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Locating Science Fiction. Andrew Milner. Liverpool: Liverpool UP, 2012
AJE: Australasian Journal of Ecocriticism and Cultural Ecology, Vol. 3, 2013/2014 ASLEC–ANZ Locating Science Fiction. Andrew Milner. Liverpool: Liverpool UP, 2012. Liverpool Science Fiction Texts and Studies, 44. Hardback. 244 pp. ISBN 978-1-84631- 842-1 Readers of AJE beware: Locating Science Fiction is a determinedly non-ecocritical work of SF scholarship. This is not for any lack of sympathy with such an approach, however, as becomes evident in the crucial final chapter on ‘the uses of science fiction’, where Milner comes clean on his ecosocialist proclivities and Green party membership (as well as locating the writing of this book in the horizon of anthropogenic climate change). Rather, Milner’s eschewal of a narrowly ecocritical angle is a function of the kind of study he has undertaken here: one that aims not to illuminate particular SF texts from any one philosophical perspective, be that ecocritical, Marxist, feminist, postcolonial, or queer, but to provide an account of the entire literary- cultural field of SF in all of its diverse material manifestations across a range of historical and geographical contexts. As stated in the Introduction, the book addresses four key questions: first, what positively was SF? that is, what are its relative dimensions?; second, what negatively wasn’t it? that is, what are its relations to utopia, dystopia, fantasy and other genres?; third, when was it? that is, what was its time?; and fourth, where was it? that is, what was its geographical space? (3) Milner’s cogent and authoritative examination of these questions, which turn out to be interestingly interrelated, constitutes a major new contribution to the field of SF studies in general, as well as providing ecocritics with an invaluable resource for their own more targeted studies of SF texts in literature, film, television, or radio drama. -
Systems and Knowledge Science Fiction Research Association, 2016
Systems and Knowledge #SFRA2016 Science Fiction Research Association, 2016 The University of Liverpool 28th – 30th June Love, 3039 A.D. – “Darling, whenever you’re near me, my sub-atomic dynamo revs faster and faster………….”* *From the cover of The Satellite, vol. 2 iss. 5, May 1939 2 Contents Contents ............................................................................................................................................................................ 2 Conference Schedule ........................................................................................................................................................ 7 Tuesday 28th June, 2016; 10:00 – 11:30 ...................................................................................................................... 10 Keynote: Sawyer, Andy (The University of Liverpool) – #wearealljonsnow or, The Mystery of the Face in the Mirror: Some Problems in Research ........................................................................................................................................ 10 Tuesday 28th June, 2016; 11:45 – 12:45 ...................................................................................................................... 10 Gaslighting (Lecture Theatre 2) Chair: Sarah Lohmann .............................................................................................. 10 Lear, Ashley (Embry-Riddle Aeronautical University) and Jeanette B. Barott (Institute of Electrical and Electronic Engineers (IEEE)) – Applications for Gaslighting -
UTOPIA and SCIENCE FICTION in RAYMOND WILLIAMS Andrew Milner
UTOPIA AND SCIENCE FICTION IN RAYMOND WILLIAMS Andrew Milner Centre for Comparative Literature and Cultural Studies Monash University Wednesday 5 June 2002 This paper is a spin-off, a prequel perhaps, to my Re-Imagining Cultural Studies. It deals with material I finally chose to omit from the book - partly for reasons of space, partly to avoid too close an association between it and something so irreparably nerdish (anorakish in the British form) as science fiction or ‘SF’. Its title notwithstanding - that was Sage’s work, not mine - the book is actually about Raymond Williams. As it says in the blurb - my work, not Sage’s - it ‘traces the continuing influence on contemporary cultural studies of ... Williams, a theorist whose enduring and original work concerns the materiality of culture itself. The book seeks to restore Williams to a central position in the formation and development of cultural studies.’ Raymond Williams was, of course, a significant figure in late twentieth-century intellectual life, not only a pioneer in the early history of what we now know as Cultural Studies, but also a central inspiration for the early British New Left. He was variously - and inaccurately - likened to a British Lukács (Eagleton, 1976, p. 36), a British Bloch (Pinkney, 1989, pp. 28-31) and even ‘the British Sartre’ (The Times). Jürgen Habermas’s initial theorisation of the public sphere derived something from Williams’s Culture and Society (Habermas, 1989, p. 37); Stuart Hall, the Jamaican cultural theorist, cites Williams as ‘a major influence’ on his ‘intellectual and political formation’ (Hall, 1993, p. -
Learning from Science Fiction
HARD READING Liverpool Science Fiction Texts and Studies, 53 Liverpool Science Fiction Texts and Studies Editor David Seed, University of Liverpool Editorial Board Mark Bould, University of the West of England Veronica Hollinger, Trent University Rob Latham, University of California Roger Luckhurst, Birkbeck College, University of London Patrick Parrinder, University of Reading Andy Sawyer, University of Liverpool Recent titles in the series 30. Mike Ashley Transformations: The Story of the Science-Fiction Magazine from 1950–1970 31. Joanna Russ The Country You Have Never Seen: Essays and Reviews 32. Robert Philmus Visions and Revisions: (Re)constructing Science Fiction 33. Gene Wolfe (edited and introduced by Peter Wright) Shadows of the New Sun: Wolfe on Writing/Writers on Wolfe 34. Mike Ashley Gateways to Forever: The Story of the Science-Fiction Magazine from 1970–1980 35. Patricia Kerslake Science Fiction and Empire 36. Keith Williams H. G. Wells, Modernity and the Movies 37. Wendy Gay Pearson, Veronica Hollinger and Joan Gordon (eds.) Queer Universes: Sexualities and Science Fiction 38. John Wyndham (eds. David Ketterer and Andy Sawyer) Plan for Chaos 39. Sherryl Vint Animal Alterity: Science Fiction and the Question of the Animal 40. Paul Williams Race, Ethnicity and Nuclear War: Representations of Nuclear Weapons and Post-Apocalyptic Worlds 41. Sara Wasson and Emily Alder, Gothic Science Fiction 1980–2010 42. David Seed (ed.), Future Wars: The Anticipations and the Fears 43. Andrew M. Butler, Solar Flares: Science Fiction in the 1970s 44. Andrew Milner, Locating Science Fiction 45. Joshua Raulerson, Singularities 46. Stanislaw Lem: Selected Letters to Michael Kandel (edited, translated and with an introduction by Peter Swirski) 47. -
Biopunk Dystopias: Genetic Engineering, Society, and Science
BIOPUNK DYSTOPIAS Liverpool Science Fiction Texts and Studies, 56 Liverpool Science Fiction Texts and Studies Editor David Seed, University of Liverpool Editorial Board Mark Bould, University of the West of England Veronica Hollinger, Trent University Rob Latham, University of California Roger Luckhurst, Birkbeck College, University of London Patrick Parrinder, University of Reading Andy Sawyer, University of Liverpool Recent titles in the series 32. Robert Philmus Visions and Revisions: (Re)constructing Science Fiction 33. Gene Wolfe (edited and introduced by Peter Wright) Shadows of the New Sun: Wolfe on Writing/Writers on Wolfe 34. Mike Ashley Gateways to Forever: The Story of the Science-Fiction Magazine from 1970–1980 35. Patricia Kerslake Science Fiction and Empire 36. Keith Williams H. G. Wells, Modernity and the Movies 37. Wendy Gay Pearson, Veronica Hollinger and Joan Gordon (eds.) Queer Universes: Sexualities and Science Fiction 38. John Wyndham (eds. David Ketterer and Andy Sawyer) Plan for Chaos 39. Sherryl Vint Animal Alterity: Science Fiction and the Question of the Animal 40. Paul Williams Race, Ethnicity and Nuclear War: Representations of Nuclear Weapons and Post-Apocalyptic Worlds 41. Sara Wasson and Emily Alder, Gothic Science Fiction 1980–2010 42. David Seed (ed.), Future Wars: The Anticipations and the Fears 43. Andrew M. Butler, Solar Flares: Science Fiction in the 1970s 44. Andrew Milner, Locating Science Fiction 45. Joshua Raulerson, Singularities 46. Stanislaw Lem: Selected Letters to Michael Kandel (edited, translated and with an introduction by Peter Swirski) 47. Sonja Fritzsche, The Liverpool Companion to World Science Fiction Film 48. Jack Fennel: Irish Science Fiction 49. -
About Colloquy
About Colloquy Issue Six STRATEGIC SUBJECTS: THE SEXUAL BINARY, TRANSGRESSION AND THE ETHICS OF STRATEGIC ESSENTIALISM Rob Cover, Monash University Since the revolution against reason, from the moment it is articulated, can operate only within reason, it always has the limited scope of what is called, precisely in the language of a department of internal affairs, a disturbance. Derrida, Writing and Difference Love the life you lead Just to lead the life you love&emdash; I don't think so. Olive, 'I Don't Think So', Extra Virgin For more than ten years the collective set of critical post-structuralist positions labelled 'queer theory' has been deployed to show that sexual identity&emdash;and particularly hetero and homo sexual subjectivities&emdash;are produced through discursive knowledges; contingent and historical. Such work has usefully opened paths for the examination of racial, ethnic and gendered tensions within the ethnic-minority grouping that is the lesbian/gay (or 'queer') community. What might be considered the largest contribution of queer theory to the field of lesbian/gay politics has been the ways in which it can be deployed for the examination of lesbian/gay (and 'straight') subjects as they are subjectively performed in accord with various discourses of sexuality and subjectivity, thus prompting examinations of how these discourses are governed by the cultural construct hetero/homo binary. Nevertheless, much of this work is ignored in the praxis of lesbian/gay politics which continues to assert and reassert the hetero/homo binary as 'sexual truth'. Following Michel Foucault, [1] much queer theory continues the suggestion that sexual categorisations and classifications&emdash;and the subjects that are performed in time with such categories and classes&emdash;are on one hand productive but on the other are regimentations ; liable to both discipline and surveillance, such as seen in the policing of codes of lesbian/gay desire and the denunciation of more 'fluid' articulations of desires, pleasures and erotics. -
Meditations on the Impossible: a Report from Australia
Meditations on the Impossible: A Report from Australia Andrew Milner Monash University, Melbourne Citation: Andrew Milner, “Meditations on the Impossible: A Report from Australia”, Spaces of Utopia: An Electronic Journal , nr. 3, Autumn/Winter 2006, pp. 132-148 <http://ler.letras.up.pt > ISSN 1646-4729. There is no equivalent in Australasia to the Society for Utopian Studies in North America or the Utopian Studies Society in Europe. But Australian scholars are clearly interested in utopianism: in December 2001 the University of Tasmania hosted a very successful conference on Antipodean Utopias, with most of its contributors coming from either Australia or New Zealand. Australians have also contributed to the proceedings of the North American and European Societies. Peter Marks gave a paper on utopianism in Terry Gilliam to the 2004 conference of the North American Society in Toronto. He had previously given one on Big Brother and surveillance to the 2002 conference of the European Society in Nottingham – where I also presented a paper on “Utopia and Science Fiction in Raymond Williams”. At the 2003 conference, in Madrid, there were papers from five Australians, Amanda Cole, Jacqueline Dutton, Sung-Ae Lee, Kerry Mallan and John Stephens. Cole and Dutton also made an unsuccessful attempt to persuade the Society to hold its 2006 conference in Australia. As it turned out, in 2006 the conference returned to Spain, to Tarragona, but there were still papers from three Australians, Dutton, myself and Saul Newman. 1. Australian Utopianism: A Short History Moreover, there is a significant history of Australian utopianism, both textual – albeit mainly literary, rather than philosophical – and practical. -
The Critical Reception of Speculative Fiction M
The Critical Reception of Speculative Fiction M. Keith Booker contemporary speculative fiction has roots that reach back to the epics and myths of antiquity, when ancient peoples sought supernatural ex- planations (or at least metaphors) for phenomena in the natural world that seemed beyond understanding from direct knowledge of reality. Speculation beyond the directly observable natural world was also central to the evolution of such literary traditions as Menippean satire, which dates back to the ancient Greeks and for which Mikhail Bakhtin has influentially identified a variety of “fantastic” elements that are crucial to the genre’s critical engagement with and commentary on real-world social issues. Thus, of the fourteen basic features of Me- nippean satire listed by Bakhtin in Problems of Dostoevsky’s Poetics (1984), six involve the use of materials that go beyond the bounds of the contemporary natural world (122–37). if the “scientific romances” of H. G. Wells and the “prose romances” of William Morris, along with Bram Stoker’s Dracula (1897), can be taken as the founding works of the truly modern genres of science fiction, fantasy, and horror, it is surely no accident that these founding works all appeared at about the same time at the end of the nineteenth century, as critical responses to the growing conversion of daily life into monotonous routine under the increasing power of modern capitalism. in short, speculative genres such as science fiction, fantasy, and hor- ror, far from being escapist forms that simply allow their consumers to avoid engagement with reality, are in fact themselves vehicles for new forms of critical engagement, and often quite self-consciously so. -
Performance Studies As a Discipline? a Foucauldian Approach to Theory and Practice
Performance Studies As A Discipline? A Foucauldian Approach to Theory And Practice Glenn D'cruz Thesis submitted for the degree of Master of Arts, in the Department of English, Faculty of Arts, the University of Melbourne. 1993 The thesis comprises my original work except where due acknowledgement is made in the text to all other material used. i ABSTRACT This thesis has three major purposes: firstly, to describe and analyse the institutional power/knowledge relations operating in the constitution of the academic 'discipline' of performance/theatre studies. I deploy Michel Foucault's conceptions of 'discursive formation,' 'discursive practice,' and 'power/knowledge' in an attempt to demonstrate the ways in which the academy distinctively articulates the discipline. The second purpose of the thesis is to map and critique specific conceptions of the ‘discipline’s’ epistemological profile, through an examination of the discursive practice of theatre at the University of Melbourne from the mid-fifties to the present. Third, I go on to prioritize a specific performance oriented articulation of the field's epistemological profile, based on an interdisciplinary pedagogy. I describe the techniques, methods and theoretical justifications for such an articulation of the discipline by offering a critical account of The Killing Eye project - a multi-media performance which deals with the topic of serial murder - which was initiated in the context of a third year performance studies course. I conclude with an analysis of the academy's institutional enablements and constraints in the areas of theatre practice and pedagogy. ii Table of Contents Abstract . i Table of Contents . ii Introduction . -
Journal of World-Systems Research
JOURNAL OF WORLD-SYSTEMS RESEARCH ISSN: 1076-156X | Vol. 26 Issue 2 | DOI 10.5195/JWSR.2020.988 | jwsr.pitt.edu Vol. 1 | DOI 10.5195/JWSR.1 Anthropocene Fiction and World-Systems Analysis Andrew Milner Monash University [email protected] J.R. Burgmann Monash University [email protected] Abstract As developed by Immanuel Wallerstein and various co-thinkers, world-systems analysis is essentially an approach to economic history and historical sociology that has been largely indifferent to literary studies. This indifference is perhaps surprising given that the Annales school, which clearly influenced Wallerstein’s work, produced a foundational account of the emergence of modern western literature in Lucien Febvre and Henri-Jean Martin’s L’apparition du livre (1958). More recently, literary scholars have attempted to apply this kind of analysis directly to their own field. The best-known instances are probably Pascale Casanova’s La republique mondiale des lettres (1999), Franco Moretti’s Distant Reading (2013) and the Warwick Research Collective’s Combined and Uneven Development (2015). More recently still, Andrew Milner in Australia and Jerry Määttä in Sweden have sought to apply “distant reading” more specifically to the genre of science fiction. Milner’s model of the “global SF field” identifies an original Anglo-French core, supplemented by more recent American and Japanese cores, longstanding Russian, German, Polish and Czech semi-peripheries, an emergent Chinese semi-periphery, and a periphery comprising the rest of the world. This essay attempts to apply that model to what Adam Trexler has termed “Anthropocene fictions” and Daniel Bloom “cli-fi”, which we treat here as a significant sub-genre of contemporary science fiction.