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Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales. -
Adult Contemporary Radio at the End of the Twentieth Century
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Brian Wilson's Spacious Estate in West Suburban St
May 24, 1998---- The backyard of Brian Wilson's spacious estate in west suburban St. Charles overlooks a calm pond. A playground set stands near the water. Wilson slowly walks out of the basement studio in the home he shares with wife Melinda and daughters Daria, 2, and Delanie, 6 months old. Wilson squints into the midday sun. He looks at a playground slide. Then he looks at a swing set. Wilson elects to sit down on the saddle swing. In a life of storied ups and downs, Wilson's career is on the upswing. The June release of ``Imagination'' (Giant Records) is a return to 1966's ``Pet Sounds'' in terms of orchestration and instrumentation, with its the ambitious patterns of tympanies and snare drums. But equally important are Wilson's vocals, which are the smoothest and most soulful since 1970's ``Sunflower.'' Wilson, 55, has suddenly defied age. Mick Jagger and Pete Townshend are brittle rock 'n' roll barnacles. Ray Davies and Paul McCartney have matured gracefully. Yet here's Wilson singing with effervescent hope on ``Dream Angel,'' which he co-wrote with his co-producer Joe Thomas and Jim Peterik of Survivor and Ides of March fame. The song was inspired by Wilson's new daughters. They make him happy. He says that is why he is writing happy music. On ``Dream Angel,'' Wilson even returned to the tight, late '50s harmonies of the Dell Vikings (``Come Go With Me'') and the Four Freshmen - happy-go-lucky voices that influenced the Beach Boys when they were young. -
BEACH BOYS Vs BEATLEMANIA: Rediscovering Sixties Music
The final word on the Beach Boys versus Beatles debate, neglect of American acts under the British Invasion, and more controversial critique on your favorite Sixties acts, with a Foreword by Fred Vail, legendary Beach Boys advance man and co-manager. BEACH BOYS vs BEATLEMANIA: Rediscovering Sixties Music Buy The Complete Version of This Book at Booklocker.com: http://www.booklocker.com/p/books/3210.html?s=pdf BEACH BOYS vs Beatlemania: Rediscovering Sixties Music by G A De Forest Copyright © 2007 G A De Forest ISBN-13 978-1-60145-317-4 ISBN-10 1-60145-317-5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Printed in the United States of America. Booklocker.com, Inc. 2007 CONTENTS FOREWORD BY FRED VAIL ............................................... XI PREFACE..............................................................................XVII AUTHOR'S NOTE ................................................................ XIX 1. THIS WHOLE WORLD 1 2. CATCHING A WAVE 14 3. TWIST’N’SURF! FOLK’N’SOUL! 98 4: “WE LOVE YOU BEATLES, OH YES WE DO!” 134 5. ENGLAND SWINGS 215 6. SURFIN' US/K 260 7: PET SOUNDS rebounds from RUBBER SOUL — gunned down by REVOLVER 313 8: SGT PEPPERS & THE LOST SMILE 338 9: OLD SURFERS NEVER DIE, THEY JUST FADE AWAY 360 10: IF WE SING IN A VACUUM CAN YOU HEAR US? 378 AFTERWORD .........................................................................405 APPENDIX: BEACH BOYS HIT ALBUMS (1962-1970) ...411 BIBLIOGRAPHY....................................................................419 ix 1. THIS WHOLE WORLD Rock is a fickle mistress. -
Discover What Inspires You
Discover what inspires you MIDDLE & UPPER SCHOOLS GREENHILL STUDENTS are studious and high-achieving. THEY LEARN A LOT HERE, AND THEY LEARN IT WELL. But that’s not all that makes them special. Drawn to the unknown and motivated from within, they’re INQUISITIVE, PURPOSEFUL, AND BOLD in their quests for knowledge. With EQUAL PARTS GRIT AND JOY, they ask questions that lead to more questions, analyze critically, and unearth the why. FEARLESS AND OPEN-MINDED, they’re not afraid to make mistakes, explore spaces without boundaries, and be themselves. KIND AND COMPASSIONATE, they sharpen their minds and soften their hearts, learning not only for their own good, but for the good of others. TENACIOUS AND RESILIENT, they constantly give their all, developing personal strengths for lifetimes of success. Success they define themselves. They are inspired. They are inspiring. And it all begins right here, at Greenhill. Are you… naturally curious? energized by challenges? motivated? willing to try new things? open to making new friends? interested in solving problems? collaborative? caring and compassionate? happy to be yourself? passionate about life and learning? a fan of roaming peacocks? Yes? Then you belong at Greenhill. We seek excellence in everything we do. We’re that rare school that fully commits its resources and talents to a balanced program in academics, arts, and athletics. An inclusive community since its founding, Greenhill celebrates diversity in all its forms and welcomes the curious, inquisitive learner. SCOTT GRIGGS, HEAD OF SCHOOL 2 Unearth the Why Learning isn’t about memorizing facts and acing tests. That’s why Greenhill students achieve so much more than high grades and scores. -
2019/20 Annual Report
ANNUAL REPORT 2019/20 Mandate It is the aim of the Royal Manitoba Theatre The Royal Manitoba Theatre Centre’s John Centre to study, practice and promote all Hirsch Mainstage. PHOTO BY JERRY GRAJEWSKI aspects of the dramatic art, with particular Inset: John Hirsch and Tom Hendry. emphasis on professional production. ABOUT ROYAL MTC Mission The Royal Manitoba Theatre Centre exists When the Winnipeg Little Theatre and Theatre 77 merged to form to celebrate the widest spectrum of theatre the Manitoba Theatre Centre in 1958, the goal was to produce great art. Deeply rooted in the province of theatre with mass appeal. Artistic Director John Hirsch and General Manitoba, which gave it life and provides Manager Tom Hendry staged professional productions of an eclectic for its growth, Royal MTC aspires to both array of plays – classics, Broadway hits and new Canadian work. With reflect and engage the community it serves. the establishment of a second stage for experimental work in 1960, and an annual provincial tour that began in 1961, MTC fully realized Vision the original vision of a centre for theatre in Manitoba. Inspired by the Royal MTC’s theatres and our province will teem with artists and audiences sharing breadth and quality of MTC’s programming, a whole network of what in the act of imagining, enriching lives became known as “regional theatres” emerged across North America. and communities. Since its founding, MTC has produced more than 600 plays with hundreds of actors, including Len Cariou, Graham Greene, Martha Values Henry, Judd Hirsch, Tom Hulce, William Hurt, Tom Jackson, Robert Quality Lepage, Seana McKenna, Eric Peterson, Gordon Pinsent, Keanu A commitment to quality is reflected in the writing of each play, in the actors, directors Reeves, Fiona Reid, R.H. -
A Memory Is a Keepsake of Time That Lives Forever in the Heart
LEXINGTON HERALD-LEADER | KENTUCKY.COM NEWS SATURDAY, FEBRUARY 16, 2013 A7 “An Ashley Judd race will bring out so “I say we place in peril our control of many people energized to defeat Mitch.” the state legislature (if she runs).” U.S. Rep. John Yarmuth of Louisville Dale Emmons, political strategist JUDD’S TRIAL BALLOON KENTUCKY DEMOCRATS SEE MUCH TO GAIN — AND MUCH TO LOSE — IN A CANDIDACY BY ACTRESS By Greg Trip Gabriel Kentucky and regularly returns for ment and is going to take some for the Obama administration policies, The New York Times home basketball games in Lexing- time to consider running,” said the from coal to gun policy to you name ASHLAND — It would seem ton, sometimes leading the crowd in expert, who was not authorized to it,” said Scott Jennings, a Republican like a Republican fantasy: a famous cheers for the Wildcats. speak publicly. strategist in Louisville. “Enter Ashley actress, who has been described by But her primary residence is out- Public polling in Kentucky 21 Judd, who apparently because she her own grandmother as a Holly- side Nashville. She was a Tennessee months from the election, therefore doesn’t live here didn’t get the memo wood liberal, is floated as a Senate delegate to the 2012 Democratic imprecise, shows that McConnell, on how unpopular Obama is.” candidate in one of the country’s National Convention, speaking on the Senate minority leader, leads But those attack lines might not most conservative states, where she behalf of Obama. She has been out- all potential Democratic challeng- prove as potent as McConnell’s sup- does not even live. -
Inclusion, Collaboration & Engagement
American Anthropological Association 107th Annual Meeting November 19–23, 2008 San Francisco, California Inclusion, Collaboration & Engagement Preliminary Program 2008 PRELIMINARY PROGRAM COUNTDOWN TO SAN FRAN C IS C O 107th AAA Annual Meeting | November 19–23, 2008 | San Francisco Hilton and Towers Inclusion, Collaboration & Engagement “Graduate Student Collaborations and tional labor politics and help us delineate an ethnol- Engagements in Environmental Change ogy of labor struggles. Research,” will stress how graduate students can The newly formed Society for Anthropological NOEL J CHRISMAN collaborate on integrative research programs Sciences will sponsor its first AAA sessions, AAA EXECUTIVE PROGRAM CHAIR focused on the human dimensions of environ- which will highlight various formal methods of mental change. collecting, analyzing and visualizing data from It is time to make your final plans for the annu- The Society for the Anthropology of the field, in particular methods of cognitive al meeting, November 19-23 in San Francisco, Consciousness and the Society for Latin anthropology and social network analysis. a beautiful city with much to offer. The Annual American and Caribbean Anthropology will The Society of Lesbian and Gay Meeting Program cosponsor the invited session “Black Atlantic Anthropologists will co-sponsor, with the Committee accepted and Caribbean Religions: Transnational Flows Executive Program Committee, a session titled more than 500 sessions and Local Histories.” This session will bring “Anthropology and Transgender: Rethinking this year. As always, the together researchers documenting the histories Inclusion, Collaboration and Engagement.” annual meeting promises of specific religious communities throughout Trans and non-trans anthropologists, historians, to be a great opportunity the region. -
Wouldn't It Be Nice
wouldn’t it be nice by lewis shiner hat if? It’s not just science fiction and fantasy that asks this w question, it’s all of fiction. What if a young student murdered his landlady to prove his moral superiority? What if a woman survived the Civil War and three marriages only to find true love too late? It’s also the question by which we transform ourselves. What if I quit my job and moved to the desert? What if I turned myself loose to create “a teenage symphony to God?” The Icarus who attempted that teenage symphony in 1966 is now 53. For Brian Wilson it’s been thirty years of struggle: with drugs and diet, with people who want to run his life for him, with the intensity of his own feelings. The good news is that Wilson’s life is finally his own again. He is newly married to a woman named Melinda, who is calm and sweet and loving with him. He has a new house in the safety of a gated community high above the city. And he is back in the public eye with two new albums and a movie on the Disney channel. The film is I Just Wasn’t Made For These Times, directed by producer-of-the- moment Don Was. The soundtrack is a kind of Best of Brian Wilson, live in the studio with crack session players like Jim Keltner, Benmont Tench, and Waddy Wachtel. This is not only a wonderful album in its own right, it represents a healing of other wounds. -
Wilson Phillips to Perform at the Fair at the Pne
FOR IMMEDIATE RELEASE NEWS RELEASE WILSON PHILLIPS TO PERFORM AT THE FAIR AT THE PNE For Immediate Release (August 3, 2011) Vancouver, B.C.: The Pacific National Exhibition is pleased to announced the female vocal trio Wilson Phillips has been confirmed to fill the September 1st cancelled Cheap Trick date. The trio, which consists of Carnie and Wendy Wilson (daughters of Beach Boy Brian Wilson) and Chynna Phillips (daughter of John and Michelle Phillips of the Mamas & the Papas) will be a featured, free with admission performance as part of the PNE’s Summer Night Concerts on the WestJet Concert Stage. “The band has huge popularity right now with the Number 1 song "Hold On" and their very popular appearance in the movie "Bridesmaids.” We’re very excited to have these talented performers as part of our 2011 concert mix,” says PNE Creative Director Patrick Roberge. “We think the band will appeal to a wide number of our Fair guests and is a great addition to our lineup.” Wilson Phillips enjoyed enormous success in the early '90s. Their 1990 self-titled debut album sold over 10 million copies worldwide and scored three Number 1 singles on the Billboard Hot 100, making the trio the best-selling female group at the time. In 1990, the group won the Billboard Music Award for Hot 100 Single of the Year for "Hold On", and in addition was nominated for four Grammy Awards and two American Music Awards. For more information about the PNE or the Summer Night Concerts visit: www.pne.ca. Owned by the City of Vancouver, the Pacific National Exhibition (PNE) is a healthy and vibrant non-profit charity organization dedicated to providing over 3 million visitors a year with first-class cultural, sporting and family entertainment events. -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS MARCH 9, 2020 | PAGE 1 OF 17 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Morris, Brown Top Charts Brandy Clark Makes A Personal >page 4 Statement On The Record Nashville Works Toward Recovery Ten seconds into Brandy Clark’s Your Life Is a Record, a the listener to an expectant conclusion of what turns out to be >page 9 languid grunting tone emerges, unconventionally planting a breakup album, released by Warner on March 6. “The Past a baritone sax into the opening moments of what’s ostensibly Is the Past,” she declares in that glassy finale, with fragile a country album. guitar arpeggios supporting a It’s a tad mysterious. In transitional journey into some Dan + Shay Launch context, it could be a bassoon or unknown future. Putting that Arena Tour a bass clarinet — Clark thought upbeat sentiment at the end >page 10 it was a cello the first time she of the project rather than the heard it — but it reveals to the beginning was one of the few listener that Your Life Is a Record, places where she dug in her heels produced by Jay Joyce (Eric with the label. Current News: Church, Miranda Lambert), “I wanted it that way because Just LeDoux It is not quite like either of the to me, ‘The Past Is the Past’ is >page 10 previous records the award- bittersweet, but it’s hopeful,” winning singer-songwriter has she explains. “It’s like, ‘OK, we’ve launched in the marketplace. gone through all this and I’m still Makin’ Tracks: “I said to Jay when I heard sad about it, but I’m letting you Pardi’s Strait Talk that baritone sax thing, ‘Man, go.’ And I’m driving away — like, >page 14 I know this is crazy ’cause it’s a I literally feel like I’m in the car slow, sad song. -
WILSON PHILLIPS in Concert With
FOR IMMEDIATE RELEASE: Las Virgenes Unified School District 4111 Las Virgenes Road Calabasas, CA 91302 Media Contact: Dr. Dan Stepenosky, Superintendent Phone: 8188785219 Email: [email protected] www.LVUSD.org February 20, 2019 The Las Virgenes Unified School District proudly presents: Dream Big and Hold On The Las Virgenes Unified School District will present its Sixth Annual Benefit Performance in celebration of the generosity of its donors, and in support of the creativity and spirit of the amazing students involved in the Performing Arts throughout the District. The Benefit Performance will take place at the CPAEC, the Performing Arts Education Center on the campus of Calabasas High School. This Sixth Annual Benefit shimmers a spotlight on the superb performing arts and educational experiences this school district offers to not only the students but the community as a whole. Alongside acknowledging the generosity of our donors and the local communities, the evening will help generate the imperative monies to reach our goal of raising and investing 5 million dollars in the LVUSD Beacon for the Arts Fund. In addition to acknowledging the commitment of our donors and the community to these inspirational facilities, this special evening will generate necessary funds to support the vision for these theaters as thriving performing arts hubs that reach, teach, challenge, and inspire not only the students of Las Virgenes but community members at large. Dream Big and Hold On: WILSON PHILLIPS in Concert with the Talented Students of LVUSD brings together the dreams, passion, optimism, and talent of all our students at LVUSD, which features awardwinning groups like Unstrumental , Bare Rhythm , and the CHS Dance Team to share the stage with the astounding Wilson Phillips, where you’ll hear iconic global hit songs like Hold On and Release Me performed live and up close in the PAEC MainStage where every seat is a great seat.