DOCSLIB.ORG

1940 Sda Hymnal Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1940 Sda Hymnal Pdf 1940 sda hymnal pdf Continue Wikipedia's list of articles Chalice Hymnal redirects here. For the grails album, see Chalice Hymnal(album). Hymns, also called hymnbooks (or hymn books), and sometimes hymns, are books of hymns sung by religious congregations. Below is a list of English-language hymns at face value. Confessional hymns Anabaptist See also Mennonites. Ausbund (1564) The Christian Hymn (1972) Sion praises (1987) Sion in harps (Harpa de Sion) Anglican hymns of the Episcopal Church in the Philippines and The Anthem, 1940, the Protestant Episcopal Church. The 1940 Protestant Episcopal Church in the United States (PECUSA) and the Episcopal Church trial anthem in the Philippines (ECP). Some pages of the ECP anthem contain some songs in some Igorot languages. (top right) Nay Chawatem Ay Apo, song praiase and (see below) Os-os Daongan, wedding song. Anthem of Amoya, published by the Church of Southeast Asia. Amoy Hymnbook shows the song and part of the service in English and Fookien. Anglican Church of Canada Book of General Praise (1938) Anthem Book (1971), prepared in conjunction with the United Church of Canada General Praise (1998) Church in the West Indies CPWI Gimnal (2011) Anglican Church of Australia Australian Hymn Books (1977) Together in Song: Australian Hymn Book II (1999) Episcopal Church in the United States States Anthem 1982 Anthem 1940 Anthem 1916 Anthem Of the Church, Revised and Extended (USA), 1892 Raise every voice and sing I and II Miracle Love and praise voices found my heart singing from the Reformed Episcopal Church (USA) Book of General Praise: Companion Hymn to the Book of General Prayer (1943) Church of EnglandThal Has No Official Hymns. But various hymns were prepared with the Church of England use in mind. Hymns Ancient and Modern (numerous editions, 1861-2013) General Praise (2000) - edition of Hymns Ancient and Modern Lyra Davidica (1708) Yattendon Hymnal (1899) English Anthem (1906, 1933) - edited by Percy Dirderum, used in the Anglo-Catholic churches The New English Hymnal (1986) in addition to the new English Praise (2006) Songs of Grace and Glory (1871) - an ultra-Calvinist book edited by Charles B. Snepp, Vicar Perry Barra in Birmingham, England Church Hymnal for the Christian Year - an evangelical collection replaced by the Anglican Hymn Book in the 1965 Anglican Hymn Book (1965) Hymns for Today's Church (1982) - evangelical, notable, notable For exclusive use of the modern Church of Ireland Church of The Hymn (2000, Fifth Edition) Supplemented by Thank you and Glory (2015) Episcopal Church in the Philippines EPC Judicial Gymnasium Church of Southeast Asia Amoya Hymnal Anglican Church in Aotearoa , New zealand and Polynesia / Te Hahi Mikhinare ki Aotearoa ki Ny Ki nga mutere o te moana nui kiwaHas no official hymns. But the various books produced by the New york Hymnbook Trust are a fitting New zealand Anglican use. Collections of God Songs pentecostal scholarships )1924) Spiritual Songs (1930) Songs of Praise (1935) Glorious Gospel Hymns (1946) Collection of Songs (1948) Atonement Anthem (from the Assembly of God in Great Britain) (1951) Melodies of Praise (1957) Hymns of Glorious Praise (1969) Singing His Praise (1991) Baptist American Baptist Association American Baptist Association American Baptist Gymnasium In Spirit and In Truth American Baptist Churches (former American Baptist Convention, formerly Northern Baptist Convention) Christian Worship (1941 , in conjunction with the Disciples of Christ) Hymns and Songs of the Spirit (1966, together with the Disciples of Christ) Hymnbook for Christian Worship (1970, co-starred with The Disciples of Christ) Revival of Gems: A Little Book with a Great Mission (1921) Association of Reformed Baptist Churches of America Trinity Anthem (Baptist Edition) Baptist General Conference Gospel Anthem (1950) Worship and Anthem Service with Favorite Swedish-Translation Hymns . Available only from Harvest Publications) Independent Basic Baptist All-American Church Anthem (1957) Soul-Stirring Songs and Hymns (1972) Hymns of Faith (1980) Biblical Hymns of Truth (2008) Majesty Hymns ( 1998) Mercer University Celebration of Grace (2010) , National Baptist Convention Baptist Standard Anthem with Responsible ReadingsS New National Baptist Anthem Gospel Pearls North American Baptist Conference North American Primitive Baptist Harp Centuries Old Baptist Hymns (2012) Old School Anthem Primitive Baptist Book Old Good Songs of Faith (Double Oak) The Primitive Baptist Anthem (2004) Southern Baptist Convention Baptist Book of Anthem and Praise (1904) Baptist Anthem (1956) Baptist Anthem (1975) Baptist Anthem (1991) Songs of Faith (Double Oak Press) (2000) Baptist Anthem (2008) Strict Baptist Selection Of Hymns for Public Worship (1814) British Pentecost Brotherhood Atonement Anthem (1951) Chartist National Book of Hymns Chartist (1845) , 2000) Christadelphian Book of Hymns (Christadelphian Association of Magazines and Publishers, 2003) Worship (Christadelphian Art Trust, 2008) Christian Church (Students of Christ) Bowl of Praise (2002) Kasis de Bendiciones: Himnario Discipulos de Cristo (1996) Chalice Hymnal (1995) Hymnbook for Christian Worship (1970, in conjunction with the American Baptist Convention) Hymns and Songs of Spirit (1966 , in conjunction with the American Baptist Convention) Christian Worship (1941, in conjunction with the Northern Baptist Convention) Church of Christ (Holiness) USA His fullness Of Songs (1977) Christian Science Christian Science Anthem (1932) Christian Science Anthem Supplement (2008) Science Anthem: Hymns 430-602 (2017) Church Church God (Anderson, Indiana) Choose hymns for Christian Worhip and General Gospel Service (1911) (1918) (1923) (1926) (1938) Select Hymns for Christian Worhip and General Gospel Service Number 2 (1950) Worship of the Lord - Hymn of the Church of God (1989) Church of God (Cleveland, Cleveland, Tennessee) Church Gymnasium (1951) Hymns of the Spirit (1969) Church of God in Christ Yes, Lord! (1982) Church of God (Seventh Day) Songs of Truth (1916) Hymns of Truth (No. 1) (1940) Hymns of Truth (No. 2) (1955) Worship in Song (1967) Church of the Brothers Melody And The Book of Hymns (1872) Sunday School Song Book (1893) Missionary Book of Hymns (1893) Anthem of the Brothers (1901) Kingdom of Songs (1901) 1911) Kingdom of Songs No. 2 (1917 and 1918) Anthem - Church of the Brothers (1925) The Brothers Of the Gymnasium (1951) The Gymnasium : The Book of Worship (1992) Church of Jesus Christ of Latter-day Saints For older hymns , see the Church of Jesus Christ of Latter-day Saints hymns. A selection from The Songs of Sion (1918?). N.B.: Excerpts from this more complete anthem. Hymns of the Church of Jesus Christ of Latter-day Saints, Intellectual Reserve, Inc. (1985) Hymns de l'glise de Yasus Christos de saints de derniers jours (1954, reissued in 1971) Relief Society Songs (1940) Church of Nazarene Special Sacred Songs, Lillenas Publishing (1919) Special Sacred Songs No. 2: Sacred Solo, Duets, quartets, Lillenas Publishing (1920) Special sacred songs No. 3: Sacred Solos, Duets, quartets for use by singing evangelists and all other gospel singers , Lillenas Publishing (1927) Songs of Complete Salvation, Lillenas Publishing New Songs of the Old Faith, Lillenas Publishing New Songs of Old Faith No. 2, Lillenas Publishing (1927) 276 Hymns Favorite Gospel Songs, Lillenas Publishing (c1927) 79 Songs of the Great Gospel Songs, Lillenas Publishing (1929) 163 Anthems Glorious Songs , Lillenas Publishing (1931) 1st Official Anthem Lillenas Solo and Duets Number 1, Lillenas Publishing (1931) 118 Songs Lillenas Songs for Men , Lillenas Publishing (1931) 126 songs Lillenas Ladies Voices, Lillenas Publishing Songs of Victorious Faith, Lillenas Publlishing (c1935) 203 Songs New Sacred Solos and Duets, Lillenas Publishing (1939) Anthems of Conquest, Lillenas Publishing (1940) Sacred Trio for Women, Lillenas Publishing (1941) Inspiring Gospel Solo, Lillenas Publishing Inspiring Gospel Solo and Duets Number 2, Lillenas Publishing (1948) Singing Joy: Choir Book for Young People, Lillenas Publishing (1950) 178 Songs : Songs for Evangelization, Lillenas Publishing (1951) 129 Songs Of Souls Blessing No. 1, Lillenas Publishing, Souls Blessing No. 2, Lillenas Publishing, 138 Songs of Praise and Worship, Lillenas Publishing (1952), and Nazarin Publishing House, pref. 1951; the second official anthem To rejoice and sing! Anthem for all services with a focus on youth, Publishing Publishing Joyful Singing - Anthem for Juniors, Lillenas Publishing (1968) Songs of the Sanctuary, Lillenas Publishing (1970) 345 Hymns Reasons to Sing: A Collection of Songs for Youth Today, Lillenas Publishing (1971) 62 Songs of Worship in Song, Lillenas Publishing (1972) 3rd Official Anthem Of Scriptures To Sing: New and Old (Additional Anthem, Intended for Youth Use, Bible Study, and Prayer Scholarships), Lillenas Publishing (1977) Wesley Anthems, Lillenas Publishing (1982) 164 Anthems Of John Wesley! Hymn Extra, Lillenas Publishing (19--) Sing the Lord, Lillenas Publishing (1993) 4th and current official anthem of Christ's Christian Hymnbook, Alexander Campbell (1865) Christian Anthem, American Christian Missionary Society (1882) New Christian Anthem and Tune, Fillmore Brothers (1882) Gloria in Excelsis, William E.M. Huckleman (1905) Ecclesia Hymns, William E.M. Huckleman (1911) Great Songs of the Church (later revised and supplemented by ACU Press), E.L. Jorgenson (1921) Gospel Hymns Choice, Charles Mitchell Pullias (1923) Christian Hymns, L.A. Sanderson
Load more

Recommended publications
  • Aint Gonna Study War No More / Down by the Riverside
    The Danish Peace Academy 1 Holger Terp: Aint gonna study war no more Ain't gonna study war no more By Holger Terp American gospel, workers- and peace song. Author: Text: Unknown, after 1917. Music: John J. Nolan 1902. Alternative titles: “Ain' go'n' to study war no mo'”, “Ain't gonna grieve my Lord no more”, “Ain't Gwine to Study War No More”, “Down by de Ribberside”, “Down by the River”, “Down by the Riverside”, “Going to Pull My War-Clothes” and “Study war no more” A very old spiritual that was originally known as Study War No More. It started out as a song associated with the slaves’ struggle for freedom, but after the American Civil War (1861-65) it became a very high-spirited peace song for people who were fed up with fighting.1 And the folk singer Pete Seeger notes on the record “Waist Deep in the Big Muddy and Other Love Songs”, that: "'Down by the Riverside' is, of course, one of the oldest of the Negro spirituals, coming out of the South in the years following the Civil War."2 But is the song as we know it today really as old as it is claimed without any sources? The earliest printed version of “Ain't gonna study war no more” is from 1918; while the notes to the song were published in 1902 as music to a love song by John J. Nolan.3 1 http://myweb.tiscali.co.uk/grovemusic/spirituals,_hymns,_gospel_songs.htm 2 Thanks to Ulf Sandberg, Sweden, for the Pete Seeger quote.
    [Show full text]
  • Benjamin Britten's "Evening Primrose" 27 • Chester Alwes Analyzes Britten's Manipulation of Poetic Text for Compositional Purposes
    August 2004 Contents Vol 45 ·no.I Articles .. Shout All Over God's Heaven 9 • Thomas Lloyd discusses how the African-American spiritual has maintained its integrity in the face of major social and musical challenges. Words and Music: Benjamin Britten's "Evening Primrose" 27 • Chester Alwes analyzes Britten's manipulation of poetic text for compositional purposes. An Interview with Dale Warland 35 • Diana Leland talks to Dale Warland about his career highlights, his legacy, and his plans after he leaves the choir that bears his now famous name. Columns Rehearsal Break: Acoustic Issues and the Choral Singer 45 • Margaret Olson addresses how individual choral singers should adjudicate their vocal output during rehearsal. Repertoire and Standards 53 • Nancy Cox gives tips for making a good audition tape. • Vijay Singh shares ways to personalize your jazz performance. Hallelujah! The Best First Church Choir Rehearsal 63 • Tim Sharp explains how to create a good first impression with a new church choir. Compact Disc Reviews 77 • David Castleberry Book Reviews 81 • Stephen Town Choral Reviews 91 • Lyn Schenbeck The Choral Journal is the official publication of The American Choral Directors Association (ACDA). ACDA is a nonprofit professional organization of choral directors In This Issue from schools, colleges, and universities; community, church, and professional choral ensembles; and industry and institutional organizations. Choral Journal circulation: 21,000. Annual dues (includes subscription to the Choral Joumety: Active $65, Industry From the Executive Director 4 $100, Institutional $75, Retired $25, and Student $20. One-year membership begins on date of dues acceptance. Library annual subscription rates: U.S.
    [Show full text]
  • Here- Than Usual
    The Top 10 2010 Diamond Awards! The Freemans Keeping It Young The Publisher’s Perspective: A Video Message to Readers from Rob Patz Rob is still excited about the Diamond Awards. Like, really excited... Is he taking this Mr. Publisher thing too far? If you encounter problems viewing this clip, visit: http://www.youtube.com/watch?v=VXDyjrL3Yu0 ¦ PERFORMERS: MC BOTH NIGHTS - MATTHEW DUDNEY Friday, May 14: -ARK"ISHOPs!ARON7ILBURN "RIAN&REE!SSURANCEs+AREN0ECK.EW2IVER 4HE$OVE"ROTHERSs$IPLOMATS 4)#+%43/.3!,%./7 3ATURDAY -AY &ORMOREINFORMATION 4HE'RASCALSs-ARK"ISHOP CALLORVISIT !ARON7ILBURNs,ITTLE2OY,IZZY 888-462-6718 4HE#HUCK7AGON'ANGs#HRISTY3UTHERLAND All profits from ticket sales benefit charity. TTT?ORJIBVJRPF@CBPQ@LJ April 2010 COLUMNS 2 Publisher’s Point Video Blog... Rob Patz Publisher: 5 Greenish Me... Kelly Capriotti Burton ROB PATZ Editor-in-Chief: 6 Ms. Lou’s...Lou Wills Hildreth KELLY CAPRIOTTI BURTON 8 Eyes Wide Open...Tom Holste Features Editor: LORRAINE WALKER 10 Faith Boost... Rhonda Frye Contributing Writers D. ANN BAILEY NewS & FEATURES WES BURKE EVIE HAWKINS 12 Classic 4 Concert CHAD HAYES LOU WILLS HILDRETH 14 COVER STORY: TOM HOLSTE RHONDA FRYE The Freemans: Keeping It Young JIMMY MCMILLAN JERRY TINKLE 17 Singers Launche New Hope Music 19 DIAMOND AWARD TOP 10 NOMINEES Graphic Design: STEPHANIE KELLEY ANNOUNCED ~ Vote Now! Layout & Design: 22 Branson GMC: It Takes a Fellowship KELLY CAPRIOTTI BURTON 29 Review: Angry Conversations with God Founder: 31 The Dills Tell the Story of a Lifetime ALLEN SMITH 35 Fitness: Sumo Girls WWW.SGNSCOOPS.COM interact: 38 Being Single in an SG World twitter.com/sgnscoops 40 New Music: Firm Foundation facebook.com/sgnscoops shoutlife.com/sgnscoops SGN Scoops exists to showcase what is dis- tinguished, intriguing, and real about south- ern & country gospel music.
    [Show full text]
  • Season 2013-2014
    23 Season 2013-2014 Thursday, February 13, at 8:00 The Philadelphia Orchestra Friday, February 14, at 8:00 Saturday, February 15, at 8:00 Vladimir Jurowski Conductor Vsevolod Grivnov Tenor Alexey Zuev Piano Sherman Howard Speaker Tatiana Monogarova Soprano Sergei Leiferkus Baritone Westminster Symphonic Choir Joe Miller Director Rachmaninoff/ Songs orch. Jurowski I. “Christ Is Risen,” Op. 26, No. 6 II. “Dreams,” Op. 38, No. 5 III. “The Morn of Life,” Op. 34, No. 10 IV. “So Dread a Fate,” Op. 34, No. 7 V. “All Things Depart,” Op. 26, No. 15 VI. “Come Let Us Rest,” Op. 26, No. 3 VII. “Before My Window,” Op. 26, No. 10 VIII. “The Little Island,” Op. 14, No. 2 IX. “How Fair this Spot,” Op. 21, No. 7 X. “What Wealth of Rapture,” Op. 34, No. 12 (U.S. premiere of orchestrated version) Rachmaninoff Piano Concerto No. 4 in G minor, Op. 40 I. Allegro vivace II. Largo III. Allegro vivace Intermission 24 Rachmaninoff The Bells, Op. 35 I. Allegro, ma non tanto II. Lento—Adagio III. Presto—Prestissimo IV. Lento lugubre—Allegro—Andante— Tempo I This program runs approximately 1 hour, 45 minutes. These concerts are presented in cooperation with the Sergei Rachmaninoff Foundation. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit www.wrti.org to listen live or for more details. 3 Story Title 25 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra community itself. His concerts to perform in China, in 1973 is one of the preeminent of diverse repertoire attract at the request of President orchestras in the world, sold-out houses, and he has Nixon, today The Philadelphia renowned for its distinctive established a regular forum Orchestra boasts a new sound, desired for its for connecting with concert- partnership with the National keen ability to capture the goers through Post-Concert Centre for the Performing hearts and imaginations of Conversations.
    [Show full text]
  • 26 September 2008 Page 1 of 35 SATURDAY 20 SEPTEMBER 2008 La Stagione Frankfurt, Michael Schneider (Conductor)
    Radio 3 Listings for 20 – 26 September 2008 Page 1 of 35 SATURDAY 20 SEPTEMBER 2008 La Stagione Frankfurt, Michael Schneider (conductor) SAT 01:00 Through the Night (b00df694) 05:09AM With John Shea. Handel, Georg Friedrich (1685-1759) Alceste: Gentle Morpheus, son of night 01:01AM Emma Kirkby (soprano), Academy of Ancient Music, Andrew Grieg, Edvard Hagerup (1843-1907) Manze (director) Peer Gynt - suite no. 1 (Op. 46) Bergen Philharmonic Orchestra, Ole Kristian Ruud (conductor) 05:18AM Schumann, Clara (1819-1896) 01:26AM Variations on a Theme of Robert Schumann in F sharp minor Mendelssohn, Felix (1809-1847) (Op.20) Symphony no. 1 (Op. 11) in C minor Angela Cheng (piano) Bergen Philharmonic Orchestra, Andrew Litton (conductor) 05:28AM 01:57AM Svendsen, Johann (1840-1911) Schubert, Franz (1797-1828) Festival Polonaise – for orchestra (Op.12) Sonata (Op.53) in D major (D.850) Bergen Philharmonic Orchestra, Philippe Jordan (conductor) Alfred Brendel (piano) 05:37AM 02:35AM Bach, Johann Michael (1648-1694) Scarlatti, Alessandro (1660-1725) Liebster Jesu, hor mein Flehen Stabat Mater (1724) Maria Zedelius (soprano), David Cordier (alto), Paul Elliott and Valeri Popova (soprano), Penka Dilova (mezzo-soprano), Hein Meens (tenors), Michael Schopper (bass), Musica Antiqua Tolbuhin Children’s Chorus, Bulgarian National Radio Koln, Reinhard Goebel (director) Sinfonietta, Dragomir Nenov (conductor) 05:45AM 03:16AM Humperdinck, Engelbert (1854-1921) Tchaikovsky, Peter Illych (1840-1893) Overture from Hansel and Gretel Symphony No. 5 in E minor, (Op.
    [Show full text]
  • The Gospel Side of Specialty Records – the Post-War Period
    The Gospel Side of Specialty Records – The Post-War Period by Opal Louis Nations A historical backdrop: It is generally acknowledged that almost from the start of Art Rupe’s involvement in the country’s popular vernacular musics, gospel and spiritual expressions were among his keenest passions. He would often drop in on a church gospel program and sometimes shed a tear when moved by a particular jubilee quartet spinning on a phonograph. Rupe told me that during his boyhood he was exposed to gospel music emanating from the open windows in the summer from the African American Baptist church in his hometown neighborhood in Pennsylvania. Rupe did not fit the stereotypical hard-nosed, cash-driven, stogie-stompin’ record mogul. He was an intelligent, quiet, analytical and compassionate character who not only got involved in disseminating black talent to make a quick buck but genuinely enjoyed the musics he put out. At the close of gospel’s golden age, when the 1960s came around, the popular music industry began to transform itself into one that conjoined politics with culture. 1964 saw the advent of “The British Invasion.” A year later rock & roll had fully matured into rock and its separate audiences had blended into one and, says Philip H. Ennis in his 1992 book, The Seventh Stream (the seven different types of popular __________________________________________________________ The Gospel Side of Specialty Records, p./1 © 2011 Opal Louis Nations music, published by Wesleyan University Press), the musical materials and performers from the separate streams were combined to form a new and different idiom with its own artists and music.
    [Show full text]
  • A Sociological Analysis of Christian Contemporary Music and Aural Piety
    “FAITH COMES BY HEARING”: A SOCIOLOGICAL ANALYSIS OF CHRISTIAN CONTEMPORARY MUSIC AND AURAL PIETY __________________________________________________________________ A Dissertation Submitted to the Temple University Graduate Board __________________________________________________________________ In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Courtney Sorrell Tepera August 2017 Examining Committee Members: Lucy Bregman, Advisory Chair, TU Department of Religion Terry Rey, TU Department of Religion David Harrington Watt, TU Department of History Dustin Kidd, External Member, TU Department of Sociology © Copyright 2017 by Courtney Suzanne Sorrell Tepera ____________________________ All rights reserved iii ABSTRACT Over the past fifty years, Christian contemporary music has joined hymnody and psalmody as a major form of evangelical liturgical and devotional song. While the production and content of this genre have been explored by scholars, few studies have attended to the devotional use of the genre and its role in shaping the religious lives of American evangelicals. This project draws from several sets of data to address this matter: analysis of church-created worship music albums, listener testimonials on Christian radio websites, and focus group interviews of laity and clergy at four South Carolina churches. The data revealed that music is significant to their religious lives outside of church as a means of encountering God, managing emotions, and displaying spiritual capital. Inside churches, the music is used to create a sense of corporate identity that reinforces social bonds within the community and attracts newcomers. Drawing on the methodological framework of Pierre Bourdieu’s theory of practice and his work on social distinction, I argue that American evangelicals who listen to Christian contemporary music are engaged in aural piety, a set of practices, attitudes, and ideas invested in music that structure and evoke the experience of the sacred.
    [Show full text]
  • Heaven's Really Gonna Shine
    “HEAVEN’S REALLY GONNA SHINE”: AFRICAN AMERICAN NOTE SINGING IN THE NEW SOUTH by JARED W. WRIGHT A Thesis Submitted to the Graduate Faculty of the University of West Georgia in Partial Fulfillment of the Requirements for the Degree of Master of Arts CARROLLTON, GEORGIA 2014 “HEAVEN’S REALLY GONNA SHINE”: AFRICAN AMERICAN NOTE SINGING IN THE NEW SOUTH by JARED W. WRIGHT Approved: ______________________________ Dr. Ann McCleary Thesis Advisor ______________________________ Dr. Keith Hebert Thesis Committee Member ______________________________ Dr. Larry Rivers Thesis Committee Member Approved: ______________________________ Dr. Randy Hendricks Dean, College of Arts and Humanities ____________________________ Date ABSTRACT JARED W. WRIGHT: “Heaven’s Really Gonna Shine”: African American Note Singing in the New South (Under the direction of Dr. Ann McCleary) This thesis project explores various uses and interpretations of shape-note singing in the twentieth century American South. The essay investigates the history of a particular form of shape-note singing practiced by African American groups throughout the twentieth century. A group that still gathers to ‘sing the notes’ in west Georgia, the United Shape Note Singers, serves as an entry point. Oral histories with members of the group reveal a once-wide network of singers supported by songbook publishers and conventions that drew attendees in the thousands. Though changes in musical taste and church structure mean that the style of singing has faded in popularity, groups like the United Shape Note Singers still meet to sing from their well-worn songbooks for the spiritual pleasure and sense of community that it provides. In doing so, they continue the tradition of a unique singing style that is rooted in sacred hymn singing and influenced by modern gospel, yet cannot be easily classified as either.
    [Show full text]
  • “John the Revelator”--The Golden Gate Quartet (1938) Added to the National Registry: 2005 Essay by Kathryn Kemp (Guest Post)*
    “John the Revelator”--The Golden Gate Quartet (1938) Added to the National Registry: 2005 Essay by Kathryn Kemp (guest post)* Golden Gate Orchestra, reissue Gospel, as a distinct musical genre, has a long rich history that pre-dates the arrival of enslaved Africans to the English colonies in America. The Negro spiritual, as an art form, was created in “hush arbors”--sacred spaces where people could sing and worship away from the oppression and inhumanity of chattel slavery. The spirituals sprang from the experiences of the African people and share their consciousness of life in Africa and America. These enslaved persons developed a theology to explain the existence of a God who loved them but also allowed them to live in bondage. Their understanding of the God taught in the new religion of the Bible contained stories that gave them hope and faith. Stories about the Hebrew children in Egypt who were liberated by Moses. They heard stories about Jesus the Christ--who gave freedom to all who believed in His name. American folk music derived from this early tradition of Negro spirituals. These songs were the first indigenous musical form developed by people of African origin in America. W.E.B. Du Bois asserts it “remains as the singular spiritual heritage of the nation and the greatest gift of the Negro people.” Negro spirituals moved from “hush arbors” and churches to classrooms when they became part of a musical curriculum in high school and college glee clubs. Arranged spirituals, sung and performed by the Fisk Jubilee Singers (formerly known as the Nashville Singers), popularized the music of people of African ancestry throughout concert halls in American and Europe during the 1890s.
    [Show full text]
  • “I'll Fly Away”: the Music and Career of Albert E. Brumley
    University of Kentucky UKnowledge University of Kentucky Doctoral Dissertations Graduate School 2010 “I’LL FLY AWAY”: THE MUSIC AND CAREER OF ALBERT E. BRUMLEY Kevin Donald Kehrberg University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Kehrberg, Kevin Donald, "“I’LL FLY AWAY”: THE MUSIC AND CAREER OF ALBERT E. BRUMLEY" (2010). University of Kentucky Doctoral Dissertations. 49. https://uknowledge.uky.edu/gradschool_diss/49 This Dissertation is brought to you for free and open access by the Graduate School at UKnowledge. It has been accepted for inclusion in University of Kentucky Doctoral Dissertations by an authorized administrator of UKnowledge. For more information, please contact [email protected]. ABSTRACT OF DISSERTATION Kevin Donald Kehrberg The Graduate School University of Kentucky 2010 “I’LL FLY AWAY”: THE MUSIC AND CAREER OF ALBERT E. BRUMLEY ABSTRACT OF DISSERTATION A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the School of Music at the University of Kentucky By Kevin Donald Kehrberg Lexington, Kentucky Director: Dr. Ronald Pen, Associate Professor of Musicology Lexington, Kentucky 2010 Copyright © Kevin Donald Kehrberg 2010 ABSTRACT OF DISSERTATION “I’LL FLY AWAY”: THE MUSIC AND CAREER OF ALBERT E. BRUMLEY Albert E. Brumley (1905-1977) was the most influential American gospel song composer of the twentieth century, penning such “classics” within the genre as “Jesus, Hold My Hand,” “I’ll Meet You in the Morning,” “If We Never Meet Again,” “Turn Your Radio On,” and “Rank Strangers to Me.” His “I’ll Fly Away” has become the most recorded gospel song in American history with over one thousand recordings to date, and several of his works transcend cultural boundaries of style, genre, race, denomination, and doctrine.
    [Show full text]
  • Black Gospel Music and the Civil Rights Movement
    Georgia State University ScholarWorks @ Georgia State University History Theses Department of History Summer 8-12-2013 Sit In, Stand Up and Sing Out!: Black Gospel Music and the Civil Rights Movement Michael Castellini Follow this and additional works at: https://scholarworks.gsu.edu/history_theses Recommended Citation Castellini, Michael, "Sit In, Stand Up and Sing Out!: Black Gospel Music and the Civil Rights Movement." Thesis, Georgia State University, 2013. https://scholarworks.gsu.edu/history_theses/76 This Thesis is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. SIT IN, STAND UP AND SING OUT!: BLACK GOSPEL MUSIC AND THE CIVIL RIGHTS MOVEMENT by MICHAEL CASTELLINI Under the Direction of Dr. John McMillian ABSTRACT This thesis explores the relationship between black gospel music and the African American freedom struggle of the post-WWII era. More specifically, it addresses the paradoxical suggestion that black gospel artists themselves were typically escapist, apathetic, and politically uninvolved—like the black church and black masses in general—despite the “classical” Southern movement music being largely gospel-based. This thesis argues that gospel was in fact a critical component of the civil rights movement. In ways open and veiled, black gospel music always spoke to the issue of freedom. Topics include: grassroots gospel communities; African American sacred song and coded resistance; black church culture and social action; freedom songs and local movements; socially conscious or activist gospel figures; gospel records with civil rights themes.
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title Labor, Pleasure, and Possession in Transnational Black Performance Permalink https://escholarship.org/uc/item/3hx2f36v Author Wilson, Anndretta Lyle Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Labor, Pleasure, and Possession in Transnational Black Performance A dissertation submitted in partial satisfaction of the Requirements for the degree Doctor of Philosophy In Theater and Performance Studies by Anndretta Lyle Wilson 2016 ABSTRACT OF THE DISSERTATION Labor, Pleasure, and Possession in Transnational Black Performance by Anndretta Lyle Wilson Doctor of Philosophy in Theater and Performance Studies University of California, Los Angeles, 2016 Professor Robin Davis Gibran Kelley, Co-Chair Professor Sean Aaron Metzger, Co-Chair The study traces histories of African descended sacred music singers and musicians whose work has relied on transatlantic or transnational travel and theorizes performance labor through modes of pleasure and possession. Twentieth century United States examples are drawn from early musical recordings from 1909, concerts from the 1930s, through dramatic literature and theaters including Broadway stages from the 1950s, to internationally popular film and music video renderings of gospel performance through the 1990s. The study concludes with an ethnographic analysis of contemporary francophone African and French African performances in Paris, France that include oral storytelling and “Black American” gospel concerts. ii The dissertation of Anndretta Lyle Wilson is approved. Sue-Ellen Case Robin Davis Gibran Kelley, Committee Co-Chair Sean Aaron Metzger, Committee Co-Chair University of California, Los Angeles 2016 iii TABLE OF CONTENTS Labor, Pleasure, and Possession .......................................................................................................
    [Show full text]