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The Notre Dame Scholastic
Notre Dame ^cholasHc ^iscz'-Q^Q^i^Szmp(^-Victuvx\e'''VxvZ' Quasi- Cray- MoriJuru^ A Literary — News Weekly MARCH 4, 1927 No. 20 1872-1927 < Philosophy Number en o en o -v=^-<^-«i-5'-:Vj,.~^-=;,:.-.—-A-- THE NOTRE DAME SCHOLASTIC WELL DRESSED MEN PREFER MAX ADLER CLOTHES Hickey-Frcemin OMtonuMd Ootbct The LONDON A two-button young men's style, tailored by Hickey- Freeman—and that means it reflects a needled skill as fine as the best custom tailors can achieve—at a price at which they can't afford to do it. For the London costs little more than you would ex pect to pay for a good ready-made suit that wouldn't boast half the custom-made characteristics of Hickey- Freeman clothes. New Spring Topcoats MAX ADLER COM P A N Y ON THE CORNER MICHIGAN AND WASHINGTON THE NOTRE DAME SCHOLASTIC 609 ,ow/ GIFTS IT'S A GIFTS LtAPBURV GIFTS Hate to go gift shopping? You wouldn't if you shopped at. Wyman's. Toys for young relatives in Toyland. Home gifts GET THAT (wedding presents) on the third floor. Mother, Sister and Best Girl birthday - SPRING SUIT gifts all over the store—and dozens of New patterns, new shades in obliging salespeople to help you. stripes, plaids, Scotch weaves, Oxford grays. Come and See Us This stuff is collegiate—well- GEORGE WYMAN made, moderately priced. & COMPANY You'll see Spring Learburys on sJ the campus every day now— lots of them. Come in Mon LOOK WELL— day for yours. AND SUCCEED LEARBURY HE OLIVER HOTEL Authentic-Styled BARBER SHOP : : : : COLLEGE CLOTHES T CATERING TO N. -
Sacramental Signification: Eucharistic Poetics from Chaucer to Milton
Sacramental Signification: Eucharistic Poetics from Chaucer to Milton Shaun Ross Department of English McGill University, Montreal August 2016 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy © Shaun Ross 2016 i Table of Contents Abstract……………………………………………………………………………………………ii Resumé……………………………………………………………………………………………iv Acknowledgements…………………………………………………………………………….....vi Introduction………………………………………………………………………………………..1 Chapter One: Medieval Sacraments: Immanence and Transcendence in The Pearl-poet and Chaucer………...23 Chapter Two: Southwell’s Mass: Sacrament and Self…………………………………………………………..76 Chapter Three: Herbert’s Eucharist: Giving More……………………………………………………………...123 Chapter Four: Donne’s Communions………………………………………………………………………….181 Chapter Five: Communion in Two Kinds: Milton’s Bread and Crashaw’s Wine……………………………. 252 Epilogue: The Future of Presence…………………………………………………………………………325 Works Cited…………………………………………………………………………………….330 ii Abstract This dissertation argues that in early modern England the primary theoretical models by which poets understood how language means what it means were applications of eucharistic theology. The logic of this thesis is twofold, based firstly on the cultural centrality of the theology and practice of the eucharist in early modern England, and secondly on the particular engagement of poets within that social and intellectual context. My study applies this conceptual relationship, what I call “eucharistic poetics,” to English religious and -
Issue 21 - June 2019
ARCHDIOCESE OF PORTLAND IN OREGON Divine Worship Newsletter Corpus Christi Procession, Bolsena Italy ISSUE 21 - JUNE 2019 Welcome to the twenty first Monthly Newsletter of the Office of Divine Worship of the Archdiocese of Portland in Oregon. We hope to provide news with regard to liturgical topics and events of interest to those in the Archdiocese who have a pastoral role that involves the Sacred Liturgy. The hope is that the priests of the Archdiocese will take a glance at this newsletter and share it with those in their parishes that are involved or interested in the Sacred Liturgy. This Newsletter is now available through Apple Books and always available in pdf format on the Archdiocesan website. It will also be included in the weekly priests’ mailing. If you would like to be emailed a copy of this newsletter as soon as it is published please send your email address to Anne Marie Van Dyke at [email protected]. Just put DWNL in the subject field and we will add you to the mailing list. All past issues of the DWNL are available on the Divine Worship Webpage and from Apple Books. The answer to last month’s competition was St. Paul outside the Walls in Rome - the first correct answer was submitted by Sr. Esther Mary Nickel, RSM of Saginaw, MI. If you have a topic that you would like to see explained or addressed in this newsletter please feel free to email this office and we will try to answer your questions and treat topics that interest you and perhaps others who are concerned with Sacred Liturgy in the Archdiocese. -
Lauda Sion Salvatorem – Editor’S Notes
Lauda Sion Salvatorem – Editor’s Notes "Lauda Sion Salvatorem" is a sequence prescribed for the Roman Catholic Mass for the Feast of Corpus Christi. The original poem was written by St. Thomas Aquinas around 1264, at the request of Pope Urban IV. The Feast of Corpus Christi (Latin for "Body of Christ") is a Catholic liturgical solemnity celebrating the real presence of the body and blood of Jesus Christ, the Son of God, in the elements of the Eucharist—known as transubstantiation. The feast is liturgically celebrated on the Thursday after Trinity Sunday, which typically falls in mid-June. Hilarión Eslava set this Gregorian chant into a lavish orchestral setting, including two Baritone solos. He also included an organ reduction for use in lieu of the orchestral accompaniment. For purposes of making this a little more accessible to amateur choirs, I chose to also include a poetic English translation in the score, which was not provided in Eslava’s original work. LATIN LYRICS: Lauda Sion Salvatorem, lauda ducem et pastorem, in hymnis et canticis. Quantum potes, tantum aude: quia maior omni laude, nec laudare sufficis. Laudis thema specialis, panis vivus et vitalis hodie proponitur. Quem in sacrae mensa cenae, turbae fratrum duodenae datum non ambigitur. Sit laus plena, sit sonora, sit iucunda, sit decora mentis iubilatio. Dogma datur christianis, quod in carnem transit panis, et vinum in sanguinem. Quod non capis, quod non vides, animosa firmat fides, praeter rerum ordinem. Caro cibus, sanguis potus: manet tamen Christus totus sub utraque specie. Sumit unus, sumunt mille: quantum isti, tantum ille: nec sumptus consumitur. -
Propers of the Mass Set to Psalm Tones
Daniel A. Bradley Sr, who put this book together over ten years, has generously granted permission to the Church Music Association of America to host this file for free download. if you find it useful, please consider letting him know at [email protected]. You might also consider sending a donation to the Gregorian Institute of Guam, which has no other source of income apart from sales of this book. It is given away here as a free gift. ACKNOWLEDGMENTS CHANTS: The Gregorian Chants reproductions printed herein are included with the kind permission of the Abbaye Saint-Pierre de Solesmes, France, and taken from their copyrighted publications, namely: Liber Usualis, Liber Cantualis. Copyright 2003 by The Gregorian Institute of Guam Tamuning, Guam To Saint Pius Tenth Sovereign Pontiff Eminent Patron of Sacred Music On the Occasion of the Hundreth Anniversary Of the Motu Proprio On The Restoration of Sacred Music This Book Is Humbly Dedicated: With the Earnest Hope that It Contribute to the Great Goal Of His Pontificate. To Restore All Things in Christ 22 November 2003 The Feast of Saint Cecilia TABLE OF CONTENTS Extracts from Musicam Sacram (March 1967) ....pg. i II. Basic Instructions Concerning Gregorian Chant ...pg. i-iv NOTATION STAFF and CLEF SIGNS LATIN PRONUNCIATION PRODUCTION (SINGING) OF GREGORIAN CHANT ACCOMPANIMENT OF GREGORIAN CHANT TO SUM UP IH Examples of each Psalm Tone pg. v - vii IV, Propers of the Sundays of the Year ... ...pg. 1-119 V. Propers of Holydays of Obligation pg. VL A Kyriale containing : pg. 13 2. ~ 156 PREFACE RESPONSES ASPERGES ME VIDI AQUAM ORDINARIES of MASSES I, II, IV, Vm, K, XI, XVH GLORIAS of MASS Vffl& DC; CREDOSI &ffl SEQUENCES : Victimae Paschali; Veni Creator; Lauda Sion REQUIEM MASS I Extracts from Musicam Sacram - 5March, 1967 " Therefore the Consilium set up to implement the Constitution on the Liturgy, on the instructions of the Holy Father , has carefully considered these questions and prepared the present Instruction. -
Joseph Ratzinger, Student of Thomas
Berkeley Journal of Religion and Theology Volume 5, Issue 1 ISSN 2380-7458 Joseph Ratzinger, Student of Thomas Author(s): Jose Isidro Belleza Source: Berkeley Journal of Religion and Theology 5, no. 1 (2019): 94-120. Published by: Graduate Theological Union © 2019 Online article published on: August 20, 2019 Copyright Notice: This file and its contents is copyright of the Graduate Theological Union © 2019. All rights reserved. Your use of the Archives of the Berkeley Journal of Religion and Theology (BJRT) indicates your acceptance of the BJRT’s policy regarding the use of its resources, as discussed below: Any redistribution or reproduction of part or all of the contents in any form is prohibited with the following exceptions: Ø You may download and print to a local hard disk this entire article for your personal and non- commercial use only. Ø You may quote short sections of this article in other publications with the proper citations and attributions. Ø Permission has been obtained from the Journal’s management for exceptions to redistribution or reproduction. A written and signed letter from the Journal must be secured expressing this permission. To obtain permissions for exceptions, or to contact the Journal regarding any questions regarding any further use of this article, please e-mail the managing editor at [email protected] The Berkeley Journal of Religion and Theology aims to offer its scholarly contributions free to the community in furtherance of the Graduate Theological Union’s mission. Joseph Ratzinger, Student of Thomas Jose Isidro Belleza Dominican School of Philosophy and Theology Berkeley, California, U.S.A. -
Praise, O Sion, Your Savior Eucharistic Presence in St
PRAISE, O SION, YOUR SAVIOR EUCHARISTIC PRESENCE IN ST. THOMAS AQUINAS' SUMMA AND HYMNS Thesis Submitted to The College of Arts and Sciences of the UNIVERSITY OF DAYTON In Partial Fulfillment of the Requirements for The Degree of Master of Arts in Theological Studies By Ambrose Tyler Dobrozsi Dayton, Ohio December, 2014 PRAISE, O SION, YOUR SAVIOR EUCHARISTIC PRESENCE IN ST. THOMAS AQUINAS' SUMMA AND HYMNS Name: Dobrozsi, Ambrose T. Approved by: ________________________________________________________________ Dennis M. Doyle, Ph.D. Faculty Advisor Professor of Religious Studies Department of Religious Studies _______________________________________________________________ William L. Portier, Ph.D. Faculty Reader Professor and Mary Ann Spearin Chair of Catholic Theology Department of Religious Studies ______________________________________________________________ Daniel S. Thompson, Ph.D. Faculty Reader and Chairperson Associate Professor and Chair Department of Religious Studies ii ABSTRACT PRAISE, O SION, YOUR SAVIOR EUCHARISTIC PRESENCE IN ST. THOMAS AQUINAS' SUMMA AND HYMN Name: Dobrozsi, Ambrose Tyler University of Dayton Advisor: Dr. Dennis M. Doyle This thesis discusses the Eucharistic theology of St. Thomas Aquinas, focusing on the subject of Christ's true presence, within both the Summa Theologiae and four hymns which Aquinas composed for the feast of Corpus Christi. First, a historical survey is used to locate Aquinas within the history of the discussion of Christ's presence. Then, a separate theological analysis of St. Thomas' theology of Christ's presence first within the Summa and then within the hymns. Finally, the theological content of both hymns and theology are used to deepen the understanding of each, and build toward a Eucharistic theology drawing from both sources. iii ACKNOWLEDGEMENTS My first and primary thanks go to Dr. -
June 14, 2020
1738 W. University Ave. Gainesville, FL 32603 | (352) 372-3533 www.catholicgators.org Parish Info Mass Times Saturday 5:30 p.m. Vigil Sunday 9 a.m., 11:30 a.m. 1:30 p.m. (Spanish) 5:30 p.m. 7:30 p.m. Mon.-Fri. 12:00 p.m., 5:30 p.m. Reconciliation 4:30 p.m. - Mon.-Fri. 5:20 p.m. Eucharistic Adoration Mon., 4:30 p.m. - Wed., Fri. 5:20 p.m. Liturgy of the Hours 8:30 a.m. (Lauds) Mon.- Fri. 6 p.m. (Vespers) Office Hours Monday 10 a.m. - 5 p.m. Tuesday 9 a.m. - 5 p.m. Wednesday 9 a.m. - 5 p.m. Thursday 10 a.m. - 5 p.m. Friday 10 a.m. - 5 p.m. Welcome Jose “For today the feast is holden, when the Cortez institution olden of that supper was re- Learn about our summer seminarian! See pg. 4! hearsed.” Ministerio “Hoy celebramos con gozo la gloriosa in- Hispano Más información en la stitución de este banquete divino, el ban- página 6! quete del Señor.” High School Confirmation - Lauda Sion - Confirmation this past weekend! See pg. 5. June 14, 2020| 14 de Junio de 2020 RCIA Solemnity of the Body and Blood of Christ, Year A | Solemnidad del Cuerpo y la Reception Sangre de Cristo (Corpus Christi), año A People in RCIA are re- Photo from 2019 FIRE Retreat ceived into the Chruch! Our Staff Pastoral Staff Father David Ruchinski This week’s Masses Pastor & Director of the Student Center Date Intentions Reading [email protected] Father Nick Bennett Sunday, 9:00 a.m. -
Thomas Aquinas
Thomas Aquinas “Aquinas” redirects here. For other uses, see Aquinas 1 Biography (disambiguation). For the ship that sank in 2013, see MV St. Thomas Aquinas. 1.1 Early life (1225–1244) Thomas Aquinas, OP (/əˈkwaɪnəs/; 1225 – 7 March Thomas was born in Roccasecca, in the Aquino county of 1274), also Thomas of Aquin or Aquino, was an the Kingdom of Sicily (present-day Lazio region, Italy), Italian[3][4] Dominican friar and priest and an immensely c.1225. According to some authors, he was born in the influential philosopher and theologian in the tradition of castle of his father, Landulf of Aquino. Thomas’s fa- scholasticism, within which he is also known as the "Doc- ther did not belong to the most powerful branch of the tor Angelicus" and "Doctor Communis".[5] “Aquinas” is family and simply held the title miles, while Thomas’s from the county of Aquino, an area in which his family mother, Theodora, belonged to the Rossi branch of the [11] held land until 1137. He was born in Roccasecca, Italy. Neapolitan Caracciolo family. Landulf’s brother Sini- bald was abbot of the first Benedictine monastery at He was the foremost classical proponent of natural the- Monte Cassino. While the rest of the family’s sons pur- ology, and the father of Thomism. His influence on sued military careers,[12] the family intended for Thomas Western thought is considerable, and much of modern to follow his uncle into the abbacy;[13] this would have philosophy was conceived in development or opposition been a normal career path for a younger son of southern of his ideas, particularly in the areas of ethics, natural Italian nobility.[14] law, metaphysics, and political theory. -
Post-Shakespeare 1900-2010 Chronology
1 Post-Shakespeare Chronology 1900-2010 History of Shakespeare-Catholic/Protestant interpretations, with chart of significant events in Protestant/Catholic relations (small print). Including American Contexts Continental Contexts Irish Contexts Asian, South American Contexts Home Page: Shakespeare and Religion Chronology by Dennis Taylor, Boston College Unedited notes, Revised March, 2013 **1900** William Gildea, “The Religion of Shakespeare” (American Catholic Quarterly Review), cites Bowden, on grace, King John, Catholic clerics, Henry VIII, Henry V’s piety. Mrs. Humphrey Ward’s Eleanor, redoing Helbeck plot, this time Puritan Lucy marries Lord Manisty (a disbeliever who argues for Catholicism, reflecting Chateaubriand), while Eleanor, Manisty’s soul mate, performs the ultimate self-sacrifice, a Catholic Pauline equivalent, of surrendering her own claim (forecast James’s Wings of the Dove). Chateaubriand praised for “re- creating a church, and regenerating a literature.” Gasquet, The Eve of the Reformation: Erasmus regretted Lutheranism as blocking reform within Catholic church; “part of the price paid [for the Reformation] was the destruction of a sense of corporate unity and common brotherhood, which was fostered by the religious unanimity of belief and practice in every village in the country, and which, as in the mainspring of its life and the very central point of its being, centred in the Church with its rites and ceremonies” (“if it is perilous to accept Gasquet noncritically, it is foolish utterly to neglect or despise him” -- David Knowles) (“now seems remarkably prescient,” N. Tyacke 1998). Wilfrid Ward letter to wife: “I have been reading a great deal of Dante ... I feel in him that independence of thought combined with reverence for the Church which the habits fostered by post-reformation Scholasticism have done much to destroy.” Sinn Fein (Ourselves Alone) founded by Arthur Griffiths (Catholic) (in 1905 started United Irishman newspaper), replacing Home Rule movement with Independence movement, signaling nationalist revival, i.e. -
14 June 2020 the Hymns of Corpus Christi to Thy Great Name Be Endless Praise, Immortal Godhead, One in Three! St
14 June 2020 The Hymns of Corpus Christi To Thy great name be endless praise, Immortal Godhead, One in Three! St. Thomas Aquinas wrote the liturgy for Corpus Christi O grant us endless length of days when Pope Urban IV added the Solemnity to the universal In our true native land, with Thee. Amen. Church’s liturgical calendar in 1264. Besides the sequence Lauda Sion Salvatorem which is chanted before the Finally, St. Thomas Aquinas wrote a hymn of Eucharistic proclamation of the Gospel, St. Thomas wrote hymns for thanksgiving, Adore Te Devote (Devoutly I Adore Thee), the entire Office of that feast. which in the translation by the Jesuit poet Gerard Manley St. Thomas wrote a hymn for Vespers: Pange Lingua Hopkins expresses the mystery and wonder of our reception (Sing, tongue, the mystery of the glorious Body), from of Jesus in Holy Communion: which we have the Tantum Ergo verses sung at Godhead here in hiding Whom I do adore Benediction. The English Catholic convert Father Edward Masked by these bare shadows, Shape and nothing more, Caswell translated those verses: See, Lord, at Thy service Low lies here a heart Down in adoration falling, Lost, all lost in wonder At the God Thou art. Lo! the sacred Host we hail, Seeing, touching, tasting Are in Thee deceived; Lo! o’er ancient forms departing How says trusty hearing? That shall be believed; Newer rites of grace prevail; What God’s Son has told me, Take for truth I do; Faith for all defects supplying, Truth Himself speaks truly Or there’s nothing true. -
Hymns for Corpus Christi
Hymns for Corpus Christi Introduction When Pope Urban IV instituted the feast of Corpus Christi in 1264 for the universal Church he commissioned St Thomas Aquinas to compose the texts for Mass and the Office. These included the hymns for the various hours of the Divine Office which are still sung to this day. One of the characteristics of all the hymns is that two verses, generally the last two, have been sung indepently of the whole text. For example, the last two verses of the hymn for Evening Prayer (Pange lingua) are familiar in their own right — Tantum ergo Sacramentum. In this document it has been indicated in the title for the Hymns. As well as St Thomas Aquinas’ original Latin texts English translations have also been provided. Where possible, two have been included. The first from one of the great translators of hymns in the 19th century; the second from James Quinn sj, who probably made the most important contribution to Catholic hymnody in these islands in the latter half of the 20th century. It is his translations which are used in the current Divine Office. Recently a collected edition of his hymns, Hymns for all seasons edited by Paul Inwood. has been published by Oregon Catholic Press (2017). A couple of additional texts have been included. Adoro te devote though not written for the Office of Corpus Christi it is understood originally to have been a private devotion of St Thomas Aquinas. O sacrum convivium is the Magnificat antiphon for Evening Prayer II and as well as an eloquent expression of the theology of the feast it is a text which has been set by many composers.