Alumni Film Directors and Filmmakers

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pTcul 005 alumni Film Directors and Filmmakers Imtiaz Ali Kayem Satish Kaushik Shekhar Kapoor BA 1994 Hindu BSc 1974 KM BA His Hons 1966 St Stephen’s Multiple Awardwinning Director , Filmmaker , actor and writer Actor and Director Film TV Stage Actor Scriptwriter Director Founded Ibtida the dramatics society of Film / TV Artiste Producer Director actor –producer : Hindu College “Sumit Sambhaal Lega” TV 2016 Film award Best Dialogue 2007 (Jab We Met ) Oscar / Golden Globe / BAFTA Nominee Padma Shri 2000 Films Gang of Ghost 2014 , Dumm Dumm Love Aaj Kal 2009 , Rockstar 2011 , Bole 2010 and Darna Zaroori Hai 2006 Tamasha 2015 and Jab Harry Met Sejal 2017 Sohaila Kapur Anurag Kashyap Basicolan Shoojit Sircar BA BSc Zoo Hons 1993 Hansraj BA 1987 SBS Writer Playwright , Director and Actress Film Director / Producer and Screenwriter Film Director Producer and Filmmaker Award Best NGC Film award 2004 France’s Knight of the Order of Arts and Letters Films Madras Café 2013 , Johny Walker 2014 Mahindra Excellence in Theatre award 2008 Cannes Film Festival 66 2013 Piku 2015, Pink 2016 and New Film October National award 1991 ( Film Rukmavati Ki Haveli ) Gangs of Wasseypur 2012 , The Lunch Box 2013 release in April 2018 Bombay Velvet 2015, Raman Raghav 2016 Award Best Film Director Life OK Screen 2014 and Mukkabaaz 2017 Film fare award best Director Piku 2016 Kayem Kabir Khan BA Eco Hons KM Screenwriter, Cinematographer and Film Director Kayem Ali Abbas Zafar Kabul Express 2006 New York 2009 BA KM Ek Tha Tiger 2012 , Bajrangi Bhaijaan Film Director Producer Delite Cinema Founded 1955 1000 – seater Phantom 2015 and Tubelight 2017 Film Brother Ki Dulhan 2011 , Owner Brij Mohan Lal Raizada and new film 83 2018 Gunday 2014 , Sultan 2017 and R B Ram Kishore Raizada Vice Chancellor 1934 -1938 63National Film Award 2015(Bajrangi Bhaijaan ) Tiger Zinda Hai 2017 University of Delhi Bimal K Raizada BCom Hons 1964 Former Co Chairman SRL Neeraj Pandey Film Director Producer and Screenwriter BA Eng Hons Sri Aurobindo Film Director Producer and Screenwriter Films : A Wednesday 2008 ( National Film Award 2008 and IIFA Award 2009 ) Special 26 2013 , Baby 2015, Rustom 2016 , MS Dhoni : The Untold Story 2016 Toilet : Ek Prem Katha 2017 and Aiyaary 2018 click : ed 1+ 2 CultureClass click : ed 5 pic This ! Culture .

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Bajrangi Bhaijaan [Movie] [Free Online]
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Part 05.Indd
PART MISCELLANEOUS 5 TOPICS Awards and Honours Y NATIONAL AWARDS NATIONAL COMMUNAL Mohd. Hanif Khan Shastri and the HARMONY AWARDS 2009 Center for Human Rights and Social (announced in January 2010) Welfare, Rajasthan MOORTI DEVI AWARD Union law Minister Verrappa Moily KOYA NATIONAL JOURNALISM A G Noorani and NDTV Group AWARD 2009 Editor Barkha Dutt. LAL BAHADUR SHASTRI Sunil Mittal AWARD 2009 KALINGA PRIZE (UNESCO’S) Renowned scientist Yash Pal jointly with Prof Trinh Xuan Thuan of Vietnam RAJIV GANDHI NATIONAL GAIL (India) for the large scale QUALITY AWARD manufacturing industries category OLOF PLAME PRIZE 2009 Carsten Jensen NAYUDAMMA AWARD 2009 V. K. Saraswat MALCOLM ADISESHIAH Dr C.P. Chandrasekhar of Centre AWARD 2009 for Economic Studies and Planning, School of Social Sciences, Jawaharlal Nehru University, New Delhi. INDU SHARMA KATHA SAMMAN Mr Mohan Rana and Mr Bhagwan AWARD 2009 Dass Morwal PHALKE RATAN AWARD 2009 Actor Manoj Kumar SHANTI SWARUP BHATNAGAR Charusita Chakravarti – IIT Delhi, AWARDS 2008-2009 Santosh G. Honavar – L.V. Prasad Eye Institute; S.K. Satheesh –Indian Institute of Science; Amitabh Joshi and Bhaskar Shah – Biological Science; Giridhar Madras and Jayant Ramaswamy Harsita – Eengineering Science; R. Gopakumar and A. Dhar- Physical Science; Narayanswamy Jayraman – Chemical Science, and Verapally Suresh – Mathematical Science. NATIONAL MINORITY RIGHTS MM Tirmizi, advocate – Gujarat AWARD 2009 High Court 55th Filmfare Awards Best Actor (Male) Amitabh Bachchan–Paa; (Female) Vidya Balan–Paa Best Film 3 Idiots; Best Director Rajkumar Hirani–3 Idiots; Best Story Abhijat Joshi, Rajkumar Hirani–3 Idiots Best Actor in a Supporting Role (Male) Boman Irani–3 Idiots; (Female) Kalki Koechlin–Dev D Best Screenplay Rajkumar Hirani, Vidhu Vinod Chopra, Abhijat Joshi–3 Idiots; Best Choreography Bosco-Caesar–Chor Bazaari Love Aaj Kal Best Dialogue Rajkumar Hirani, Vidhu Vinod Chopra–3 idiots Best Cinematography Rajeev Rai–Dev D Life- time Achievement Award Shashi Kapoor–Khayyam R D Burman Music Award Amit Tivedi.
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Bollywood Lens Syllabus
Bollywood's Lens on Indian Society Professor Anita Weiss INTL 448/548, Spring 2018 [email protected] Mondays, 4-7:20 pm 307 PLC; 541 346-3245 Course Syllabus Film has the ability to project powerful images of a society in ways conventional academic mediums cannot. This is particularly true in learning about India, which is home to the largest film industries in the world. This course explores images of Indian society that emerge through the medium of film. Our attention will be focused on the ways in which Indian society and history is depicted in film, critical social issues being explored through film; the depicted reality vs. the historical reality; and the powerful role of the Indian film industry in affecting social orientations and values. Course Objectives: 1. To gain an awareness of the historical background of the subcontinent and of contemporary Indian society; 2. To understand the sociocultural similarities yet significant diversity within this culture area; 3. To learn about the political and economic realities and challenges facing contemporary India and the rapid social changes the country is experiencing; 4. To learn about the Indian film industry, the largest in the world, and specifically Bollywood. Class format Professor Weiss will open each class with a short lecture on the issues which are raised in the film to be screened for that day. We will then view the selected film, followed by a short break, and then extensive in- class discussion. Given the length of most Bollywood films, we will need to fast-forward through much of the song/dance and/or fighting sequences.
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Indian Film Festival Los Angeles to Open with Imtiaz Ali Evening
HOME > FILM > FESTIVALS FEBRUARY 19, 2020 8:00AM PT Indian Film Festival Los Angeles to Open With Imtiaz Ali Evening By SHALINI DORE CREDIT: AMAN DHILLON The Indian Film Festival Los Angeles will kick off not with a new film, but what is billed as An Evening With Imtiaz Ali, the writer-director of such films as “Jab We Met” and “Rockstar.” He will be joined for an onstage conversation with filmmaker Anurag Kashyap. A screening of Ali’s 2014 film “Highway” will then unspool. The opening night gala presentation takes place April 1 at ArcLight Hollywood. “The MisEducation of Bindu,” directed by Prarthana Mohan and produced by Mark and Jay Duplass, will close the festival on April 5. In between, a bevy of international film festival hits from Tribeca and SXSW to Venice and Toronto will screen including Bhaskar Hazarika’s “Aamis,” Arati Kadav’s “Cargo,” Alankrita Shrivastava’s “Dolly Kitty and Those Twinkling Stars,” Gitanjali Rao’s animated “Bombay Rose” and Geetu Mohandas’ Malayalam-language “Moothoon.” There will also be an array of documentaries and shorts playing during the festival, which runs April 1-5 at Regal L.A. Live. “This year’s lineup exemplifies the boundless creativity on display in the Indian independent film community and its diaspora” said Mike Dougherty, IFFLA’s director of programming. “Visitors to IFFLA this year have their choice of animation, sci- fi/fantasy, romance, documentary, comedy, thriller and more, in films that in typical IFFLA fashion deal with hard-hitting political themes, and that challenge as well as entertain. I couldn’t be more proud of the films we’re presenting.” /.
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1 Hawaii Invasive Species Council (HISC) Research and Technology
Hawaii Invasive Species Council (HISC) Research and Technology Grant Program, Progress/Final Report Project Title: Identifying Sex Pheromone Components of the Nettle Caterpillar, Darna pallivitta (Moore), to Facilitate Detection and Pheromone Disruption Control Principal Investigators: Matthew S. Siderhurst1, Eric B. Jang1, Arnold H. Hara2, Patrick Conant3 1US Pacific Basin Agric. Res. Center, USDA-ARS, P.O. Box 4459, Hilo, HI 2Dept. Plant Environ. Protect. Sci., CTAHR, University of Hawaii at Manoa, 461 West Lanikaula Street, Hilo, HI 3 Hawaii Dept. Agric., 16 East Lanikaula St., Hilo, HI 1 Executive Summary: The nettle caterpillar, Darna pallivitta (Moore), is an invasive pest on the island of Hawai’i, causing defoliation of ornamental nursery stock and posing a human health hazard due to their painful sting. Wind tunnel and field tests with 2 day old moths revealed male behavioral responses to caged females consistent with a female released sex pheromone. Coupled gas chromatography-electroantennogram detection (GC-EAD) analysis of abdominal tip extracts revealed two male electroantennographically active compounds produced by female D. pallivitta. Mass spectral analysis and subsequent synthesis identified the active compounds as n- butyl (E)-7,9-decadienoate (major component) and ethyl (E)-7,9-decadienoate (minor component), both structurally similar to sex pheromone components previous reported from related Darna spp. Additionally, methyl (E)-7,9-decadienoate was identified from female abdominal extracts and a strong EAD response was elicited by the synthetic compound. n-Butyl (E)-7,9-decadienoate was the only component detected by solid phase microextraction (SPME) collections from single calling female moths, however the absence of the minor components may be a result of their lower abundance.
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Women in Filipino Religion-Themed Films
Review of Women’s Studies 20 (1-2): 33-65 WOMEN IN FILIPINO RELIGION-THEMED FILMS Erika Jean Cabanawan Abstract This study looks at four Filipino films—Mga Mata ni Angelita, Himala, Ang Huling Birhen sa Lupa, Santa Santita—that are focused on the discourse of religiosity and featured a female protagonist who imbibes the image and role of a female deity. Using a feminist framework, it analyzes the subgenre’s connection and significance to the Filipino consciousness of a female God, and the imaging of the Filipino woman in the context of a hybrid religion. The study determines how religion is used in Philippine cinema, and whether or not it promotes enlightenment. The films’ heavy reference to religious and biblical images is also examined as strategies for myth-building. his study looks at the existence of Filipino films that are focused T on the discourse of religiosity, featuring a female protagonist who imbibes the image and assumes the role of a female deity. The films included are Mga Mata ni Angelita (The Eyes of Angelita, 1978, Lauro Pacheco), Himala (Miracle, 1982, Ishmael Bernal), Ang Huling Birhen sa Lupa (The Last Virgin, 2002, Joel Lamangan) and Santa Santita (Magdalena, 2004, Laurice Guillen). In the four narratives, the female protagonists eventually incur supernatural powers after a perceived apparition of the Virgin Mary or the image of the Virgin Mary, and incurring stigmata or the wounds of Christ. Using a feminist framework, this paper through textual analysis looks at the Filipino woman in this subgenre, as well as those images’ connection and significance to the Filipino consciousness of a female God.
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Spectacle Theater
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Movie Tv Sho Audio Radio
70 FILM REVIEWS MOVIES 71 NEW MOVIES ONBOARD 72 MOVIES TV SHOWS 74 TV SHOWS AUDIO Entertainment 76 AUDIO/RADIO RADIO © 2018 20TH CENTURY FOX. ALL RIGHTS RESERVED. BAD TIMES AT THE EL ROYALE FILM REVIEWS WANT HELP WITH WHAT TO WATCH THIS MONTH? FILMMAKER AND DIRECTOR KAM RASLAN MAKES THE CASE FOR THESE THREE MOVIES. THE INCREDIBLES Is The Incredibles the best animated movie ever? Yes. Yes, it is. It’s hilariously funny, exciting, moving and visually beautiful. A family of superheroes have to live in witness protection as normal people because superheroes have been deemed a menace to society. Naturally, Mr Incredible hates his boring life as an insurance salesman and his goingplacesmagazine.com children have to hide their superhero skills. But when an opportunity for a return to the old life comes knocking, Mr Incredible puts his entire family at risk, which sounds like a job LOGAN for Elastigirl. Is Logan the best superhero movie ever? EDGE OF TOMORROW Probably. A thunderous Hugh Jackman Because it was made all the way back in Is Edge of Tomorrow the best science fiction | 70 is Wolverine one last time as he plays a 2004, the animation for The Incredibles may movie ever? Maybe not, but it’s definitely | January 2019 January | reluctant father figure to the stunningly not seem quite as plush as, say, Zootopia, the best science fiction movie starring Tom intense young actress Dafne Keen. On a but director Brad Bird (who made his name Cruise, and when it comes to big-budget desperate journey from Mexico to the far with The Simpsons) created such a complete action Hollywood movies, nobody delivers north, the pair are perfectly matched as universe that you instantly forget.
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Tiger Zinda Hai 1 Download 720P Movie
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Hindu-Muslim Relationship in Bollywood in Post 26/11: a Content Analysis of Movies (2008-2018) Maziar Mozaffari Falarti,1 Hamideh Molaei,2 Asra Karim3
Hindu-Muslim Relationship in Bollywood in post 26/11: A Content Analysis of Movies (2008-2018) Maziar Mozaffari Falarti,1 Hamideh Molaei,2 Asra Karim3 1. Assistant Professor of South, East Asia and Oceania Studies, University of Tehran, Tehran, Iran (Corresponding author) ([email protected]) 2. Assistant Professor of South, East Asia and Oceania Studies, University of Tehran, Tehran, Iran ([email protected]) 3. M. A. in Indian Studies, University of Tehran, Tehran, Iran ([email protected]) (Received: Jan. 2, 2019 Revised: Feb. 28, 2019 Accepted: Ma r. 28, 2019) Abstract This study investigates the representations of Hindu-Muslim relationship in Bollywood movies from 2008 to 2018. It is assumed that after 2008 Mumbai terrorist attacks, which are known as 26/11, conflicts between Hindus and Muslims have escalated. Since Indian people are extreme fans of movies, especially Bollywood movies, in this regard, it is expected that media could play a significant role in increasing or alleviating the conflicts by influencing people’s attitudes and opinions. This research seeks to examine the extent and modality of the representation of Hindu-Muslim relationships in Bollywood after the 2008 Mumbai attacks. The study was conducted through a content analysis of 11 Bollywood movies, which were selected from 70 Muslim-characters-based movies. Favorable, unfavorable, neutral and unclear were the four factors through which the movies’ contents were analyzed. The overall analysis of these factors indicate that 66.17% of the scenes were favorable, 14.70% were unfavorable, 2.94% were neutral, and 16.17% presented unclear images of Hindu-Muslim relationship in Bollywood movies.
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Think Film! on Current Practices and Challenges in Film Culture: a Documentation of a Student Symposium 2020
Repositorium für die Medienwissenschaft Adriane Meusch, Bianka-Isabell Scharmann u.a. (Hg.) Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium 2020 https://doi.org/10.25969/mediarep/13589 Veröffentlichungsversion / published version Konferenzbeitrag / conference object Empfohlene Zitierung / Suggested Citation: Meusch, Adriane; Scharmann, Bianka-Isabell (Hg.): Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium. Frankfurt am Main: Zenodo 2020. DOI: https://doi.org/10.25969/mediarep/13589. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.5281/zenodo.3662799 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung 4.0/ Lizenz zur Verfügung gestellt. Nähere Attribution 4.0/ License. For more information see: Auskünfte zu dieser Lizenz finden Sie hier: http://creativecommons.org/licenses/by/4.0/ http://creativecommons.org/licenses/by/4.0/ THINK THINK FILM! Edited by Adriane MeuschandBianka- Adriane Edited by Isabell Scharmann On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium Edited by Adriane Meusch & Bianka- Isabell Scharmann Frankfurt am Main, 2020 Editors Adriane Meusch and Bianka-Isabell Scharmann, in collaboration with Michelle Rafaela Kamolz https://thinkfilmsymposium.wordpress.com Copy Editor Carly Crane Graphic Design Muriel Serf (mmm.do) Bibliographic information of the German Library The German Library catalogues this publication in the German National Bibliography; detailed bibliographic information can be found on the Internet website: http://dnb.d-nb.de.
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