DOCSLIB.ORG

Robert Burns Country: to a Mouse, on Turning Her up in Her Nest

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Robert Burns Country: to a Mouse, on Turning Her up in Her Nest Search This Site Welcome to Google Search Everything you wanted to know about Robert Burns, Scotland's national bard (and lots more besides). Please let us know if anything's missing, wrong, or just plain wonderful Robert Burns AULD LANG SYNE Store Words | Karaoke! Complete Works Home | Alphabetical Index | Chronological Index NEW!! View our exclusive range of distinctive To A Mouse, On Robert Burns related products. Register with Turning Her Up In our Shopping Club for further offers and unique Her Nest With The member offers.Click Plough here... Complete Burns Songs 1785 Type: Poem Linn Wee, sleekit, cow'rin, tim'rous beastie, O, what a panic's in thy breastie! Records have completed Thou need na start awa sae hasty, their landmark recording Wi' bickering brattle! of all 368 Burns songs, I wad be laith to rin an' chase thee, available as individual Wi' murd'ring pattle! CDs or a 12 volume presentation box set. We View our exclusive range of have full details. Click distinctive Robert Burns I'm truly sorry man's dominion, here... related products. Has broken nature's social union, An' justifies that ill opinion, Register with our Shopping Which makes thee startle Burns Music & Club for further offers and Recordings unique member offers. At me, thy poor, earth-born companion, Search our huge CD and An' fellow-mortal! music store for any Contact us: Burns-related phrase! [email protected] Hint: Type "lang syne" I doubt na, whiles, but thou may or "peck maut" etc. into thieve; the Search box there for What then? poor beastie, thou maun all artists, titles, live! descriptions or track listings with the words A daimen icker in a thrave entered. 'S a sma' request; I'll get a blessin wi' the lave, Burns Chess An' never miss't! Sets Thy wee bit housie, too, in ruin! Unique collectors' It's silly wa's the win's are strewin! pieces based on Burns' life and An' naething, now, to big a new works. (The ideal ane, gift for your Burns O' foggage green! Supper guests!) Click An' bleak December's winds ensuin, here... Baith snell an' keen! Scotweb Store Thou saw the fields laid bare an' The finest waste, Scottish shopping An' weary winter comin fast, site in the world, An' cozie here, beneath the blast, with the world's largest choice of kilts and Thou thought to dwell- tartans, exclusive jewelry, Till crash! the cruel coulter past Highland Dress, Out thro' thy cell. Bagpipes and piping supplies, cashmere, and much more. Buying That wee bit heap o' leaves an' from these sites helps stibble, pay for the upkeep of Has cost thee mony a weary nibble! Burns Country! Click Now thou's turn'd out, for a' thy here... trouble, But house or hald, To thole the winter's sleety dribble, An' cranreuch cauld! But, Mousie, thou art no thy lane, In proving foresight may be vain; The best-laid schemes o' mice an 'men Gang aft agley, An'lea'e us nought but grief an' pain, For promis'd joy! Still thou art blest, compar'd wi' me The present only toucheth thee: But, Och! I backward cast my e'e. On prospects drear! An' forward, tho' I canna see, I guess an' fear! Home | Alphabetical Index | Chronological Index.
Load more

Recommended publications
  • ROBERT BURNS and PASTORAL This Page Intentionally Left Blank Robert Burns and Pastoral
    ROBERT BURNS AND PASTORAL This page intentionally left blank Robert Burns and Pastoral Poetry and Improvement in Late Eighteenth-Century Scotland NIGEL LEASK 1 3 Great Clarendon Street, Oxford OX26DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York # Nigel Leask 2010 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2010 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available Typeset by SPI Publisher Services, Pondicherry, India Printed in Great Britain on acid-free paper by MPG Books Group, Bodmin and King’s Lynn ISBN 978–0–19–957261–8 13579108642 In Memory of Joseph Macleod (1903–84), poet and broadcaster This page intentionally left blank Acknowledgements This book has been of long gestation.
    [Show full text]
  • Robert Burns and a Red Red Rose Xiaozhen Liu North China Electric Power University (Baoding), Hebei 071000, China
    Advances in Social Science, Education and Humanities Research, volume 311 1st International Symposium on Education, Culture and Social Sciences (ECSS 2019) Robert Burns and A Red Red Rose Xiaozhen Liu North China Electric Power University (Baoding), Hebei 071000, China. [email protected] Abstract. Robert Burns is a well-known Scottish poet and his poem A Red Red Rose prevails all over the world. This essay will first make a brief introduction of Robert Burns and make an analysis of A Red Red Rose in the aspects of language, imagery and rhetoric. Keywords: Robert Burns; A Red Red Rose; language; imagery; rhetoric. 1. Robert Burns’ Life Experience Robert Burns (25 January 1759 – 21 July 1796) is a Scottish poet and lyricist. He is one of the most famous poets of Scotland and is widely regarded as a Scottish national poet. Being considered as a pioneer of the Romantic Movement, Robert Burns became a great source of inspiration to the founders of both liberalism and socialism after his death. Most of his world-renowned works are written in a Scots dialect. And in the meantime, he produced a lot of poems in English. He was born in a peasant’s clay-built cottage, south of Ayr, in Alloway, South Ayrshire, Scotland in 1759 His father, William Burnes (1721–1784), is a self-educated tenant farmer from Dunnottar in the Mearns, and his mother, Agnes Broun (1732–1820), is the daughter of a Kirkoswald tenant farmer. Despite the poor soil and a heavy rent, his father still devoted his whole life to plough the land to support the whole family’s livelihood.
    [Show full text]
  • A Poem Ne Ly Sprung in Fairvie
    A Poem Ne ly Sprung in Fairvie by CLARK AYCOCK ave you ever sung “Auld Lang therefore able to write in the local Ayrshire Syne” on New Year’s Eve? dialect, as well as in “Standard” English. He Or have you ever uttered the wrote many romantic poems that are still phrase, when frustrated, “the recited and sung today, and some of us may best-laid schemes of mice and men…”? remember his songs more easily than we do Did you know that John Steinbeck’s classic his poetry. in a human book Of Mice and Men was based on a line Robert Burns infl uenced many other head, though I in a poem written “To a Mouse”... or that poets including Wordsworth, Coleridge have seen the most a Tam O’ Shanter cap was named aft er a distinguished men of my time.” and Shelley. Walter Scott was also a great A commemorative plate showing character in a poem by that name? And admirer and wrote this wonderful descrip- In the late 1700s, many Scots migrated did you know that singer and songwriter tion of Burns that provides us with a clear from the Piedmont into the mountains of Robert Burns in the center Bob Dylan said his biggest creative impression of the man. “His person was WNC, bringing with them their country's surrounded by characters from inspiration was the poem and song “A strong and robust; his manners rustic, not culture and craft and inherent connection his poems Red, Red Rose”? Yes, we are talking about clownish, a sort of dignifi ed plainness and with Burns.
    [Show full text]
  • A Tribute to Robert Burns
    A TRIBUTE TO ROBERT BURNS Robert Burns: January 25, 1759 – July 21, 1796 A transcript of the “Immortal Memory” given by David Hunter at the “Oor Club” Burns Lunch on January 8, 2016 www.scottishstudies.com Just seven days ago, as steeple bells ushered in the year 2016, multitudes from all over the world joined in to sing “Auld Lang Syne,” the international anthem of New Year’s Eve. And on January 25, millions of people will be celebrating the 257th anniversary of the birth of Robert Burns — the man who, in 1788, wrote the words of “Auld Lang Syne.” So after all these years, just what is it about Robert Burns that has made him stand the test of time and become even more popular, more revered, and just as relevant today as he was over 200 years ago? Well I suppose Burns will mean different things to different people, but the best explanation I’ve heard is that Burns was a man who said what we would like to have said, in a way we would liked to have said it!1 And today we will often hear people quoting Burns quite possibly without even realizing it. A few years ago, President Barack Obama could be heard saying … “We in the African-American community have been at the receiving end of ‘man’s inhumanity to man.’” This was a paraphrase of an earlier speech made by Dr. Martin Luther King back in the 1960’s but Dr. King, in turn, had taken the phrase “man’s inhumanity to man” from the Robert Burns poem “Man was made to Mourn.” And it’s a quote that has been used many times since.
    [Show full text]
  • Samuil Marshak ARTICLES and LETTERS on BURNS AND
    Samuil Marshak ARTICLES AND LETTERS ON BURNS AND SCOTLAND Collected Works in Eight Volumes. Vols. 6 and 8. Moscow: Khudozhestvennaja Literatura, 1971-2. Translated by Maria Artamonova ROBERT BURNS IS 200 (Vol. 6, pp. 343-5) It has been two hundred years since the birth of Burns, but some of his lines sound as if they were written in our own time. He spoke of the peace and freedom of nations in his solemn verse: The Golden Age we'll then revive: Each man will be a brother; In harmony we all shall live, And share the earth together; [Let the golden age come And slavery disappear into the abyss, And let man be brother to man forever] {1} and in his jocular poems full of hearty popular humour: The deities that I adore Are social Peace and Plenty; I'm better pleas'd to make one more, Than be the death of twenty. [I praise the dominion of peace, Content and plenty. It is more pleasant to make one Than to kill ten!] {2} Burns seems to have found a second motherland in our country. The first translations of his works date back to over a hundred years ago. Our greatest poet, Pushkin, kept a volume of Burns’ verse on his desk; it is still preserved in the Pushkin apartment museum. Another great Russian poet, Lermontov, translated four lines of Burns which served as an epigraph for Byron’s The Bride of Abydos. It is well-known that the poet Nekrasov, who did not know the language of Burns, asked Turgenev to make a crib translation of the Scottish bard’s songs for him so that he could then prepare his own versified translations.
    [Show full text]
  • Robert Burns Taught by Steve Newman
    Steve Newman Robert Burns at the Rosenbach: Song, Satire, and Scotland Feb-March 2017 Course Description: On the evening of January 25th, people from Edinburgh to Shanghai to Philadelphia gather to toast “the immortal memory” of Robert Burns. For he is not only Scotland’s national poet; his work has been translated into Hebrew, Russian, Chinese, Esperanto, and a host of other languages. To discover the range and depth of the work that has established Burns as a poet of global significance, we will dive into a great deal of his poetry and a bit of his prose, drawing significantly on one of the world’s finest collection of his works--the Rosenbach’s. We will begin with Burns’ spectacular burst on to the scene in 1786, investigating the literary and political matrices that made it possible for this son of a short-lease farmer to become so celebrated so quickly, though not entirely on his own terms. We will then focus on his love and bawdy songs, considering how Burns draws on and transforms tradition in lyrics on affection and lust, and the codes of gender and sexuality that inform them. Next come his interventions in the politics of the nation, as he presents himself as a “Bardie” licensed to comment on a range of state and religious matters and navigates the electrified disputes of his time. We will conclude with some of his masterpieces— including Tam O’Shanter and Love and Liberty—and the ways his work gets circulated and Burns is enshrined by a series of critics and collectors, not least Dr.
    [Show full text]
  • A Burns Companion a Burns Companion
    A BURNS COMPANION A BURNS COMPANION ALAN BOLD Palgrave Macmillan ISBN 978-1-349-21167-8 ISBN 978-1-349-21165-4 (eBook) DOI 10.1007/978-1-349-21165-4 ©Alan Bold 1991 Softcover reprint of the hardcover 1st edition 1991 978-0-333-42270-0 All rights reserved. For information, write: Scholarly and Reference Division, St. Martin's Press, lnc., 175 Fifth Avenue, New York, N.Y. 10010 First published in the United States of America in 1991 ISBN 978-0-312-04500-5 library of Congress Cataloging-in-Publication Data Bold, Alan Norman, 1943- A Bums companion I Alan Bold. p. em. Includes bibliographical references. ISBN 978-0-312-04500-5 1. Burns, Robert, 1759-1796.2. Poets, Scottish -18th century- Biography. I. Title. PR4331.B64 1991 821'.6 -dc20 89-70109 [B] CIP Contents List of Plates ix Preface xi Abbreviations xiii PART I: BURNS IN CONTEXT 1 A Burns Chronology 3 The Burns Circle 21 A Burns Topography 62 PART II: ASPECTS OF BURNS 77 Dialect and Diction in Burns 79 Bums and Religion 89 Bums and Politics 100 Bums and Philosophy 109 Bums and Booze 116 Bums and the Theatre 123 The Bawdy Bums 133 A Technical Note 143 PART III: AN APPROACH TO BURNS 149 PART IV: THE ART OF BURNS 175 POEMS The Death and Dying Words of Poor Mailie, the Author's only Pet Yowe 177 v vi Contents Holy Willie's Prayer 180 Death and Doctor Hornbook 185 The Holy Fair 189 The Vision 193 Halloween 199 The Twa Dogs 203 The Jolly Beggars 208 The Cotter's Saturday Night 217 To a Mouse 223 To a Louse 226 The Auld Farmer's New-Year Morning Salutation to his Auld Mare, Maggie 229 Address to the Deil 232 The Author's Earnest Cry and Prayer 236 The Ordination 240 Address of Beelzebub 242 A Dream 246 Address to the Unco Guid 249 The Calf 253 The Brigs of Ayr 254 A Winter Night 259 The Kirk's Alarm 262 Elegy on Captain Matthew Henderson 267 Tam o Shanter 272 The Tree of Liberty 281 VERSE EPISTLES 286 Epistle to John Rankine 287 Epistles to Davie 288 Epistles to J.
    [Show full text]
  • Robert Burns in Other Tongues; a Critical
    ^S *&>• >n BOUGHT WITH THE INCOME FROM THE SAGE ENDOWMENT FUND THE GIFT OF iii^nrg W. Bags 1S9X .fjr/j.rjf:.. ikp/.v.fj... 9963 Cornell University Library PR4336.J12 Robert Burns in other tongues; a critical 3 1924 013 447 937 M ^ Cornell University VM Library The original of tliis bool< is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924013447937 ROBERT BURNS IN OTHER TONGUES PUBLISHED BY JAMES MACLEHOSE AND SONS. GLASGOW, ^nbUshcrs to the Snibersitji). MACMILLAN AND CO., LONDON AND NEW YORK" Loitdon^ • Sijnpkin, Hamilton and Co. Cainbridge^t Macinillan and Bowes, Edinburgh^ Dotiglas and Foulis. MDCCCXCVI. " , ROBERT BURNS IN OTHER TONGUES A Critical Review of the Translations of the Songs & Poems of Robert Burns i'- ii /; WILLIAM JACKS AUTHOR OF A TRANSLATION OF "NATHAN THE WISE ETC. Glasgow James MacLehose and Sons ^nblisheis to tite Stnibtrsits 1896 Ail rights reserved cc ! Jungst pflUckt' ich einen Wiesenstrauss, Trug ihn gedankenvoll nach Haus ; Da hatten, von der warmen Hand, Die Kronen sich alle zur Erde gewandt, Ich setzte sie in frisches Glas, Und welch ein Wunder war rair das Die Kopfchen hoben sich empor, Die Blatterstengel im grunen Flor, Und allzusammen so gesund, Als stiinden sie noch auf Muttergrund. So war mir's, als ich wundersam Main Lied in fremder Sprache vernahm. Goethe PREFACE. I WAS led into the present, task by seeing now and again in newspapers, reviews of foreign translations of the works of Robert Burns, and by occasionally meeting with specimens of these translations in my wanderings on the Continent.
    [Show full text]
  • A Bibliography of Robert Burns for the 21St Century: 1786-1802
    A Bibliography of Robert Burns for the 21st Century: 1786-1802 Craig Lamont 2018 Introduction THIS WORK will provide the beginnings of an overdue renewal into the bibliographical study of the main editions of Robert Burns. The aim is to provide comprehensive details, especially concerning the contents of the editions, which have been generally overlooked by previous bibliographers. It is hoped that this new methodology will benefit future researchers and readers of Robert Burns. The work is linked with the AHRC- funded project, ‘Editing Robert Burns for the 21st Century’ at the University of Glasgow, currently producing the multi-volume Oxford Edition of the Works of Robert Burns. Following the first phase of the work, further research was kindly funded by the Royal Society of Edinburgh through a Small Research Grant: ‘The Early Editions of Robert Burns, 1786-1802: towards a new descriptive bibliography’ (PI: Lamont), opening up the possibility for consultations in other collections. The principal reference in constructing this bibliography is J. W. Egerer’s A Bibliography of Robert Burns (1964). Other bibliographies, catalogues, books, and articles relative to this area will also be consulted, and any insights gained from these will be noted throughout. While Egerer’s chief aim in his bibliography ‘is to emphasize the first appearances in print of Burns’s writings,’ this work seeks to provide comprehensive details about each main edition, as well as renewing or correcting previous or outdated assumptions about first appearances and authorship of certain poems and songs. The method for doing this was refined over time, but the end result is hopefully easy to follow, especially with the focus on the contents, ie.
    [Show full text]
  • The Metaphors of Identity
    1 Sacred Lambencies and Thin Crusts: The Metaphors of Identity ...They went to the window. The fronting heavens were a black purple. The thunder, which had been growling in the distance, swept forward and roared above the town. The crash no longer roared afar, but cracked close to the ear, hard, crepitant. Quick lightning stabbed the world in vicious and repeated hate. A blue-black moistness lay heavy on the cowering earth. George Douglas Brown, The House with the Green Shutters, 1901¹ If a city hasn’t been used by an artist not even the inhabitants live there imaginatively. Alasdair Gray, Lanark, 1982² INATURAMALIGNA The Atlantic coast was appreciated for the qualities of light and landscape—the soft days of the Irish west, the clarity of Cornwall, the Welsh picturesque at Betws- y-Coed—but Victorian fictionalists encountered a Scotland which seemed irredeem- ably dour: bleakness of moorland, withered grasses, stunted trees, flailed by a merciless wind; towns and villages slattern and sullen; great cities truly hellish chasms of filthy streets and pandemonian crowds. ‘Land of the mountain and the flood’ char- acterizes some of this. The ‘Bonnie Briar Bush’ of the Kailyarder Ian MacLaren waves outside the window of a talented boy dying of tuberculosis. The same malady kills Cunninghame Graham’s returning migrant at ‘Beattock for Moffat’. George Douglas Brown in The House with the Green Shutters granted himself a couple of sentences of exhilaration, but soon let fly with natura maligna. Ibsen’sNorwayisnomorefriendly,butitwaslike that —the drenched fjord towns, the terrific mountains, the seas pounding on Rosmersholm’s beach.
    [Show full text]
  • Robert Burns and the Tradition of the Makars Robert L
    Studies in Scottish Literature Volume 30 | Issue 1 Article 11 1998 Robert Burns and the Tradition of the Makars Robert L. Kindrick Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Kindrick, Robert L. (1998) "Robert Burns and the Tradition of the Makars," Studies in Scottish Literature: Vol. 30: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol30/iss1/11 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Robert L. Kindrick Robert Bums and the Tradition of the Makars One of the major questions involving the poetry of Robert Bums is the poet's awareness of earlier literary tradition. On the one hand is Henry Macken­ zie's notion that Bums is a "natural" poet, replete with all of the gifts of nature that Rousseau ever envisioned. His use of folk meters and folk tales as his sources, and his love for the traditions and common folk culture of Scotland seem to some to embody all the elements of "untutored genius" which reaches its zenith in the Romantic period of British verse. I A genius, Bums surely was. But whether he was "untutored" has constantly been called in doubt. The case is hardly a simple one, for even though Mackenzie's interpretation has been largely rejected, it remains in general circulation. It is sometimes difficult to believe that a number of poets who draw their inspiration from folk verse and exhibit a sym­ pathy towards the common man are deeply learned.
    [Show full text]
  • Robert Burns: Containing His Poems, Songs, and Correspondence., by Robert Burns and Allan Cunningham
    1 A free download from manybooks.net The Project Gutenberg EBook of The Complete Works of Robert Burns: Containing his Poems, Songs, and Correspondence., by Robert Burns and Allan Cunningham This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Complete Works of Robert Burns: Containing his Poems, Songs, and Correspondence. With a New Life of the Poet, and Notices, Critical and Biographical by Allan Cunningham Author: Robert Burns and Allan Cunningham Release Date: June 4, 2006 [EBook #18500] Language: English Character set encoding: ISO-8859-1 • START OF THIS PROJECT GUTENBERG EBOOK WORKS OF ROBERT BURNS *** Produced by Marilynda Fraser-Cunliffe, Sankar Viswanathan, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was made using scans of public domain works from the University of Michigan Digital Libraries.) Transcriber's Note. 2 1. The hyphenation and accent of words is not uniform throughout the book. No change has been made in this. 2. The relative indentations of Poems, Epitaphs, and Songs are as printed in the original book. THE COMPLETE WORKS OF ROBERT BURNS: CONTAINING HIS POEMS, SONGS, AND CORRESPONDENCE. WITH A NEW LIFE OF THE POET, AND NOTICES, CRITICAL AND BIOGRAPHICAL, BY ALLAN CUNNINGHAM. ELEGANTLY ILLUSTRATED. BOSTON: PHILLIPS, SAMPSON, AND COMPANY. NEW YORK: J.C. DERBY. 1855 TO ARCHIBALD HASTIE, ESQ., 3 MEMBER OF PARLIAMENT FOR PAISLEY THIS EDITION OF THE WORKS AND MEMOIRS OF A GREAT POET, IN WHOSE SENTIMENTS OF FREEDOM HE SHARES, AND WHOSE PICTURES OF SOCIAL AND DOMESTIC LIFE HE LOVES, IS RESPECTFULLY AND GRATEFULLY INSCRIBED BY ALLAN CUNNINGHAM.
    [Show full text]