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Partners Early Music Vancouver Gratefully Acknowledges the Assistance and Support Of: GOVERNMENT SUPPORT Board of Directors
partners Early Music Vancouver gratefully acknowledges the assistance and support of: GOVERNMENT SUPPORT board of directors Fran Watters We acknowledge the support of president the Province of British Columbia Chris Guzy vice president Ron Kruschen treasurer FOUNDATIONS Ilia Korkh secretary THE BRENNAN SPANO FAMILY FOUNDATION Sherrill Grace THE DRANCE FAMILY Tony Knox EARLY MUSIC VANCOUVER FUND Melody Mason 2019-20 PRODUCTION PARTNERS Johanna Shapira Vincent Tan EMV’s performances at the Chan Centre are presented in partnership with the Chan Centre for the Performing Arts, with the support of the Chan Endowment Fund at the University of British Columbia. ÷ pacific José Verstappen cm baroque orchestra artistic director emeritus alexander weimann MUSIC director ÷ staff Matthew White executive & artistic director Nathan Lorch business manager Michelle Herrewynen resource development manager PRODUCTION PARTNERS IN VICTORIA BC Jonathan Evans production manager Laina Tanahara marketing & volunteer coordinator CORPORATE SUPPORT Jan Gates event photographer Rosedale on Robson Suite Hotel VANCOUVER, BC Tony Knox Barrister & Solicitor, Arbitrator Tel: 604 263 5766 Cell: 604 374 7916 Fax: 604 261 1868 Murray Paterson Email: [email protected] 1291 West 40th Avenue, Vancouver, B.C. V6M 1V3 Canada Marketing Group www.knoxlex.com We also gratefullyKnox & Co. denotes D.A.Knox Lawacknowledge Corporation the generosity of our many donors and volunteers. marketing & media relations Trevor Mangion thank you! and The Chan Centre Box Office Staff emv ticket office: 604.822.2697 You can be in good company too! The corporate sponsors of Early Music Vancouver give back to their community through the support of our performances and education & outreach programmes. Their efforts 1254 West 7th Avenue, make a meaningful difference for concertgoers and musicians alike. -
Timeline: Music Evolved the Universe in 500 Songs
Timeline: Music Evolved the universe in 500 songs Year Name Artist Composer Album Genre 13.8 bya The Big Bang The Universe feat. John The Sound of the Big Unclassifiable Gleason Cramer Bang (WMAP) ~40,000 Nyangumarta Singing Male Nyangumarta Songs of Aboriginal World BC Singers Australia and Torres Strait ~40,000 Spontaneous Combustion Mark Atkins Dreamtime - Masters of World BC` the Didgeridoo ~5000 Thunder Drum Improvisation Drums of the World Traditional World Drums: African, World BC Samba, Taiko, Chinese and Middle Eastern Music ~5000 Pearls Dropping Onto The Jade Plate Anna Guo Chinese Traditional World BC Yang-Qin Music ~2800 HAt-a m rw nw tA sxmxt-ib aAt Peter Pringle World BC ~1400 Hurrian Hymn to Nikkal Tim Rayborn Qadim World BC ~128 BC First Delphic Hymn to Apollo Petros Tabouris The Hellenic Art of Music: World Music of Greek Antiquity ~0 AD Epitaph of Seikilos Petros Tabouris The Hellenic Art of Music: World Music of Greek Antiquity ~0 AD Magna Mater Synaulia Music from Ancient Classical Rome - Vol. 1 Wind Instruments ~ 30 AD Chahargan: Daramad-e Avval Arshad Tahmasbi Radif of Mirza Abdollah World ~??? Music for the Buma Dance Baka Pygmies Cameroon: Baka Pygmy World Music 100 The Overseer Solomon Siboni Ballads, Wedding Songs, World and Piyyutim of the Sephardic Jews of Tetuan and Tangier, Morocco Timeline: Music Evolved 2 500 AD Deep Singing Monk With Singing Bowl, Buddhist Monks of Maitri Spiritual Music of Tibet World Cymbals and Ganta Vihar Monastery ~500 AD Marilli (Yeji) Ghanian Traditional Ghana Ancient World Singers -
Programme Information
Programme information Saturday 18th April to Friday 24th April 2020 WEEK 17 THE FULL WORKS CONCERT: CELEBRATING HER MAJESTY THE QUEEN’S BIRTHDAY Tuesday 21st April, 8pm to 10pm Jane Jones honours a very special birthday, as Queen Elizabeth II turns 94 years old. We hear from several different Masters of the Queen’s (or King’s) Music, from William Boyce who presided during the reign of King George II, to Judith Weir who was appointed the very first female Master of the Queen’s Music in 2014. The Central Band of the Royal Air Force also plays Nigel Hess’ Lochnagar Suite, inspired by Prince Charles’ book The Old Man of Lochnagar. Her Majesty has also supported classical music throughout her inauguration of The Queen’s Music Medal which is presented annually to an “outstanding individual or group of musicians who have had a major influence on the musical life of the nation”. Tonight, we hear from the 2016 recipient, Nicola Benedetti, who plays Vaughan Williams’ The Lark Ascending. Classic FM is available across the UK on 100-102 FM, DAB digital radio and TV, at ClassicFM.com, and on the Classic FM and Global Player apps. 1 WEEK 17 SATURDAY 18TH APRIL 3pm to 5pm: MOIRA STUART’S HALL OF FAME CONCERT Over Easter weekend, the new Classic FM Hall of Fame was revealed and this afternoon, Moira Stuart begins her first Hall of Fame Concert since the countdown with the snowy mountains in Sibelius’ Finlandia, which fell to its lowest ever position this year, before a whimsically spooky dance by Saint-Saens. -
Central Reference CD List
Central Reference CD List January 2017 AUTHOR TITLE McDermott, Lydia Afrikaans Mandela, Nelson, 1918-2013 Nelson Mandela’s favorite African folktales Warnasch, Christopher Easy English [basic English for speakers of all languages] Easy English vocabulary Raifsnider, Barbara Fluent English Williams, Steve Basic German Goulding, Sylvia 15-minute German learn German in just 15 minutes a day Martin, Sigrid-B German [beginner’s CD language course] Berlitz Dutch in 60 minutes Dutch [beginner’s CD language course] Berlitz Swedish in 60 minutes Berlitz Danish in 60 minutes Berlitz Norwegian in 60 minutes Berlitz Norwegian phrase book & CD McNab, Rosi Basic French Lemoine, Caroline 15-minute French learn French in just 15 minutes a day Campbell, Harry Speak French Di Stefano, Anna Basic Italian Logi, Francesca 15-minute Italian learn Italian in just 15 minutes a day Cisneros, Isabel Latin-American Spanish [beginner’s CD language course] Berlitz Latin American Spanish in 60 minutes Martin, Rosa Maria Basic Spanish Cisneros, Isabel Spanish [beginner’s CD language course] Spanish for travelers Spanish for travelers Campbell, Harry Speak Spanish Allen, Maria Fernanda S. Portuguese [beginner’s CD language course] Berlitz Portuguese in 60 minutes Sharpley, G.D.A. Beginner’s Latin Economides, Athena Collins easy learning Greek Garoufalia, Hara Greek conversation Berlitz Greek in 60 minutes Berlitz Hindi in 60 minutes Berlitz Hindi travel pack Bhatt, Sunil Kumar Hindi : a complete course for beginners Pendar, Nick Farsi : a complete course for beginners -
CAPTURING MUSIC Writing and Singing Music in the Middle Ages THOMAS FORREST KELLY Morton B
CAPTURING MUSIC Writing and Singing Music in the Middle Ages THOMAS FORREST KELLY Morton B. Knafel Professor of Music, Harvard University BLUE HERON Scot Metcalfe, direcor SATURDAY NOVEMBER 15, 2014 3 PM & 8 PM Firs Church in Cambridge, Congregational PROGRAM PART 2 at 8 pm Povre secors / Gaude chorus (Montpellier Codex, early 14th century) BG MB JM Capturing Music Diex qui porroit / En grant dolour (Montpellier Codex) Writing and Singing Music in the Middle Ages JM BG HARP Aucun ont trouvé / Lonc tans (Montpellier Codex) Tomas Forres Kelly Morton B. Knafel Professor of Music, Harvard University JM MB ST Blue Heron Scot Metcalfe, direcor Garrit gallus / In nova fert (Roman de Fauvel, 1314-18) IH MN SM Guillaume de Machaut (c. 1300-1377): Biauté qui toutes autres pere PART I at 3 pm OM JM MB Io son un pellegrin (14th century) Introit Ad te levavi OM ST soloist MB Jacob Senleches (f. 1380s): En atendant, Esperance conforte Introit Resurrexi OM CW SM soloist PT Baude Cordier (f. c. 1400): Belle, bonne, sage, plaisant et gente Alleluya Pascha nostrum MN CW SM soloist PG Johannes Ockeghem (c. 1420-1497): Kyrie, Missa prolationum Hymn Ut queant laxis MN IH JM MB Leoninus (f. 1180s-1200): Alleluya Pascha nostrum soloist JM Perotinus (f. c. 1200): Alleluya Pascha nostrum soloists MB & ST (Alleluya) / OM & JM (Pascha nostrum) Michael Barret, Brian Giebler, Paul Gutry, Ian Howell, Clausula Latus est (Magnus liber organi) Owen McIntosh, Jason McStoots, Martin Near, Mark Sprinkle, soloist MS Sumner Tompson, Paul Max Tipton, voices Motet Immolata paschali victima (Magnus liber organi) Charles Weaver, lute & voice MS JM Scot Metcalfe, director, harp & fddle Sumer is icumen in / Perspice Christicola (c. -
EMV Presents Two Nights of Medieval Concerts: Benjamin Bagby Brings
FOR IMMEDIATE RELEASE December 12, 2019 EMV presents two nights of medieval concerts: Benjamin Bagby brings Beowulf: The Epic in Performance to Vancouver Playhouse on January 11 and Sequentia performs Charms, Riddles and Elegies on January 10 Vancouver, BC – Join EMV at the Vancouver Playhouse on Saturday January 11 at 7:30PM for Beowulf: The Epic in Performance featuring Benjamin Bagby. For over 25 years, Bagby has toured the globe performing his one-man show to universal and enthusiastic acclaim. Armed with nothing but a medieval harp and his captivating stage presence, Bagby draws audiences into an ancient world of valiant heroes and evil monsters. Though this millennia- old epic poem has spawned countless re-imaginings in novels, movies and theatre, Bagby’s dramatization has been uniquely successful. The New York Times says Bagby “comes as close to holding hundreds of people in a spell as ever a man has,” calling it “much too rare an experience in theater.” “As any parent at bedtime can tell you, storytelling is deeply satisfying,” explains Bagby. “I’ve been performing Beowulf for almost 30 years, and I find that as I age with this piece, it has become a part of me. I am able to live more fully in each moment and think less about how I am feeling, or what I am ‘trying’ to achieve. Sometimes it’s simply an out-of-body experience. I try to leave the exhilaration to the listeners and at the end, I thank my harp, remove my good luck talismans, and look forward to enjoying a beer.” Bagby’s telling is a remarkable, one-man tour de force. -
The Profe Ilayer De,...,),
THE NATIONAL NEWSPAPER OF THE JACL JACl's Ouch ida Speaks at Rally Delegation visits Fukushima, Japan Page4 ~~~ The profe Ilayer de,. ....,),.... docu Up close with Kelly Nishimoto #3208/VOL.156, No. 6ISSN: 0030-8579 WWW.PACIFICCITIZEN.ORG April 5-18, 2013 2 April 5-18, 2013 LETTERS PACIFIC ~ CITIZEN HOW TO REACH US Email: [email protected] SPRING CAMPAIGN Online: www.pacificcitizen.org Tel: (213) 620-1767 Fax: (213) 620-1768 Mail: 250 E. FirstSt., Suite 301 Show your generosity and support Los Angeles, CA 90012 STAFF Interim Executive Editor Allison Haramoto the P.C. Spring Campaign Reporter Nalea J. Ko By Gil Asakawa Business Manager Susan Yokoyama Production Artist very year, the news about the news media gets worse - newspapers are cutting back or even shutting down because the Marie Samonte economic landscape for media has changed so drastically, and technology is forcing a fast evolution of much news media from Circulation Eprint newspapers to digital versions on the web and on mobile devices such as smartphones and tablets. Eva Lau-Ting The Pacific Citizen faces many of the same challenges as your local daily or weekly newspaper: Advertising continues to be difficult The Pacific Citizen newspaper to sign, even though the economy has finally started to look up. And though the P.C. has been understaffed and worked under (ISSN: 0030-8579) is published shrinking national budgets from JACL for years, it's really understaffed ever since the Executive Editor and Assistant Editor both left semi- monthly (except once in December and January) by the (for different reasons) last summer. -
Tallis's Spem in Alium
Spem in Alium – a comparatively review of fourteen recordings by Ralph Moore Background We know less about Thomas Tallis than Shakespeare or any other major cultural figure of the Tudor age; definite facts are few and reasonable inferences and conjectures are many, starting even with the dates of his birth – presumed to be around 1505 - and death - either 20th or 23rd November, 1585. The exact site of his grave in the chancel of the parish of St Alfege Church, Greenwich, is lost. We have no authenticated portrait. What we do know is that despite being a recusant Catholic, he not only survived those perilous times but prospered under a succession of Protestant monarchs, the sole Catholic being Edward VII’s sister Mary, who reigned for only five years, from 1553-1558. He was so valued and respected that Elizabeth gave him the lease on a manor house and a handsome income, and in 1575 he and his pupil William Byrd were granted an exclusive royal patent to print and publish polyphonic music. The key to his survival must lie in his discretion, flexibility and, above all, prodigious talent: he is indubitably one of the greatest English composers of his or any age and a towering figure in Renaissance choral music. His masterpiece is certainly the forty-voice motet Spem in alium but here again, verified facts regarding its origin and first performance are few. The original manuscript is lost and our knowledge of the work is derived from another score prepared for the investiture in 1610 of James I’s elder son, Henry, as Prince of Wales, and used again for the coronation in 1625 of his younger brother, Charles I, next in line to the throne after Harry’s death in 1612 from typhoid fever at eighteen years old. -
MINING for BIRDS Colombia Tours a Progress Report
APRIL 2011 fieldguides® BIRDING TOURS WORLDWIDE Colombia Tours AProgressReport Richard Webster o keep you abreast of the coffee news, a recent article (The New York Times, 9 March 2011) Tdetailed a 25% drop in Colombia’s coffee exports, largely a result of warmer temperatures and more intense and unpredictable rains (resulting in more coffee pests). You are paying for that decline in arabica “at thepump”(andlikepetroleum,thereistalkof“peak coffee”)! Fortunately, the recently hatched Field Guides Colombia tour program is stable, and the bird yield is predictable. “Peak birds” may have passed, but “peak access to birds” has yet to come. Continued on page 2 Blossomcrown, endemic to Colombia, by guide Richard Webster MINING FOR BIRDS Our 2012 Schedule Jan Pierson Marcelo Padua It’s our April newsletter issue, so that he name Carajas most likely has no meaning for you. But means officially introducing the next if you were born in Brazil, like I was, you grew up hearing year’s schedule on pages 7-9—and the name because your school teacher would tell you that Carajas is the second largest iron ore mine in the world it’sagreatone!Toputitallinto and that the place is rich in gold and other valuable context, here are a few notes about minerals. So you can easily imagine my surprise when, some changes and new itineraries Ttwoyearsago,IwasinvitedbyBretWhitneytojoinhiminCarajasasaguest you’ll find: leader for a birding tour. But it turns out that what my teacher failed to tell Northeast Brazil (January into February): Bret me was that Carajas is surrounded by over 900,000 acres of National Forest. -
The Aquitanian Sacred Repertoire in Its Cultural Context
THE AQUITANIAN SACRED REPERTOIRE IN ITS CULTURAL CONTEXT: AN EXAMINATION OF PETRI CLA VIGER! KARl, IN HOC ANNI CIRCULO, AND CANTUMIRO SUMMA LAUDE by ANDREA ROSE RECEK A THESIS Presented to the School ofMusic and Dance and the Graduate School ofthe University of Oregon in partial fulfillment ofthe requirements for the degree of Master of Arts September 2008 11 "The Aquitanian Sacred Repertoire in Its Cultural Context: An Examination ofPetri clavigeri kari, In hoc anni circulo, and Cantu miro summa laude," a thesis prepared by Andrea Rose Recek in partial fulfillment ofthe requirements for the Master ofArts degree in the School ofMusic and Dance. This thesis has been approved and accepted by: Dr. Lori Kruckenberg, Chair ofth xamining Committee Committee in Charge: Dr. Lori Kruckenberg, Chair Dr. Marc Vanscheeuwijck Dr. Marian Smith Accepted by: Dean ofthe Graduate School 111 © 2008 Andrea Rose Recek IV An Abstract ofthe Thesis of Andrea Rose Recek for the degree of Master ofArts in the School ofMusic and Dance to be taken September 2008 Title: THE AQUITANIAN SACRED REPERTOIRE IN ITS CULTURAL CONTEXT: AN EXAMINATION OF PETRI CLA VIGER! KARl, INHOC ANNI CIRCULO, AND CANTU MIRa SUMMA LAUDE Approved: ~~ _ Lori Kruckenberg Medieval Aquitaine was a vibrant region in terms of its politics, religion, and culture, and these interrelated aspects oflife created a fertile environment for musical production. A rich manuscript tradition has facilitated numerous studies ofAquitanian sacred music, but to date most previous research has focused on one particular facet of the repertoire, often in isolation from its cultural context. This study seeks to view Aquitanian musical culture through several intersecting sacred and secular concerns and to relate the various musical traditions to the region's broader societal forces. -
The Tallis Scholars
Friday, April 10, 2015, 8pm First Congregational Church The Tallis Scholars Peter Phillips, director Soprano Alto Tenor Amy Haworth Caroline Trevor Christopher Watson Emma Walshe Clare Wilkinson Simon Wall Emily Atkinson Bass Ruth Provost Tim Scott Whiteley Rob Macdonald PROGRAM Josquin Des Prez (ca. 1450/1455–1521) Gaude virgo Josquin Missa Pange lingua Kyrie Gloria Credo Santus Benedictus Agnus Dei INTERMISSION William Byrd (ca. 1543–1623) Cunctis diebus Nico Muhly (b. 1981) Recordare, domine (2013) Arvo Pärt (b. 1935) Tribute to Caesar (1997) Byrd Diliges dominum Byrd Tribue, domine Cal Performances’ 2014–2015 season is sponsored by Wells Fargo. 26 CAL PERFORMANCES PROGRAM NOTES he end of all our exploring will be Josquin, who built on the cantus firmus tradi- Tto arrive where we started and know the tion of the 15th century, developing the freer place for the first time.” So writes T. S. Eliot in parody and paraphrase mass techniques. A cel- his Four Quartets, and so it is with tonight’s ebrated example of the latter, the Missa Pange concert. A program of cycles and circles, of Lingua treats its plainsong hymn with great revisions and reinventions, this evening’s flexibility, often quoting more directly from performance finds history repeating in works it at the start of a movement—as we see here from the Renaissance and the present day. in opening soprano line of the Gloria—before Setting the music of William Byrd against moving into much more loosely developmen- Nico Muhly, the expressive beauty of Josquin tal counterpoint. Also of note is the equality of against the ascetic restraint of Arvo Pärt, the imitative (often canonic) vocal lines, and exposes the common musical fabric of two the textural variety Josquin creates with so few ages, exploring the long shadow cast by the voices, only rarely bringing all four together. -
Sequentia Benjamin Bagby, Director
Sequentia Benjamin Bagby, director Benjamin Bagby voice and Anglo-Saxon harp Hanna Marti voice and harps Stef Conner voice Norbert Rodenkirchen wooden and bone flutes, harp Words of Power Charms, Riddles and Elegies of the Medieval Northlands (8th-11th centuries) The musicians of Sequentia present songs of magic, exile, of the uncertainty of fate, of longing and regret, of the healing power of magic herbs, of irony and just plain fun. The pagan roots of the recently christianized medieval north can still be discerned in some of the oldest manuscript sources known to us today: the Old English Beowulf epic (possibly 8th century), the Old Icelandic Edda, the poems surviving in ancient songbooks such as The 10th-century Exeter Book, and numerous fragments from Germany and Switzerland. Each of these chants, songs and spoken riddles gives us a glimpse into a time so distant from ours and yet near in spirit, a world of singing poets, warriors, valkyries and seeresses, healers and philosophers, whose creations were the first to be written down in English and other Germanic languages (in addition to Old English, we perform songs in Old High German and Old Icelandic, with a hint of Latin). In reconstructing lost musical traditions from this time, Sequentia searches once again to resonate again those long-silent, ancient voices, sometimes accompanied by harps and flutes, which would have been welcomed in any gathering of souls, pagan or Christian, those seeking help for their problems, entertaining their friends, or those giving voice to their longing for a lost partner, or a lost tribe.