Works Cited and Index Sara Lennox

Total Page:16

File Type:pdf, Size:1020Kb

Works Cited and Index Sara Lennox University of Massachusetts Amherst ScholarWorks@UMass Amherst Cemetery of the Murdered Daughters: Feminism, History, and Ingeborg Bachmann 1-1-2006 Works Cited and Index Sara Lennox Follow this and additional works at: https://scholarworks.umass.edu/umpress_cotmd Part of the Women's History Commons Lennox, Sara, "Works Cited and Index" (2006). Cemetery of the Murdered Daughters: Feminism, History, and Ingeborg Bachmann. 13. Retrieved from https://scholarworks.umass.edu/umpress_cotmd/13 This Article is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Cemetery of the Murdered Daughters: Feminism, History, and Ingeborg Bachmann by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. WORKS CITED texts by bachmann Bachmann, Ingeborg. The Book of Franza and Requiem for Fanny Goldmann. Trans. Peter Filkins. Evanston, IL: Northwestern UP, 1999. ———. “Gier.” Der dunkle Schatten, dem ich schon seit Anfang folge: Ingeborg Bach- mann: Vorschläge zu einer neuen Lektüre des Werks. Ed. Hans Höller. Wien: Löcker, 1982. 71–61. ———. “The Good God of Manhattan.” Trans. Valerie Tekavec. Ingeborg Bach- mann and Christa Wolf: Selected Prose and Drama. Ed. Patricia A. Herming- house. New York: Continuum, 1998. 55–97. ———. “Immer wieder: Schwarz und Weiss.” Blattzahl 454. Bachmann-Nachlaß. Nationalbibliothek, Wien. ———. In the Storm of Roses: Selected Poems. Trans. and ed. Mark Anderson. Princ- eton: Princeton UP, 1986. ———. Die kritische Aufnahme der Existentialphilosophie Martin Heideggers. 1949. Ed. Robert Pichl. München: Piper, 1985. ———. Malina. 1971.Trans. Philip Boehm. New York: Holmes & Meier, 1990. ———. “Philosophie der Gegenwart.” Blattzahlen 831, 580–593. Bachmann-Nach- laß. Nationalbibliothek, Wien. ———. Römische Reportagen: Eine Wiederentdeckung. Ed. Jörg-Dieter Kogel. München: Piper, 1998. ———. “Sightseeing in an Old City.” Trans. Margaret McCarthy. Ingeborg Bach- mann and Christa Wolf: Selected Prose and Drama. Ed. Patricia A. Herming- house. New York: Continuum, 1998. 3–7. ———. Songs in Flight: The Collected Poems of Ingeborg Bachmann. Trans. Peter Filkins. New York: Marsilio, 1994. { 341 } { 342 } reading bachmann historically ———. The Thirtieth Year. 1961. Trans. Michael Bullock. New York: Knopf, 1964. ———. Three Paths to the Lake. 1972. Trans. Mary Fran Gilbert. New York: Holmes & Meier, 1989. ———. “Todesarten”-Projekt. Ed. Dirk Göttsche and Monika Albrecht. 4 vols. München: Piper, 1995. ———. “To Die for Berlin.” Trans. Lilian Friedberg. “If We Had the Word”: Ingeborg Bachmann. Views and Reviews. Ed. Gisela Brinker-Gabler and Markus Zisselsberger. Riverside, CA: Ariadne, 2004. 7–17. ———. Werke. Ed. Christine Koschel, Inge von Weidenbaum, and Clemens Münster. 4 vols. München: Piper, 1978. ———. “Der Wiener Kreis: Logischer Positivismus—Philosophie als Wissenschaft.” Blattzahlen 5274–5298. Bachmann-Nachlaß. Nationalbibliothek, Wien. ———. Wir müssen wahre Sätze finden: Gespräche und Interviews. Ed. Christine Koschel and Inge von Weidenbaum. München: Piper, 1983. secondary literature Abel, Elizabeth, ed. Writing and Sexual Difference. Chicago: U of Chicago P, 1982. Abelshauser, Werner. Die Langen Fünfziger Jahre: Wirtschaft und Gesellschaft der Bundesrepublik Deutschland 1949–1966. Düsseldorf: Schwann, 1987. Abu-Lughod, Lila. “A Community of Secrets: The Separate World of Bedouin Women.” Signs 10.4 (1985): 637–657. Achberger, Karen. “Bachmann und die Bibel: ‘Ein Schritt nach Gomorrha’ als weib- liche Schöpfungsgeschichte.” Der dunkle Schatten, dem ich schon seit Anfang folge: Ingeborg Bachmann: Vorschläge zu einer neuen Lektüre des Werks. Ed. Hans Höller. Wien: Löcker, 1982. 97–110. ———. “Beyond Patriarchy: Ingeborg Bachmann and Fairytales.” Modern Austrian Literature 18.3/4 (1985): 211–222. ———. Understanding Ingeborg Bachmann. Columbia: U of South Carolina P, 1995. Ackelsberg , Martha. “‘Separate and Equal’? Mujeres Libres and Anarchist Strategy for Women’s Emancipation.” Feminist Studies 11.1 (1985): 63–83. Adelson, Leslie. Making Bodies, Making History: Feminism and German Identity. Lincoln: U of Nebraska P, 1993. Adorno, Theodor W. Minima Moralia: Reflexionen aus dem beschädigten Leben. Frankfurt/M: Suhrkamp, 1969. ———. “What Does Coming to Terms with the Past Mean?” Trans. Timothy Bahti and Geoffrey Hartman. Bitburg in Moral and Political Perspective. Ed. Geoffrey H. Hartman. Bloomington: Indiana UP, 1986. 114–129. Agnese, Barbara, and Robert Pichl, eds. Special Issue Ingeborg Bachmann. Cultura tedesca 25 (2004). Albrecht, Monika. “‘A man. A woman . .’: Narrative Perspective and Gender Discourse in Ingeborg Bachmann’s Malina.” If We Had the Word: Ingeborg Bachmann. Views and Reviews. Ed. Gisela Brinker-Gabler and Markus Zisselsberger. Riverside, CA: Ariadne, 2004. 127–149. works cited { 343 } ———. “ ‘Es muß erst geschrieben werden’: Kolonisation und magische Weltsicht in Ingeborg Bachmanns Romanfragment Das Buch Franza.” “Über die Zeit schreiben”: Literatur-und kulturwissenschaftliche Essays zu Ingeborg Bach- manns “Todesarten”-Projekt. Ed. Monika Albrecht and Dirk Göttsche. Würzburg: Königshausen & Neumann, 1998. 59–91. ———. “Postkolonialismus und Kritischer Exotismus.” Bachmann-Handbuch: Leben —Werk—Wirkung. Ed. Monika Albrecht and Dirk Göttsche. Stuttgart: Metzler, 2002. 255–258. ———. “‘Sire, this village is yours’: Ingeborg Bachmanns Romanfragment Das Buch Franza aus postkolonialer Sicht.” “Über die Zeit schreiben” 3: Literatur- und kulturwissenschaftliche Essays zum Werk Ingeborg Bachmanns. Ed. Monika Albrecht and Dirk Göttsche. Würzburg: Königshausen & Neumann, 2004. 159–169. ———. “Text-Torso oder Trümmerfeld? Ingeborg Bachmanns ‘Todesarten’-Pro- jekt im Jahr 1973.” “Text-Tollhaus für Bachmann-Süchtige?” Lesarten zur kritischen Ausgabe von Ingeborg Bachmanns “Todesarten”-Projekt. Ed. Irene Heidelberger-Leonard. Opladen: Westdeutscher Verlag, 1998. 28–46. Albrecht, Monika, and Dirk Göttsche, eds. Bachmann-Handbuch: Leben—Werk— Wirkung. Stuttgart: Metzler, 2002. ———, E-mail to women_in_german listserv. 18 May 1998. ———, ed. “Über die Zeit schreiben”: Literatur- und kulturwissschaftliche Essays zum Werk Ingeborg Bachmanns. Würzburg: Königshausen & Neumann, 1998. ———, ed. “Über die Zeit schreiben”2: Literatur- und kulturwissschaftliche Essays zum Werk Ingeborg Bachmanns. Würzburg: Königshausen & Neumann, 2000. ———, ed. “Über die Zeit schreiben”3: Literatur- und kulturwissschaftliche Essays zum Werk Ingeborg Bachmanns. Würzburg: Königshausen & Neumann, 2004. ———, “Vorwort.” Bachmann-Handbuch: Leben—Werk—Wirkung. Ed. Monika Albrecht and Dirk Göttsche. Stuttgart: Metzler, 2002. vii–ix. Alcoff, Linda. “Cultural Feminism versus Post-Structuralism: The Identity Crisis in Feminist Theory.” Signs 13.3 (1988): 405–436. Allen, Ann Taylor. “Mothers of the New Generation: Adele Schreiber, Helene Stöcker, and the Evolution of a German Idea of Motherhood, 1900–1914.” Signs 10.3 (1985): 418–438. Allen, Carolyn J. “Critical Response: Feminist(s) Reading: A Response to Elaine Showalter.” Writing and Sexual Difference. Ed. Elizabeth Abel. Chicago: U of Chicago P, 1982. 298–303. Alsop, Stewart. “Sterben für Berlin?” Der Spiegel. 15 November 1961. 73–79. Althusser, Louis. Lenin and Philosophy and Other Essays. New York: Monthly Review, 1971. Altman, Dennis. “A New Barbarism.” Socialist Review 15.1 (1985): 7–12. Aly, Götz. Macht, Geist, Wahn: Kontinuitäten deutschen Denkens. Berlin: Argon, 1997. Anders, Günther. “Die Welt als Phantom und Matrize: Philosophische Gedanken zu Rundfunk und Fernsehen.” Merkur 9.5 (1955): 401–416; 9.6 (1955): 533– 544; 9.7 (1955): 636–652. { 344 } works cited Appadurai, Arjun. Modernity at Large: Cultural Dimensions of Globalization. Minneapolis: U of Minnesota P, 1996. Arendt, Hannah. Eichmann in Jerusalem. New York: Viking, 1963. Ashcroft, Bill, Gareth Griffiths, and Helen Tiffin, eds. The Empire Writes Back: Theory and Practice in Postcolonial Literatures. London: Routledge, 1989. Atzler, Elke. “Ingeborg Bachmanns Roman ‘Malina’ im Spiegel der literarischen Kritik.” Jahrbuch der Grillparzer-Gesellschaft. 3. Folge. 15 (1983): 155–171. Auerbach, Judy, Linda Blum, Vicki Smith, and Christine Williams. “Commentary on Gilligan’s In a Different Voice.” Feminist Studies 11.1 (1985): 149–161. Auerbach, Nina. Woman and the Demon: The Life of a Victorian Myth. Cambridge, MA: Harvard UP, 1982. Austin, Gerhard. “Malina: Ingeborg Bachmann’s Text, Elfriede Jelinek’s Filmbook, and Werner Schroeter’s Film.” Thunder Rumbling at My Heels: Tracing Ingeborg Bachmann. Ed. Gudrun Brokoph-Mauch. Riverside, CA: Ariadne, 1998. 3–23. Baackmann, Susanne. “‘Beinah mörderisch wahr’: Die neue Stimme der Undine: Zum Mythos von Weiblichkeit und Liebe in Ingeborg Bachmanns ‘Undine geht.’” German Quarterly 68.1 (1995): 45–59. ———. “Ein Nichts, . eine geträumte Substanz? Zur Schreibweise von Weiblich- keit in Ingeborg Bachmanns Erzählband ‘Das dreißigste Jahr.’” text + kritik Sonderband Ingeborg Bachmann. 5. Auflage: Neufassung. München: text + kritik, 1995. 71–83. ———. Erklär mir Liebe: Weibliche Schreibweisen von Liebe in der Gegenwartslitera- tur. Berlin: Argument, 1995. ———. Reply to Holschuh. German Quarterly 68.4 (1995): 433–435. Bachmann, Dieter. Editorial. Du September 1994: 13, 15. Bail, Gabriele. Weibliche Identität: Ingeborg Bachmanns “Malina.” Göttingen: Edition Herodot, 1984. Balzac, Honoré de. The Works of Honoré de Balzac. 18 vols. New York: Bigelow, 1910. Barthes, Roland. Writing Degree Zero. Trans. Annette
Recommended publications
  • The Variants of Warburg's Manuscripts on His Indian
    The Epistemic Advantage of Self-Analysis for Cultural-Historical Insights: The variants of Warburg’s manuscripts on his Indian Journey A vantagem epistêmica da autoanálise para insights histórico-culturais: as variantes dos manuscritos de Warburg em sua jornada indígena Dra. Sigrid Weigel Como citar: WEIGEL, S. The Epistemic Advantage of Self-Analysis for Cultural- Historical Insights: The variants of Warburg’s manuscripts on his Indian Journey. MODOS. Revista de História da Arte. Campinas, v. 4, n.3, p.386-404, set. 2020. Disponível em: ˂https://www.publionline.iar.unicamp.br/index.php/mod/article/view/4 794˃; DOI: https://doi.org/10.24978/mod.v4i3.4794. Imagem: The Diptych Oraibi (GUIDI; MANN, 1998). The Epistemic Advantage of Self-Analysis for Cultural-Historical Insights: The variants of Warburg’s manuscripts on his Indian Journey A vantagem epistêmica da autoanálise para insights histórico-culturais: as variantes dos manuscritos de Warburg em sua jornada indígena Dra. Sigrid Weigel* Abstract The article is devoted to analyze different versions and drafts of the 1923 Warburg’s Lecture, held in Kreuzlingen in 1923, on his travel to the United States in 1895/96, at the end of his long convalescence in the sanatorium of Ludwig Binswanger, as well as the respective lectures of 1897. This essay focuses on how the dispersion of these texts, their different dates and interferences in publications over decades had epistemological implications in the interpretation of his famous Conference. Thus, the contrast between fundamental points of these texts, both in their forms and contents – including deliberate terminological fluctuations –, raises theoretical questions that interfere with the understanding of Warburg’s work in its methodological specificity.
    [Show full text]
  • Bachmann's Feminist Reception
    CHAPTER 2 Bachmann’s Feminist Reception One must in general be able to read a book in different ways and to read it differently today than tomorrow. (Ingeborg Bachmann, Wir müssen wahre Sätze finden) Every reader, when he reads, is in reality a reader of himself. —Ingeborg Bachmann, Werke, quoting Proust Since the late 1970s, the enthusiastic response of feminist readers, critics, and scholars to the writing of Ingeborg Bachmann has produced a radical reassessment of her work. As I explained in chapter 1, she owed her reputation during her lifetime to the two highly accomplished volumes of lyric poetry she published in the 1950s, Die gestundete Zeit and Anrufung des Großen Bären. Her critics responded more negatively to her subsequent attempts at prose fiction, The Thirtieth Year (1961) and the first finished volumes of her “Ways of Death” cycle, Malina (1971) and Three Paths to the Lake (1972). But after her death in 1973, feminist readers rediscovered her fiction, now focusing their attention on representations of femininity in the “Ways of Death,” augmented in 1978 by the posthumous publication of two novel fragments, The Franza Case (now called The Book of Franza) and Requiem for Fanny Goldmann. By the 1980s “the other Ingeborg Bachmann,” as Sigrid Weigel termed her (“Andere” 5), had achieved the status of cult figure within German feminism; feminist literary scholars’ spirited and subtle reinterpretations of her writing had produced a renaissance in Bachmann scholarship; and Bachmann’s texts had become central to the Ger- man feminist literary canon. In a study of Bachmann’s reception before 1973, Constance Hotz argues that 1950s journalists constructed an image of her that met the political needs of their era, turning Bachmann into an “exemplum for [Germany’s] reconstruction, its reattainment of international standards, its reachievement of recognition in the world” (72).
    [Show full text]
  • ICE2014 Fascism Vs. Utopia in Ingeborg Bachmann's Malina
    Fascism vs. Utopia in Ingeborg Bachmann's Malina . Nina Beguš [email protected] Resurrections: 21st International Conference of Europeanists Washington, D.C., March 14, 2014 Nina Beguš Fascism vs. Utopia in Malina CES 2014 1 / 15 Outline 1. Introduction 2. Elements of Fascism and Utopia 3. Conclusion Nina Beguš Fascism vs. Utopia in Malina CES 2014 2 / 15 Outline 1. Introduction 2. Elements of Fascism and Utopia 3. Conclusion Nina Beguš Fascism vs. Utopia in Malina CES 2014 2 / 15 Outline 1. Introduction 2. Elements of Fascism and Utopia 3. Conclusion Nina Beguš Fascism vs. Utopia in Malina CES 2014 2 / 15 componist Hanz Werner H poet Paul C novelist Max F Gruppe 47 etc. Modernism Inluences: H's and W's philosophy of language Introduction The author Ingeborg B (Klagenfurt, 1926 - Rome, 1973) Poet, playwright, author, essayist, translator Nina Beguš Fascism vs. Utopia in Malina CES 2014 3 / 15 componist Hanz Werner H poet Paul C novelist Max F Gruppe 47 etc. Inluences: H's and W's philosophy of language Introduction The author Ingeborg B (Klagenfurt, 1926 - Rome, 1973) Poet, playwright, author, essayist, translator Modernism Nina Beguš Fascism vs. Utopia in Malina CES 2014 3 / 15 Introduction The author Ingeborg B (Klagenfurt, 1926 - Rome, 1973) Poet, playwright, author, essayist, translator Modernism Inluences: H's and W's philosophy of language componist Hanz Werner H poet Paul C novelist Max F Gruppe 47 etc. Nina Beguš Fascism vs. Utopia in Malina CES 2014 3 / 15 Introduction Structure of the novel & characteristics of each chapter part 1: H 2: T T 3: L I M T main character Ivan father Malina genres fairytale, 34 dreams, dramatic dialog, interview, analyzed with letters, notation letters, notation Malina level emotional subconscious rational last sentence Vienna is silent.
    [Show full text]
  • Core Reading List for M.A. in German Period Author Genre Examples
    Core Reading List for M.A. in German Period Author Genre Examples Mittelalter (1150- Wolfram von Eschenbach Epik Parzival (1200/1210) 1450) Gottfried von Straßburg Tristan (ca. 1210) Hartmann von Aue Der arme Heinrich (ca. 1195) Johannes von Tepl Der Ackermann aus Böhmen (ca. 1400) Walther von der Vogelweide Lieder, Oskar von Wolkenstein Minnelyrik, Spruchdichtung Gedichte Renaissance Martin Luther Prosa Sendbrief vom Dolmetschen (1530) (1400-1600) Von der Freyheit eynis Christen Menschen (1521) Historia von D. Johann Fausten (1587) Das Volksbuch vom Eulenspiegel (1515) Der ewige Jude (1602) Sebastian Brant Das Narrenschiff (1494) Barock (1600- H.J.C. von Grimmelshausen Prosa Der abenteuerliche Simplizissimus Teutsch (1669) 1720) Schelmenroman Martin Opitz Lyrik Andreas Gryphius Paul Fleming Sonett Christian v. Hofmannswaldau Paul Gerhard Aufklärung (1720- Gotthold Ephraim Lessing Prosa Fabeln 1785) Christian Fürchtegott Gellert Gotthold Ephraim Lessing Drama Nathan der Weise (1779) Bürgerliches Emilia Galotti (1772) Trauerspiel Miss Sara Samson (1755) Lustspiel Minna von Barnhelm oder das Soldatenglück (1767) 2 Sturm und Drang Johann Wolfgang Goethe Prosa Die Leiden des jungen Werthers (1774) (1767-1785) Johann Gottfried Herder Von deutscher Art und Kunst (selections; 1773) Karl Philipp Moritz Anton Reiser (selections; 1785-90) Sophie von Laroche Geschichte des Fräuleins von Sternheim (1771/72) Johann Wolfgang Goethe Drama Götz von Berlichingen (1773) Jakob Michael Reinhold Lenz Der Hofmeister oder die Vorteile der Privaterziehung (1774)
    [Show full text]
  • The Schmittian Messiah in Agamben's the Time That Remains Author(S): by Brian Britt Source: Critical Inquiry, Vol
    The Schmittian Messiah in Agamben's The Time That Remains Author(s): By Brian Britt Source: Critical Inquiry, Vol. 36, No. 2 (Winter 2010), pp. 262-287 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/10.1086/648526 . Accessed: 05/02/2014 10:38 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press is collaborating with JSTOR to digitize, preserve and extend access to Critical Inquiry. http://www.jstor.org This content downloaded from 128.173.127.143 on Wed, 5 Feb 2014 10:38:34 AM All use subject to JSTOR Terms and Conditions The Schmittian Messiah in Agamben’s The Time That Remains Brian Britt For Giorgio Agamben, Alain Badiou, and Slavoj Zˇ izˇek the New Testa- ment writings attributed to Paul have much to say on contemporary de- bates over politics and religious tradition.1 Unlike other thinkers who have turned to Paul at moments of crisis and innovation, Badiou, Zˇ izˇek, and Agamben neither write as theologians nor profess Christianity. In what some have called our postsecular present, religious tradition has become a serious category of analysis in circles of political and cultural theory for the first time.
    [Show full text]
  • Heinrich Von Kleist
    Heinrich von Kleist: Das gescheiterte Genie (Paper VIII, Paper X) Tue 2-3 (wks: 5-8), Taylor Institution Rm 2 This four-week lecture will cover the life and selected writings of Heinrich von Kleist. Besides the prescribed text for paper X, the play ‘Prinz Friedrich von Homburg’, the course will focus on the modernity and openness of Kleist’s work, making him up until the present day one of the most eminent authors in German language. His reputation becomes apparent in the continuous presence of his plays on German stages. While none of his works is autobiographic in a narrow sense, his narrative prose and his plays in many ways reflect the author’s personal struggle with emotions, sexuality and his failure ever to pursue a satisfactory career. To a certain extent, Kleist can be regarded as the contemporary counterpart to Johann Wolfgang von Goethe, the omnipotent embodiment of artistic genius. Finally, the lecture will address Kleist’s unabated relevance, exploring the ambiguities of justice and violence in texts like ‘Michael Kohlhaas’ and ‘die Hermannsschlacht’. This course will be held in German, which makes it particularly suitable for 2nd year students intending to spend their year abroad at a German university and for finalists who would like to improve their German language skills, in particular with relation to literature. To support language learning alongside the lecture’s literary subject matter, specific vocabulary will be addressed and the content will be recapitulated regularly throughout the lecture. Lecture plan: Week 5: Kleist: Leben – Themen – Rezeption Week 6: Widersprüche der Lektüre: Das Erdbeben in Chili Week 7: Die Geburt des Partisanen aus dem Geist der Poesie: Michael Kohlhaas / Die Hermannsschlacht Week 8: Traum und Wirklichkeit: Prinz Friedrich von Homburg Letters in German Literature: From Goethe's ‚’Werther’ to Kafka's 'Brief an den Vater' (Paper VIII, Paper X) Tue 9-10 (wks:1-8), 47 Wellington Square, Grnd Flr Lec Rm 1 This seminar will address the role of the letter in the history of German literature through selected examples.
    [Show full text]
  • Publikationen
    Konstanze Fliedl: Publikationen ▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬ A. Bücher ......................................1 B. Aufsätze .................................... 3 C. Rezensionen, Besprechungen ............... 12 ▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬ A. Bücher und Herausgeberschaften 1) Arthur Schnitzler. Poetik der Erinnerung. Wien: Böhlau 1997 (= Literatur in der Geschich- te – Geschichte in der Literatur 42), 567 S. 2) Zeitroman und Heilsgeschichte. Elisabeth Langgässers „Märkische Argonautenfahrt“. Wien: Braumüller 1986 (= Wiener Arbeiten zur Literatur 12), 152 S. 3) (Mitarb.:) Arthur Schnitzler: Tagebuch 1893–1902. Unter Mitwirkung v. Peter Michael Braunwarth u.a. Hg. v. d. Kommission für literarische Gebrauchsformen der Österreichi- schen Akademie der Wissenschaften, Obmann: Werner Welzig. Wien: Verlag der Österrei- chischen Akademie der Wissenschaften 1989 4) (Hg.) Arthur Schnitzler – Richard Beer-Hofmann: Briefwechsel 1891–1931. Wien: Euro- pa-Verlag 1992 5) (Hg.) Österreichische Erzählerinnen. Prosa seit 1945. München 1995 (= dtv 11982) 6) (Hg.) Arthur Schnitzler: Der Weg ins Freie. Roman. Salzburg: Residenz 1995 7) (Hg. mit Karl Wagner, unter Mitarbeit von Werner Michler u. Catrin Seefranz:) Peter Ro- segger – Ludwig Anzengruber: Briefwechsel 1871–1889. Wien: Böhlau 1995 (= Literatur in der Geschichte – Geschichte in der Literatur 33) 8) (Hg.) Das andere Österreich. Eine Vorstellung. München 1998 (= dtv 12438) 9) (Hg. m. Friedbert Aspetsberger): Geschlechter. Essays zur Gegenwartsliteratur. Inns- bruck: Studienverlag 2001 (= Schriftenreihe Literatur des Instituts für Österreichkunde 12) 10) (Hg. m. Christa Gürtler:) Elfriede Gerstl. Graz: Droschl 2001 (= Dossier 18) 11) (Hg.:) Arthur Schnitzler: Lieutenant Gustl. Stuttgart 2002 (= RUB 18156) 12) (Hg. m. Anne Betten): Judentum und Antisemitismus. Studien zur Literatur und Germanistik in Österreich. Berlin: Erich Schmidt 2003 (= Philologische Studien und Quellen 176) 13) (Hg.:) Arthur Schnitzler im 20. Jahrhundert. Wien: Picus 2003 14) (Hg. m. Christa Gürtler:) Andreas Okopenko.
    [Show full text]
  • Bachmann in History: an Overview Sara Lennox
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Cemetery of the Murdered Daughters: Feminism, History, and Ingeborg Bachmann January 2006 Part One: Bachmann and History, Chapter 1. Bachmann in History: An Overview Sara Lennox Follow this and additional works at: https://scholarworks.umass.edu/umpress_cotmd Lennox, Sara, "Part One: Bachmann and History, Chapter 1. Bachmann in History: An Overview" (2006). Cemetery of the Murdered Daughters: Feminism, History, and Ingeborg Bachmann. 3. Retrieved from https://scholarworks.umass.edu/umpress_cotmd/3 This Article is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Cemetery of the Murdered Daughters: Feminism, History, and Ingeborg Bachmann by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. PART I Bachmann and History This page intentionally left blank CHAPTER 1 Bachmann in History AN OVERVIEW Avec ma main brulée, j’écris sur la nature du feu. —Ingeborg Bachmann, Malina, quoting Flaubert History left its scars on Ingeborg Bachmann’s life and work. She was the product of a turbulent period of Austrian history that included depression, Austro-fascism, National Socialism, defeat and occupation, eco- nomic recovery, and political restoration. She hated and condemned the political course that Austria and Germany had taken but, as a member of a generation before the emergence of the student movement and the second wave of femi- nism, felt powerless to influence the direction of political events. Although she rebelled against her era’s conceptions of femininity, she was also entrapped by them; an independent woman who lived by her writing, she suffered through self-destructive love affairs and numbed her pain with alcohol and tranquiliz- ers.
    [Show full text]
  • Eingesandte Bücher
    Eingesandte Bücher Barthel, Wolfgang; Marquardt, Hans-Jochen (Hrsg.): Beiträge zur Kleist-Forschung. Frankfurt, Oder: Kleist-Gedenk-und Forschungsstätte e. V. 2000. Bartoszewicz, Iwona: Formen der Persuasion im deutsch-polnischen Dialog. Unter­ suchungen zu politischen Reden zwischen 1989 und 1995. (Germanica Wratislavien­ sia 123. Acta Universitatis Wratislaviensis No 2182.) Wroclaw: Wydawnictwo Uni­ wersytetu Wroclaskiego 2000. Becker, Susanne: Gattungskonstruktionen in der Geschichte der zirkulierenden Literatur. Rekonstruktionsverfahren am Beispiel des abenteuerliterarischen Netzes 1840-1935. (UR Literatur - Imagination - Realität Bd. 24) Trier: WVT 2000. Brandt-Schwarze, Ulrike; u. a. (bearb.): Nachlaß Gottfried und Johanna Kinkel. Find­ buch. Bonn 2001. Brockmeier, Peter: Samuel Beckett. (Sammlung Metzler Bd. 332) Stuttgart / Weimar: Verlag]. B. Metzler 2001. Denneier, Iris: Von Namen und Dingen. Erkundungen zur Rolle des Ich in der Literatur am Beispiel von Ingeborg Bachmann, Peter Bichsel, Max Frisch, Gottfried Keller, Heinrich von Kleist, Arthur Schnitzler, Frank Wedekind, Vladimir Nabokov und W. G. Sebald. Würzburg: Verlag Königshausen & Neumann 2001. Glosch, Kathrin: "Cela m'etait egal". Zu Inszenierung und Funktion von Gleichgültigkeit in der französischen Literatur des 20. Jahrhunderts. (M & P Schriftenreihe für Wissenschaft und Forschung). Stuttgart / Weimar: Verlag]. B. Metzler 2001. Golz, Jochen; Müller, Wolfgang (Hrsg.): "Von Pol zu Pol Gesänge sich erneun ... " Das Europa Goethes und seine Nationalautoren. (Schriften der Goethe-Gesellschaft Bd. 67) Weimar: Hermann Böhlaus Nachfolger Weimar 2001. 224 S., geb., mit Schutz­ umschlag. Hahn, Karl-Heinz: "Dann ist Vergangenheit beständig ... " Goethe Studien. (Schriften der Goethe-Gesellschaft Bd. 68) Weimar: Hermann Böhlaus Nachfolger Weimar 2001. 240 S., geb., mit Schutzumschlag. Hammel, Andrea; Hassler, Silke; Timms, Edward (ed.): Writing after Hitler. The work of Jakov Lind.
    [Show full text]
  • Ingeborg Bachmann's Literary Critique of the Journalistic Media
    “Es ist ein unglaublicher Betrug.” Ingeborg Bachmann’s literary critique of the journalistic media by Gisela Nittel A dissertation submitted in fulfilment of the requirements for admission to the degree of Doctor of Philosophy August 2008 Department of Germanic Studies The University of Sydney Abstract Despite the consistency and regularity of Bachmann’s critique of journalists and journalistic content, there has been to date no dedicated study of her portrayal of the journalistic media in individual works or her work as a whole. This dissertation addresses this gap in Bachmann studies by undertaking a detailed and comprehensive analysis of Bachmann’s literary portrayal of the journalistic media from the time she first came into the literary spotlight in the early 1950s until her 1972 Simultan collection, the last work to be published in her lifetime. The primary focus of this dissertation is a close textual analysis of literary works in which Bachmann makes significant references to journalists and journalism, examining these references closely in the context of existing scholarly analyses. In a systematic analysis of each literary genre that Bachmann tackled—poetry, radio plays, short prose and novels—this study demonstrates that Bachmann’s critique of journalists and journalism recurs with notable frequency and consistency throughout her work from 1952 onwards. The detailed analyses show that Bachmann’s critique of the “fourth estate” ranges from the mildly critical to the vitriolic, and constantly returns to a core set of concerns about the misrepresentations perpetrated by the journalistic media. The negativity of Bachmann’s critique is, however, almost always offset (and even undercut) by evidence that the journalistic media are not always successful in their (according to Bachmann’s portrayal) deceitful and destructive practices.
    [Show full text]
  • Women and War in the German Cultural Imagination
    Conquering Women: Women and War in the German Cultural Imagination Edited by Hillary Collier Sy-Quia and Susanne Baackmann Description: This volume, focused on how women participate in, suffer from, and are subtly implicated in warfare raises the still larger questions of how and when women enter history, memory, and representation. The individual essays, dealing with 19th and mostly 20th century German literature, social history, art history, and cinema embody all the complexities and ambiguities of the title “Conquering Women.” Women as the mothers of current and future generations of soldiers; women as combatants and as rape victims; women organizing against war; and violence against women as both a weapon of war and as the justification for violent revenge are all represented in this collection of original essays by rising new scholars of feminist theory and German cultural studies. RESEARCH SERIES / NUMBER 104 Conquering Women: Women and War in the German Cultural Imagination X Hilary Collier Sy-Quia and Susanne Baackmann, Editors UNIVERSITY OF CALIFORNIA AT BERKELEY Library of Congress Cataloging-in-Publication Data Conquering women : women and war in the German cultural imagination / Hilary Collier Sy-Quia and Susanne Baackmann, editors. p. cm — (Research series ; no. 104) Papers from the 5th Annual Interdisciplinary German Studies Con- ference held at the University of California, Berkeley, March 1997. Includes bibliographical references. ISBN 0-87725-004-9 1. German literature—History and criticism—Congresses. 2. Women in literature—Congresses. 3. War in literature—Congresses. 4. Violence in literature—Congresses. 5. Art, Modern—20th century—Germany— Congresses. 6. Women in art—Congresses. 7.
    [Show full text]
  • Body-And Image-Space: Re-Reading Walter Benjamin
    Body-and image-space The last decade has seen renewed interest among philosophers and theorists in the writings of Walter Benjamin. In Body-and Image-Space Sigrid Weigel, one of Germany's leading feminist theorists and a renowned commentator on the work of Walter Benjamin, argues that the reception of his work has so far overlooked a crucial aspect of his thought Ðhis use of images. Weigel argues that it is precisely his practice of thinking in images that holds the key to understanding the full complexity and topicality of Benjamin's theory. Bilddenken, or thinking in images, and its relation to the body are central to Benjamin's work. Weigel illuminates points of contact between this approach and psychoanalytical modes of observation and suggests that there also are affinities between Benjamin's thought and contemporary French theory, notably the work of Foucault and Kristeva. Focusing on those parallels, the author demonstrates the productivity of Benjamin's theoretical approach for contemporary gender studies, cultural theory and philosophy. At the same time, her reading reestablishes the buried links between early Critical Theory and post- structuralism, between German high modernism and French post- modernist theory. Body- and Image-Space will be invaluable to anyone interested in gender theory, post-structuralism, cultural anthropology and philosophy. Sigrid Weigel is Professor of German Literature at the University of Zurich. Warwick Studies in European Philosophy Edited by Andrew Benjamin Senior Lecturer in Philosophy, University of Warwick This series presents the best and most original work being done within the European philosophical tradition. The books included in the series seek not merely to reflect what is taking place within European philosophy, rather they will contribute to the growth and development of that plural tradition.
    [Show full text]