Cultural Services Annual Report 2015/16
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DUNDEE CITY COUNCIL REPORT TO: Leisure, Arts and Communities Committee - 25 April 2011 REPORT ON: Dundee Industrial Heritage Ltd - Revenue Support 2011-2012 REPORT BY: Director of Leisure and Communities REPORT NO: 98-2011 1.0 PURPOSE OF REPORT 1.1 To submit to the Committee a request for renewal of Revenue Grant funding to Dundee Industrial Heritage Ltd for the year 2011-2012. 2.0 RECOMMENDATIONS It is recommended that the Committee: 2.1 remits the Director of Leisure & Communities, on behalf of Dundee City Council, to enter into a one year Service Level Agreement with Dundee Industrial Heritage Ltd, subject to on-going monitoring and evaluation as to its efficiency, economy and effectiveness. 2.2 remits the Director of Leisure and Communities to keep these arrangements under review and amend as appropriate. 2.3 approves the Revenue Grant Funding amounting to £63,000 per the period 1 April 2011 - 31 March 2012. 3.0 FINANCIAL IMPLICATIONS 3.1 The funding recommended is £63,000 from the Leisure and Communities Department 2011-2012 Revenue Budget as shown in the budget at Appendix 1. 3.2 The terms and conditions of Revenue Grant funding will be contained within a Service Level Agreement for 2011-2012 between Dundee City Council and Dundee Industrial Heritage Ltd. 4.0 MAIN TEXT 4.1 Dundee Industrial Heritage Limited (DIH) operates two of Dundee’s premier tourist attractions – Discovery Point and Verdant Works. It is a charitable company, the trading body of Dundee Heritage Trust. The Trust is the only independent charity in Scotland operating two five star rated museums 4.2 Review of the year 2010-2011 • Over 190,000 visits to the Trust’s venues. -
Victoria Morton the Modern Institute, Aird's Lane 08
Victoria Morton The Modern Institute, Aird’s Lane 08 November 2014 – 17 January 2015 Victoria Morton’s practice has encompassed painting, sculptural assemblages, found objects, photography, and sound. Her recent paintings vary in scale, opacity, colour and spatiality, each distinctly painted composition has been developed with a degree of intricacy and intuition. Influenced by musical composition, colour perception, and everyday life, alongside personal narratives, historical and cultural references, Morton’s works explore a continuously unfolding visual, spatial and psychological experience. Within her paintings she re-evaluates the complexity of visual representation and physical experience through a combination of layering, fragmentation and movement. Each painting works through the mental exercise of creating, disrupting, reforming and extending compositions. This technique builds a sense of time into her work. Morton’s exhibition at Aird's Lane focuses entirely on painting. Presenting a cycle of five large-scale oil paintings which specifically respond to the space in terms of their size and installation, offering a site for reflection. Each painting forms a narrative with the next. These works softly draw upon issues of health, the science of optics and light, and the idea of ‘free will’, as well as notions of representation. With washes of colour and variation in tone, line and brush stroke, individual paintings present a range of different attitudes and intensities within the framework of the installation. Luminous thin layers of paint draw you in, while concentrated, spontaneous compositions require you to step back. Morton’s areas of interest are explored through the filter of her daily life and rely on both photography and impulse. -
Newsletter Contents 07-08
Newsletter No 28 Summer/Autumn 2008 He is currently working on a book on the nineteenth- From the Chair century travel photographer Baron Raimund von Stillfried. Welcome to the first of our new shorter-but- hopefully-more-frequent newsletters! The main casualty has been the listings section, which is no New SSAH Grant Scheme longer included. Apologies to those of you who found this useful but it takes absolutely ages to compile and As you’ll know from last issue, we recently launched a the information should all be readily available scheme offering research support grants from £50 to elsewhere. Otherwise you should still find the same £300 to assist with research costs and travel mix of SSAH news and general features – if you have expenses. We’re delighted to say that several any comments on the newsletter or would like to applications have already been received and so far we contribute to future issues, please let us know! have awarded five grants to researchers from around Now, let’s waste no more time and get on the world. Here we present the first two reports with the latest news… from grant recipients on how the money has been Matthew Jarron spent. Committee News Gabriel Montua, Humboldt-Universität Berlin, Germany As promised last issue, we present a profile of our newest committee member: The generous SSAH grant of £206.96 enabled me to cover my travel expanses to the Scottish National Luke Gartlan Gallery of Modern Art in Edinburgh, where I consulted item GMA A42/1/GKA008 from the Luke is a lecturer in the School of Art History at the Gabrielle Keiller Collection: letters exchanged University of St Andrews, where he currently teaches between Salvador Dalí and André Breton. -
List of Scottish Museums and Libraries with Strong Victorian Collections
Scottish museums and libraries with strong Victorian collections National Institutions National Library of Scotland National Gallery of Scotland National Museums Scotland National War Museum of Scotland National Museum of Costume Scottish Poetry Library Central Libraries The Mitchell Library, Glasgow Edinburgh Central Library Aberdeen Central Library Carnegie Library, Ayr Dick Institute, Kilmarnock Central Library, Dundee Paisley Central Library Ewart Library, Dumfries Inverness Library University Libraries Glasgow University Library University of Strathclyde Library Edinburgh University Library Sir Duncan Rice Library, Aberdeen University of Dundee Library University of St Andrews Library Municipal Art Galleries and Museums Kelvingrove Art Gallery, Glasgow Burrell Collection, Glasgow Aberdeen Art Gallery McManus Galleries, Dundee Perth Museum and Art Gallery Paisley Museum & Art Galleries Stirling Smith Art Gallery & Museum Stewartry Museum, Kirkcudbright V & A Dundee Shetland Museum Clydebank Museum Mclean Museum and Art Gallery, Greenock Hunterian Art Gallery & Museum Piers Art Centre, Orkney City Art Centre, Edinburgh Campbeltown Heritage Centre Montrose Museum Inverness Museum and Art Gallery Kirkcaldy Galleries Literary Institutions Moat Brae: National Centre for Children’s Literature Writers’ Museum, Edinburgh J. M. Barrie Birthplace Museum Industrial Heritage Summerlee: Museum of Scottish Industrial Life, North Lanarkshire Riverside Museum, Glasgow Scottish Maritime Museum Prestongrange Industrial Heritage Museum, Prestonpans Scottish -
Report to Leisure, Arts and Communities Committee
DUNDEE HERITAGE TRUST Annual Report 2011 Dundee Heritage Trust Registered Charity No. SC 011328 Dundee Heritage Trust Annual Report 2011 Dundee Heritage Trust - Review of the Year 2011 Summary of achievements Museums 1. Two Recognised Collections of National Significance 2. Over 173,000 visits to the Trust’s venues 3. Five Temporary Exhibitions 4. Free Annual Pass offered to all visitors 5. Over 40 active volunteer positions Awards 6. Five Star Visit Scotland accredited quality assurance maintained 7. Gained Bronze Award in the Green Tourism Business Scheme 8. Sandford Award for Heritage Education 9. RRS Discovery is part of the UK’s National Historic Fleet, Core Collection 10. Verdant Works is an Anchor Point on the European Route of Industrial Heritage Partnerships 11. Collaborative work with over 50 museums or related tourism/cultural organisations Economic benefits 12. Total employment valued at 43 direct and indirect jobs 13. Estimated £1.9 million of economic benefit generated 14. Over 500,000 leaflets printed and distributed 15. Estimated city PR value of over £300,000 Dundee Heritage Trust Registered Charity No. SC 011328 Page 2 Dundee Heritage Trust Annual Report 2011 Overview Dundee Industrial Heritage Limited (DIH Ltd) operates two of Dundee’s premier tourist attractions – Discovery Point and Verdant Works. It is a charitable company and the trading arm of Dundee Heritage Trust. The Trust is the only independent charity in Scotland operating two five star rated museums. Andy Lothian Jnr of Insights, Dundee, is Chairman of the Trust and both the Trustees and the Non- Executive Directors of DIH Ltd are drawn from a broad range of community and business interests. -
4 Day Itinerary — Scotland’S Year of Stories 2022
Scotland’s Tay Country - 4 day itinerary — Scotland’s year of stories 2022 01. Fife Dunfermline Carnegie Library & Galleries Lindores Abbey Distillery At Dunfermline Carnegie Library & Galleries, your clients Lindores Abbey is the spiritual home of Scotch whisky, can explore the remarkable royal history and industrial where records indicate that the first whisky was produced by heritage of Dunfermline, one of Scotland’s ancient Tironensian Monks in 1494. After over 500 years, your clients capitals, as it is brought to life in this spectacular museum will be able to see single malt distillation once again flowing and gallery. The museum showcases the rich past of the from the copper stills. Private group tours can be arranged locality through six themes: Industry, Leisure & Recreation, and can be tailored to the group’s specific interests. The Transport, Conflict, Homes and Royal Dunfermline. The Apothecary experiences offer your clients a fantastic chance galleries include three impressive exhibition spaces to get ‘hands on’ in making their own delicious version of providing an opportunity for Dunfermline to display some Aqua Vitae. of Fife Council’s impressive art and museum collections. Abbey Road 1-7 Abbot Street Newburgh, KY14 6HH Dunfermline, KY12 7NL www.lindoresabbeydistillery.com www.onfife.com/dclg Link to Trade Site Link to Trade Site Distance between Lindores Abbey Distillery and British Golf Distance between Dunfermline Carnegie Library & Museum is 19.9 miles /32km. Galleries and Falkland Palace is 23.2 miles /37.3km. British Golf Museum Falkland Palace The British Golf Museum is a 5-star museum and contains the Falkland Palace was the largest collection of golf memorabilia in Europe. -
Ideas to Inspire
Highland Perthshire and Dundee Follow the River Tay to the sea Dundee City Council © The Atholl Highlanders, Blair Castle Dundee Contemporary Arts Edradour Distillery, near Pitlochry Looking over Dundee and the River Tay from The Law Ideas to inspire Enjoy a wonderful 4-day countryside and city break in the east of Scotland. Within easy reach of Scotland’s central belt, the striking scenery, history and Brilliant events in Perthshire natural heritage of Highland Perthshire is perfectly complemented by the culture, parks, shopping and food and drink of a Dundee city break. May - Atholl Highlanders Parade & Gathering, Blair Castle July - Kenmore Highland Games Starting in the Pitlochry area, explore the history of elegant Blair Castle, then head for Loch Tummel and admire the wonderful Queen’s View with its July - GWCT Scottish Game Fair, Scone Palace, by Perth delightful Forestry Commission Scotland visitor centre. Neolithic history is the August - Aberfeldy Show & Games next stop as you marvel at the reconstructed Iron Age crannog at the Scottish August - Blair Castle International Horse Trials & Country Fair, Blair Atholl Crannog Centre. End the day with a visit to Dewar’s World of Whisky, where a October - Perthshire Amber Music Festival, various Perthshire venues tour of Aberfeldy Distillery blends perfectly with displays showcasing how Dewar’s has become one of the world’s favourite whiskies. October - The Enchanted Forest, Pitlochry Find out about these and other events at www.visitscotland.com/perthshire Day two begins with a stroll through the woodlands of The Hermitage near Dunkeld, towards the impressive Black Linn waterfall. Next, stop off at Stanley Mills and discover Perthshire’s fascinating industrial heritage, before heading to Perth to explore the absorbing Black Watch Museum. -
ASVA Visitor Trend Report, December 2015 Dashboard Summary, December 2015
ASVA Visitor Trend Report, December 2015 Dashboard Summary, December 2015 Scotland Total Visitor Numbers Usable data was received from 179 sites. The total number of visits recorded in December 2015 was 1,157,383; this compares to 1,154,657 in 2014 and indicates an increase of 0.2%. Excluding Country Parks Month of December 1,157,383 0.2% p ASVA's Commentary and Observations for December 2015 Year-to-Date 25,430,260 3.1% p Please note that figures can only be used when there is comparable data for both years, so if you submitted figures for Including Country Parks 2015 and do not see these in the listing, this is the reason. Month of December 1,586,034 2.1% p The marginal increase of 0.2% shown (excluding Country Parks) brings the year to an end and sees 45% of respondents Per Region noting an increase. Northern Scotland 48,350 -7.2% q December is typically one of the quietest months of the year although in some sites Christmas related activities do boost *Northern Scotland † 47,300 -9.2% q This report was numbers (see New Lanark Visitor Centre). Looking at the dashboard summary, two of the regions show increased visitor Eastern Scotland 702,346 2.3% p produced for ASVA by numbers and two show a decrease. Despite the extremely wet weather (see next paragraph), and for some against the Southern Scotland 30,179 0.7% p odds, several sites did show healthy increases including: Dundee Science Centre (140%), FC Scotland The Lodge Visitor Western Scotland 805,159 2.5% p Centre (36%), Gallery of Modern Art (16%), Highland Wildlife Park (49%), Kelvingrove (11%), Riverside Museum (7%), *Western Scotland † 377,558 -51.9% q Scottish Fisheries Museum (2209%), Scottish National Gallery of Modern Art (67%) and The Real Mary King’s Close (37%) Weather-wise, December was mild with mean temperatures 3⁰C above average. -
Asva Visitor Trend Report - September 2009/2010
ASVA VISITOR TREND REPORT - SEPTEMBER 2009/2010 OVERVIEW Visitor numbers for September 2009/2010 were received from 218 sites. 9 sites requested confidentiality, and although their numbers have been included in the calculations, they do not appear in the tables below. There are 14 sites for which there is no directly comparable data for 2009. The 2010 figures do appear in the table below for information but were not included in the calculations. Thus, directly comparable data has been used from 204 sites. From the usable data from 204 sites, the total number of visits recorded in September 2010 was 1,551,800 this compares with 1,513,324 in 2009 and indicates an increase of 2.5% for the month. Weatherwise, September was a changeable month with rain and strong winds, with average rainfall up to 150% higher than average Some areas experienced localised flooding and there was some disruption to ferry and rail services. The last weekend of the month saw clear skies in a northerly wind which brought local air frosts to some areas and a few places saw their lowest temperatures in September in 20 to30 years. http://news.bbc.co.uk/weather/hi/uk_reviews/default.stm September 2009 September 2010 % change SE AREA (156) 1,319,250 1,356,219 2.8% HIE AREA (48) 194,074 195,581 0.8% SCOTLAND TOTAL (204) 1,513,324 1,551,800 2.5% Table 1 – Scotland September 2009/2010 SE AREA In September 2010 there were 1,356,219 visits recorded, compared to 1,319,250 during the same period in 2009, an increase of 2.8%. -
M a R T I N B O Y
M A R T I N B O Y C E 1967 Born in Hamilton, Scotland Currently lives and works in Glasgow, Scotland Education 1995-1997 MFA, Glasgow School of Art 1996 California Institute for the Arts 1986-1990 BA Environmental Art, Glasgow School of Art Solo Exhibitions (* denotes catalogue) 2019 ‘A Thousand Future Blossoms’ Permanent Installation, 37, rue Sainte-Croix-de- la-Bretonnerie, Eataly Paris Marais, Paris An Inn For Phantoms Of The Outside And In, Mount Stuart, Isle of Bute, Scotland 2018 Esther Schipper Gallery, Berlin Martin Boyce: Hanging Gardes, A4 Art Museum, Chengdu, China * Remembered Skies, Tate Britain, London (site-specific permanent installation) 2017 All the Gravity, All the Air, Swiss Re, Zürich (public art commission) Light Years, The Modern Institute, Glasgow Beyond the Sea, Against the Sun, TELUS Garden, Vancouver (public art commission) Sleeping Chimneys. Dead Stars.,Tanya Bonakdar Gallery, New York Spotlight: Do Words Have Voices, 2011, Tate Britain, London 2016 Spook School, CAPRI, Düsseldorf, Germany Gasträume 2016, Zürich 2015 Martin Boyce, Museum für Gegenwartskunst Basel, Switzerland * Martin Boyce: When Now is Night, RISD Museum, Providence Inside rooms drift in and out of sleep / While on the roof / An alphabet of aerials / Search for a language, Galerie Eva Presenhuber, Zürich 2014 Stellar Remnants, Johnen Galerie, Berlin Galerie Eva Presenhuber, Zürich Billboard for Edinburgh: Martin Boyce, Ingleby Gallery, Edinburgh, Scotland 2013 Martin Boyce: It’s Over and Over, Tanya Bonakdar Gallery, New York All Over / Again -
Asset Management Plan for the Properties in the Care of Scottish Ministers 2018 Contents
ASSET MANAGEMENT PLAN FOR THE PROPERTIES IN THE CARE OF SCOTTISH MINISTERS 2018 CONTENTS Introduction ..................................................3 5.0 Meeting conservation challenges ... 25 1.0 Cultural Heritage Asset 6.0 Ensuring high standards and Management – challenges, continuity of care ..................................... 26 opportunities and influences ................... 4 1.1 Objectives of the AMP ������������������������������������� 5 7.0 Standards and assurance .................27 1.2 Adding value through asset 7.1 Compliance .........................................................27 management ........................................................ 7 7.2 Compliance management 1.3 Scotland’s changing climate ......................... 9 roles and responsibilities for physical assets ............................................27 2.0 The Properties in Care ...................... 10 7.3 Visitor safety management ..........................27 7.4 Conservation principles and standards ...28 2.1 Asset Schedule ................................................. 10 7.5 Project management and regulatory 2.2 The basis of state care ................................... 10 consents ............................................................. 30 2.3 Overview of the properties in care ..................11 7.6 External peer review ...................................... 30 2.4 Statements of cultural significance .............11 2.5 Acquisitions and disposal ..............................12 8.0 Delivering our climate change objectives -
220719 Media Release 2019 Female Artist Acquistions FINAL
Media Release 25 July 2019 From Claire Francis Phone: 0141 287 5548/ 07393 287295 Email: [email protected] GLASGOW MUSEUMS TACKLES GENDER EQUALITY IN CONTEMPORARY ART COLLECTION WITH NEW ACQUISITIONS BY LOCAL AND INTERNATIONAL FEMALE ARTISTS Glasgow Museums is delighted to announce 14 recent acquisitions for the city’s fine art collection which include sculpture, video, painting and works on paper by artists Sara Barker, Kate Charlesworth, Michelle Hannah, Sharon Hayes, Winnie Herbstein, Mandy McIntosh and the Feegie Needlers, Carol Rhodes, Kate V Robertson, Anne Robinson, Siân Robinson Davies and Camara Taylor. Acquired as part of a significant strand of Glasgow Museums collecting approach, developed in 2015 to address gender inequality, these works make an unequivocal statement about the value and quality of work by contemporary women and non-binary artists. The new acquisitions increase the number of works by women in the Glasgow Museums’ fine art collection, which already includes internationally renowned artists Karla Black, Christine Borland Anne Collier, Jacqueline Donachie, Jenny Holzer, Barbara Kruger, Victoria Morton, Charlotte Prodger and Hito Steyerl. These recent acquisitions have been made possible through the support of a number of grant funders and organisations supporting the development of public collections. Of particular importance is acquisition of the capsule collection of work by Carol Rhodes (1959 -2018) which includes the painting Land Levels and Rises. Although Rhodes was one of the most respected and admired painters in Scotland, her work was until now not represented in the civic collection of Glasgow, the city where she lived and worked. The acquisition of this painting, and a subsequent generous gift of a framed drawing and three prints, acknowledge her contribution to visual art in the city and her standing as a key British painter of the late 20th and early 21st century.