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Peter Farrelly. Sceneggiatura: Nick Vallelonga, Brian Currie, Peter Farrelly
GREEN BOOK (Scheda a cura di Alberto Peraldo) CREDITI Regia: Peter Farrelly. Sceneggiatura: Nick Vallelonga, Brian Currie, Peter Farrelly. Interpreti: Viggo Mortensen (Anthony “Tony Lip” Vallelonga), Mahershala Ali (Don Shirley), Linda Cardellini (Dolores Vallelonga), Sebastian Maniscalco (Johnny Venere), Dimiter D. Marinov (Oleg), Mike Hatton (George), P.J. Byrne (Produttore discografico), Don Stark (Jules Podell), Brian Stepanek (Graham Kindell), Iqbal Theba (Amit), Tom Virtue (Morgan Anderson), Nick Vallelonga (Augie), Joe Cortese (Gio Loscudo), Jenna Laurenzo (Fran Venere), Paul Sloane (Carmine), Anthony Mangano (Danny), David Kallaway (Ray), David An (Bobby), Craig DiFrancia (Dominic), Von Lewis (Bobby Rydell)... Fotografia: Sean Porter. Scenografie: Tim Galvin. Montaggio: Patrick J. Don Vito. Musiche: Kris Bowers. Supervisione musicale: Tom Wolfe, Manish Raval. Costumi: Betsy Heimann. Prodotto da: Jim Burke, Charles B. Wessler, Brian Currie, Peter Farrelly, Nick Vallelonga. Case di produzione: Dreamworks, Participant Media, Amblin Partners, Innisfree Pictures, Wessler Entertainment. Genere: Biografico, commedia, drammatico, musicale. Origine: USA. Anno di edizione: 2018. Distribuzione: Eagle Pictures & Leone Film Group. Durata: 130 min. Sinossi Stati Uniti, 1962. Anthony Vallelonga (detto “Tony Lip” per la sua abilità di persuasione verbale), buttafuori e autista italoamericano del Bronx, è alla ricerca di un lavoro ben pagato per mantenere la sua famiglia. L’offerta di impiego che gli si presenta è decisamente inconsueta: accompagnare -
CELEBRATING FORTY YEARS of FILMS WORTH TALKING ABOUT I Love the August Festivals, Though Not As Much As I Love Cinema
3 AUG 18 6 SEP 18 1 | 3 AUG 18 - 6 SEP 18 88 LOTHIAN ROAD | FILMHOUSECinema.COM CELEBRATING FORTY YEARS OF FILMS WORTH TALKING ABOUT I love the August festivals, though not as much as I love cinema. You? I usually take the opportunity when writing this column every August to grumble about how distracted potential cinema-goers appear to be by the world’s largest arts festival that takes place in our glorious (a word which currently also describes the weather!) city every year, but this year I’m seeing it as nothing more than a challenge. A challenge, dear reader, which I feel we have risen to in impressive style with a stunning array of great cinema, much of which is, as it happens, of a ‘one-off’ nature and will likely not come around again any time soon… That sounds like I’m trying to dragoon you into coming to the cinema in August (instead of going to the Tattoo, perhaps?), and conceivably I am, but try not to see it that way… Rather, I simply wouldn’t want you to miss out on any of the must-see cinema experiences contained within these pages. In any case, cinema is surely the best of all the art forms wouldn’t you say, as well as being one of the cheaper days/nights out? Beyond the form itself, with cinema, you rarely have to worry about not liking a film and it being apparent to the people who made it, because they’re generally not there in the room. -
Elenco Film Dal 2015 Al 2020
7 Minuti Regia: Michele Placido Cast: Cristiana Capotondi, Violante Placido, Ambra Angiolini, Ottavia Piccolo Genere: Drammatico Distributore: Koch Media Srl Uscita: 03 novembre 2016 7 Sconosciuti Al El Royale Regia: Drew Goddard Cast: Chris Hemsworth, Dakota Johnson, Jeff Bridges, Nick Offerman, Cailee Spaeny Genere: Thriller Distributore: 20th Century Fox Uscita: 25 ottobre 2018 7 Uomini A Mollo Regia: Gilles Lellouche Cast: Mathieu Amalric, Guillaume Canet, Benoît Poelvoorde, Jean-hugues Anglade Genere: Commedia Distributore: Eagle Pictures Uscita: 20 dicembre 2018 '71 Regia: Yann Demange Cast: Jack O'connell, Sam Reid Genere: Thriller Distributore: Good Films Srl Uscita: 09 luglio 2015 77 Giorni Regia: Hantang Zhao Cast: Hantang Zhao, Yiyan Jiang Genere: Avventura Distributore: Mescalito Uscita: 15 maggio 2018 87 Ore Regia: Costanza Quatriglio Genere: Documentario Distributore: Cineama Uscita: 19 novembre 2015 A Beautiful Day Regia: Lynne Ramsay Cast: Joaquin Phoenix, Alessandro Nivola, Alex Manette, John Doman, Judith Roberts Genere: Thriller Distributore: Europictures Srl Uscita: 01 maggio 2018 A Bigger Splash Regia: Luca Guadagnino Cast: Ralph Fiennes, Dakota Johnson Genere: Drammatico Distributore: Lucky Red Uscita: 26 novembre 2015 3 Generations - Una Famiglia Quasi Perfetta Regia: Gaby Dellal Cast: Elle Fanning, Naomi Watts, Susan Sarandon, Tate Donovan, Maria Dizzia Genere: Commedia Distributore: Videa S.p.a. Uscita: 24 novembre 2016 40 Sono I Nuovi 20 Regia: Hallie Meyers-shyer Cast: Reese Witherspoon, Michael Sheen, Candice -
Local Boy Makes Good
TUESDAY, JANUARY 8, 2019 Union contracts may gure in closing budget gap By Gayla Cawley everyone because we can’t put The city has approximately before the city’s budget can be million loan given through state ITEM STAFF a budget down until we know a dozen contracts to negotiate, approved — the scal year ends legislation last year to balance what the contracts are going to including those with teachers, on June 30. its scal year 2018 and FY19 LYNN — All of the city’s union be,” said City Council President police, re, library, and City Hall McGee told The Item last week budgets. Even with borrowing contracts are expired and city of cials think negotiations will Darren Cyr. groups, such as the Department that while it wasn’t appropriate $9.5 million to balance the FY18 have a major impact on efforts Collective bargaining is be- of Public Works and the Inspec- to get into speci cs in terms of budget and $4.5 million for to close Lynn’s projected $5 mil- tween Mayor Thomas M. Mc- tional Services Department. union contract negotiations, it FY19, the city is still projected lion budget gap. Gee, the city’s law department Collective bargaining agree- was important to come to a deal to have a $5 million budget gap “As a citizen and councilor, my and the unions, except for teach- ments could account for a major that was fair for both sides, as for FY20. opinion is that I believe both ers’ contract negotiations, which increase in expenses this year, far as keeping the city’s nan- The largest union in the city is sides have to sit in a room and also involve the school depart- according to city of cials. -
Manzopiccirillo Entertainment Press & Consulting [email protected]
N O M I N A T I O N A I MIGLIOR FILM COMMEDIA O MUSICAL MIGLIOR SCENEGGIATURA MIGLIOR REGISTA MIGLIOR ATTORE IN UN FILM COMMEDIA O MUSICAL MIGLIOR ATTORE NON PROTAGONISTA IN UN FILM 5 presentano un film di PETER FARRELLY con VIGGO MORTENSEN MAHERSHALA ALI distribuito da EAGLE PICTURES & LEONE FILM GROUP durata 130' AL CINEMA DAL 31 GENNAIO 2019 WWW.EAGLEPICTURES.COM WWW.LEONEFIMGROUP.COM MANZOPICCIRILLO ENTERTAINMENT PRESS & CONSULTING [email protected] - WWW.MANZOPICCIRILLO.COM CAST ARTISTICO VIGGO MORTENSEN Tony Lip MAHERSHALA ALI Don Shirley LINDA CARDELLINI Dolores SEBASTIAN MANISCALCO Johnny Venere DIMITER D. MARINOV Oleg P.J.BYRNE Produttore DON STARK Jules Podell BRIAN STEPANEK Graham Kindell IQBAL THEBA Amit TOM VIRTUE Morgan Anderson NICK VALLELONGA Augie JOE CORTESE Joey Loscudo JENNA LAURENZO Fran Venere PAUL SLOAN Carmine ANTHONY MANGANO Danny DAVID KALLAWAY Ray DAVID AN Bobby CRAIG DIFRANCIA Dominic 2 CAST TECNICO Diretto da PETER FARRELLY Scritto da NICK VALLELONGA BRIAN CURRIE PETER FARRELLY Prodotto da JIM BURKE CHARLES B. WESSLER BRIAN CURRIE PETER FARRELLY NICK VALLELONGA Produttori esecutivi JEFF SKOLL JONATHAN KING OCTAVIA SPENCER KWAME L. PARKER JOHN SLOSS Case di produzione DREAMWORKS PARTICIPANT MEDIA AMBLIN PARTNERS INNISFREE PICTURES WESSLER ENTERTAINMENT Fotografia SEAN PORTER Scenografie TIM GALVIN Costumi BETSY HEIMANN Montaggio PATRICK J. DON VITO Musiche KRIS BOWERS Distribuito da EAGLE PICTURES LEONE FILM GROUP Ufficio Stampa MANZOPICCIRILLO 3 SINOSSI Nel 1962, dopo la chiusura di uno dei migliori club di New York in cui lavorava, il buttafuori italoamericano Tony Lip deve a tutti i costi trovare un lavoro per mantenere la sua famiglia. -
12Th National A&E Journalism Awards
Ben Mankiewicz Tarana Burke Danny Trejo Quentin Tarantino The Luminary The Impact Award The Visionary The Distinguished Award Award Storyteller Award 2019 TWELFTH ANNUAL Ann-Margret The Legend Award NATIONAL ARTS & ENTERTAINMENT JOURNALISM AWARDS LOS ANGELES PRESS CLUB 12TH ANNUAL National Arts & Entertainment Journalism Awards A Letter From the Press Club President Good evening and welcome to the 12th annual National Arts & Entertain- ment Journalism Awards. Think about how much the entertainment industry has changed since the Press Club introduced these awards in 2008. Arnold Schwarzenegger was our governor, not a Terminator. Netflix sent you DVDs in the mail. The iPhone was one year old. Fast forward to today and the explosion of technology and content that is changing our lives and keeping journalists busy across the globe. Entertainment journalism has changed as well, with all of us taking a much harder look at how societal issues influence Hollywood, from workplace equality and diversity to coverage of political events, the impact of social media and U.S.-China rela- tions. Your Press Club has thrived amid all this. Participation is way up, with more Chris Palmeri than 600 dues-paying members. The National Arts & Entertainment Journalism Awards have grown and changed as well. Tonight we’re in a ballroom in the Millennium Biltmore Hotel, but in 2008 the awards took place in the Steve Allen Theater, the Press Club’s old home in East Hollywood. That building has since been torn down. Our first event in 2008 featured a cocktail party with no host and only 111 entries in the competition. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Retrospectiva Paul Schrader Retrospective
1 12ª EDIÇÃO JÚRI DA 16 A 25 DE NOVEMBRO, 2018 SELECÇÃO OFICIAL 12TH EDITION OFFICIAL NOVEMBER 16 TO 25, 2018 SELECTION JURY O LEFFEST — LISBON & SINTRA FILM FESTIVAL reúne nesta 12ª edição realizadores, actores, argumentistas, escritores, músicos, intérpretes, artistas e filósofos que, ao longo de 10 dias, irão partilhar consigo, caro/a leitor/a espectador/a, a sua paixão por esta arte, a sétima, que contém todas as outras. Chrysta Bell David Lynch é a imagem desta edição. Um dos grandes criadores contemporâneos, cuja obra, em permanente reinvenção, se desenvolve no Chrysta Bell é uma cantora, compositora e actriz que cinema, na pintura, na fotografia, na música, na escrita, corporiza o espírito incorpora elementos teatrais e multimédia dinâmicos multidisciplinar do festival. Filmes, duas exposições, um livro, as canções e as nos seus concertos, tornando-os experiências únicas. É conversas… à espera de Mr. Lynch… colaboradora de longa data de David Lynch. Os seus álbuns This Train (2011) e Somewhere in Nowhere (2016), foram Os onze filmes seleccionados para a Competição, acompanhados pelos ambos produzidos e co-escritos por Lynch. Esta colaboração realizadores e actores, serão analisados por um júri internacional que junta conheceu um novo capítulo quando, em 2017, o realizador seis criadores notáveis. O festival homenageia João Botelho (com a maior a convidou para um papel em Twin Peaks: The Return. retrospectiva da sua obra até à data e um catálogo que celebra 40 anos Chrysta Bell prepara um novo álbum, que será lançado no do seu cinema), Walter Salles, Mario Martone e Darezhan Omirbayev, que Walter Salles início de 2019. -
Line-Up and Film Synopses
10th Latin American and Spanish Film Week Synopses Tuesday 17 to Sunday 22 September, 2019 * Tuesday Sept 17: Megalodemocrat by Benjamin Duffield with Rafael Lozano-Hemmer (Mexico/Canada) – 94 min. The Mexican-Canadian artist Rafael Lozano-Hemmer is one of the most acclaimed creators working today in the visual arts. Shot over 10 years in 30 cities around the world, including Mexico City, Vancouver and New York, Megalodemocrat provides intimate access to his large- scale interactive installations. It follows Lozano Hemmer’s breakout career producing large- scale works that entice an increasingly isolated public into transforming their cities and reconnecting with one another. * Wednesday Sept 18: The Heiresses (Las herederas) by Marcelo Martinessi (Paraguay, 2017) – 95 min. Chela and Chiquita live in Asunción, Paraguay, and have been together for over 30 years. When, due to her debts, Chiquita is imprisoned on fraud charges, Chela is forced to face a new reality. Driving for the first time in years, she begins to provide a local taxi service to a group of elderly wealthy ladies. She settles into her new life and encounters the much younger Angy, forging an invigorating new connection. She finally begins to break out of her shell and engage with the world, embarking on her own personal, intimate revolution. The Heiresses was selected to compete for the Golden Bear in the main competition section at the 2018 Berlin International Film Festival, where Ana Brun won the Silver Bear for Best Actress. * Thursday 19: Journey to the fumigated towns (Viaje a los pueblos fumigados) by Fernando Solanas (Argentina, 2017) – 97 min. -
Why Popular Culture Matters
THE POPULAR CULTURE STUDIES JOURNAL MIDWEST PCA/ACA VOLUME 7 | NUMBER 1 | 2019 WHY POPULAR CULTURE MATTERS EDITED BY: CARRIELYnn D. REINHARD POPULAR CULTURE STUDIES JOURNAL VOLUME 7 NUMBER 1 2019 Editor CARRIELYNN D. REINHARD Dominican University Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor KEVIN CALCAMP Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor CHRISTOPHER J. OLSON University of Wisconsin-Milwaukee Graphics Editor ETHAN CHITTY Purdue University Please visit the PCSJ at: http://mpcaaca.org/the-popular- culture-studies-journal. Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2019 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 EDITORIAL BOARD CORTNEY BARKO PAUL BOOTH West Virginia University DePaul University KATIE WILSON ANTHONY ADAH University of Louisville Minnesota State University, Moorhead GARY BURNS BRIAN COGAN Northern Illinois University Molloy College ART HERBIG ANDREW F. HERRMANN Indiana University - Purdue University, Fort Wayne East Tennessee State University CARLOS D. MORRISON KIT MEDJESKY Alabama State University University of Findlay SALVADOR MURGUIA ANGELA NELSON Akita International University Bowling Green State University CARYN NEUMANN ALLISON R. LEVIN Miami University Webster University JENNIFER FARRELL Milwaukee School of Engineering ii TABLE OF CONTENTS Introduction: Why Popular Culture Matters ........................ 1 CARRIELYNN D. REINHARD Special Entry: Multimedia Presentation of “Why Popular Culture Matters” ............................................ 4 CARRIELYNN D. REINHARD Editorial: I’m So Bored with the Canon: Removing the Qualifier “Popular” from Our Cultures .......................... 6 SCOTT M. -
Manzopiccirillo Entertainment Press & Consulting [email protected]
V I N C I T O R E D I N O M I N A T O A 3 5 MIGLIOR FILM COMMEDIA O MUSICAL MIGLIOR FILM MIGLIOR SCENEGGIATURA MIGLIOR SCENEGGIATURA ORIGINALE MIGLIOR ATTORE NON PROTAGONISTA IN UN FILM MIGLIOR ATTORE PROTAGONISTA MIGLIOR ATTORE NON PROTAGONISTA MIGLIOR MONTAGGIO presentano un film di PETER FARRELLY con VIGGO MORTENSEN MAHERSHALA ALI distribuito da EAGLE PICTURES & LEONE FILM GROUP AL CINEMA DAL 31 GENNAIO 2019 WWW.EAGLEPICTURES.COM WWW.LEONEFIMGROUP.COM MANZOPICCIRILLO ENTERTAINMENT PRESS & CONSULTING [email protected] - WWW.MANZOPICCIRILLO.COM CAST ARTISTICO VIGGO MORTENSEN Tony Lip MAHERSHALA ALI Don Shirley LINDA CARDELLINI Dolores SEBASTIAN MANISCALCO Johnny Venere DIMITER D. MARINOV OleG P.J.BYRNE Produttore DON STARK Jules Podell BRIAN STEPANEK Graham Kindell IQBAL THEBA Amit TOM VIRTUE MorGan Anderson NICK VALLELONGA AuGie JOE CORTESE Joey Loscudo JENNA LAURENZO Fran Venere PAUL SLOAN Carmine ANTHONY MANGANO Danny DAVID KALLAWAY Ray DAVID AN Bobby CRAIG DIFRANCIA Dominic 2 CAST TECNICO Diretto da PETER FARRELLY Scritto da NICK VALLELONGA BRIAN CURRIE PETER FARRELLY Prodotto da JIM BURKE CHARLES B. WESSLER BRIAN CURRIE PETER FARRELLY NICK VALLELONGA Produttori esecutivi JEFF SKOLL JONATHAN KING OCTAVIA SPENCER KWAME L. PARKER JOHN SLOSS Case di produzione DREAMWORKS PARTICIPANT MEDIA AMBLIN PARTNERS INNISFREE PICTURES WESSLER ENTERTAINMENT FotoGrafia SEAN PORTER ScenoGrafie TIM GALVIN Costumi BETSY HEIMANN MontaGGio PATRICK J. DON VITO Musiche KRIS BOWERS Distribuito da EAGLE PICTURES LEONE FILM GROUP Ufficio Stampa MANZOPICCIRILLO Durata 130’ 3 SINOSSI Nel 1962, dopo la chiusura di uno dei miGliori club di New York in cui lavorava, il buttafuori italoamericano Tony Lip deve a tutti i costi trovare un lavoro per mantenere la sua famiGlia. -
The Joys of Teaching Literature
THE JOYS OF TEACHING LITERATURE VOLUME 10: September 2019-August 2020 Sara Martín Alegre Departament de Filologia Anglesa i de Germanística Universitat Autònoma de Barcelona 2020 Contents 2 September 2019 / ‘READ, READ, READ AND THEN WHAT?’: GOOD QUESTION… ........ 1 9 September 2019 / THE DANCE OF TIME: ONE STEP FORWARD, THREE SIDEWAYS, ALWAYS RUNNING BEHIND .............................................................................................. 3 17 September 2019 / WHEN DID THE FUTURE DIE? SCATTERED THOUGHTS ON PALEOFUTURISM AND UTOPIA ........................................................................................ 6 24 September 2019 / TIME AND J.B. PRIESTLEY: I HAVE BEEN HERE BEFORE ................. 9 1 October 2019 / LIKE WRITING A MUSICAL SCORE: THE UNACKNOWLEDGED TASK OF THE SCREENWRITER ....................................................................................................... 12 8 October 2019 / A VISIT TO THE LIBRARY: THE SAD LOOK OF YELLOWING BOOKS ..... 16 22 October 2019 / LUNCH WITH A WRITER: NECESSARY ENCOUNTERS ....................... 19 29 October 2019 / WHAT AN UGLY IMAGINATION IS ABOUT (TRYING TO MAKE SENSE OF MY OWN IDEAS) ........................................................................................................ 21 4 November 2019 / IN SEARCH OF CHIVALRY: WALTER SCOTT’S IVANHOE .................. 24 12 November 2019 / THE COMPLEX MATTER OF CULTURAL APPROPRIATION (WITH THOUGHTS ON THE NATIVE AMERICAN CASE) .............................................................. 28 19