Press Release DONMAR WAREHOUSE ANNOUNCES
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Press Release DONMAR WAREHOUSE ANNOUNCES
TUESDAY 02 APRIL 2019 Press Release DONMAR WAREHOUSE ANNOUNCES MICHAEL LONGHURST’S FIRST SEASON AS ARTISTIC DIRECTOR ● The first production will be a revival of David Greig’s visionary early play Europe, directed by Michael Longhurst in his first production as Artistic Director of the Donmar. Written 25 years ago, it is prophetic in its vision of Europe today - as a continent, a refuge, an idea. Cast includes Billy Howle (MotherFatherSon, On Chesil Beach), Kevork Malikyan (Exodus: Gods and Kings, The Cut), Faye Marsay (Game of Thrones, The Darkest Hour), Stephen Wight (The Paradise, Bluestone 42), and Shane Zaza (Happy Valley, Press). ● The Donmar will then stage the UK premiere of Branden Jacobs-Jenkins’s Appropriate, which takes on the rich tradition of American family drama. Jacobs-Jenkins’s play, set on a former slave plantation, about ghosts and the legacies we are left with will be directed by Ola Ince. Casting includes Monica Dolan (All About Eve, Appropriate Adult). ● The full-length premiere of a new play by Alice Birch [BLANK], will be directed by Maria Aberg who is making her Donmar Warehouse debut. [BLANK] is a co-production to celebrate the 40th anniversary of Clean Break Theatre Company and will feature an all-female cast of 15, including women who have lived-experience of the criminal justice system, and an all-female creative team. ● The UK premiere of Teenage Dick, US playwright Mike Lew’s high school take on Shakespeare’s Richard III, a dark and funny story about the rise of a teenage despot. Examining disability and power, Teenage Dick is directed by Artistic Director Michael Longhurst with actor Daniel Monks as Richard. -
• Almeida Theatre Associate Director Robert Icke Will Adapt and Direct A
PRESS RELEASE 8 July 2016 Almeida Theatre Associate Director Robert Icke will adapt and direct a production of Friedrich Schiller’s MARY STUART at the Almeida this autumn Juliet Stevenson and Lia Williams trade the play’s central roles, decided at each performance by the toss of a coin Laura Marling joins the creative team to compose original music for the production As rehearsals begin, full casting is announced for THEY DRINK IT IN THE CONGO Fiona Button plays Stef in a cast which includes Kirsty Besterman, Richie Campbell, Sidney Cole, Tosin Cole, Roger Evans, Richard Goulding, Joan Iyiola, Anna-Maria Nabirye, Pamela Nomvete, Richard Pepple and Sule Rimi Nabil Elouahabi and Sam Swann join the previously announced Anne-Marie Duff and Yolanda Kettle in OIL The Almeida Young Company present FROM THE GROUND UP at Shoreditch Town Hall from 4 – 6 August MARY STUART by Friedrich Schiller adapted and directed by Robert Icke Friday 2 December 2016 – Saturday 21 January 2017 Press Night: Friday 9 December at 7pm Following his critically acclaimed productions of Uncle Vanya and Oresteia, Associate Director Robert Icke will adapt and direct Friedrich Schiller’s MARY STUART. Playing both Elizabeth I and Mary Stuart, Juliet Stevenson and Lia Williams trade the play’s central roles, decided at each performance by the toss of a coin. Two queens. One in power. One in prison. It’s all in the execution. Schiller’s political tragedy takes us behind the scenes of some of British history's most crucial days. Mary Stuart will be designed by Hildegard Bechtler, with lighting by Jackie Shemesh, video by Tim Reid, and original composition by Laura Marling. -
Neil Austin Lighting Designer
Neil Austin Lighting Designer Neil Austin - Lighting Designer is a triple Tony award and double Olivier award winner, designing internationally for plays, musicals opera and dance. Agents Rose Cobbe Assistant Florence Hyde [email protected] +44 (0) 20 3214 0957 Credits Theatre Production Company Notes AFTER LIFE National Theatre in co- Dir. Jeremy Herrin 2021 production with Headlong FROZEN Disney, Theatre Royal Dir. Michael Grandage 2021 Drury Lane LEOPOLDSTADT Sonia Friedman Dir. Patrick Marber 2020 - 2021 Productions, Wyndhams Theatre BLUES IN THE NIGHT Kiln Theatre Dir. Susie McKenna 2019 THE NIGHT OF THE IGUANA Noël Coward Theatre Dir. James Macdonald 2019 THE HUNT Almeida Theatre Dir. Rupert Goold 2019 BITTER WHEAT Garrick Theatre Dir. David Mamet 2019 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes THE STARRY MESSENGER Wyndham's Theatre Dir. Sam Yates 2019 ROSMERSHOLM Duke of York's Theatre Dir. Ian Rickson 2019 COMPANY Gielgud Theatre, West Dir. Marianne Elliott 2018 End TRANSLATIONS National Theatre Written by Brian Friel; Dir. Ian Rickson 2018 THE LIEUTENANT OF Noel Coward Theatre, Dir. Michael Grandage INISHMORE West End 2018 RED Wyndham's Theatre, Dir. Michael Grandage 2018 West End TRAVESTIES Roundabout Theatre, Dir. Patrick Marber 2018 Broadway SEAFARER SEAFARER NY L.L.C 2017 ALBION Almeida Theatre Dir: Rupert Goold 2017 LABOUR OF LOVE Headlong Dir: Jeremy Herrin 2017 INK Almeida Theatre / Duke Dir: Rupert Goold 2017 of York's Theatre WOYZECK Old Vic Theatre Dir: Joe Murphey 2017 THE TREATMENT Almeida Theatre Dr: Lyndsey Turner 2017 THE GOAT Playful UK / Theatre Dir: Ian Rickson 2017 Royal Haymarket TRAVESTIES Sonia Friedman Dr: Patrick Marber 2017 Productions / Apollo Theatre BURIED CHILD ATG Dir: Scott Elliott 2016 TRAVESTIES Menier Chocolate Dir Patrick Marber 2016 Factory THE ENTERTAINER Fiery Angel Dir Rob Ashford 2016 HARRY POTTER AND THE Sonia Friedman A new play by Jack Thorne. -
Program Notes
NOV 14—21 The A SEASON OF BAM DEBUTS End of Eddy Season Sponsor: BAM Next Wave 2019 Brooklyn Academy of Music Adam E. Max, BAM Board Chair Katy Clark, President William I. Campbell and Nora Ann Wallace, David Binder, Artistic Director BAM Board Vice Chairs The End of Eddy Untitled Projects / Unicorn Theatre (London) BAM Fisher Nov 14—16, 19—21 at 7:30pm; Nov 17 at 5pm, Running time: approx. one hour & 30 mins, no intermission Based on the book En finir avec Eddy Bellegueule by Édouard Louis Adapted by Pamela Carter Directed by Stewart Laing Set and costume design by Hyemi Shin Video design by Finn Ross Lighting design by Zerlina Hughes Sound design by Josh Anio Grigg Part of a series of events celebrating Édouard Louis in collaboration with St. Ann’s Warehouse, which is currently presenting History of Violence as part of its 40th anniversary season. Season Sponsor: Leadership support for BAM Access Programs provided by the Jerome L. Greene Foundation Leadership support for theater at BAM provided by The Fan Fox & Leslie R. Samuels Foundation, Inc.; The SHS Foundation; and The Shubert Foundation, Inc. Support for theater at BAM provided by The Gladys Krieble Delmas Foundation The End of Eddy Photos courtesy the company OSELOKA OBI JAMES RUSSELL-MORLEY PERFORMERS Oseloka Obi James Russell-Morley Production manager Nick Millar Company stage manager Fiona Johnston Associate lighting Carolina Sterzi Original choreographer Nima Séne American Stage Manager Caroline Englander The Actors are appearing with the permission of Actors’ Equity Association. The American Stage Manager is a member of Actors’ Equity Association. -
2015 Winter/Spring Season JUNE 2015
2015 Winter/Spring Season JUNE 2015 Contemporary Color Published by: Season Sponsor: BAM 2015 Winter/Spring Season #AHumanBeingDiedThatNight Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Karen Brooks Hopkins, President A Human Joseph V. Melillo, Executive Producer Being Died That Night The Fugard Theatre and Eric Abraham By Nicholas Wright, based on the book by Pumla Gobodo-Madikizela Directed by Jonathan Munby BAM Fishman Space May 29 & 30, Jun 2—6, 9—13, 16—20 at Season Sponsor: 7:30pm; May 30, Jun 6, 13 & 20 at 2pm; May 31, Jun 7, 14 & 21 at 3pm Running time: one hour and 20 minutes, no intermission CAST BAM 2015 Theater Sponsor Pumla Gobodo-Madikizela Noma Dumezweni Leadership support provided by Eugene de Kock Matthew Marsh Steven & Susan Felsher Prison Guard Motell Foster Major support for theater at BAM provided by: Design by Paul Wills The Gladys Krieble Delmas Foundation The Francena T. Harrison Foundation Trust Lighting design by Tim Mitchell Stephanie & Timothy Ingrassia Sound design by Christopher Shutt Donald R. Mullen Jr. Stage manager Julia Slienger The Fan Fox & Leslie R. Samuels Foundation, Inc. Associate director Greg Karvellas The Morris and Alma Schapiro Fund The Shubert Foundation, Inc. The SHS Foundation American stage manager R. Michael Blanco A Human Being Died That Night Noma Dumezweni Matthew Marsh Motell Foster Jonathan Munby Eric Abraham Paul Wills Tim Mitchell Christopher Shutt A Human Being Died That Night INTRODUCTION I came across Pumla Gobodo-Madikizela’s fine book by chance in a bookshop in London’s Charing Cross Road. -
Guildhall School of Music & Drama Prospectus
Guildhall School of Music & Drama Prospectus 2O2O Introduction 3 About Guildhall School 4 Where we are 7 Our partners 10 How we support you Acting 16 About Acting 18 BA in Acting and MA in Acting 22 BA in Performance and Creative Enterprise 26 Acting alumni Music 30 About Music 33 Performance 38 BMus 40 MMus/MPerf in Performance (Guildhall Artist Masters) 42 MMus/MPerf in Performance (Guildhall Artist Masters): Orchestral Artistry 45 MMus/MComp in Composition (Guildhall Artist Masters) 46 MA in Opera Making and Writing 48 MA in Music Therapy 49 Artist Diploma 50 Principal Study Strings, Harp & Guitar 53 Principal Study Wind, Brass & Percussion 56 Principal Study Keyboard 58 Principal Study Vocal Studies 62 Principal Study Opera Studies 64 Principal Study Historical Performance 66 Principal Study Chamber Music 68 Principal Study Composition 72 Principal Study Electronic Music 75 Principal Study Jazz 78 Music alumni Production Arts 82 About Production Arts 86 BA in Production Arts 90 BA in Video Design for Live Performance 94 MA in Collaborative Theatre Production and Design 96 Production Arts alumni Research and Teaching 100 PGCert in Performance Teaching 102 Research Degrees Further information 106 After Guildhall 109 Applications, auditions, interviews and Open Days 110 Fees, funding and scholarships 112 Youth and Adult Learning 115 Senior staff/Getting in touch 116 How to find us 2 At Guildhall School, we lead students We benefit from, and contribute to, through the transformative journey the incredibly exciting cultural life of of training in music, drama and London as a global city. We are situated production arts. -
Theatre in England 2012-2013
English 252: Theatre in England 2012-2013 [*Optional events — seen by some] Friday December 28 *7:15 p.m. The Master and Margarita (2011). Dir. Simon McBurney. Costumes by Christine Cunningham. Lighting by Paul Anderson. Sound by Gareth Fry (Shostakovich to Rolling Stones). Video by Finn Ross. 3D Animation by Luke Halls. Puppetry by Blind Summit Theatre. Assistant directors Sasha Milavoc Davies, James Yeatman. Based on a novel by Mikhail Bulgakov, begun in 1928 and published posthumously by his widow in 1966. A Complicité Production /Creation. Cast: Paul Rhys (Woland/the Master), Sinead Matthews (Margarita), Cesar Sarachi (Yeshua Ha-Notari), Tim McMullan (Pontius Pilate), Ajay Nardu (Devil’s associate Azazello), Angus Wright (Devil’s associate Koroviev), Richard Katz (Ivan Nikolayich Bezdomny), Clive Mendus (Mikhail Berlioz), Tamzin Griffin and Amanda Hadingue (voices of the Puppet Behemothy Cat), Henry Pettigrew, David Annen, Thomas Arnold, Josie Dexter, Johannes Flaschberger, Yasuyo Mochizuki. Barbican Theatre *7:30 p.m. Antony Jay and Jonathan Lynn. Yes, Prime Minister (2011). Dir. Jonathan Lynn. Cast: Robert Daw (Prime Minister Jim Hacker), Michael Simkins (Cabinet Secretary Sir Humphrey Appleby), Emily Bruni (Claire Sutton), Jim Barclay (Simon Chester), Clive Hayward (Bernard Woolley), Sam Dastor (The Ambassador), Tony Boncza (Jeremy Burnham, Director General of BBC). Trafalgar Studios 1 Saturday December 29 *2:00 p.m. Arthur Wing Pinero. The Magistrate (1885). Dir Timothy Sheader. Cast: John Lithgow (Cis Farthingdon), Nancy Carroll (Agatha), Joshua McGuire (Posket). [With his louche air and developed taste for smoking, gambling, port, and women, it’s hard to believe Cis Farringdon is only fourteen. And that’s because he isn’t. -
Text-Based’/‘Non-Text-Based’ Divide in Contemporary English Theatre
Are We On The Same Page? A Critical Analysis of the ‘Text-Based’/‘Non-Text-Based’ Divide in Contemporary English Theatre Catherine Love Submitted for the degree of PhD Royal Holloway, University of London March 2018 1 Declaration of Authorship I Catherine Love hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 21 March 2018 2 Acknowledgements The seeds of this project were first sown while I was seeing, talking and writing about theatre as a blogger and critic. I therefore want to open with thanks to the editors and publications that supported my writing and the theatre-makers and fellow writers who constantly prompted me to think better and more deeply about many of the issues addressed in this thesis. As a supervisor, Dan Rebellato has regularly stretched my mind and soothed my anxieties. Huge thanks for his immediate belief in this project, his support and cheerleading throughout the research process, and his ever rigorous and incisive notes. I am also grateful to my two advisers, Elaine McGirr and David Overend, who provided fresh and insightful eyes on various drafts. I am thankful, too, for the support of the Arts and Humanities Research Council, who funded this research. There are many academic colleagues who, both directly and indirectly, have inspired and supported the work of the following pages. Particular thanks to staff and fellow PhD students in the Department of Drama and Theatre at Royal Holloway, to my teaching colleagues and students at the University of York and the University of Manchester, and to all the scholars who have been kind enough to 3 listen to, encourage and gently interrogate my work at conferences over the last four years. -
A Human Joseph V
BAM 2015 Winter/Spring Season #AHumanBeingDiedThatNight Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Karen Brooks Hopkins, President A Human Joseph V. Melillo, Executive Producer Being Died That Night The Fugard Theatre and Eric Abraham By Nicholas Wright, based on the book by Pumla Gobodo-Madikizela Directed by Jonathan Munby BAM Fishman Space May 29 & 30, Jun 2—6, 9—13, 16—20 at Season Sponsor: 7:30pm; May 30, Jun 6, 13 & 20 at 2pm; May 31, Jun 7, 14 & 21 at 3pm Running time: one hour and 20 minutes, no intermission CAST BAM 2015 Theater Sponsor Pumla Gobodo-Madikizela Noma Dumezweni Leadership support provided by Eugene de Kock Matthew Marsh Steven & Susan Felsher Prison Guard Motell Foster Major support for theater at BAM provided by: Design by Paul Wills The Gladys Krieble Delmas Foundation The Francena T. Harrison Foundation Trust Lighting design by Tim Mitchell Stephanie & Timothy Ingrassia Sound design by Christopher Shutt Donald R. Mullen Jr. Stage manager Julia Slienger The Fan Fox & Leslie R. Samuels Foundation, Inc. Associate director Greg Karvellas The Morris and Alma Schapiro Fund The Shubert Foundation, Inc. The SHS Foundation American stage manager R. Michael Blanco A Human Being Died That Night Noma Dumezweni Matthew Marsh Motell Foster Jonathan Munby Eric Abraham Paul Wills Tim Mitchell Christopher Shutt A Human Being Died That Night INTRODUCTION I came across Pumla Gobodo-Madikizela’s fine book by chance in a bookshop in London’s Charing Cross Road. -
Simon Slater
SIMON SLATER SELECTED CREDITS EUROPE (2019) (Composer) Donmar Warehouse AMADEUS (2016 - 2018) (Composer & Musical Director) - National Theatre KING LEAR (2017) (Composer) - Shakespeare’s Globe Theatre CARMEN DISRUPTION (2015) (Composer) - Almeida Theatre CONSTELLATIONS (2012 & 2015) (Composer) - Royal Court Theatre & Duke of York’s Theatre. Samuel J. Friedman Theatre, New York & Trafalgar Studios, London BIOGRAPHY Simon is an Olivier Award nominated composer who has composed over 300 original scores for film, TV, theatre and radio. These include scores for the Royal Shakespeare Company, the BBC, Channel 5, the National Theatre and Broadway. Simon studied at Goldsmiths, University of London and is a skilled multi-instrumentalist, playing soprano, alto and tenor sax, clarinet, piano, accordion, guitar, ukulele, mandolin and double bass. Simon was delighted to have been invited by the National Theatre to work on 'Amadeus' in the Autumn of 2016 as musical director and composer of additional music in Peter Shaffer's iconic play about Mozart and Salieri. Michael Longhurst directed this production, with live orchestral accompaniment from the Southbank Sinfonia. The production has recently returned to the stage in 2018. Simon’s television credits include two two-hour specials of Dalziel and Pascoe (‘Houdini’s Ghost’ and ‘Demons on our Shoulders’), both directed by Patrick Lau and produced by Annie Tricklebank. He also scored the TV film ‘Impact Earth’ for Channel 5 and Darlow Smithson Productions, directed by Keith Boak. Other TV credits include ‘Inquisition’ for Channel 5 starring Derek Jacobi, and ‘Hunting Venus’ for Yorkshire TV, directed by Martin Clunes. For radio, Simon’s music was heard on BBC Radio 4’s ‘The Report’, a hard-hitting documentary series. -
Vibrant – an Anniversary Festival of Finborough Playwrights 30 NEW PLAYS to CELEBRATE 30 YEARS of the FINBOROUGH THEATRE in JUST UNDER 30 DAYS
Press Information 1 1980-2010 30TH ANNIVERSARY OF THE FINBOROUGH THEATRE The Finborough Theatre presents Vibrant – An Anniversary Festival of Finborough Playwrights 30 NEW PLAYS TO CELEBRATE 30 YEARS OF THE FINBOROUGH THEATRE IN JUST UNDER 30 DAYS Van Badham Mike Bartlett Bekah Brunstetter Claire Dowie Christopher Dunkley David Eldridge John A.D. Fraser James Graham Sarah Grochala Titas Halder Steve Hennessy David Hutchison Nicholas de Jongh Aram Kouyoumdjian Brian Logan Anders Lustgarten Iain Finlay MacLeod Alistair McDowall Colleen Murphy Peter Oswald Nick Payne Mark Ravenhill Simon Vinnicombe Laura Wade Jane Wainwright Naomi Wallace Michael Louis Wells Joy Wilkinson Phil Willmott Alexandra Wood Directors include Adam Barnard. Zena Birch. Ellie Browning. Daniel Burgess. Claire Dowie. Helen Eastman. Clive Judd. John Kachoyan. Stephen Keyworth. Ben Kidd. Adam Lenson. Clare Lizzimore. Michael Longhurst. Chris Loveless. Tim Luscombe. Alex Marker. Jo McInnes. Blanche McIntyre. Rae Mcken. Caitlin McLeod. Wilson Milam. Nick Philippou. Eleanor Rhode. Alexander Summers. Kate Wasserberg. Colin Watkeys. Phil Willmott. Robert Wolstenholme. Curated by Finborough Theatre Artistic Director Neil McPherson Produced by Dara Gilroy, Lucy Jackson, Rachel Lambert and Sarah Loader. 118 Finborough Road, London SW10 9ED Telephone +44 (0)20 7244 7439 Fax +44 (0)20 7835 1853 e-mail [email protected] www.finboroughtheatre.co.uk Artistic Director Neil McPherson The Finborough Theatre is managed by The Steam Industry. Registered in England and Wales