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Cultural Delegation
An invitation to experience Cambodia’s transformation through the arts Cultural Delegation 10 days-9 nights Siem Reap . Battambang Phnom Penh January 29 - February 07, 2018 August 06 - August 15, 2018 January 28 - February 06, 2019 An Invitation On behalf of Cambodian Living Arts, I would like to personally invite you on an exclusive journey through the Kingdom of Cambodia. Our Cultural Delegations give you an insight into Cambodia like no other, through a unique blend of tourism and personal encounters with the people who’ve contributed to the country’s cultural re-emergence. With almost 20 years of experience, CLA has grown into one of the leading arts and cultural institutions in Cambodia. What began as a small program supporting four Master Artists has blossomed into a diverse and wide-reaching organization providing opportunities for young artists and arts leaders, supporting arts and culture education in Cambodia, expanding audiences and markets for Cambodian performing arts, and building links with our neighbors in the region. We would love for you to come and experience this transformation through the arts for yourself. Our Cultural Delegation will give you the chance to see the living arts in action and to meet artists, students and partners working to support and develop Cambodia’s rich artistic heritage. Through these intimate encounters you will come to understand the values and aspirations of Cambodian artists, the obstacles they face, and the vital role that culture plays in society here. Come with us and discover the impressive talents of this post-conflict nation and the role that you can play as an agent of change to help develop, sustain and grow the arts here in the Kingdom of Culture. -
Claiming the Hydraulic Network of Angkor with Viṣṇu
Journal of Archaeological Science: Reports 9 (2016) 275–292 Contents lists available at ScienceDirect Journal of Archaeological Science: Reports journal homepage: www.elsevier.com/locate/jasrep Claiming the hydraulic network of Angkor with Viṣṇu: A multidisciplinary approach including the analysis of archaeological remains, digital modelling and radiocarbon dating: With evidence for a 12th century renovation of the West Mebon Marnie Feneley a,⁎, Dan Penny b, Roland Fletcher b a University of Sydney and currently at University of NSW, Australia b University of Sydney, Australia article info abstract Article history: Prior to the investigations in 2004–2005 of the West Mebon and subsequent analysis of archaeological material in Received 23 April 2016 2015 it was presumed that the Mebon was built in the mid-11th century and consecrated only once. New data Received in revised form 8 June 2016 indicates a possible re-use of the water shrine and a refurbishment and reconsecration in the early 12th century, Accepted 14 June 2016 at which time a large sculpture of Viṣṇu was installed. Understanding the context of the West Mebon is vital to Available online 11 August 2016 understanding the complex hydraulic network of Angkor, which plays a crucial role in the history of the Empire. Keywords: © 2016 The Authors. Published by Elsevier Ltd. This is an open access article under the CC BY-NC-ND license Archaeology (http://creativecommons.org/licenses/by-nc-nd/4.0/). Angkor Digital visualisation 3D max Hydraulic network Bronze sculpture Viṣṇu West Mebon 14C dates Angkor Wat Contents 1. Introduction.............................................................. 276 2. The West Mebon — background.................................................... -
Sthapatyakam. the Architecture of Cambodia
STHAPATYAKAM The Architecture of Cambodia ស䮐ាបតាយកម䮘កម䮖ុᾶ The “Stha Patyakam” magazine team in front of Vann Molyvann’s French Library on the RUPP Campus Supervisor Dr. Tilman Baumgärtel Thanks to Yam Sokly, Heritage Mission, who has Design Supervisor Christine Schmutzler shared general knowledge about architecture in STHAPATYAKAM Editorial Assistant Jenny Nickisch Cambodia, Oun Phalline, Director of National Museum, The Architecture of Cambodia Writers and Editors An Danhsipo, Bo Sakalkitya, Sok Sophal, Deputy Dean of the Faculty of Architecture, Chey Phearon, Chhuon Sophorn, Cheng Bunlong, for an exclusive interview, Chheang Sidath, architect at Dareth Rosaline, Heng Guechly, Heang Sreychea, Ly Chhuong Import & Export Company, Nhem Sonimol, ស䮐ាបតាយកម䮘កម䮖ុᾶ Kun Chenda, Kim Kotara, Koeut Chantrea, Kong Sovan, architect student, who contributed the architecture Leng Len, Lim Meng Y, Muong Vandy, Mer Chanpolydet, books, Chhit Vongseyvisoth, architect student, A Plus Sreng Phearun, Rithy Lomor Pich, Rann Samnang, who contributed the Independence Monument picture, Samreth Meta, Soy Dolla, Sour Piset, Song Kimsour, Stefanie Irmer, director of Khmer Architecture Tours, Sam Chanmaliny, Ung Mengyean, Ven Sakol, Denis Schrey from Konrad-Adenauer-Stiftung Phnom Department of Media and Communication Vorn Sokhan, Vann Chanvetey, Yar Ror Sartt, Penh for financial support of the printing, to the Royal University of Phnom Penh Yoeun Phary, Nou Uddom. Ministry of Tourism that has contributed the picture of Russian Boulevard, Phnom Penh Illustrator Lim -
Re-Imagining Khmer Identity: Angkor Wat During the People's Republic Of
Re-imagining Khmer Identity: Angkor Wat during the People’s Republic of Kampuchea (1979-1989) Simon Bailey A Thesis in The Department of History Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (History) at Concordia University Montreal, Quebec, Canada August 2018 © Simon Bailey, 2018 CONCORDIA UNIVERSITY School of Graduate Studies This is to certify that the thesis prepared By: Simon Bailey Entitled: Re-imagining Khmer Identity: Angkor Wat during the People’s Republic of Kampuchea (1979-1989) and submitted in partial fulfillment of the requirements for the degree of Master of Arts (History) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final Examining Committee: Chair Professor Barbara Lorenzkowski Examiner Professor. Theresa Ventura Examiner Professor Alison Rowley Supervisor Professor Matthew Penney Approved by Chair of Department or Graduate Program Director 2018 Dean of Faculty ABSTRACT Re-imagining Khmer Identity: Angkor Wat during the People’s Republic of Kampuchea (1979-1989) Simon Bailey The People’s Republic of Kampuchea period between 1979 and 1989 is often overlooked when scholars work on the history of modern Cambodia. This decade is an academic blind spot sandwiched between the genocidal Khmer Rouge regime and the onset of the United Nations peace process. Utilizing mediums such as popular culture, postage stamps and performance art, this thesis will show how the single most identifiable image of Cambodian culture, Angkor Wat became a cultural binding agent for the government during the 1980s. To prove the centrality of Angkor in the myth-making and nation building mechanisms of the People’s Republic of Kampuchea, primary source material from Cambodia’s archives, along with interviews will form the foundation of this investigation. -
Biographical Sketch Cullen Sayegh Is a Fifth-Year Architecture Student At
Biographical Sketch Cullen Sayegh is a fifth-year architecture student at the University of Tennessee. Growing up in East Tennessee, Cullen’s first glimpse into architecture consisted of the Tennessee Valley Authority’s dams, whose cultural and environmental impact is readily apparent across the region. Just as the memories of the TVA were inextricable to his childhood, Cullen was soon fascinated by the built environment’s power to communicate the history and meaning of a place. Following his freshman year at UT as a history and economics major, he switched into architecture. Since then he has excitedly engaged in research, first through a faculty-led project studying urban wind ventilation in China, and later developing an index of experiential strategies for connecting architecture with nature via environmental stimuli. He has also served as a TA for the School of Architecture’s architectural history and theory courses. Through these opportunities Cullen learned to value research and analysis as a generative process. These experiences all proved formative in developing Cullen’s proposal for the Aydelott Award. From initially brainstorming sites, to the grant-writing process, to finally beginning the trip and visiting each site, the Aydelott Travel Award has proven to be a career-altering experience. This opportunity has provided him with the confidence and enthusiasm to apply for a 2019 Fulbright Grant, pending at the time of this report. Cullen hopes to eventually take the knowledge he developed over the course of his Aydelott experience and leverage it in the future as he pursues a graduate degree in architectural history. Student: Cullen Sayegh Faculty Mentor: Dr. -
Bibliography [PDF] (97.67Kb)
WORKS CITED Atlas Colonial illustré Paris: Librarie Larousse, 1905. Bal, Mieke. Double Exposures The Subject of Cultural Analysis. New York: Routledge, 1996. Benjamin, Walter. “The Task of the Translator,” Illuminations Essays and Reflections New York: Schocken Books, 1969. Benoit, Pierre. Le Roi Lépreux. Paris: Kailash Éditions, 2000. Bingham, Robert. Lightening on the Sun. New York: Doubleday, 2000. Black, Jeremy. The British Abroad the Grand Tour in the Eighteenth Century. New York: St. Martin's Press, 1992. Bouillevaux, C. E. Ma visite aux ruines cambodgiennes en 1850 Sanit-Quentin: Imprimerie J. Monceau, 1874. ———. Voyage Dans L'indo-Chine 1848-1856. Paris: Librarie de Victor Palmé, 1858. Carné, Louis de. Travels on the Mekong : Cambodia, Laos and Yunnan, the Political and Trade Report of the Mekong Exploration Commission (June 1866-June 1868). Bangkok: White Lotus, 2000. David Chandler, “An Anti-Vietnamese Rebellion in Early Nineteenth Century Cambodia”, Facing the Cambodian Past, Bangkok, Silkworm Books, 1996b. ———. "Assassination of Résident Bardez." In Facing the Cambodian Past: Selected Essays 1971-1994. Chiang Mai: Silkworm, 1996b. ———. "Cambodian Royal Chronicles (Rajabangsavatar), 1927-1949: Kingship and Historiography at the End of the Colonial Era." In Facing the Cambodian Past : Selected Essays 1971-1994, vi, [1], 331. Chiang Mai: Silkworn Books, 1996b. ———. A History of Cambodia. Second ed. Chiang Mai: Silkworm Books, 1996a. ———. "Seeing Red: Perceptions of Cambodian History in Democratic Kampuchea." In Facing the Cambodian Past Selected Essays 1971-1994. Chiang mai: Silkworm Books, 1996b. 216 217 ———. "Transformation in Cambodia." In Facing the Cambodian Past Selected Essays 1971-1994. Chiang Mai: Silkworm Books, 1996b. Chimprabha, Marisa. "Anti-Thai Feelings Flare up in Cambodia." The Nation, May 10 2004. -
Post/Colonial Discourses on the Cambodian Court Dance
Kyoto University Southeast Asian Studies, Vol. 42, No. 4, 東南アジア研究 March 2005 42巻 4 号 Post/colonial Discourses on the Cambodian Court Dance SASAGAWA Hideo* Abstract Under the reign of King Ang Duong in the middle of nineteenth century, Cambodia was under the influence of Siamese culture. Although Cambodia was colonized by France in 1863, the royal troupe of the dance still performed Siamese repertoires. It was not until the cession of the Angkor monuments from Siam in 1907 that Angkor began to play a central role in French colonial discourse. George Groslier’s works inter alia were instrumental in historicizing the court dance as a “tradition” handed down from the Angkorean era. Groslier appealed to the colonial authorities for the protection of this “tradition” which had allegedly been on the “decline” owing to the influence of French culture. In the latter half of the 1920s the Résident Supérieur au Cambodge temporarily succeeded in transferring the royal troupe to Groslier’s control. In the 1930s members of the royal family set out to reconstruct the troupe, and the Minister of Palace named Thiounn wrote a book in which he described the court dance as Angkorean “tradition.” His book can be considered to be an attempt to appropriate colonial discourse and to construct a new narrative for the Khmers. After independence in 1953 French colonial discourse on Angkor was incorporated into Cam- bodian nationalism. While new repertoires such as Apsara Dance, modeled on the relief of the monuments, were created, the Buddhist Institute in Phnom Penh reprinted Thiounn’s book. Though the civil war was prolonged for 20 years and the Pol Pot regime rejected Cambodian cul- ture with the exception of the Angkor monuments, French colonial discourse is still alive in Cam- bodia today. -
Destination: Angkor Archaeological Park the Complete Temple Guide
Destination: Angkor Archaeological Park The Complete Temple Guide 1 The Temples of Angkor Ak Yom The earliest elements of this small brick and sandstone temple date from the pre-Angkorian 8th century. Scholars believe that the inscriptions indicate that the temple is dedicated to the Hindu 'god of the depths'. This is the earliest known example of the architectural design of the 'temple-mountain', which was to become the primary design for many of the Angkorian period temples including Angkor Wat. The temple is in a very poor condition. Angkor Thom Angkor Thom ("Great City") was the last and most enduring capital city of the Khmer empire. It was established in the late 12th century by King Jayavarman VII. The walled and moated royal city covers an area of 9 km², within which are located several monuments from earlier eras as well as those established by Jayavarman and his successors. At the centre of the city is Jayavarman's state temple, the Bayon, with the other major sites clustered around the Victory Square immediately to the north. Angkor Thom was established as the capital of Jayavarman VII's empire, and was the centre of his massive building programme. One inscription found in the city refers to Jayavarman as the groom and the city as his bride. Angkor Thom is accessible through 5 gates, one for each cardinal point, and the victory gate leading to the Royal Palace area. Angkor Wat Angkor Wat ("City of Temples"), the largest religious monument in the world, is a masterpiece of ancient architecture. The temple was built by the Khmer King Suryavarman II in the early 12th century as his state temple and eventual mausoleum. -
Language and Culture of Cambodia SFS 2080
Language and Culture of Cambodia SFS 2080 Syllabus The School for Field Studies (SFS) Center for Conservation and Development Studies Siem Reap, Cambodia This syllabus may develop or change over time based on local conditions, learning opportunities, and faculty expertise. Course content may vary from semester to semester. www.fieldstudies.org © 2019 The School for Field Studies Fa19 COURSE CONTENT SUBJECT TO CHANGE Please note that this is a copy of a recent syllabus. A final syllabus will be provided to students on the first day of academic programming. SFS programs are different from other travel or study abroad programs. Each iteration of a program is unique and often cannot be implemented exactly as planned for a variety of reasons. There are factors which, although monitored closely, are beyond our control. For example: • Changes in access to or expiration or change in terms of permits to the highly regulated and sensitive environments in which we work; • Changes in social/political conditions or tenuous weather situations/natural disasters may require changes to sites or plans, often with little notice; • Some aspects of programs depend on the current faculty team as well as the goodwill and generosity of individuals, communities, and institutions which lend support. Please be advised that these or other variables may require changes before or during the program. Part of the SFS experience is adapting to changing conditions and overcoming the obstacles that may be present. In other words, the elephants are not always where we want them to be, so be flexible! 2 Course Overview The Language and Culture course contains two distinct but related modules: Cambodian society and culture, and Khmer language. -
The Emergence of Cambodian Women Into the Public
WOMEN WALKING SILENTLY: THE EMERGENCE OF CAMBODIAN WOMEN INTO THE PUBLIC SPHERE A thesis presented to the faculty of the Center for International Studies of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Joan M. Kraynanski June 2007 WOMEN WALKING SILENTLY: THE EMERGENCE OF CAMBODIAN WOMEN INTO THE PUBLIC SPHERE by JOAN M. KRAYNANSKI has been approved for the Center for International Studies by ________________________________________ Elizabeth Fuller Collins Associate Professor, Classics and World Religions _______________________________________ Drew McDaniel Interim Director, Center for International Studies Abstract Kraynanski, Joan M., M.A., June 2007, Southeast Asian Studies WOMEN WALKING SILENTLY: THE EMERGENCE OF CAMBODIAN WOMEN INTO THE PUBLIC SPHERE (65 pp.) Director of Thesis: Elizabeth Fuller Collins This thesis examines the changing role of Cambodian women as they become engaged in local politics and how the situation of women’s engagement in the public sphere is contributing to a change in Cambodia’s traditional gender regimes. I examine the challenges for and successes of women engaged in local politics in Cambodia through interviews and observation of four elected women commune council members. Cambodian’s political culture, beginning with the post-colonial period up until the present, has been guided by strong centralized leadership, predominantly vested in one individual. The women who entered the political system from the commune council elections of 2002 address a political philosophy of inclusiveness and cooperation. The guiding organizational philosophy of inclusiveness and cooperation is also evident in other women centered organizations that have sprung up in Cambodia since the early 1990s. My research looks at how women’s role in society began to change during the Khmer Rouge years, 1975 to 1979, and has continued to transform, for some a matter of necessity, while for others a matter of choice. -
The Role of a National Museum the Case of the National Museum of Cambodia
BALANCING POLITICAL HISTORY, ETHNOGRAPHY, AND ART: THE ROLE OF A NATIONAL MUSEUM THE CASE OF THE NATIONAL MUSEUM OF CAMBODIA Mr. Kong Vireak Director, National Museum of Cambodia INTRODUCTION It is not without difculty that one can For its modest defnition, museums are discuss and debate the role of the Cambodian a major expression of cultural identity in every National Museum within this theme. In its society. The role of national museums in defning context of having been part of a French Protec- and shaping a nation’s identity has been a much torate, the National Museum of Cambodia was discussed topic of late. In introducing, perhaps, created with a mandate to cover archaeology the most stimulating collection of essays on the and art history but also to balance the colonial subject, Darryl McIntyre and Kirsten Wehner in history with the great past Cambodian civiliza- the introduction to their co-edited publication, tion. Since it opened till the present day, the Na- National Museums: Negotiating Histories – Con- tional Museum of Cambodia’s core collections The Exterior of the National Museum of Cambodia ference proceedings (2001), drew attention to the and displays center on archaeological and art Image courtesy of the National Museum of Cambodia difculties contemporary national museums objects, which include exclusively the statues of face in trying to “negotiate and present com- Indian Gods of Hinduism and Buddhism, with peting interpretations of national histories and the exception of a small number of pre-historic Mouhot(1826–1861), such as Travels in the Central and researchers. The discovery of Khmer sites national identities.”1 How national museums and ethnographic objects. -
Archaeoastronomy in the Khmer Heartland
Archaeoastronomy in the Khmer Heartland GIULIO MAGLI, Politecnico di Milano, Italy The heartland of the Khmer empire is filled with magnificent monuments built over the course of many centuries. These monuments include the world-famous “state temples,” such as Angkor Wat, and also many other temples as well as huge water reservoirs. Using data from Google Earth as well as GIS and reconstructing the ancient sky with Stellarium, we investigate the relationships of astronomy with orientation and topography in a systematic fashion, following the methods of modern Archaeoastronomy and strictly keeping at bay vague and/or esoteric proposals put forward by previous writers. As a result, a very clear pattern of cardinal orientation and alignment arises, connected with the temples’ symbolism and the management of power by the Khmer kings. As a bonus, a comparison with the Angkor monuments allows us to put forward an explanation for the anomalous orientation of two unique “peripheral” state temples of Cambodia. Key words: Archaeoastronomy, Angkor Temples, Angkor Wat, Stellarium, Google Earth Pro. SDH Reference: Giulio Magli. 2017. Archaeoastronomy in the Khmer Heartland. SDH, 1, 1, Article 1 (February 2017), 17 pages. DOI:10.14434/sdh.v1i1.22846 1. INTRODUCTION The Khmer empire flourished between the eighth and the fourteenth centuries AD. The heartland of the empire was located in the vast Cambodian lowlands, where the kings developed monumental temple architecture as a means for the explicit representation of their power. As a consequence, a series of masterpieces—and especially the so-called “state temples,” like Angkor Wat—were constructed [Jacques and Lafond 2004].