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Marcie Shaw AEA / SAG-AFTRA Height: 5’ 2.5” Shaw.Marcie@Gmail.Com Eyes: Brown / Hair: Brown-Grey

Marcie Shaw AEA / SAG-AFTRA www.marcieshaw.com height: 5’ 2.5” [email protected] eyes: brown / hair: brown-grey Broadway Les Miserables OBC Ensemble / Mme Thenardier u/s Dirs. Trevor Nunn & John Caird The Pirates of Penzance OBC Kate, Edith Dir. Wilford Leach Off Broadway & NYC BMI Workshop Showcase Soloist Dir. Susan H. Schulman / Edison Theater La Boheme Bonnet Vendor Dir. Wilford Leach / NYSF Public Theater Promenade Miss U. Dir. Albert Harris / Theater Off Park Non Pasquale Santa Maria Dir. Wilford Leach / NYSF Central Park Some Enchanted Evening Soloist Dir. Jeffrey Moss / King Cole Room, St. Regis A Midsummer Night’s Dream Vocalist / Attendant Dir. James Lapine / NYSF Central Park The Pirates of Penzance Kate Dir. Wilford Leach / NYSF Central Park Regional Theater Pump Boys & Dinettes Prudie Cupp Dir. Peter Glazer / Apollo Theater, Chicago Carousel Arminy / Carrie u/s Dir. James Hammerstein / Kennedy Center Pump Boys & Dinettes Prudie Cupp Dir. Debra Monk / PA Stage Company & American Stage Festival A Little Night Music Petra Dir. Dennis Cole / Darien, CT Hello, Dolly! Minnie Fay Dir. Voigt Kempson / Elmsford & Glen Cove Babes in Arms Baby Rose Dir. Russell Treyz / Goodspeed Opera House Gypsy Agnes / Amanda Dir. Morton DaCosta / Darien, CT Two By Two Leah Dir. Jim Fargo / Naples, FL Kismet Ayah to Zubbediya Dir. Edward Greenberg / Muny & KC Starlight Captain Marbles, Episode IV Phyllis Witch Dir. Robert Falls / St. Nicholas, Chicago Television Saturday Night Live Musical guest / Pirates cast NBC The Today Show Back-up Linda Ronstadt / Pirates NBC Training Recent: Advanced Scene Study Peter Jensen / T. Schreiber Studio, New York On-Camera Intensive & Master Class Peter Miner / T. Schreiber Studio, New York 101 Improv Basics Jordan Klepper / UCB, New York 201 Game of the Scene Brian Faas / UCB, New York Past: Acting Alan Savage, New York Voice Marge Rivingston, New York Theater: Acting major University of Illinois, Urbana-Champaign Special Skills Driver’s license, valid US passport, yoga, bike riding, running, ice & in-line skating (basic ability), good with kids, Slytherin. .

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Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994.
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