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Cendrillon Temporada 2013-2014

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Cendrillon Temporada 2013-2014 Cendrillon Temporada 2013-2014 0 Fundació Gran Teatre del Liceu inaem Generalitat de Catalunya Ajuntament de Barcelona 0 Consell de ¡Mecenatge ORAN TfATRi- IM-I I K>U Patronat de la Fundació Comissió Executiva President d'Honor Vocals representants de l'Ajuntament President Director general Artur Mas i Gavarró de Barcelona Joaquim Molins i Amat Roger Guasch i Soler Jaume Ciurana i Llevadot President del Patronat Marta Clari i Padrós Vocals representants de la Generalitat Secretari Joaquim Molins i Amat de Catalunya Jaume Solé i Janer Vocal representant de la Diputació de Barcelona Ferran Mascarell i Canalda Vicepresident primer Joan Carles Garcia Cañizares Pilar Pifarré i Matas Ferran Mascarell i Canalda Vocals representants de la Societat Vocals representants del Ministerio de Educación, del Gran Teatre del Liceu Vicepresident segon Cultura y Deporte José Maria Lassalle Ruiz Manuel Bertrand i Vergés Miguel Angel Recio Crespo Mannel Busquet Arrufat Antonio Carde Herce Vicepresident tercer Javier Coll Olalla Xavier Trias i Vidal de Llobatera José Maria Coronas i Cuinart Vocals representants de l'Ajuntament Agueda Viñamata v de Urruella de Barcelona Vicepresident quart Jaume Ciurana i Llevadot Salvador Esteve i Figueras Vocals representants del Consell de Mecenatge Marta Clari i Padrós Pablo Cigiiela Ibáñez Vocals representants de la Generalitat Carlos López Blanco Vocal representant de la Diputació de Barcelona de Cataiunya Leopoldo Rodés i Castañé Joan Carles Garcia Cañizares Josep M. Busquets i Galera Josep Vilarasau i Salat Pilar Fernández i Bozal Vocals representants de la Societat Pilar Pifarré i Matas Director general del Gran Teatre del Liceu Jordi Sellas i Ferrés Roger Guasch i Soler Manuel Bertrand i Vergés Javier Coll Olalla Vocals representants del Ministerio Secretari de Educación, Cultura y Deporte Jaume Solé i Janer Vocals representants del Consell de Mecenatge Santiago Fisas Ayxelà Josep Vilarasau i Salat Francisco Gaudier Fargas Pablo Cigüela Ibáñez Miguel Àngel Recio Crespo Santiago de Torres i Sanahuja Cendrillon «Conte de fades» en quatre actes Llibret d'Henri Cain basat en la versió del conte La Ventafocs de Charles Perrault Mvisica de Jules Massenet (1842-1912) Estrena al Gran Teatre del Liceu Divendres, 20 de desembre de 2013, 20.00 h, torn E Diumenge, 22 de desembre de 2013, 17.00 h, torn PD Dilluns, 23 de desembre de 2013, 20.00 h, torn A Divendres, 27 de desembre de 2013, 20.00 h, torn C Dissabte, 28 de desembre de 2013, 20.00 h, torn PB Dilluns, 30 de desembre de 2013, 20.00 h, torn H Dijous, 2 de gener de 2014, 20.00 h, torn B Divendres, 3 de gener de 2014, 20.00 h, torn PA Diumenge, 5 de gener de 2014, 18.00 h, torn F Dimarts, 7 de gener de 2014, 20.00 h, torn PC www.liceubaroelona.oat Liceu Is tel,M,a 13/14 Gràcies per fer-ho possible Patrocinadors ^ FUNDACIÓ PUK; indra LOEWE * lâLiança Pflñ FUNDACIÓN ^ ~ El Petit Liceu FUNDACIÓ lyj' FCBARCELONA ei^as Acs ^c^idis Dan<ia Protectors Abantia Coca-Cola Fundació Catalunya- Nationale Suisse Aena Control Demeter La Pedrera NetApp Almirall Euromadi Grup Peralada Port de Barcelona Tëfefvnim ^Sabadell Santander Allíanz Seguros Ferroser GVC-Gaesco Vueling 3bGrtÍ| Baker & McKenzie Fiatc Assegurances Klein BASF Fluidra Laboratorios Ordesa Chocolat Factory Fundació Damm Metalquimia Agbar IBERIA Fundació EE endesa Col·laboradors Altair Management Cofely Grup TCB Pronovias Consultants Eurofragance Illy Gaffè Sogeur Banco Mediolanum Freixenet Lactalis Sumarroca MPG COMSA Leading new thinking bankinter Bon Preu Genebre-Hobby Flower MRW Urcotex V.,W.r ManpowerGroup EMTE Catalana Occident GFT Pepsico Benefactors iji} Fundación Levunte (^pltal Purlners (A RERfOl Transports Metropolitans Fundación BDVA de Barcelona Carlos Abril Guzmán Clavel Ezequiel Giró Maria Reig Macià Alavedra Josep M. Corrales Jaume Graell Francisco Reynés Salvador Alemany Manuel Crehuet Manuel Grau Miquel Roca Maria Bagués Josep Cusí Calamanda Grifoll Josep Sabé Mitjans de comunicació Josep Balcells Antoni Esteve José Manuel Mas Francisco Salamero Joaquim Barraquer Magda Ferrer-Dalmau Josep Milian Maria Soldevila Núria Basi José M. Mohedano Jordi Soler I LAVANGUARDIA I Sergi Ferrer-Salat ^EE3E5B2a ELOMüNDO EL PAÍS ELPUNTA/ur Manuel Bertran Maria Font de Carulla Eulàlia Molins Karen Swenson Manuel Bertrand Mercedes Fuster Joan Molins Ernestina Torelló Agustí Bou José Gabeiras Josep Ignasi Molins Joan Uriach Carmert Buqueras José Luís Galí Pau Molins Josep Vilarasau ABC Barcelona Televisió üa- Expansión Joan Camprubí Francisco Gaudier Josep Oliu Maria Vilardell t rtve M. Carmen Cañardo Lluís M. Ginjaume Sergio Oliverò Salvador Viñas / Index 10 Repartiment 13 English Synopsis 19 Resnm argumentai 45 L'ÒPERA Una òpera fin-de-siècle inspirada en nn conte de fades 61 L'ÒPERA Massenet 73 LA DRAMATÚRGIA Vet aqtií uua vegada.... 90 Biografies 102 Enregistraments 103 Pròximes funcions Cendrillon Cendrillon Joyce DiDonato Direcció musical Andrew Davis Karine Deshayes Direcció d'escena Laurent Pelly (22 i 28 de desembre; 3 i 7 de gener) Reposició Justin Way Escenografia Barbara de Limburg Madame de la Haltière Ewa Podies Vestuari Laurent Pelly Doris Lamprecht amb la col·laboració de Jean-Jacques Delmotte (22 i 28 de desembre; 3 i 7 de gener) Il·luminació Duane Schuler Reposició de la il·luminació Simon Bennison El príncep blau Alice Coote Coreografia Laura Scozzi Michèle Losier Reposició de la coreografia Karine Girard (22 i 28 de desembre; 3 i 7 de gener) Assiste'nt de la direcció d'escena Leo Castaldi La fada Annick Massis Calzature Epoca, (Milà) Maria José Moreno Calçat srI Mario Audello (TorO (22 i 28 de desembre; 3 i 7 de gener) Perruqueria Nova coproducció Gran Teatre del Liceu / Royal Opera House Covent Garden (Londres) / Théâtre Royal Noémie Cristina Obregón de la Monnaie (Brussel·les) / Opéra de Lille Dorothée Marisa Martins ORQUESTRA SIMFÒNICA I COR DEL GRAN TEATRE DEL LICEU Pandolfe Laurent Naouri Marc Barraré (22 i 28 de desembre; 3 i 7 de gener) Direcció del Cor José Luis Basso El rei Isaac Galán Assistent de la direcció musical Gueràssim Voronkov Assistents musicals Mark Hastings, Conxita Garcia, Degà de la facultat / Criat Jordi Casanova Vanessa Garcia, Véronique Werkié, Mestre de cerimònies / Criat Toni Marsol Primer ministre / Criat Manel Esteve Madrid Concertino Kai Gleusteen Primer esperit / Noia / Criada Ana Puche Sobretitulat Gloria Nogué Anabel Alenda Segon esperit / Noia / Criada Núria Vilà Tercer esperit / Criada Maria Miró Quart esperit / Criada Mariko Yokoyama Alphonse Leduc et Cie Editors i propietaris Cinquè esperit Marta Valero Sisè esperit / Noia Laura Vila Criat Beñat Egiarte 13 English Synopsis Cendrillon is a four-act opera by Jules type much appreciated in France at the Massenet with a libretto by Henri Cain. time — a Falcon soprano, with powerful It was successfully premiered at the low notes but soaring high notes as well. Opéra-Comique in Paris in 1899, when Cain maintains the glass slipper too, which Massenet's prestige and popularity helps to identify the mysterious young girl were at their height. Based on Charles who rushed away from the court ball on Perrault's tale of the same title (Cinderella the stroke of midnight. in English), it immediately met with a warm Many aspects of the opera hark back to reception in Europe (Brussels, Geneva earlier centuries. The orchestration inclu¬ and Milan) and America. Subsequently it des archaic forms, notably in the court vanished from the repertory and was not scenes, with ballets and combinations revived until the late 20th century. This of ancient instruments. The lute, viola season's performances will be the first at d'amore and crystal flute trio are of spe¬ the Gran Teatre del Liceu. cial note, as is the courtly style of the wic¬ Among the various dramatized versions ked stepmother, Madame de la Haltière, of Cinderella, Rossini's La Cenerentola which is evocative of Gluck or Mozart. For (1817) constituted an illustrious prece¬ the Fairy Godmother and her attendants, dent. However, Jacopo Ferretti's Italian Massenet wrote music that is spellbindin- libretto, written eighty years before Cen¬ gly ethereal, technically challenging, and drillon, drew on various sources, inclu¬ reminiscent of Weber or Mendelssohn. As ding other libretti, and dispensed with for Cendrillon herself, she is second only the magical features of the tale, whereas to Manon among his female roles. Her Cain is remarkably faithful to Perrault. All singing is superbly simple and pure, with the familiar characters are there: the kind the most striking and difficult passages but ineffectual father, the stepmother, the reserved for the love scenes. Cendrillon vain, cruel stepsisters, and Cinderella her¬ is a splendid opera that shuns facility and self, punished and humiliated. But there sentimentality, the work of a great melo¬ is a Fairy Godmother with supernatural dist and orchestrator who was a past mas¬ powers as well, and the delightful Prince ter of the magic of the theatre. Charming, like Cendrillon, is young and innocent. In line with 18th century tradi¬ tion, he is played by a female singer of a 14 English Synopsis English Synopsis 15 Act I beautiful princess at the ball, who will be devote her life to him. Then the clock get everything ready. Cendrillon, howe¬ admired by all. She orders robes, jewels strikes midnight and she has to run ver, is so good and generous that she The servants in the rich mansion belon¬ and a sumptuous carriage to be made away, leaving him forlorn. decides to spare him this sacrifice and ging to Mme de la Haltière complain for her. Then she gives her a pair of glass set out alone. She bids farewell to the of their haughty, ill-tempered mistress. slippers which will prevent her relatives objects she loves, movingly recalls her Her second husband Pandolfe, in con¬ from recognizing her and orders her to Act III own mother, and rushes off into the trast, is kind and affable but unable to return home on the stroke of midnight.
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