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New music

New music: Creating and championing the new

The BBC Proms is widely known for goes back to 1990 when his championing new music and bringing The Confession of Isobel Gowdie was the works by lesser-known composers to a controversial story of the season. Major wider audience.The BBC’s commissions works of his have also been programmed in are always a focal point of the season the past two years’ festivals. A Scotch Bestiary and this year there are 10 major new is a whimsical concerto for organ and commissions and co-commissions from orchestra in which the composer couples British and international composers. instruments with characters inspired by Further premières of 10 living American cartoons.The satirical first half, composers are heard across the The Menagerie, Caged, takes the audience on a season and many works are promenade among human characters in animal programmed which have never guise, whilst in the second half, The Menagerie, been heard at the Proms before. Uncaged, the animals are released to rampage in a through-composed fantasy. Organist Wayne Marshall was acclaimed for his BBC Commissions performance in the première in Los Angeles and is the soloist in this London première, accompanied by the BBC Philharmonic and The first commission of the season is by conducted by the composer (Prom 8). British composer Michael Berkeley. His Concerto for Orchestra for the BBC National German composer Detlev Glanert studied Orchestra of Wales has grown from the warm with Henze in Cologne and is particularly relationship he has developed with the noted for his and orchestral works, orchestra as Composer-in-Association.The which show a lyrical gift and a fascination with slow movement – Threnody for a Sad Trumpet – the Romantic past but with a modern is inspired by the orchestra’s principal trumpet, perspective. His Symphony No. 3 was Philippe Schartz, who had often asked Berkeley premièred to critical acclaim at the 1996 to compose a work for him. Berkeley was Proms. Theatrum bestiarum is performed by the working on the movement at the time of the BBC Symphony Orchestra and conductor tsunami in South-East Asia.The Threnody is an Oliver Knussen, with whom Glanert completed In Memoriam to Jane Attenborough and her some of his earlier studies (Prom 15). daughter and mother-in-law who died there and with whom the composer had worked. Young British composer Fraser Trainer has conducts the BBC National taken the title of his new for Orchestra of Wales (Prom 5). the living from a poem by Lemn Sissay, Advice for the Living.The composer describes the The next major new work of the season, poem as having “lots of drive, a dark energy James MacMillan’s A Scotch Bestiary, is a and a real sense of pulse and rhythmic co-commission with the Los Angeles direction”, attributes which he carries over Philharmonic. MacMillan’s association with into the music.Trainer is a great admirer of

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the playing of violinist Viktoria Mullova, and for this, his first Proms commission, the violin will be amplified to carry over the sound of the full ensemble, which is divided into three groups and has the additional weight of saxophones, keyboards, marimbas and vibraphones.The work is a focal point for the ambitious Violins!!, which devotes a whole day to the magic of the violin and its role in the orchestra and brings world-class professionals together with aspiring young musicians.The BBC Symphony Orchestra is conducted by Martyn Brabbins. Trainer’s other works include commissions from the and he is also known as a teacher in music education (Prom 21).

Danish composer Bent Sørensen’s The Little Morgan Hayes Mermaid, is a co-commission with the Danish Radio Symphony Orchestra, celebrating the his work is derived from several different 200th anniversary of the birth of Hans origins. Strip is Hayes’s first Proms commission Christian Andersen. Inger Dam-Jensen and the and he has ‘stripped in’ elements from two of Danish Radio Girls’ Choir take the role of the his favourite Proms commissions – by Michael narrator and of the little mermaid’s sisters in Finnissy and Gerald Barry – in addition to the three-movement work. Several of finding inspiration from Yukio Ninagawa’s Sørensen’s works take a Gothic interest in the production of Pericles at the National Theatre. beauty of death and decay and this work is no Hayes, one of Britain’s most original young exception, featuring the last words Andersen composers, has been widely performed and is wrote in his diary (sung by tenor Gert admired for his breadth of musical imagination. Henning-Jensen).The Danish Radio Symphony Strip is performed by the BBC Symphony Orchestra is conducted by Thomas Dausgaard Orchestra and Sir (Prom 55). (Prom 38). Esa-Pekka Salonen’s new work was French composer Marc-André Dalbavie’s commissioned by the BBC for Valery Gergiev new work is a Piano Concerto which is and his World Orchestra for Peace, who performed by Leif Ove Andsnes and the BBC perform it at the Proms.These two top Symphony Orchestra conducted by Jukka- international conductors and friends have Pekka Saraste. Endorsed by leading figures such tried for many years to fit in a commission as , Esa-Pekka Salonen and together. Salonen’s work LA Variations, which Christoph Eschenbach, Dalbavie’s influences re-invigorated Salonen’s composing career, include Gerard Griséy and Steve Reich.The received its UK première at the Proms in work is a co-commission with the Chicago 1998 and Giro was premièred at the Last Night Symphony Orchestra and the Cleveland in 1999 (Prom 57). Orchestra (Prom 43). Mark-Anthony Turnage’s From the Wreckage, Just as the title of Morgan Hayes’s (pictured, a Trumpet Concerto, is a co-commission with right) new work, Strip, has many meanings, so the Helsinki Philharmonic and Gothenburg

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Symphony Orchestras and was written UK premières following a request from trumpeter Håkan Hardenberger. Hardenberger is accompanied here by the Helsinki Philharmonic Orchestra and Esa-Pekka Salonen. Previous seasons have provided regular showcases for many of the composer’s works (Prom 73).

John Woolrich’s After the Clock is this year’s Proms Chamber Music commission. Performed by the National Youth Orchestra Sinfonietta conducted by , the work reflects the composer’s frequent pre-occupation with machinery and mechanical processes, and the ‘darkly comic’ world of Goya’s paintings. Woolrich is a major figure on the British musical scene and his inspirations are drawn from the full range of contemporary music – from pop to classical contemporary (PCM3).

Joshua Bell (above) is the soloist for John World premières Corigliano’s Violin Concerto, , inspired by the fabulous film score for Francois Young pianist and composer Huw Watkins Girard’s 1999 film of the same name.The score studied composition with won an Academy Award for its composer and and . Since graduation, the first movement of this concerto (originally his output has been substantial, including The Red Violin Chaconne) appeared on the film commissions for the Faber Millennium Music soundtrack release, performed by Bell. Its Series, the BBC National Orchestra of Wales success persuaded Corigliano to extend the and the Camerata.The world Chaconne into a full-length concerto which première of his Double Concerto for and was premièred to huge acclaim in Baltimore by Cello is performed (viola) and Bell and , who conducts the Josephine Knight (cello), the soloist who Bournemouth Symphony Orchestra in this commissioned it, and Jac van Steen and the UK première (Prom 18). BBC National Orchestra of Wales (Prom 28). Danish composer ’s Four Korean composer ’s snagS and Pieces for Orchestra – the first time his music Snarls are songs for soprano, mezzo-soprano has ever been heard at the Proms – combines and orchestra, and this new version (which the colour and textures from a big late- includes two new songs) is given its world Romantic orchestra with the inspiration of première by Christiane Oelze, Dagmar Pecˇková four movements from an earlier set of piano and the Deutsches Sinfonie-Orchester Berlin, pieces.The BBC Scottish Symphony Orchestra conducted by Kent Nagano.The songs draw on will boast 107 players for this performance, words from Lewis Carroll’s Alice in Wonderland, including Wagner tubas, mandolin, guitar and which is the subject of Unsuk Chin’s synthesizer, and is conducted by Ilan Volkov forthcoming (Prom 36). (Prom 24).

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Probably the greatest living Russian composer, who gave the first performance of Patterson's Sofia Gubaidulina composed The Light of the musical version of Roald Dahl’s The Three Little End, to a commission from the Boston Pigs (2004), from which this work is derived. Symphony Orchestra.The title refers to the The work opens the National Youth Orchestra bright sound of the antique cymbals that bring of Great Britain’s concert conducted by the work to its close.The work is given its UK Tadaaki Otaka (Prom 31). première by the London Philharmonic and Kurt Masur, who also conducted the première in In Stuart MacRae’s Hamartia (a cello Boston (Prom 49). concerto),‘Hamartia’ means ‘tragic flaw’, an imperfection of body or character of the Thomas Adès’s Violin Concerto is given its hero in a Greek tragedy.This flaw drives the UK première by Anthony Marwood and the eventual downfall of the hero and the work is Chamber Orchestra of Europe.A première by based on the idea that everyone, despite their Adès is always an event, and he has developed deeds or abilities, will eventually suffer from being a composer ‘wunderkind’ to being downfall. MacRae’s Violin Concerto received its one of the most imposing figures on the world première at the 2001 Proms and the international classical music scene (Prom 69). London première of Hamartia is given by the artist for whom it was written, cellist Li-Wei (below), and the Scottish Ensemble (Prom 48). London premières

Thea Musgrave’s Turbulent Landscapes, receiving its London première by Osmo Vänskä and the BBC Symphony Orchestra, forms part of this season’s Sea theme, with its six movements suggested by paintings by Turner, including several of his seascapes (Prom 6).

Henri Dutilleux’s Correspondances sets a selection of letters by different writers, the main ones being from Solzhenitsyn to Mstislav and Galina Rostropovich and from Vincent van Gogh to his brother,Theo.The work was commissioned by the Berliner Philharmoniker Composers in Conversation for soprano Dawn Upshaw and Sir Simon Rattle. Its London première is given by Many of these composers can be heard in soprano Barbara Hannigan and the City of conversation before their premières, discussing Birmingham Symphony Orchestra, conducted their music. For listings see page 34. by Sakari Oramo, who led the UK premiere in Birmingham earlier this year (Prom 16). Proms Composter Portraits Paul Patterson’s Orchestra on Parade is a work specifically aimed at showing children the These feature music for chamber ensemble wonder of the symphony orchestra. It was by four of the composers with major new commissioned at the request of Howard orchestral works at the Proms. For listings Griffiths and the Basle Symphony Orchestra, see page 33.

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New to the Proms Prom 25 Rameau Dardanus – Chaconne; Prelude and Prom 2 Air ‘Lieux funestes’; Recitative and Ariette ‘Où Sullivan HMS Pinafore suis-je? ... Hâtons-nous; courons à la gloire’; Les Paladins – suite Prom 4 Wagner Die Walküre Prom 27 Ravi Shankar Sitar Concerto No. 1 Prom 5 Param Vir Horse Tooth White Rock Michael Berkeley Concerto for Orchestra Britten Quatre chansons françaises Prom 28 Vaughan Williams Huw Watkins Double Concerto for viola (original version) and cello

Prom 6 Prom 30 Thea Musgrave Turbulent Landscapes Tubin Toccata

Prom 8 Prom 31 James MacMillan A Scotch Bestiary Paul Patterson Orchestra on Parade

Prom 15 Prom 36 Detlev Glanert Theatrum bestiarum Unsuk Chin snagS & Snarls

Prom 16 Prom 38 Correspondances Bent Sørensen The Little Mermaid

Prom 18 Prom 42 The Chairman Dances Tchaikovsky Iolanta Violin Concerto, ‘The Red Violin’ Prom 43 Marc-André Dalbavie Piano Concerto Prom 19 Tchaikovsky The Snow Maiden – Prom 45 Introduction; Melodrama; Dance of the Tumblers Arvo Pärt An den Wassern; Dopo la vittoria; Nunc dimittis; Salve regina;Trivium Prom 20 Pérotin Sederunt principes Karl Amadeus Hartmann Sonata No. 2, Plainsong and anonymous 12th-, 13th- and for solo violin – excerpts 14th-century motets and monody

Prom 21 Prom 46 Fraser Trainer for the living (Violin Concerto) Lilburn Symphony No. 3 Invisible Lines (workshop piece) Prom 48 Prom 24 Stuart MacRae Hamartia () Hans Abrahamsen Four Pieces for Orchestra Nicholas Maw Life Studies – Nos. 3, 6 & 8

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Prom 49 Prom 74 Sofia Gubaidulina The Light of the End Simon Bainbridge Scherzi Handel Giustino – ‘Se parla nel mio cor’ Prom 50 Novák Eternal Longing PCM 1 Barber Dover Beach Prom 52 Fauré L’horizon chimérique Handel Julius Caesar Warlock Songs

Prom 54 PCM 2 Henryk Górecki Symphony No. 3, John Adams Road Movies ‘Symphony of Sorrowful Songs’ Messiaen Theme and Variations

Prom 55 PCM 3 Morgan Hayes Strip Lutoslawski Chain 1 John Woolrich After the Clock Prom 56 Liszt A Faust Symphony (original version) PCM 4 Satie Songs Prom 57 Songs Esa-Pekka Salonen new work Reynaldo Hahn Songs

Prom 61 PCM 5 Stravinsky The Dove Descending Brahms Intermezzo in E flat major, Op 117 No. 1 Prom 64 Tatjana Komarova Tänze mit verbundenen Cornysh Salve regina Augen Tallis Gaude gloriosa Dei mater; Nine Tunes Schubert Piano Sonata in B flat major, D960 for Archbishop Parker’s Psalter Wylkynson Credo in Deum/Jesus autem PCM 6 Purcell Songs (arr.Tippett and Bergmann) Prom 69 Tippett The Heart’s Assurance Thomas Adès Violin Concerto PCM 7 Prom 70 Carissimi Motets; Jonah Mosaic Monteverdi Madrigals – Book 5 (selection) David Horne Splintered Instruments Tippett Four Songs from the British Isles; PCM 8 Over the Sea to Skye; The Tempest – suite Bartók No. 2 (arr. Meirion Bowen) Haydn String Quartet in F minor, Op 20 No. 5 Prom 73 Mark-Anthony Turnage From the Wreckage

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