Paul Landacre Archive, Ca
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American Prints 1860-1960
American Prints 1860-1960 from the collection of Matthew Marks American Prints 1860-1960 from the collection of Matthew Marks American Prints 1860-1960 from the collection of Matthew Marks Bennington College, Bennington, Vermont Introduction The 124 prints which make up this exhibition have been selected from my collection of published on the occasion over 800 prints. The works exhibited at Bennington have been confined to those made by ot an exhibitionat the American artists between 1860 and 1960. There are European and contemporary prints in my A catalogue suchasthis and the exhibitionwhich collection but its greatest strengths are in the area of American prints. The dates 1860 to Suzanne Lemberg Usdan Gallery accompaniesit.. is ot necessity a collaborativeeffortand 1960, to which I have chosen to confine myself, echo for the most part my collecting Bennington College would nothave been possible without thesupport and interests. They do, however, seem to me to be a logical choice for the exhibition. lt V.'CIS Bennington \'ermonr 05201 cooperation of many people. around 1860 that American painters first became incerested in making original prints and it April 9 to May9 1985 l am especially graceful to cbe Bennington College Art was about a century later, in the early 1960s, that several large printmaking workshops were Division for their encouragementand interestin this established. An enormous rise in the popularity of printmaking as an arcistic medium, which projectfrom thestart. In particular I wouldlike co we are still experiencing today, occurred at that cime. Copyright © 1985 by MatthewMarks thankRochelle Feinstein. GuyGood... in; andSidney The first American print to enter my collection, the Marsden Hartley lirhograph TilJim, who originally suggestedche topicof theexhibi- (Catalogue #36 was purchased nearly ten years ago. -
Woodcut Society 1932-1954 by Cori Sherman North with Transcriptions by John R
With the Grain: Presentation Prints of the Woodcut Society 1932-1954 by Cori Sherman North with transcriptions by John R. Mallery With the Grain: Presentation Prints of the Woodcut Society 1932-1954 by Cori Sherman North with transcriptions by John R. Mallery A digital publication printed in conjunction with an exhibition held at the Birger Sandzén Memorial Gallery from March 31 through June 2, 2019 The show included a complete set of the 44 prints in their original letterpress folders This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/ or send a letter to Creative Commons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA. On the cover: Twilight Toil by Allen Lewis, 1943, color woodcut and linoleum cut The Birger Sandzén Memorial Gallery in participating printmakers. Lindsborg, Kansas, is exhibiting its complete set of Woodcut Society membership prints in The Woodcut Society was primarily geared their original presentation folders, March 22 toward print collectors, with the publications through June 2, 2019. The 44 blockprints— “intended to be savored in the intimate setting wood engravings, woodcuts, and linocuts—were of one’s private library.”2 The membership print created by an international cast of 32 artists commissions were “all selected by one man, and reveal a wide variety of subject matter and unencumbered by juries or trustees, H.A. [Harry technique. Of the printmakers, Asa Cheffetz Alfred] Fowler, Director of the Society.”3 Artists (1897-1965), Paul Landacre (1893-1963), Clare were instructed to pull 200 impressions in one Leighton (1898-1989), and Thomas Nason (1889- edition, but the subject matter and edition paper 1971) each completed three membership prints, choice were left entirely to the printmaker. -
John Howell for Books
John Howell for Books John Howell, member ABAA, ILAB, IOBA 5205 ½ Village Green 310 367-9720 Los Angeles, CA 90016-5207 [email protected] TERMS OF SALE: Subject to Prior Sale. Dealer discounts 10 % or 20 %: please inquire. Postage and insurance to be billed at cost. Check or PayPal preferred; credit cards also accepted. Institutions, dealers known to us, and prior customers in good standing may request invoice; otherwise CWO. All items are guaranteed, returnable and fully refundable within 30 days of receipt, provided prior notice of return given. CA sales tax where applicable, unless valid resale certificate provided or on file. Call or e-mail to reserve. 1 ALLEN, Lewis M. Printing with the Handpress: Herewith a Definitive Manual…. New York, etc.: Van Nostrand Reinhold, 1969. 4to. 12 ¼ x 8 ¼ inches. 75, (3) pp. Half-title, printed throughout in blue and black inks, chapter heads, 11 illustrations, bibliography, index; text clean, un-marked. Black-stamped brown cloth, dust-jacket; binding square and tight, jacket rubbed. Very Good. $ 45 SECOND EDITION. This book was first issued in a limited edition of 140 copies, which were printed on a Columbian hand press at the Allen Press. The present edition was offset from proofs of the limited edition. This is the first thorough manual on hand press printing since those of the nineteenth century – which are now completely obsolete and seriously misleading. Its purpose is fourfold: 1) to enable hand press owners to produce top-quality printing; 2) to encourage those with increased leisure time to practice hand press printing as a serious avocation; 3) to stimulate a renaissance in fine printing; and 4) to acquaint collectors with methods involved in hand- produced books. -
Ward Ritchie Papers Press Coll.Archives.Ritchiepress Coll.Archives.Ritchie
http://oac.cdlib.org/findaid/ark:/13030/tf8t1nb5m7 No online items Finding Aid to the Ward Ritchie Papers Press coll.Archives.RitchiePress coll.Archives.Ritchie Finding aid prepared by Patricia Garcia William Andrews Clark Memorial Library © 2015 2520 Cimarron Street Los Angeles 90018 [email protected] URL: http://www.clarklibrary.ucla.edu/ Press coll.Archives.Ritchie 1 Language of Material: English Contributing Institution: William Andrews Clark Memorial Library Title: Ward Ritchie Papers Creator: Ritchie, Ward, 1905-1996 Creator: Ritchie, Ward, 1905-1996 Identifier/Call Number: Press coll.Archives.Ritchie Physical Description: 140 Linear feet221 boxes Date (inclusive): 1930-1978 This collection is housed at SRLF. Advanced notice is required to view these items; contact the Clark Library to arrange the collection's retrieval prior to your visit. Access Collection is open for research. Processing Information The collection was originally processed in 1998 by Clark Library staff. In 2014, the finding aid was reorganized into seven series and an additional 31 boxes were processed and added to the finding aid by Patricia Garcia. Oversized material was re-processed and rehoused in 2018 by Stephanie Geller. 1. Gift, 1988-1994, from Ward Ritchie (boxes 1-113) 2. Gift, 1996, from Ward Ritchie (boxes 114-149, 153-156, 158-164, 178-182) 3. Gift, 1996, from Edwin Carpenter (box 151) 4. Gift, 1996, from Albert Sperisen (box 152) 5. Gift, 1996, from Stephen Tabor (box 157) 6. Gift, 1997, from Gloria Stuart (boxes 165-171) 7. Gift, 1997(?), Ward Ritchie Estate (boxes 183-213) 8. Deposit, 1998, from Ritchie family (boxes 172-177) Restrictions on Use Copyright has not been assigned to the William Andrews Clark emorial Library, UCLA. -
Encyklopédia Kresťanského Umenia
Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day -
Year of Exhib. Dates of Exhibition Title Of
File Cab.- Drawer File #1: File #2: File #3a: File #4: Year of Exhib. Dates of Exhibition Title of Exhibition or Row/Shelf Objects/Installation Publications Press Background 1941 June 5-September 1 Painting Today and Yesterday in the U.S 19-1 ? Yes Yes ? Masterpieces of Ancient China from Jan 1941 October 19-November 23 Kleijkamp Collection 19-1 ? Yes ? ? Arts of America Before Columbus: 500 B.C. - AD 1942 April 18-June 1500 (Ancient American Art) 19-1 ? Yes Yes ? United Nations Festival and Free France Exhibit Lent by Mr. & Mrs. Walter Arensberg and Edward 1942 May G. Robinson. 19-1 ? ? Yes ? Yes 1942 July 1-July 31 Modern Mexican Painters 19-1 Yes ? ? Five Centuries of Painting lent by Jacob 1943 March 7-April 11 Heimann 19-1 ? No ? ? Paintings, Sculpture, and Lithographs by Arnold 1943 June Ronnebeck 19-1 No No Yes 1943 October 3 - ? America in the War. 19-1 No Yes 1943 November 16-December 7 Paintings by Agnes Pelton 19-1 ? No ? ? 1944 February 9-March 12 Paintings and Drawings by Jack Gage Stark 19-1 ? Yes ? ? Annual Exhibition of the California Watercolor 1944 March 15-April 7 Society 19-1 Yes ? ? ? 1944 April 8-April 30 Paintings by Hilaire Hiler 19-1 Yes ? ? ? 1944 July 8-July 23 Abstract and Surrealist Art in the United States 19-1 ? Yes ? ? 1944 September 5-October 5 First Annual National Competitive Exhibition 19-1 ? Yes ? ? Chinese Sculpture from the I to XII Centuries A.D. from the collection of Jan Kleijkamp and Ellis Monro. (“12 Centuries of Sculpture from Yes (Call# China”) Rare NB 1944 October-November 26 Row 21, Shelf 3 ? 1043.S3) ? ? Charlotte Berend: Exhibition of Paintings in Oil 1944 November 9-December 10 and Watercolor 19-1 ? Yes ? ? 1945 March 11- The Debt to Nature of Art and Education 19-1 ? Yes ? ? Memorial Exhibition: "Philosophical & Allegorical" 1945 March 15-April 11 Paintings by Spencer Kellogg, Jr. -
Otis: Nine Decades of Los Angeles Art, That Sur- Debra Ballard, Otis’ Liberal Arts and Our World Through Their Creativity, Their Skill, and Their Vision
ol.1 ISSUE 2006 V PREMIERE Barnsdall Municipal Art Gallery of Los Angeles Art Otis: Nine Decades Otis College of Art and Design Magazine Otis College of Art and Design Otis College of Art and Design 9045 Lincoln Blvd. Non-Profit Los Angeles, CA 90045 U.S. Postage PAID Permit No. 427 Los Angeles, CA IN THIS ISSUE: “Rabbit in a Hat” in Appalachia • Four Fish Tacos and a Step into Liquid What is a Wiki? • Motorbike Diary: “Bharat Parikrama” www.otis.edu 02 12 28 32 Otis Approaching 90: Onward and Upward Otis College of Art and Design will turn 90 in 2008. Anniversary festivities began in Contributors Otis prepares diverse students of art and design to enrich 2006 with a large-scale exhibition, Otis: Nine Decades of Los Angeles Art, that sur- Debra Ballard, Otis’ Liberal Arts and our world through their creativity, their skill, and their vision. veyed the art legacy of the College (see p. 4 – 11). Included in upcoming anniversary Sciences Chair, is an educator who has celebrations will be a documentation of the impact of its successful curricular extensive curriculum design experience. expansion into design in recent decades. As the first independant professional Carol Branch, Liberal Arts and Sciences school of art in Southern California, Otis has played an important role in shaping faculty member, holds a PhD from UCLA 2006 Vol.1 In This Issue: the city’s culture. Nimble and entrepreneurial, the College’s curriculum has evolved in folklore and mythology, and specializes in African-American performance art. over time. As Otis responds to the needs of its students and changing conditions, Dave Hickey, 2004-2006 Distinguished 02 Otis: Nine Decades 12 ODG @ 20 it nurtures an ever-widening community of creative professionals. -
Artists for Victory
THE METROPOLITAN MUSEUM UF ART Artists for Victory M Sxhibition of Contemporary American Art PAINTINGS SCULPTURE PRINTS SPONSORED BY ARTISTS FOR VICTORY, INC ARTISTS FOR VICTORY, INC. 101 PARK AVENUE, NEW YORK, N. Y. Includes the Following Artists' Organizations: ALLIED ARTISTS OF AMERICA ALUMNI ASSOCIATION OF THE AMERICAN ACADEMY IN ROME AMERICAN ABSTRACT ARTISTS AMERICAN INSTITUTE OF DECORATORS AMERICAN SOCIETY OF MINIATURE PAINTERS AMERICAN VETERANS SOCIETY OF ARTISTS AMERICAN WATER COLOR SOCIETY AN AMERICAN GROUP, INC. ARCHITECTURAL LEAGUE OF NEW YORK BOMB SHELL ARTISTS GROUP FEDERATION OF MODERN PAINTERS AND SCULPTORS LEAGUE OF AMERICAN ARTISTS MUNICIPAL ART SOCIETY OF NEW YORK NATIONAL ACADEMY OF DESIGN NATIONAL ASSOCIATION OF WOMEN ARTISTS NATIONAL SCULPTURE SOCIETY NATIONAL SOCIETY OF MURAL PAINTERS NEW YORK CHAPTER OF THE AMERICAN ARTISTS PROFESSIONAL LEAGUE NEW YORK CHAPTER OF THE AMERICAN INSTITUTE OF ARCHITECTS NEW YORK CHAPTER OF THE AMERICAN SOCIETY OF LANDSCAPE ARCHITECTS NEW YORK SOCIETY OF WOMEN ARTISTS PITTSBURGH ARTISTS FOR VICTORY SCULPTORS GUILD, INC. SOCIETY OF AMERICAN ETCHERS UNITED SCENIC ARTISTS THE METROPOLITAN MUSEUM OF ART Artists for Victory An Exhibition of Contemporary American Art SPONSORED BY ARTISTS FOR VICTORY, INC. NEW YORK, 1942 WO. \ FOREWORD HE present exhibition expresses a desire on the part of the Museum Tto proclaim its faith in the American artist during one of the most critical years in our history. We believed that the facilities of the Mu seum should be turned over to the artists to organize an exhibition as they themselves would want it done. Artists for Victory, Inc., the emergency wartime agency representing the twenty-three leading art societies in New York was asked to undertake the task. -
International Print Collectors' Societies Newsletter
Hello Print Collectors, I amInternational Print Collectors’ Societies Newsletter Vol. VII, No. 1 January 2012 Hello Print Collectors, The biggest announcement this month is that we have a new society joining our ranks. The Rocky Mountain Print Collectors began hosting events just a few months ago. Please check out their submission on page 9 of this issue. I recently had an epiphany as to how useful this newsletter can be. During discussions in a strategic planning meeting for the Print Society of the Nelson-Atkins Museum of Art, I noticed that I was relating many ideas that I had read about in this publication. Our Print Society is not as old or as large as most of the other societies, and it is helpful for us to draw on the ideas and experiences of more established clubs and societies. In future submissions to the Newsletter, I challenge each of us to not only report our events but to also share various strategies and tactics which have been successful (or particularly disastrous). I am still looking for someone to replace me as editor of the IPCS Newsletter. It is not a terribly difficult task, but it is an investment of time. If you or someone you know would like to take over the editorship for 2 years (4 issues), please contact me as soon as possible so that we can make a smooth transition. May the coming spring find great things for all of you and your societies! Keeping Print Enthusiasts in Contact and Serving the Print Community Around the World IPCS Newsletter, January 2012 2 DATELINE: Cleveland by Carole Rosenblatt The Print Club of Cleveland Grass does not grow under the feet of Cleveland Print Club members; Program Chair Lorrie Magid does not allow it. -
Year of Exhib. Dates of Exhibition Title Of
File #1: File #2: File #3a: File #4: Installation Year of Exhib. Dates of Exhibition Title of Exhibition Objects/Installation Publications Press Background Photography 1941 June 5-September 1 Painting Today and Yesterday in the U.S Yes Yes Yes No Yes Masterpieces of Ancient China from Jan 1941 October 19-November 23 Kleijkamp Collection ? Yes ? ? No Arts of America Before Columbus: 500 B.C. - 1942 April 18-June AD 1500 (Ancient American Art) ? Yes Yes ? Yes United Nations Festival and Free France Exhibit Lent by Mr. & Mrs. Walter Arensberg and 1942 May Edward G. Robinson. ? No Yes ? No 1942 July 1-July 31 Modern Mexican Painters Yes Yes ? ? No Five Centuries of Painting lent by Jacob 1943 March 7-April 11 Heimann ? No ? ? No Paintings, Sculpture, and Lithographs by Arnold 1943 June Ronnebeck No No Yes No 1943 October 3 - ? America in the War. No Yes No 1943 November 16-December 7 Paintings by Agnes Pelton ? No ? ? No 1944 February 9-March 12 Paintings and Drawings by Jack Gage Stark ? Yes ? ? No Annual Exhibition of the California Watercolor 1944 March 15-April 7 Society Yes Yes ? ? No 1944 April 8-April 30 Paintings by Hilaire Hiler Yes No ? ? No 1944 July 8-July 23 Abstract and Surrealist Art in the United States ? Yes ? ? No 1944 September 5-October 5 First Annual National Competitive Exhibition ? Yes ? ? No Chinese Sculpture from the I to XII Centuries A.D. from the collection of Jan Kleijkamp and Ellis Monro. (“12 Centuries of Sculpture from Yes (Call# China”) Rare NB 1944 October-November 26 ? 1043.S3) ??No Charlotte Berend: Exhibition of Paintings in Oil 1944 November 9-December 10 and Watercolor ?Yes??No 1945 March 11- The Debt to Nature of Art and Education ? Yes ? ? No Memorial Exhibition: "Philosophical & 1945 March 15-April 11 Allegorical" Paintings by Spencer Kellogg, Jr. -
List #92 Summer Miscellany
First Venice edition of the Gabriel Gerberon editing of Anselm’s works, first published in Paris in 1675. Saint Anselm of Canterbury (1033-1109) was born in SUMMER Aosta, in Piedmont. After study in Burgundy and France, he entered the Benedictine order and became prior and later abbot of Bec. He succeeded his teacher Lanfranc, Archbishop of Canterbury in 1093. A much admired theologian and MISCELLANY philosopher who has been called the father of scholasticism, Anselm is best known his ontological argument for the Consisting of 100 Books, Mostly Recent existence of God, advanced in his Proslogion (1077-78). He stood strongly against anti-intellectualism, insisting that rational Acquisitions, but with a Few Older Items, analysis of the Christian faith did not necessarily lead to Including Many with Reduced Prices scepticism. Instead, he believed that intelligent study and discussion led to a better understanding of that faith and could MICHAEL THOMPSON BOOKS, 8242 West make it stronger. He was canonized in 1494 and named Third Street, Suite 230, Los Angeles, CA 90048 Doctor of the Church in 1726. Phone: (323) 658-1901; Fax: (323) Printed for the Roxburghe Club 658-5380; e-mail address: [email protected] Member, ABAA, ILAB 4. BACKHOUSE, Janet. John Scottowe’s Alphabet Bookes. [London:] Printed for the Roxburghe Club at the Scolar Press, List Number 92 1974. Folio. [2], 16 pp., plus twenty-eight facsimile plates, many with gold illuminations. Red morocco, gilt, over cloth. Some uneven fading to front cover. Otherwise fine. The John 1. [ALLEN PRESS]. Four Fictions. Joseph Conrad: The Sparrow/Hellmut Friedlaender copy. -
Southern California Fine Printing and Artist’S Books
The “Renaissance, Southern California Style” and its Legacy A Century of Southern California Fine Printing and Artist’s Books Michael R. Thompson Rare Books 8242 W. 3rd Street • Suite 230 Los Angeles, CA 90048 mrtbooksla.com [email protected] • (323) 658 - 1901 Item #1 Pasadena’s Archetype Press Explores Mars 1. [ARCHETYPE PRESS]. 25.19º. A Mars Anthology. [Pasadena, California:] Archetype Press, Art Center College of Design, Spring 2002. 8.25 by x 8.25 inches. 42 folios (16” by 8” sheets, folded to create a four-page folio). Printed letterpress on Vandercook proof presses using metal foundry type, wood type, linoleum blocks, wood cuts, silk screens, laser-cut masonite blocks, zinc plates, and digital polymer plates. Printed on Legion Domestic Etching and Rives BFK papers. Housed in wraparound box, handmade by Alice Vaughn, with 1.25” wide pocket into which the folio fore-edges slip. A fine copy. $200 Michael R. Thompson Books • Southern California Fine Printing and Artist’s Books • Autumn 2019 Item #1 One of 75 copies. The title refers to Mars's axial tilt, which is 25.19 degrees. Gloria Kondrup, director of the Archetype Press, wrote that this book was made “in honor of the Pathfinder landing on Mars” and that “the students were asked to conceptually interpret any subject matter dealing with ‘Mars.’” The interpretations in the book, which take the form of images, short prose pieces, poetry, and typography, cover a variety of topics including astronomical principles, locations in the United States also named “Mars,” popular science fiction, war, and classical Greek and Roman mythology.