Universidade Do Estado Do Rio De Janeiro Centro De Educação E Humanidades Instituto De Letras

Total Page:16

File Type:pdf, Size:1020Kb

Universidade Do Estado Do Rio De Janeiro Centro De Educação E Humanidades Instituto De Letras Universidade do Estado do Rio de Janeiro Centro de Educação e Humanidades Instituto de Letras Janine de Oliveira Fontenla Transgenders or Transsexuals? Identities, Sexualities and Genders in The Well of Loneliness and Stone Butch Blues Rio de Janeiro 2009 Janine de Oliveira Fontenla Transgenders or Transsexuals? Identities, Sexualities and Genders in The Well of Loneliness and Stone Butch Blues Dissertação apresentada, como requisito parcial para obtenção do título de Mestre, ao Programa de Pós-Graduação em Letras, da Universidade do Estado do Rio de Janeiro. Área de concentração: Literaturas de Língua Inglesa. Orientadora: Profª. Drª. Eliane Borges Berutti Rio de Janeiro 2009 CATALOGAÇÃO NA FONTE UERJ/REDE SIRIUS/CEHB H174 Fontenla, Janine de Oliveira. Transgenders or transsexuals ? identities, sexualities and genders in The well of loneliness and Stone butch blues / Janine de Oliveira Fontenla. – 2009. 105 f. Orientadora: Eliane Borges Berutti. Dissertação (mestrado) – Universidade do Estado do Rio de Janeiro, Instituto de Letras. 1. Hall, Radclyffe, 1886-1943. The well of loneliness – Teses. 2. Feinberg, leslie, 1949- . Stone butch blues – Teses. 3. Transexuais – Teses. 4. Identidade sexual na literatura – Teses. 5. Stephen Gordon (Personagem fictício) – Teses. 6. Jess Goldberg (Personagem fictício) – Teses. I. Berutti, Eliane Borges. II. Universidade do Estado do Rio de Janeiro. Instituto de Letras. III. Título. CDU 820-95 Autorizo, apenas para fins acadêmicos e científicos, a reprodução total ou parcial desta dissertação __________________________ __________________ Assinatura Data Janine de Oliveira Fontenla Transgenders or Transsexuals? Identities, Sexualities and Genders in The Well of Loneliness and Stone Butch Blues Dissertação apresentada, como requisito parcial para obtenção do título de Mestre, ao Programa de Pós-Graduação em Letras, da Universidade do Estado do Rio de Janeiro. Área de concentração: Literaturas de Língua Inglesa. Aprovada em 29 de Setembro de 2009. Banca Examinadora: _________________________________________________ Profª. Drª. Eliane Borges Berutti (Orientadora) Instituto de Letras da UERJ _________________________________________________ Profª. Drª. Ana Lucia de Souza Henriques Instituto de Letras da UERJ _________________________________________________ Profª. Drª. Daniela Gianna Cláudia Beccaccia Versiani Departamento de Letras da PUC – Rio Rio de Janeiro 2009 DEDICATION To my sons João Marcus e José Paulo, who have given me motivation and strength to do my share in the pursuit of a better world. To my loving husband Murillo, who has always been supportive and understanding, even when he did not agree with some of my choices. To my parents Alfonso and Edicéia, who have taught me that everything you do comes back to you, telling me I must always be respectful and conscious in relation to others. To cousin Petrônio, in memoriam, for showing me that beauty and happiness can be found in the simplest things in life. ACKNOWLEDGEMENTS Several people have contributed to the final result of this work. Among these, I would particularly like to thank: My advisor Eliane Borges Berutti, for being so contagiously passionate about your research, giving me the chance to see the world from a different perspective; for your time, dedication and patience to guide my steps into this new field in which I was so ignorant; for understanding my limitations even when I was unable to measure how far they went; for consistently praising my rights and criticizing my faults. Thank you so much! My mother Edicéia, for always helping and supporting me; for taking care of my sons so that I could study; for encouraging me to keep on fighting for what I believed was right; and above all, for showing me the good side of being different, even if it goes against some social codes. Thank you! My professors and colleagues from UERJ, for the support, the ideas and the wonderful time we spent together. Thank you all! When we use this constructive approach, identification becomes a shift in perspective rather than a closing of one’s eyes. […] Rather than reducing us to familiar elements, it can offer an introduction into the many layers that construct who we are. […] Identifying myself as a lesbian shifts the emphasis, suggesting a place to begin, not a place to end. Jewelle L. Gomez RESUMO FONTENLA, Janine de Oliveira. Transgenders or transsexuals ? identities, sexualities and genders in The well of loneliness and Stone butch blues. 2009. 105 f. Dissertação (Mestrado em Literaturas em Língua Inglesa) – Instituto de Letras, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2009. Este trabalho tem como propósito analisar as questões de identidade, gênero e sexualidade nos romances The Well of Loneliness, de Radclyffe Hall, e Stone Butch Blues, de Leslie Feinberg. O foco desta análise recai sobre as personagens principais dos romances, Stephen Gordon e Jess Goldberg, que vivem múltiplos conflitos por conta de sua expressão e identidade de gênero não estarem em consonância com seu sexo biológico. A dissertação fundamenta-se nos conceitos teórico-metodológicos da teoria do corpo, na conceituação pós-moderna de identidade e nos conceitos de gênero e sexualidade, assim como seus desdobramentos. Dentre os conceitos considerados relevantes desenvolvidos para essa análise estão os transgenders e transexuais, uma vez que as protagonistas apresentam características congruentes com ambas as categorias. Considerando-se o desenvolvimento das personagens Jess e Stephen, pode-se perceber o caráter múltiplo e processual da identidade pós-moderna, tendo toda a gama de aspectos relacionados a gênero e sexualidade como elementos (trans)formadores. Palavras-chave: Identidade. Gênero. Sexualidade. ABSTRACT The aim of this work is to analyze the issues of identity, gender and sexuality in Radclyffe Hall’s The Well of Loneliness and in Leslie Feinberg’s Stone Butch Blues. The focus of this analysis lies in the main characters of the two novels, Stephen Gordon and Jess Goldberg, who live multiple conflicts since their gender identity and gender expression are not in consonance with their biological sex. The theoretical-methodological fundaments of this thesis are based on the concepts of the theory of the body, on the postmodern conceptualization of identity and the concepts of gender and sexuality, as well as their unfolding. Among the relevant concepts developed for this analysis are the transgenders and transsexuals, once the protagonists display features which are congruent with both categories. Concerning the development of the characters Jess and Stephen, one can notice the multiple and processual nature of the post modern identity, which has a whole range of aspects related to gender and sexuality as (trans)forming elements. Keywords: Identity. Gender. Sexuality. SUMMARY INCLUSION AS A MATTER OF UNDERSTANDING……..……….…….… 9 1 (UN)DEFINING IDENTITY, GENDER AND SEXUALITY…….………….… 22 2 STEPHEN AND HER WELL OF LONELINESS…….………………………. 40 2.1. The bodies in The Well ………………………………….…….….….………. 42 2.2. Social disobedience …..……………………………….……………….…..… 47 2.3. Love and loneliness.……….………………………….……………………… 53 3 JESS GOLDBERG – THE PROCESS OF BECOMING …………….......... 64 3.1. Sculpting the stone.………..……..…………………….………………….. …66 3.2. Pacifying the rivalries.…………………………………………………….….. 73 3.3. Solving the puzzle…………………………………………………..…………. 81 3.4. Stoning the well……………………………………………………..…………. 89 4. TRANSWHAT?! …………………………………………….….…………….... 95 REFERENCES …...…………………………………………...………………. 101 9 INCLUSION AS A MATTER OF UNDERSTANDING “Sexuality was a subject of intense interest and speculation to the intellectuals of Bloomsberry1” (Rule, 2001, 81), still being a frequent and important subject discussed in our postmodern society, especially due to the misconceptions, misjudgments and mainly the prejudice around it. Therefore, studies concerning sexuality, gender, and other related topics must be developed in order to avoid the aforementioned problems, many times derived from lack of understanding and information on the subject. Inclusion is also an update issue in society that apparently has recently been trying to be more tolerant, not to say receptive regarding differences in general, and here, in particular, differences in gender identity and expression as well as in sexual orientation. It is essential to point at the conceptual distinction between these two subjects, gender and sex. Although they are related to a certain extent, they are far from having similar meanings. There are clear boundaries that classify genders, masculine and feminine, concerning social behaviors based on characteristic stereotypes. Men are expected to be masculine; so as women are expected to be feminine, consequently they must act and dress accordingly. When people do not match these stereotypes, they tend to be excluded. Instead, if one tries to take an inclusive action, it is necessary to extinguish, or at least, make those gender boundaries more flexible, in order to dissolve the existing prejudice. Similarly, sexual orientation follows a strict pattern – a man is supposed to love and feel attracted to a woman and vice versa – leaving no space for diversity. There is diversity though! Therefore, people must recognize the unfolding of love and sexual attraction, making it possible to see beyond the binary sexual system imposed by the traditional western culture. In his essay entitled “Literatura, homoerotismo e pós-modernidade”, Leonardo Mendes quotes Zygmunt Bauman when he states that
Recommended publications
  • Putney Sofka Zinovieff
    AUGUST 2018 Putney Sofka Zinovieff From the acclaimed author comes a brilliant, challenging novel about a bohemian family in 1970s London and the consequences of a taboo relationship Sales points • Sofka Zinovieff 's previous books have received widespread critical acclaim. Her most recent, The Mad Boy, Lord Berners, My Grandmother and Me was a New York Times Editors ' Choice, 2015. Putney will have a major publicity campaign, including masses of author interviews and events. • Sensitively exploring a taboo subject (a sexual relationship between a child and an adult), this novel is a perfect book club read. • Will appeal to fans of Lolita by Vladimir Nabokov, The Line of Beauty by Alan Hollinghurst, Never Mind by Edward St Aubyn and Diary of a Teenage Girl by Phoebe Gloeckner. Description From the acclaimed author comes a brilliant, challenging novel about a bohemian family in 1970s London and the consequences of a taboo relationship Ralph Boyd 's first glimpse of 9 year-old Daphne will be etched on his mind forever. Dark, teasing, slippery as mercury, she seems neither boy nor girl, but sprite something elemental. An up-and-coming composer, Ralph is visiting the writer Edmund Greenslay at his riverside home in Putney to discuss a collaboration. In its colourful rooms and unruly garden, Ralph finds an intoxicating world of sensuous ease and bohemian abandon that captures the mood of the moment. Entranced, he knows he will return. But Ralph is twenty-five and Daphne is only a child, and even in the liberal 1970s a fast-burgeoning relationship between a man and his friend 's daughter must be kept secret.
    [Show full text]
  • Genre Trouble in Radclyffe Hall's the Well of Loneliness
    This is a repository copy of An ‘ordinary novel’: genre trouble in Radclyffe Hall's The Well of Loneliness. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/99000/ Version: Accepted Version Article: Roche, H (2018) An ‘ordinary novel’: genre trouble in Radclyffe Hall's The Well of Loneliness. Textual Practice, 32 (1). pp. 101-117. ISSN 0950-236X https://doi.org/10.1080/0950236X.2016.1238001 © 2016 Informa UK Limited, trading as Taylor & Francis Group. This is an Accepted Manuscript of an article published by Taylor & Francis in Textual Practice on 03 November 2016, available online: http://www.tandfonline.com/10.1080/0950236X.2016.1238001. Uploaded in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ An ‘ordinary novel’: Genre Trouble in Radclyffe Hall’s The Well of Loneliness Author Hannah Roche Affiliations University of Leeds; Harry Ransom Center, The University of Texas at Austin Contact information Email: [email protected] Postal address: School of English, University of Leeds, Woodhouse Lane, Leeds, LS2 9JT Telephone: 07841 480842 Acknowledgments This work was supported by the Arts and Humanities Research Council under Grant AH/K503095/1 and Grant AH/L01534X/1.
    [Show full text]
  • Introduction
    Notes Introduction 1. See Lucy Bland, Banishing the Beast: Sexuality and the Early Feminists (London: Penguin, 1995); Joseph Bristow, Sexuality (London: Routledge, 1997). 2. Franz X. Eder, Lesley Hall and Gert Hekma (eds), Sexual Cultures in Europe: National Histories (Manchester: Manchester University Press, 1999) and their Sexual Cultures in Europe: Themes in Sexuality (Manchester: Manch- ester University Press, 1999). See also Lucy Bland and Laura Doan (eds), Sexology in Culture: Labelling Bodies and Desires (Cambridge: Polity, 1998); Carolyn J. Dean, Sexuality and Modern Western Culture (New York: Twayne, 1996); John D’Emilio and Estelle B. Freedman, Intimate Matters: A History of Sexuality in America (New York: Harper & Row, 1988); Vernon A. Rosario (ed.), Science and Homosexualities (New York: Routledge, 1997). 3. Important studies include Bland, Banishing the Beast; Laura Doan, Fashion- ing Sapphism: The Origins of a Modern Lesbian Culture (New York: Columbia University Press, 2000); Martha Vicinus, Intimate Friends: Women Who Loved Women, 1778–1928 (Chicago: University of Chicago Press, 2004); Sharon Marcus, Between Women: Friendship, Desire and Marriage in Victo- rian England (Princeton: Princeton University Press, 2007); Joseph Bristow, Effeminate England: Homosexual Writing After 1885 (New York: Columbia University Press, 1995); Matt Cook, London and the Culture of Homo- sexuality, 1885–1914 (Cambridge: Cambridge University Press, 2003); David Halperin, One Hundred Years of Homosexuality and Other Essays on Greek Love (New York: Routledge, 1990); Harry Oosterhuis, Stepchildren of Nature: Krafft-Ebing, Psychiatry and the Making of Sexual Identity (Chicago: University of Chicago Press, 2000). 4. Gert Hekma, ‘ “A Female Soul in a Male Body”: Sexual Inversion as Gender Inversion in nineteenth-Century Sexology’, in Gilbert Herdt (ed.), Third Sex, Third Gender: Beyond Sexual Dimorphism in Culture and History (New York: Zone Books, 1994), 213–39.
    [Show full text]
  • Silence Us Again. Nancy Manahan Napa College
    Barbara Grier sets before us our entire literary heritage. Through her work we become visible to ourselves. This new expanded edition of The Lesbian in Literature is a must for the general reader as well as the serious collector. Here we meet all our ancestors and learn what they meant to their worlds and what they mean to our own. My own personal excitement about this book is beyond words. Jenny Feder Three Lives & Company, Ltd. Beginning with the first edition, The Lesbian in Literature has been a life line, helping me move from isolation and fear into a community of my Lesbian sisters and foremothers. It combats If the erasure of our past. It proclaims we have existed, we have struggled, we have loved, we have written. These affirmations are crucial at a time when patriarchal forces are mobilizing to silence us again. Nancy Manahan Napa College For ten years, The Lesbian in Literature bibliography has been my bible, almanac, and encyclopedia all rolled in one. Opening its pages is like opening a casket of jewels. May generations of Lesbians continue to be enriched and empowered by this wonderful work. Bonnie Zimmerman San Diego State University THE LESBIAN IN LITERATURE . , ,I, '." !' I ,r •• ."•• W< ',', ",,"po .", . THE LESBIANIN LITERATURE BARBARA GRIER the ~d -~lili / inc. 1981 THIS BOOK IS DEDICATED TO DONNA J. McBRIDE Copyright © 198 l by Barbara Grier All rights reserved. No part of Ibis book-may be reproduced or transmitted in ani'form or'by any"means,electronic or mechanical, including photocopying; without permission in writing from the publisher.
    [Show full text]
  • Homosexuality As Contagion: from the Well of Loneliness to the Boy Scouts Nancy J
    Hofstra Law Review Volume 29 | Issue 2 Article 2 2000 Homosexuality as Contagion: From the Well of Loneliness to the Boy Scouts Nancy J. Knauer Follow this and additional works at: http://scholarlycommons.law.hofstra.edu/hlr Part of the Law Commons Recommended Citation Knauer, Nancy J. (2000) "Homosexuality as Contagion: From the Well of Loneliness to the Boy Scouts," Hofstra Law Review: Vol. 29: Iss. 2, Article 2. Available at: http://scholarlycommons.law.hofstra.edu/hlr/vol29/iss2/2 This document is brought to you for free and open access by Scholarly Commons at Hofstra Law. It has been accepted for inclusion in Hofstra Law Review by an authorized administrator of Scholarly Commons at Hofstra Law. For more information, please contact [email protected]. Knauer: Homosexuality as Contagion: From the Well of Loneliness to the Bo HOMOSEXUALITY AS CONTAGION: FROM THE WELL OFLONELINESS TO THE BOY SCOUTS Nancy J. Knauer* I. ITTRODUCTION ......................................................................... 403 II. THE WELL OF LONELINESS AND THE MEDICO-SCIENTIFIC MODEL OF HOMOSEXUALITY ................................................... 410 A. The Early Sexologists ........................................................ 413 1. Krafft-Ebing and Ellis ................................................. 414 2. Liberatory Value of the New Science ......................... 417 3. Foucault and "Reverse Discourse" .............................. 418 B. The Well of Loneliness ..................................................... 422 1. Constructing
    [Show full text]
  • Radclyffe Hall and Una Troubridge
    Radclyffe Hall and Una Troubridge: A Preliminary Inventory of Their Papers at the Harry Ransom Center Descriptive Summary Creators Hall, Radclyffe, 1880-1943, and Troubridge, Una Vincenzo, Lady, 1887-1963 Title Radclyffe Hall and Una Troubridge Papers Dates: circa 1900-1962 Extent 36 document boxes, 1 custom box (15.33 linear feet) Abstract: This collection includes holograph notebooks and typescript drafts of Hall's works, as well as business papers, photographs, scrapbooks, and piano-vocal scores; and Troubridge's day books and diaries, correspondence, translations, drafts and galleys of her biography of Hall, and photograph and clippings albums. Language English Access Open for research Administrative Information Acquisition Purchase, 1996 (R13774) Processed by Liz Murray, 1997 Repository: Harry Ransom Center, University of Texas at Austin Hall, Radclyffe, 1880-1943, and Troubridge, Una Vincenzo, Lady, 1887-1963 Scope and Contents This collection of British novelist Radclyffe Hall and her companion of 28 years, Una Vincenzo, Lady Troubridge, complimets Radclyffe Hall material previously received at the Ransom Center, including a typescript of Hall's The Sixth Beatitude and letters of Hall and Troubridge to Evguenia Souline, 1934-1942, which are described separately. The materials described in this inventory include handwritten notebooks and typescript drafts of Hall's works, as well as business papers, photographs, scrapbooks, and piano-vocal scores; and Troubridge's day books and diaries, correspondence, translations, drafts and galleys of her biography of Hall, and photograph and clippings albums. After Hall's death in 1943, this material remained in Troubridge's possession and was bequeathed to her friend Nicola Rossi-Lemeni upon her death in 1963.
    [Show full text]
  • Breaking the Socio-Cultural Norms: Gender and Identity in Radclyffe Hall’S the Well of Loneliness and Rita Mae Brown’S Ruby Fruit Jungle Meghna Middha and Prof
    Paper prepared for The 6th Euroacademia International Conference Identities and Identifications: Politicized Uses of Collective Identities Florence, Italy 22 – 23 June 2017 This paper is a draft Please do not cite or circulate Breaking the Socio-Cultural Norms: Gender and Identity in Radclyffe Hall’s The Well of Loneliness and Rita Mae Brown’s Ruby Fruit Jungle Meghna Middha and Prof. Gur Pyari Jandial Dayalbagh Educational Institute India Abstract In 1990 Judith Butler asserted in her path breaking work, Gender Trouble that sex is biological and gender is a performative, and an illusionary social construct. Radclyffe Hall’s The Well of Loneliness and Rita Mae Brown’s Ruby Fruit Jungle are canonical works of lesbian fiction known for their unconventional protagonists who stand in opposition to the gender binaries. The Well of Loneliness was published in 1928, and lead to much outrage and criticism because it dealt with non- normative sexuality. Ruby fruit Jungle was published in 1973, soon after the 1969 Gay rights Movement. Theorists like Judith Butler, Eve Kosofsky Sedgwick and Adrienne Rich wrote about breaking of the hegemonies of sexual identity and gender in the late twentieth century. The protagonists of these novels stand strong against these rigid structures of the society. Through characters the writers boldly portray ‘Sexual Inversion’, a term for homosexuality used by the sexologists of the late 19th and early 20th century like Richard von Krafft-Ebing, and Havelock Ellis. The precocious and independent character of Moly Bolt from Brown’s novel stands in contrast to the anguish of Stephen Gordon, a lesbian and one of the first ‘invert’ characters in the history of lesbian fiction.
    [Show full text]
  • Englishness, Literature and Sexuality, 1918-1939
    BODIES, BOOKS AND THE BUCOLIC: ENGLISHNESS, LITERATURE AND SEXUALITY, 1918-1939 WREN SIDHE A thesis submitted to Cheltenham and Gloucester College of Higher Education in accordance with the requirements of the degree of Doctor of Philosophy in the Faculty of Arts and Humanities May 2001 ABSTRACT The hypothesisthis thesistests is that interwar hegemonicdiscourses of Englishness locatedit as originating in the heterosexualbond betweena masculinenational subject and a feminine nature/landscape.Discursively, this left little spacefor women to insert themselvesinto sucha cultural formation. However, a paradoxof this heterosexualising 0 cultural matrix may havebeen to give a voice to lesbiansubjectivity, sinceIf 'women' might not be English, could lesbiansbe? If national land was figured as feminine, and women desiredidentification with their country-as-land,to becomeEnglish might mean for somewomen that they shouldbecome lesbian. In order to explore this, three main questionsare examined.Firstly, to what extent did the dominant discourseof the rural in the interwar period define 'Englishness'as masculineand 'Nature' as feminine? Secondly,if women were excludedfrom this discursiveheterosexual relationship, can it be seenparadoxically to haveopened up a spacefor alternativesexualities to emerge? If lesbianismwere an instanceof the latter, then what writing strategieswere adoptedin order to articulatea relationshipbetween Englishness and lesbianism?Thirdly, what can censoredand other literary texts of the period reveal aboutthe relationsbetween such an English masculinenational subject,the meaningand powersattributed to literature,and forbidden sexualitiesand subjectivities? In its analysisof the relationshipbetween national identity, geographical location and sexuality,this thesiscontributes to studiesof Englandand Englishness through the addition of the conceptof 'sexuality' to an understandingof their construction.It also contributesto lesbianand gay critical theory by examiningthe nationalprocesses which impinge of the construýtionof the homosexualsubject.
    [Show full text]
  • Queer Literary Criticism and the Biographical Fallacy Shawna Lipton University of Wisconsin-Milwaukee
    University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2016 Queer Literary Criticism and the Biographical Fallacy Shawna Lipton University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the English Language and Literature Commons, and the Gender and Sexuality Commons Recommended Citation Lipton, Shawna, "Queer Literary Criticism and the Biographical Fallacy" (2016). Theses and Dissertations. 1171. https://dc.uwm.edu/etd/1171 This Dissertation is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. QUEER LITERARY CRITICISM AND THE BIOGRAPHICAL FALLACY by Shawna Lipton A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English at The University of Wisconsin-Milwaukee May 2016 ABSTRACT QUEER LITERARY CRITICISM AND THE BIOGRAPHICAL FALLACY by Shawna Lipton The University of Wisconsin-Milwaukee, 2016 Under the Supervision of Professor Jane Gallop “Queer Literary Criticism and the Biographical Fallacy” engages with three fields of inquiry within literary studies: queer literary criticism, modernist studies, and author theory. By looking at the critical reception of four iconic queer modernist authors – Oscar Wilde, Henry James, Radclyffe Hall, and Virginia Woolf– this dissertation reinvestigates the relation between criticism and the figure of the author. Queer criticism-- despite its fundamental critique of identity—relies on the identity of the author when it blurs the distinction between the literary text and the author’s biography.
    [Show full text]
  • “When a Woman Speaks the Truth About Her Body”: Ethel Smyth, Virginia Woolf, and the Challenges of Lesbian Auto/Biography
    City Research Online City, University of London Institutional Repository Citation: Wiley, C. (2004). “When a woman speaks the truth about her body”: Ethel Smyth, Virginia Woolf, and the challenges of lesbian auto/biography. Music and Letters, 85(3), pp. 388-414. doi: 10.1093/ml/85.3.388 This is the unspecified version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/2054/ Link to published version: http://dx.doi.org/10.1093/ml/85.3.388 Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] “When a Woman Speaks the Truth About Her Body”: Ethel Smyth, Virginia Woolf, and the Challenges of Lesbian Auto/biography CHRISTOPHER WILEY Royal Holloway, University of London Whatever is unnamed, undepicted in images, whatever is omitted from biography, censored in collections of letters, whatever is misnamed as something else, made difficult-to-come-by, whatever is buried in the memory by the collapse of meaning under an inadequate or lying language – this will become, not merely unspoken, but unspeakable.
    [Show full text]
  • DH Lawrence, Radclyffe Hall and the Socialization Ofmodem Texts
    Thinking Sex: D. H. Lawrence, Radclyffe Hall and the Socialization ofModem Texts David Balzer Department ofEnglish McGill University, Montreal Submitted December, 2001 A thesis submitted to the Faculty ofGraduate Studies and Research in partial fulfillment ofthe requirements ofthe degree ofMaster ofArts. © Copyright David Balzer, 2001 National Library Bibliothèque nationale 1+1 of Canada du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395. rue Wellington Ottawa ON K1A ON4 OttawaON K1AON4 canada canada The author bas granted a non­ L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library ofCanada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies ofthis thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership ofthe L'auteur conselVe la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts frOID it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permIssion. autorisation. 0-612-78986-1 Canada Balzer 1 TABLE OF CONTENTS Abstracts (English / Français) ....Page 2 Acknowledgements ....Page 4 Introduction ....Page 5 Chapter 1 ....Page 9 Chapter 2 ...Page 31 Chapter 3 and Conclusion ...Page 64 Works Cited and Consulted ...Page 98 Balzer 2 ABSTRACTS i. English This thesis is an examination ofsex in D.
    [Show full text]
  • Social Reforms and Classical Music in British Literature and Culture from 1870 to 1945
    Music Made Meaningful: Social Reforms and Classical Music in British Literature and Culture from 1870 to 1945 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By David Henry Deutsch, M. A. Graduate Program in English The Ohio State University 2011 Dissertation Committee: Sebastian Knowles, Advisor David Adams Mark Conroy Copyright by David H. Deutsch 2011 Abstract This dissertation examines the importance of classical music portrayed in British literature as a means to indicate social worth, intellectual ability, and political identity. Most scholars of music and literature emphasize the abstract, avant-garde influence of quartets and fugues on novels and poetry, overlooking the broader cultural implications of music in Britain. This project demonstrates how, from the 1870s, authors such as Benjamin Jowett, Walter Pater and Oscar Wilde used diverse appreciations of opera and instrumental music to make socio-economic and moral distinctions, as well as to portray political cohesion through communal pleasures. Turning to literature written after 1900, I show how modernist authors such as T. S. Eliot, James Joyce, and Virginia Woolf revised these late-Victorian themes and used an ability to understand classical music as a litmus test for determining a character‟s placement within intellectual hierarchies. To locate these literary concerns within their cultural context, I uncover how journalists depicted concerts in domestic and institutional settings to indicate the value of communities that could create and sustain an art increasingly recognized as nationally important. Having established the social significance of classical music, I detail how writers relied on musical proclivities to justify the value of alienated subcultures to the larger British populace.
    [Show full text]