G. Stanley Hall and Some of His Pupils
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Precio Maketa Punk-Oi! Oi! Core 24 ¡Sorprendete!
GRUPO NOMBRE DEL MATERIAL AÑO GENERO LUGAR ID ~ Precio Maketa Punk-Oi! Oi! Core 24 ¡Sorprendete! La Opera De Los Pobres 2003 Punk Rock España 37 100% Pure British Oi! Música Punk HC Cd 1 Punk Rock, HC Varios 6 100% Pure British Oi! Música Punk HC Cd 2 Punk Rock, HC Varios 6 100% Pure British Oi! Música Punk HC Cd 1 Punk Rock, HC Varios 10 100% Pure British Oi! Música Punk HC Cd 2 Punk Rock, HC Varios 10 1ª Komunion 1ª Komunion 1991 Punk Rock Castellón 26 2 Minutos Valentin Alsina Punk Rock Argentina 1 2 Minutos Postal 97 1997 Punk Rock Argentina 1 2 Minutos Volvió la alegría vieja Punk Rock Argentina 2 2 Minutos Valentin Alsina Punk rock Argentina 12 2 Minutos 8 rolas Punk Rock Argentina 13 2 Minutos Postal ´97 1997 Punk Rock Argentina 32 2 Minutos Valentin Alsina Punk Rock Argentina 32 2 Minutos Volvio la alegria vieja 1995 Punk Rock Argentina 32 2 Minutos Dos Minutos De Advertencia 1999 Punk Rock Argentina 33 2 Minutos Novedades 1999 Punk Rock Argentina 33 2 Minutos Superocho 2004 Punk Rock Argentina 47 2Tone Club Where Going Ska Francia 37 2Tone Club Now Is The Time!! Ska Francia 37 37 hostias Cantando basjo la lluvia ácida Punk Rock Madrid, España 26 4 Skins The best of the 4 skins Punk Rock 27 4 Vientos Sentimental Rocksteady Rocksteady 23 5 Years Of Oi! Sweat & Beers! 5 Years Of Oi! Sweat & Beers! Rock 32 5MDR Stato Di Allerta 2008 Punk Rock Italia 46 7 Seconds The Crew 1984 Punk Rock, HC USA 27 7 Seconds Walk Together, Rock Together 1985 Punk Rock, HC USA 27 7 Seconds New Wind 1986 Punk Rock, HC USA 27 7 Seconds Live! One Plus One -
Altered States of Embodiment and the Social Aesthetics of Acupuncture Anderson KT* Machmer Hall University of Massachusetts-Amherst Amherst, Mass
Integrati & ve e M iv t e Anderson, Altern Integ Med 2013, 2:3 a d n i c r i e n t DOI: 10.4172/2327-5162.1000112 l e A Alternative & Integrative Medicine ISSN: 2327-5162 Review Article Open Access Altered States of Embodiment and the Social Aesthetics of Acupuncture Anderson KT* Machmer Hall University of Massachusetts-Amherst Amherst, Mass. 01003, USA Abstract Acupuncture therapy encompasses various domains of experience: from the aesthetics and atmosphere of the clinic; to the sensorial aspects of needling; to the aftereffects in terms of potential changes in health and lifestyle. In my research (conducted in Galway and Dublin Ireland) one of the prevailing reasons expressed by patients as to the appeal of acupuncture, and rationale for its continual use, was that treatments were regarded as both pleasurable and transformative. This transformation–in either an immediate-sensorial, or a long-term behavioral way–is the key focus of this paper. Interviews with patients strongly suggested that an embodied sense of transformation– experiencing unusual bodily and emotional sensations–is not only part of the appeal, but is one of the key constructs for determining the medical efficacy of acupuncture. Such embodied transformations are referred to as altered states of embodiment (ASE). Keywords: Acupuncture therapy; Altered states of embodiment are interpreted as signs of acupuncture’s efficacy. Patient determinations (ASE) of efficacy rest in part, or at least coincide, with the appealing aspects of time, attention, pleasure, bodily transformations and visual imagery. Introduction Further, these are aspects of treatment that a quantitative analysis of Three predominant themes emerged from my interviews with acupuncture efficacy would find difficult to register. -
Localisation of Visual Hallucinations
BRITISH MEDICAL JOURNAL 16 JULY 1977 147 of hypothermia; the duration of cardiac arrest; and the disturbances of sleep or consciousness.4 Hallucinations may be promptness and correctness of treatment. Peterson's pessi- evoked by sensory deprivation, but other factors are usually mistic report from California,8 in which all 15 near-drowned present; thus the "black-patch" delirium that may follow children who had fits, fixed dilated pupils, flaccidity, and loss cataract extraction in the elderly probably results from sensory Br Med J: first published as 10.1136/bmj.2.6080.147 on 16 July 1977. Downloaded from of pain sensation suffered severe anoxic encephalopathy, deprivation and mild senile brain changes and is more frequent may be explained by the high water temperatures there. In when hearing is also impaired.5 warm water the protective effect of hypothermia against brain Hallucinations may be due to focal lesions. Past experiences, damage would be missing. In contrast was the case described the quality of eidetic imagery, and psychodynamic "actors in Trondheim, Norway,9 in which a 5-year-old fell through influence the content of organic hallucinosis,6 and it would be ice in fresh water with an outside temperature of 10° below unwise to lean too heavily on the occurrence and nature of zero centigrade. He was in the water for 22 minutes and was hallucinosis in localising intracranial lesions. Visual hallucina- brought out apparently dead, with widely dilated pupils and tions are a relatively infrequent accompaniment oflesions ofthe bluish white skin. He was warmed up (the method was not calcarine cortex (Brodmann's area 17), which has few thalamo- described) and-despite the risks noted above-was given cortical connections; yet they may occur as a false-localising external cardiac massage without suffering ventricular symptom of frontal or subtentorial lesions. -
Phenomenology of Embodied Dreamwork with Puerto Rican Women: a Dissertation Lourdes F
Lesley University DigitalCommons@Lesley Graduate School of Arts and Social Sciences Expressive Therapies Dissertations (GSASS) 2010 Phenomenology of Embodied Dreamwork with Puerto Rican Women: A Dissertation Lourdes F. Brache-Tabar Lesley University Follow this and additional works at: https://digitalcommons.lesley.edu/expressive_dissertations Part of the Art Therapy Commons, Latin American Studies Commons, and the Psychology Commons Recommended Citation Brache-Tabar, Lourdes F., "Phenomenology of Embodied Dreamwork with Puerto Rican Women: A Dissertation" (2010). Expressive Therapies Dissertations. 46. https://digitalcommons.lesley.edu/expressive_dissertations/46 This Dissertation is brought to you for free and open access by the Graduate School of Arts and Social Sciences (GSASS) at DigitalCommons@Lesley. It has been accepted for inclusion in Expressive Therapies Dissertations by an authorized administrator of DigitalCommons@Lesley. For more information, please contact [email protected]. 1 Phenomenology of Embodied Dreamwork with Puerto Rican Women A DISSERTATION (submitted by) Lourdes F. Brache-Tabar In partial fulfillment of the requirements for the degree of Doctor of Philosophy LESLEY UNIVERSITY May 2010 2 3 STATEMENT BY AUTHOR This dissertation has been submitted in partial fulfillment of requirements for an advanced degree at Lesley University and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this dissertation are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his or her judgment the proposed use of the material is in the interests of scholarship. -
Definition of Pantomime: A Theatrical Entertainment, Mainly for Children
Definition of Pantomime: A theatrical entertainment, mainly for children, which involves music, topical jokes, and slapstick comedy and is based on a fairy tale or nursery story, usually produced around Christmas. A typical Pantomime storyline: Normally, a pantomime is an adapted fairytale so it is usually a magical love story which involves something going wrong (usually the fault of an evil baddy) but the ending (often after a fight between good and evil) is always happy and results in true love. Key characters in Pantomime: The female love interest, e.g Snow White, Cinderella etc The Handsome Prince e.g Prince Charming The evil character e.g the evil Queen in Snow White The faithful sidekick - e.g Buttons in Cinderella The Pantomime Dame - provides most of the comedy - an exaggerated female, always played by a man for laughs How to act in a pantomime style: 1. Your character is an over-the-top type’, not a real person, so exaggerate as much as you can, in gesture, voice and movement 2. Speak to the audience - if you are a ‘Goody’, your character must be likeable or funny. If you are a ‘Baddy’, insult your audience, make them dislike you from the start. 3. There is always a narrator - make sure she knows speaks confidently and knows the story well. 4. Encourage the audience to be involved by asking for the audience’s help, e.g “If you see that naughty boy will you tell me?” 5. If you are playing that ‘naughty boy’, make eye contact with the audience and creep on stage. -
Entoptic Phenomena in Upper Paleolithic Art
The signs of all times: entoptic phenomena in upper paleolithic art http://www.aluka.org/action/showMetadata?doi=10.5555/AL.CH.DOCUMENT.sip200035 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org The signs of all times: entoptic phenomena in upper paleolithic art Author/Creator Dowson, Thomas A.; Lewis-Williams, J. David Date 1988-04 Resource type Articles Language English Subject Source Smithsonian Institution Libraries, GN1 .C97 Relation Current Anthropology, Vol. 29, No. 2 (April 1988): 201-245 Rights J. D. Lewis-Williams; T. A. Dowson; Paul G. Bahn; H.-G. Bandi; Robert G. Bednarik; John Clegg; Mario Consens; Whitney Davis; Brigitte Delluc; Gilles Delluc; Paul Faulstich; John Halverson; Robert Layton; Colin Martindale; Vil Mirimanov; Christy G. -
JULIA, ANNE, MARIE PONT Née Le 22 Avril 1975 À PARIS XVI
ENVT ANNEE 2003 THESE : 2003- TOU 3 DES ANIMAUX, DES GUERRES ET DES HOMMES De l’utilisation des animaux dans les guerres de l’antiquité à nos jours THESE Pour obtenir le grade de DOCTEUR VETERINAIRE DIPLOME D’ETAT Présentée et soutenue publiquement en 2003 Devant l’Université Paul-Sabatier de Toulouse Par JULIA, ANNE, MARIE PONT Née le 22 avril 1975 à PARIS XVI Directeur de thèse : M. le Professeur Michel FRANC JURY Liste des professeurs 2 A Monsieur le Professeur …. 3 Professeur de la faculté de Médecine de Toulouse Qui nous a fait l’honneur d’accepter la présidence de notre jury de thèse A Monsieur le Professeur Michel Franc Professeur à l’Ecole Nationale Vétérinaire de Toulouse Qui a accepté de diriger cette thèse, pour la confiance et la patience qu’il a bien voulu m’accorder. Je vous témoigne toute ma gratitude et ma profonde reconnaissance. A Monsieur….. Professeur à l’Ecole Nationale vétérinaire de Toulouse Pour l’attention qu’il a bien voulu apporter à l’examen de ce travail 4 A mes parents, présents au jour le jour. Ce que je suis aujourd’hui je vous le dois. Vous m’avez épaulée dans chaque moment de ma vie, soutenue dans tous les tracas et les aléas de l’existence, poussée en avant pour tenter de donner le meilleur de moi-même. Si aujourd’hui je réalise mon rêve d’enfant, c’est en grande partie grâce à vous, à la ligne de conduite que vous m’avez montrée, autant dans ma vie personnelle que professionnelle. -
Education Pack 2019.Cdr
BUXTON OPERA HOUSE & PAVILION ARTS CENTRE EDUCATION PACK HISINTRTORODUCY OFTION PANTOMIME Welcome to Buxton Opera House's Pantomime Educaon Pack for our 2019 producon of Cinderella! The Christmas Pantomime is a huge highlight in the Opera House programme, and one which we look forward to sharing with you every year. A visit to the Pantomime may be a child's very first experience of theatre or live performance, and if it is capvang enough, it will leave an inspiring lasng impression. At Buxton Opera House, we are commied to capturing the hearts and minds of children across the Peak District, so we have designed this Educaon Pack to ensure your students get as much out of their trip to the theatre as they possibly can. Offering both entertainment and educaon, this pack contains reference informaon, resources, fun acvies and creave tasks that will help to further your students' understanding and enjoyment of our producon of Cinderella. Please feel free to use it as you wish! We hope you enjoy exploring this much-loved tale as much as we have, and we look forward to welcoming you to the Opera House soon! HISTORY OF PANTOMIME Pantomime is a type of theatre producon intended for family entertainment which includes music, dance and comedy. Pantomime found its heart, and developed in the United Kingdom, where it is performed typically during the Christmas and New Year season. These days, Pantomime is oen seen as a quintessenally Brish tradion, but the origins of this form of theatre actually stem from much warmer parts of Europe! One of the first recorded references to Pantomime was in Ancient Greece; the Greek words “pan” meaning “all”, and “mimos” which translates as “imitator” described a group who “imitate all” – the performances would feature songs, music and comedy. -
Anomalous Experiences, Trauma, and Symbolization Processes at the Frontiers Between Psychoanalysis and Cognitive Neurosciences
ORIGINAL RESEARCH published: 21 December 2015 doi: 10.3389/fpsyg.2015.01926 Anomalous Experiences, Trauma, and Symbolization Processes at the Frontiers between Psychoanalysis and Cognitive Neurosciences Thomas Rabeyron 1, 2* and Tianna Loose 2, 3 1 Department of Psychology, University of Nantes, Nantes, France, 2 Department of Psychology, University of Edinburgh, Edinburgh, UK, 3 Department of Psychology, University of Québec in Montreal, Montreal, QC, Canada Anomalous or exceptional experiences are uncommon experiences which are usually interpreted as being paranormal by those who report them. These experiences have long remained difficult to explain, but current progress in cognitive neuroscience and psychoanalysis sheds light on the contexts in which they emerge, as well as on their underlying processes. Following a brief description of the different types of anomalous experiences, we underline how they can be better understood at the frontiers between psychoanalysis and cognitive neurosciences. In this regard, three main lines of research Edited by: Stijn Vanheule, are discussed and illustrated, alongside clinical cases which come from a clinical service Ghent University, Belgium specializing in anomalous experiences. First, we study the links between anomalous Reviewed by: experiences and hallucinatory processes, by showing that anomalous experiences Jonathan Douglas Redmond, frequently occur as a specific reaction to negative life events, in which case they mainly Deakin University, Australia Diana Caine, take the form of non-pathological hallucinations. Next, we propose to analyze these National Hospital for Neurology and experiences from the perspective of their traumatic aspects and the altered states Neurosurgery, UK of consciousness they often imply. Finally, these experiences are considered to be *Correspondence: Thomas Rabeyron the consequence of a hypersensitivity that can be linked to an increase in psychic [email protected] permeability. -
CINDERELLA by JACK NORTHCOTT Extract a SMITH SCRIPT
CINDERELLA BY JACK NORTHCOTT Extract A SMITH SCRIPT This script is protected by copyright laws. No performance of this script -IN ANY MEDIA – may be undertaken without payment of the appropriate fee and obtaining a licence. For further information, please contact SMITH SCRIPTS at [email protected] Cinderella Pantomime Script Cinderella The magical family pantomime © Jack Northcott 2018 !1 Cinderella Pantomime Script CHARACTERS Cinderella Poor stepdaughter of Pri Madonna Buttons In love with Cinders Pri Madonna Married Cinders’ father Annabella Ugly and vile Belladona Ugly and vicious Prince Charming Handsome, principal boy Dandini Prince’s aid and confidant Fairy Godmother A magical fairy who looks after Cinderella SUPPORTING CAST Pinky A tiny mouse Perky A tiny mouse Porky tiny mouse Flutter sparrow Splutter sparrow with a speech impediment Hoppit rabbit Droppit rabbit Servant staff member in the household Chorus of villagers, ball goers and forest dwellers, As always in Pantomime, genders are ambiguous and this is no exception. Particularly Buttons, Pri Madonna, Dandini, Prince Charming and Fairy Godmother could be played by either a male or female but the gender of their character must remain the same. With the exception of the Fairy Godmother who could easily be ambiguous in gender. © Jack Northcott 2018 !2 Cinderella Pantomime Script SCENES ACT I Scene 1 Village Near the Palace Scene 2 Elsewhere in the Village Scene 3 Hardup Manner Scene 4 Elsewhere in the Village Scene 5 The Uglies’ Boudoir Scene 6 Cinderella’s Pumpkin Patch Scene 7 Hardup Manner ACT II Scene 8 The Palace Ballroom Scene 9 A Corridor in the Palace Scene 10 Into the Woods Scene 11 Path in the Woods Scene 12 Village Near the Palace Scene 13 Song Sheet Scene 14 The Royal Palace © Jack Northcott 2018 !3 Cinderella Pantomime Script MUSICAL NUMBERS (Feel free to add or remove musical numbers as you wish. -
Newsletter Master Copy 3
Newsletter Issue 132 Sep 2013 Registered Charity No. 510146 hanks to all those who contributed to this edition. Also, thanks to all those Twho volunteered, some time ago, to assist in the packing of the newsletter for posting. If you haven't been called yet don’t worry I still have your names on the list and the Christmas edition is usually the big one! The details of the programme of events for the rest of the year can be found on page seven, along with any relevant notices. I intend to make this a regular feature to remind members of the events and advise you of any changes to them. The full programme can also be found on the website at: www.deesidenaturalists.org.uk. Speaking of the website we have been experiencing a few problems recently with emails and access to the site itself. That, hopefully, has now been resolved and both should be back to normal. If anyone is still having problems logging onto the site please let me know via email to: [email protected]. I am also still looking for volunteers to help build the bird, butterfly and plant identification pages. Anyone interested in helping can contact me at the same email address. A few members attended the Rutland Bird Fair. As my wife had booked us both on one of the evening trips around the reservoir to see the Ospreys we decided to stop overnight. We didn’t see any but the commentary by Johnny Kingdom more than made up for it. For those of you who have never been to the bird fair, this is a great opportunity to spend a fortune on equipment, see a host of celebrities and book wildlife holidays for virtually any place on the planet! I found the layout of the fair confusing at first but eventually found my way round the site. -
Wee Bit of Irish Fun Tuesday, March 12
The Current March 1, 2019 ISSUE #3 Subscription Price: FREE A Physician led 501 (c)(3) federal income tax exempt public charitable organization with a mission to improve the health of our A Monthly Publication of the Oshkosh Seniors Center supported by The Friends of the Oshkosh Seniors Center, Inc. local community. See if you have “the luck ‘o the Irish” at the casino-style games at our Wee bit of Irish Fun Tuesday, March 12 5-7 pm See details on Page 23 To see the newsletter on-line go to: www.ci.oshkosh.wi.us/Senior_Services/ 920-232-5300 VOLUNTEER Newsletter Folding (S) SPOTLIGHT Wednesday, March 20, 1 pm Please join us in folding our newsletters. MEET JEFF BECKER Choice Bank provides refreshments. Lead Woodshop Volunteer The newsletter will be ready for delivery on Thursday, March 21. If you are unable to deliver your route, please call Sara at 920-232-5310. Thank you volunteers Jeffrey Becker for your commitment to newsletter folding and has been the delivery! Not registered as a volunteer? Woodshop Lead Please see a staff member. Volunteer for the past two years. “Woodworking is among my passions!” His passion OSC Weather Policy has helped transform the woodshop. The shop has never been cleaner and more organized. The If the weather outside is frightful… priority has been safety and Jeff knows a clean It is the policy of the Oshkosh Seniors and uncluttered environment is a safer Center to follow the Oshkosh Area School environment. District’s lead on closures due to weather. The self-taught wood worker loves showing and Therefore, if the school district has helping others on their wood projects.