ryan (2014) The Boxcar Children: Surprise Island Music Editor (2018) Directed by Ami Canaan Mann (composer, Nick Music -
The Wall, Released 40 Years Ago, Is Considered by Many to Be One of the Best Albums in Rock History
Movies: Knives Out Books: The Hero by Lee Child Music: Thanks for the Dance by Leonard Cohen F&B: Chinese wine, Long Dai Macau Daily Times | Edition 3427 | 29 Nov 2019 The shadow of The Wall ‘The Wall, released 40 years ago, is considered by many to be one of the best albums in rock history. But it marked the last time the core members of Pink Floyd would record an album together X2 PÁTIO DA ILUSÃO illusion DRIVE IN Jake Coyle, AP Film Writer N NIVES UT A I ‘K O ,’ PHOTO AP WHODUNIT FOR THE TRUMP ERA ian Johnson’s “Knives Out” nothing better. And “Knives Out,” unravels not just a good ol- while it takes a little while to find Rd-fashioned murder mystery but its stride, sticks the landing, right the very fabric of the whodunit, up to its doozy of a last shot. The pulling at loose threads until it whodunit turns out not only to has intricately, devilishly woven still have a few moves left but to together something new and ex- be downright acrobatic. ceedingly delightful. The film begins like many befo- For all the detective tales that re it: with a dead body that needs dot television screens, the Aga- accounting for. Harlan Thrombey tha Christie-styled whodunit has (Christopher Plummer), a bes- gone curiously absent from mo- tselling mystery writer, is fou- vie theaters. The nostalgia-dri- nd with his throat cut in a small ven “Murder on Orient Express” upstairs room in his sprawling From left: Daniel Craig Chris Evans, Noah Segan and Lakeith Stanfield in a scene from “Knives Out” (2017), popular as it was, didn’t Victorian mansion. -
Gorinski2018.Pdf
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Automatic Movie Analysis and Summarisation Philip John Gorinski I V N E R U S E I T H Y T O H F G E R D I N B U Doctor of Philosophy Institute for Language, Cognition and Computation School of Informatics University of Edinburgh 2017 Abstract Automatic movie analysis is the task of employing Machine Learning methods to the field of screenplays, movie scripts, and motion pictures to facilitate or enable vari- ous tasks throughout the entirety of a movie’s life-cycle. From helping with making informed decisions about a new movie script with respect to aspects such as its origi- nality, similarity to other movies, or even commercial viability, all the way to offering consumers new and interesting ways of viewing the final movie, many stages in the life-cycle of a movie stand to benefit from Machine Learning techniques that promise to reduce human effort, time, or both. -
Smart Cinema As Trans-Generic Mode: a Study of Industrial Transgression and Assimilation 1990-2005
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DCU Online Research Access Service Smart cinema as trans-generic mode: a study of industrial transgression and assimilation 1990-2005 Laura Canning B.A., M.A. (Hons) This thesis is submitted to Dublin City University for the award of Ph.D in the Faculty of Humanities and Social Sciences. November 2013 School of Communications Supervisor: Dr. Pat Brereton 1 I hereby certify that that this material, which I now submit for assessment on the programme of study leading to the award of Ph.D is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed:_________________________________ (Candidate) ID No.: 58118276 Date: ________________ 2 Table of Contents Chapter One: Introduction p.6 Chapter Two: Literature Review p.27 Chapter Three: The industrial history of Smart cinema p.53 Chapter Four: Smart cinema, the auteur as commodity, and cult film p.82 Chapter Five: The Smart film, prestige, and ‘indie’ culture p.105 Chapter Six: Smart cinema and industrial categorisations p.137 Chapter Seven: ‘Double Coding’ and the Smart canon p.159 Chapter Eight: Smart inside and outside the system – two case studies p.210 Chapter Nine: Conclusions p.236 References and Bibliography p.259 3 Abstract Following from Sconce’s “Irony, nihilism, and the new American ‘smart’ film”, describing an American school of filmmaking that “survives (and at times thrives) at the symbolic and material intersection of ‘Hollywood’, the ‘indie’ scene and the vestiges of what cinephiles used to call ‘art films’” (Sconce, 2002, 351), I seek to link industrial and textual studies in order to explore Smart cinema as a transgeneric mode. -
Drew Deascentis Music Editor
DREW DEASCENTIS MUSIC EDITOR FILM CREDITS Struggle: The Life and Lost Art of Szukalski (documentary) Director Ireneusz Dobrowolski Film Street/Netflix The Great Buster (documentary) Director Peter Bogdanovich Cohen Media Group Assassination Nation Director Sam Levinson Composer Ian Hultquist Bron Studios/Neon El Dia del Temblor Director Kuno Becker Composer Carlo Siliotto Tete Films/Videocine The Boxcar Children: Surprise Island Director Daniel Chuba Composer Kenneth Burgomaster Shout! Factory Hypnotized Director Juan Curi Composer Carlo Siliotto AG Studios We Don’t Belong Here Director Peer Pederson Composer Michael Yezerski Sony Pictures Home Entertainment Lea to the Rescue Director Nadia Tass Composer Kenneth Burgomaster Universal Pictures Home Entertainment (US) Air Edel 1416 N. La Brea Ave. Hollywood, CA 90028 Tel. 323-802-1670 (UK) Air Edel Associates Ltd. 18 Rodmarton Street London W1U 8BJ Tel. +44 20 7486 6466 Fax +44 20 7224 0344 www.air-edel.co.uk Time Toys Director Mark Rosman Composer Kenneth Burgomaster Madalyn Productions Miracles From Heaven Director Patricia Riggen Composer Carlo Siliotto TriStar Pictures The Greens Are Gone Director Peer Pedersen Composer Michael Yezerski Jackie & Ryan Director Ami Canaan Mann Composer Nick Hans Entertainment One Comet Director Sam Esmail Composer Daniel Hart Anonymous Content The Boxcar Children Director Daniel Chuba Composer Kenneth Burgomaster Hammerhead Productions Urban Games Director Bob Brown and Peng Chang Composer Kenneth Burgomaster China Film Group Corporation (CFGC) Don Jon Director Joseph Gordon Levitt Composer Nathan Johnson Voltage May In The Summer Director Cherien Dabis Composer Carlo Siliotto Displaced Pictures Straight A's Director James Cox Composer Purdy Millenium Looper Director Rian Johnson Composer Nathan Johnson Endgame Entertainment (US) Air Edel 1416 N. -
Intermediality in Contemporary American Independent Film. Doctoral Thesis, Northumbria University
Citation: Mack, Jonathan (2015) (Indie)mediality: Intermediality in Contemporary American Independent Film. Doctoral thesis, Northumbria University. This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/31604/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html (Indie)mediality: Intermediality in Contemporary American Independent Film J. Mack PhD 2015 1 (Indie)mediality: Intermediality in Contemporary American Independent Film Jonathan Mack A thesis submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy of the University of Northumbria at Newcastle The Department of Media and Communication Design October 2015 2 Abstract (Indie)mediality: Intermediality in Contemporary American Independent Film Intermediality has become an umbrella term for a heterogeneous group of concepts as diverse as the creation of an entirely new medium and the mere quotation of a work from one medium in another. -
Pete Docter Adoration ’S Scott Introduces +Speedman Us to Pixar’S Latest He Ro, Grumpy O L’ Carl Fredricksen
MAY 200 9 VOLUME 10 NUMBER 5 DIRE CTOR PETE DOCTER ADORATION ’S SCOTT INTRODUCES +SPEEDMAN US TO PIXAR’S LATEST HE RO, GRUMPY O L’ CARL FREDRICKSEN TECHRIRSMTIANI NATOBALE TALKS RSAL4VAT’SION STCHAOR, YELTC HRI NE ANDKPEGG’S PUBLICATIONS MAIL AGREEMENT NO. 40708019 SNAPS: TINA FEY, JOHN STAMOS, GEMMA ARTERTON, MICKEY ROURKE, SARAH JESSICA PARKER ® k o o l i b a e c m e a SAVINGF s e t a d p SEATSu s t r o p s Now you can turn this downtime into uptime and send a hello email, check out what your friends are up to, or catch some quick highlights – all thanks to Internet on the go. And do it all in more places with the speedy 3G network from TELUS. Visit us in-store or at telusmobility.com to find a phone that’s just right for you. MAYMAY1 TELUS, the TELUS logo and the future is friendly are trademarks of TELUS Corporation, used under licence. Facebook is a registered trademark of Facebook Inc. TSN is a trademark of The Sports Network Inc., Speed Letter Graphic is a trademark of ESPN, Inc. Used under license. TSN HD is a trademark of The Sports Network Inc., Speed Letter Graphic is a trademark of ESPN, Inc. Used under license. BlackBerry®, RIM®, Research In Motion®, SureType®, SurePressTM and related trademarks, names and logos are the property of Research In Motion Limited and are registered and/or used in the U.S. and countries around the world. Used under license from Research In Motion Limited. -
Catherine Zeta-Jones (Chicago)
”Almodóvar när han är som bäst. Det är en njutning att han är tillbaka” Newark Star-Ledger EN NY FILM FRÅN MÄSTARREGISSÖREN PEDRO ALMODÓVAR The Skin ”The Skin I Live In är ett mästerverk, I Live In Almodóvar är ett fullblodsgeni!” Cinema ”Almodóvar när han är som bäst. ”Pedro Almodóvar Det är en njutning att han är tillbaka” har skapat ett mästerverk” Newark Star-Ledger Coley Smith OSCARBELÖNADE PEDRO ALMODÓVAR (Allt om min mamma, Att återvända) GOLDEN GLOBE-NOMINERADE ANTONIO BANDERAS (Legenden om Zorro, Desperado) ELENA ANAYA (Tala med henne, Van Helsing) Pedro Almodóvar återförenas med hud. I sitt stora hus har han en kvinnlig Antonio Banderas för första gången på försökskanin – den vackra och mystiska över 20 år i den hyllade, omvälvande Vera. En natt när en man knackar och förföriska thrillern The Skin I Live på dörren startar en händelsekedja In. Plastikkirurgen Robert Ledgard som kommer att avslöja alla deras har uppfunnit en ny typ av syntetisk hemligheter. THE SKIN I LIVE IN Regi: Pedro Almodóvar Skådespelare: Antonio Banderas, Elena Anaya, Jan Cornet Manusförfattare: Pedro Almodóvar Genre: Thriller, Drama BIOPREMIÄR 2 DECEMBER 2011 JAKE GYLLENHAAL VERA FARMIGA SVD EXPRESSEN EXPRESSEN DN ”INFERNALISKT ”UTMÄRKT SPÄNNANDE” SF-ACTION” GOMORRON SVERIGE, SVT SLITZ ”SJUKT ”FÄNGSLANDE NERVIG” KAMP MOT TIDEN” NÖJESGUIDEN AFTONBLADET AMELIA CINEMA JAKE MICHELLE VERA GYLLENHAAL MONAGHAN FARMIGA FROM THE DIRECTOR OF MOON PÅ DVD OCH BLU-RAY 30 NOVEMBER DUNCAN JONES HAR REGISSERAT ÅRETS SMARTASTE THRILLER. JAKE GYLLENHAAL VERA FARMIGA SVD -
Avance De Programacin
OFFICIAL SELECTION THE OTHER MAN , Richard Eyre (UK) Opening Night Film (Out of Competition) THE BROTHERS BLOOM , Rian Johnson (USA) Closing Night Film (Out of Competition) ARUITEMO, ARUITEMO / STILL WALKING , Hirokazu Kore-Eda (Japan) ASBE DU-PA / TWO-LEGGED HORSE , Samira Makhmalbaf (Iran - France) LA BELLE PERSONNE (The Beautiful Person), Christophe Honoré (France) BI MONG / DREAM , Kim Ki-duk (South Korea) CAMINO , Javier Fesser (Spain) DEN DU FRYGTER / FEAR ME NOT , Kristian Levring (Denmark) EID MILAD LAILA / LAILA’S BIRTHDAY , Rashid Masharawi (Tunisia - Palestine - Holland) FROZEN RIVER , Courtney Hunt (USA) Competitor for the Altadis-New Directors Award GENOVA , Michael Winterbottom (UK) LOUISE-MICHEL , Benoît Delépine, Gustave Kervern (France) MAMAN EST CHEZ LE COIFFEUR (Mommy Is at the Hairdresser's), Léa Pool (Canada) EL NIDO VACÍO (The Empty Nest), Daniel Burman (Argentina - Spain - France) PANDORANIN KUTUSU / PANDORA’S BOX , Yesim Ustaoglu (Turkey - France - Germany - Belgium) EL PATIO DE MI CÁRCEL (My Prison Yard), Belén Macías (Spain) Competitor for the Altadis-New Directors Award TIRO EN LA CABEZA (Bullet in the Head), Jaime Rosales (Spain) THE BOY IN THE STRIPED PYJAMAS , Mark Herman (Great Britain - USA) Out of Competition TROPIC THUNDER , Ben Stiller (USA) Out of Competition Altadis-New Directors Award OFFICIAL SELECTION THE OTHER MAN Director: Richard Eyre · Screenplay: Richard Eyre, Charles Wood · Photography: Haris Zambarloukos · Cast: Liam Neeson, Antonio Banderas, Laura Linney, Romola Garai Running time: 90 m. · UK Opening Night Film (Out of Competition) Peter and Lisa are settled in the comfort of their long-term marriage. Lisa is a successful shoe designer and Peter runs his own company. -
January 30, 2018: SXSW Announces New Wave of Featured Speakers
SOUTH BY SOUTHWEST ANNOUNCES NEW WAVE OF FEATURED SPEAKERS Apple SVP Eddy Cue, YouTube CEO Susan Wojcicki, Waymo CEO John Krafcik, Director Rian Johnson, and more added to the 2018 Conference Lineup Austin, Texas – January 30, 2018 – South by Southwest® (SXSW®) Conference and Festivals (March 9-18, 2018) has announced the latest additions to the Featured Speaker programming lineup for the 2018 event. Speakers announced today include internationally renowned chef José Andrés; Apple’s Senior Vice President of Internet Software and Services Eddy Cue; award-winning actress, writer, and director Lena Dunham; actor and writer Ethan Hawke; Star Wars VIII: The Last Jedi director Rian Johnson; entrepreneur and model Karlie Kloss; Waymo CEO John Krafcik; Oscar- winning director, writer and producer Spike Lee; activist and technologist Chelsea Manning; Westworld cast members Evan Rachel Wood, James Marsden, and Jeffrey Wright; YouTube CEO Susan Wojcicki; and many more. “The speakers announced today feature a diverse group of leaders and innovators that make SXSW the foremost destination for creative people,” said Hugh Forrest, Chief Programming Officer. "As SXSW celebrates the 25th year of Interactive and Film, the cross-industry talent announced today reflects the ongoing convergence of the modern world, the trends we see throughout our programming, and the paramount reason for our now unified conference experience." Keynote speakers already announced for SXSW 2018 include Darren Aronofsky (Film), Ta-Nehisi Coates (Convergence), Lyor Cohen (Music), Melinda Gates (Convergence), Barry Jenkins (Film), Sadiq Khan (Convergence), Esther Perel (Interactive), and whurley (Convergence). Explore the full list of previously announced Featured Speakers, as well as the full list of Conference programming on the online schedule. -
Looper and the Rise of China In
“I’M FROM THE FUTURE. YOU SHOULD GO TO CHINA.” LOOPER AND THE RISE OF CHINA IN AMERICAN SCIENCE-FICTION CINEMA Thesis Submitted to The College of Arts and Sciences of the UNIVERSITY OF DAYTON In Partial Fulfillment of the Requirements for The Degree of Master of Arts in Communication By Robert Gordon Joseph UNIVERSITY OF DAYTON Dayton, Ohio May, 2014 “I’M FROM THE FUTURE. YOU SHOULD GO TO CHINA.” LOOPER AND THE RISE OF CHINA IN AMERICAN SCIENCE-FICTION CINEMA Name: Joseph, Robert Gordon APPROVED BY: ___________________________________ Joseph Valenzano III, Ph.D. Committee Chair Assistant Professor ___________________________________ Jeffrey Griffin, Ph.D. Committee Member Associate Professor ___________________________________ Andrew Slade, Ph.D. Committee Member Associate Professor ii ABSTRACT “I’M FROM THE FUTURE. YOU SHOULD GO TO CHINA.” LOOPER AND THE RISE OF CHINA IN AMERICAN SCIENCE-FICTION CINEMA Name: Joseph, Robert Gordon University of Dayton Advisor: Dr. Joseph Valenzano III The past decade has seen a large number of film co-productions between Hollywood studios and Chinese production companies. These co-productions reflect the continued rise of the Chinese box office, and a desire by Hollywood to cash in on the emerging market. Among these co-productions is Looper, a cinematic collaboration between Tri-Star Pictures and DMG Entertainment. Along with its co-production status, Looper is significant in its unique portrayal of a future featuring a dystopic United States and a prosperous China. Viewing the film as a “representative anecdote,” this thesis argues that Looper represents United States cultural apprehensions towards China. By the circumstances of the film’s production and its on-screen portrayal of the future, the film reflects the distinct American fear in which China is the dominant world economic power. -
SLIFF Program 2008
STAFF Executive Director Cliff Froehlich Artistic Director Chris Clark Operations Supervisor Brian Spath Co-Curators Bobbie Lautenschlager TABLE OF (New Filmmakers Forum), ARTISTS/FILMMAKERS Brian Woodman (Documentaries) Program Cover/Poster Tim Lane CONTENTS Marketing Consultants Filmmaker Awards Tom Huck Cheri Hutchings/Claire de Lune Tribute Reels Brian Woodman and Productions, Nina Thompson/ Kathy Corley (Michael Apted) and Niche Marketing RD Zurick (Paul Schrader) Venue/Ticket Info 12 Venue Supervisor/Plaza Frontenac Brian Woodman FESTIVAL TRAILER Sidebars 13 Print Traffic Coordinator Stephe Raven Produced by Coolfire Media Guest Transportation CineLogistics, (www.coolfiremedia.com) Special Events 16 Jamie Koogler Animation/Editorial Patrick Vaughan Interns Corey Bowman, Andrew Heitz, Sound Design Brent Johnson Awards 18 Janelle Jones, Jacob Massa, Illustration Tim Lane Sarah Powers, Anthony Sanchez, Producer David Johnson Sponsors 20 Brett Vandegriffe Program Design/Production David Kroll Film Descriptions 24 Web Design Brett Smith Features 24 BOARD OF DIRECTORS Board Members Chris Benson, Kathy Chair J. Kim Tucci Corley, Tony Davis, Amit Dhawan, Documentaries 47 Vice Chair/Development Jilanne Barnes Carrie Houk, David Houlle, David Vice Chair/Membership Sharon Tucci Johnson, Joneal Joplin, Jay Kanzler, Shorts 58 Treasurer Barry Worth McGraw Milhaven, Scott Phillips, Secretary Delcia Corlew Charles Poole, Eric Rhone, Chip Film Schedule 36 Rosenbloom, Rachelle Rowe, Mary Strauss, Elizabeth Tucker, Vince Volpe, Jane von Kaenel, Jean