4 Day Itinerary — Scotland’S Year of Stories 2022
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
National Collecting Scheme Scotland National
National Collecting Scheme Scotland National Collecting Scheme Scotland is an initiative that supports public collections across Scotland to acquire and present challenging contemporary visual art. The initiative also seeks to enable curators within those organisations to extend their knowledge and understanding of contemporary visual arts, and to develop their engagement with the visual arts sector in Scotland. Scotland is home to some very fine public collections, which are of local, national and international significance. It is the aim of the NCSS that those public collections are able to reflect the range and vibrancy of contemporary art created here and abroad, that they can help build new audiences for the contemporary visual arts, as well as engage and work with artists and visual arts organisations. Some facts : • NCSS is an initiative of the Scottish Arts Council. • Currently NCSS has seven museum partners. These are Aberdeen Art Gallery, McManus Galleries, Dundee, Edinburgh City Art Centre, Gallery of Modern Art, Glasgow, Hunterian Art Gallery, Paisley Museum and Art Gallery, and the Pier Arts Centre, Orkney. • In its first phase - 2003-2006 - NCSS enabled a total of 122 acquisitions by six public collections (including craft in its first phase). In 2007-2008 a further 18 works of visual art have been acquired. The Scottish Arts Council will support further acquisitions in 2008-2009. • NCSS member were also involved in an innovative joint commissioning project – the first of its kind in the UK. They collaborated to commission Joanne Tatham & Tom O’Sullivan to create a substantial and ambitious new work of art for Scotland • Aberdeen Art Gallery hosted the Scotland & Venice exhibition December 2007- January 2008. -
• Average Cafe Spend Per Visitor £2.33
DUNDEE CITY COUNCIL REPORT TO: Leisure, Arts and Communities Committee - 25 April 2011 REPORT ON: Dundee Industrial Heritage Ltd - Revenue Support 2011-2012 REPORT BY: Director of Leisure and Communities REPORT NO: 98-2011 1.0 PURPOSE OF REPORT 1.1 To submit to the Committee a request for renewal of Revenue Grant funding to Dundee Industrial Heritage Ltd for the year 2011-2012. 2.0 RECOMMENDATIONS It is recommended that the Committee: 2.1 remits the Director of Leisure & Communities, on behalf of Dundee City Council, to enter into a one year Service Level Agreement with Dundee Industrial Heritage Ltd, subject to on-going monitoring and evaluation as to its efficiency, economy and effectiveness. 2.2 remits the Director of Leisure and Communities to keep these arrangements under review and amend as appropriate. 2.3 approves the Revenue Grant Funding amounting to £63,000 per the period 1 April 2011 - 31 March 2012. 3.0 FINANCIAL IMPLICATIONS 3.1 The funding recommended is £63,000 from the Leisure and Communities Department 2011-2012 Revenue Budget as shown in the budget at Appendix 1. 3.2 The terms and conditions of Revenue Grant funding will be contained within a Service Level Agreement for 2011-2012 between Dundee City Council and Dundee Industrial Heritage Ltd. 4.0 MAIN TEXT 4.1 Dundee Industrial Heritage Limited (DIH) operates two of Dundee’s premier tourist attractions – Discovery Point and Verdant Works. It is a charitable company, the trading body of Dundee Heritage Trust. The Trust is the only independent charity in Scotland operating two five star rated museums 4.2 Review of the year 2010-2011 • Over 190,000 visits to the Trust’s venues. -
Aspects of the Architectural History of Kirkwall Cathedral Malcolm Thurlby*
Proc Antiqc So Scot, (1997)7 12 , 855-8 Aspects of the architectural history of Kirkwall Cathedral Malcolm Thurlby* ABSTRACT This paper considers intendedthe Romanesque formthe of Kirkwallof eastend Cathedraland presents further evidence failurethe Romanesque for ofthe crossing, investigates exactthe natureof its rebuilding and that of select areas of the adjacent transepts, nave and choir. The extension of the eastern arm is examined with particular attention to the lavish main arcades and the form of the great east window. Their place medievalin architecture Britainin exploredis progressiveand and conservative elements building ofthe evaluatedare context building. the ofthe in use ofthe INTRODUCTION sequence Th f constructioeo t Magnus'S f o n s Cathedra t Kirkwalla l , Orkney comples i , d xan unusual. The basic chronology was established by MacGibbon & Ross (1896, 259-92) and the accoune Orkneth n i ty Inventory e Royath f o l Commissio e Ancienth d Historican o an nt l Monuments of Scotland (RCAHMS 1946,113-25)(illus 1 & 2). The Romanesque cathedral was begun by Earl Rognvald in 1137. Construction moved slowly westwards into the nave before the crossing was rebuilt in the Transitional style and at the same time modifications were made to the transepts includin erectioe gpresene th th f no t square eastern chapels. Shortly after thi sstara t wa sextensioe madth eastere n eo th befor f m no n ar e returnin nave e worgo t th t thi n .A k o s stage no reason was given for the remodelling of the crossing and transepts in the late 12th century. -
NHS Tayside CONSULTANT PSYCHIATRIST
NHS Tayside CONSULTANT PSYCHIATRIST General Adult Psychiatry VACANCY Consultant in General Adult Psychiatry (x2 posts) Wedderburn House / Carseview Centre: Dundee Community Mental Health Team 40 hours per week £80,653 (GBP) to £107,170 (GBP) per annum Tenure: Permanent NHS Tayside is looking for committed, innovative and enthusiastic Consultant Psychiatrists (full or part time) to join our Community Mental Health Team based in Dundee the ‘City of Discovery’. These posts include opportunities to see and treat a wide variety of psychiatric disorders in patients aged from eighteen to sixty-five years old, with the support of our enthusiastic and well staffed multi-disciplinary and multi- agency social work and health Community Mental Health Team with access to our 20 bed inpatient unit. We have local drug and alcohol, forensic, eating disorder, liaison and advanced intervention services as well as psychotherapy and psychology services available for our patients, and enjoy excellent relations with our local General Practitioners and voluntary service colleagues. There are many learning and training opportunities, including the teaching and supervision of 4th year medical students and Specialty Trainees attached to our team. There is a monthly continuing professional development programme and other continuing professional development will also be encouraged. Active involvement in service improvement is available through membership of our Service Improvement Group. We have close links with the University of Dundee division of Neuroscience where academic and research opportunities are available: http://medicine.dundee.ac.uk/medical-research-institute/divisions/division- neuroscience. Dundee is a coastal city on the Firth of Tay estuary in eastern Scotland. Its regenerated waterfront has the new Victoria and Albert Museum which stands on the banks of the Tay and two nautical museums: RRS Discovery, Captain Scott’s Antarctic expedition ship, and 19th-century warship, HM Frigate Unicorn. -
List of Scottish Museums and Libraries with Strong Victorian Collections
Scottish museums and libraries with strong Victorian collections National Institutions National Library of Scotland National Gallery of Scotland National Museums Scotland National War Museum of Scotland National Museum of Costume Scottish Poetry Library Central Libraries The Mitchell Library, Glasgow Edinburgh Central Library Aberdeen Central Library Carnegie Library, Ayr Dick Institute, Kilmarnock Central Library, Dundee Paisley Central Library Ewart Library, Dumfries Inverness Library University Libraries Glasgow University Library University of Strathclyde Library Edinburgh University Library Sir Duncan Rice Library, Aberdeen University of Dundee Library University of St Andrews Library Municipal Art Galleries and Museums Kelvingrove Art Gallery, Glasgow Burrell Collection, Glasgow Aberdeen Art Gallery McManus Galleries, Dundee Perth Museum and Art Gallery Paisley Museum & Art Galleries Stirling Smith Art Gallery & Museum Stewartry Museum, Kirkcudbright V & A Dundee Shetland Museum Clydebank Museum Mclean Museum and Art Gallery, Greenock Hunterian Art Gallery & Museum Piers Art Centre, Orkney City Art Centre, Edinburgh Campbeltown Heritage Centre Montrose Museum Inverness Museum and Art Gallery Kirkcaldy Galleries Literary Institutions Moat Brae: National Centre for Children’s Literature Writers’ Museum, Edinburgh J. M. Barrie Birthplace Museum Industrial Heritage Summerlee: Museum of Scottish Industrial Life, North Lanarkshire Riverside Museum, Glasgow Scottish Maritime Museum Prestongrange Industrial Heritage Museum, Prestonpans Scottish -
Spring 2 0 1 9
W I N E L I S T | S P R I N G 2 0 1 9. IST EDITION. MMXIX. V A J R A B E V E R A G E P R O G R A M The VAJRA BEVERAGE PROGRAM is a thoughtfully curated list of wines, spirits and libations; designed to enhance the simple flavors of Vajra’s Nepalese and Indian cuisine and heritage. The experience of visible flavors and aromas of the cuisine, when paired with the best wines and spirits and concoctions thereof, is what we aspire to impart with our guests in their every visit. A lot of thought and time has been invested in order to bring together the perfect harmony of flavors, aromas and visual appeasements. With a perfect bottle of wine or the perfect cocktail crafted with you in the mind, Vajra is a place where we all get together, to celebrate life, family and friendships. This volume is an extension of VAJRA’s affable personality and amalgamation of many forms of hospitality and culture developed through the years in hospitality business. As we encourage our guests to partake in all forms of merriment, we implore, let this volume guide you. And that you guide us with your knowledge, as we constantly learn and evolve. Our staff will make sure your every question is answered, and that you will enjoy your evening with us. No sane man can afford to dispense with debilitating pleasures; no ascetic can be considered reliably sane. ~Robert M. Parker, Jr. 2 C O N T E N T I. -
2019 Scotch Whisky
©2019 scotch whisky association DISCOVER THE WORLD OF SCOTCH WHISKY Many countries produce whisky, but Scotch Whisky can only be made in Scotland and by definition must be distilled and matured in Scotland for a minimum of 3 years. Scotch Whisky has been made for more than 500 years and uses just a few natural raw materials - water, cereals and yeast. Scotland is home to over 130 malt and grain distilleries, making it the greatest MAP OF concentration of whisky producers in the world. Many of the Scotch Whisky distilleries featured on this map bottle some of their production for sale as Single Malt (i.e. the product of one distillery) or Single Grain Whisky. HIGHLAND MALT The Highland region is geographically the largest Scotch Whisky SCOTCH producing region. The rugged landscape, changeable climate and, in The majority of Scotch Whisky is consumed as Blended Scotch Whisky. This means as some cases, coastal locations are reflected in the character of its many as 60 of the different Single Malt and Single Grain Whiskies are blended whiskies, which embrace wide variations. As a group, Highland whiskies are rounded, robust and dry in character together, ensuring that the individual Scotch Whiskies harmonise with one another with a hint of smokiness/peatiness. Those near the sea carry a salty WHISKY and the quality and flavour of each individual blend remains consistent down the tang; in the far north the whiskies are notably heathery and slightly spicy in character; while in the more sheltered east and middle of the DISTILLERIES years. region, the whiskies have a more fruity character. -
Histoire Des Collections Numismatiques Et Des Institutions Vouées À La Numismatique
HISTOIRE DES COLLECTIONS NUMISMATIQUES ET DES INSTITUTIONS VOUÉES À LA NUMISMATIQUE Numismatic Collections in Scotland Scotland is fortunate in possessing two major cabinets of international signifi- cance. In addition over 120 other institutions, from large civic museums to smaller provincial ones, hold collections of coins and medals of varying size and impor- tance. 1 The two main collections, the Hunterian held at the University of Glasgow, and the national collection, housed at the National Museums of Scotland in Edinburgh, nicely complement each other. The former, based on the renowned late 18th centu- ry cabinet of Dr. William Hunter, contains an outstanding collection of Greek and Roman coins as well as important groups of Anglo-Saxon, medieval and later English, and Scottish issues along with a superb holding of medals. The National Museums of Scotland house the largest and most comprehensive group of Scottish coins and medals extant. Each collection now numbers approximately 70,000 speci- mens. The public numismatic collections from the rest of Scotland, though perhaps not so well known, are now recorded to some extent due to a National Audit of the coun- try’s cultural heritage held by museums and galleries carried out by the Scottish Museums Council in 2001 on behalf of the Scottish Government. 2 Coins and Medals was one of 20 collections types included in the questionnaire, asking for location, size and breakdown into badges, banknotes, coins, medals, tokens, and other. Over 12 million objects made up what was termed the Distributed National Collection, of which 3.3% consisted of approximately 68,000 coins and medals in the National Museums concentrated in Edinburgh and 345,000 in the non-nationals throughout the rest of the country. -
Report to Leisure, Arts and Communities Committee
DUNDEE HERITAGE TRUST Annual Report 2011 Dundee Heritage Trust Registered Charity No. SC 011328 Dundee Heritage Trust Annual Report 2011 Dundee Heritage Trust - Review of the Year 2011 Summary of achievements Museums 1. Two Recognised Collections of National Significance 2. Over 173,000 visits to the Trust’s venues 3. Five Temporary Exhibitions 4. Free Annual Pass offered to all visitors 5. Over 40 active volunteer positions Awards 6. Five Star Visit Scotland accredited quality assurance maintained 7. Gained Bronze Award in the Green Tourism Business Scheme 8. Sandford Award for Heritage Education 9. RRS Discovery is part of the UK’s National Historic Fleet, Core Collection 10. Verdant Works is an Anchor Point on the European Route of Industrial Heritage Partnerships 11. Collaborative work with over 50 museums or related tourism/cultural organisations Economic benefits 12. Total employment valued at 43 direct and indirect jobs 13. Estimated £1.9 million of economic benefit generated 14. Over 500,000 leaflets printed and distributed 15. Estimated city PR value of over £300,000 Dundee Heritage Trust Registered Charity No. SC 011328 Page 2 Dundee Heritage Trust Annual Report 2011 Overview Dundee Industrial Heritage Limited (DIH Ltd) operates two of Dundee’s premier tourist attractions – Discovery Point and Verdant Works. It is a charitable company and the trading arm of Dundee Heritage Trust. The Trust is the only independent charity in Scotland operating two five star rated museums. Andy Lothian Jnr of Insights, Dundee, is Chairman of the Trust and both the Trustees and the Non- Executive Directors of DIH Ltd are drawn from a broad range of community and business interests. -
Lost Man Blues: Jon Schueler – Art and War
Exhibition Proposal Lost Man Blues: Jon Schueler – Art and War Wing Shadow Over Grey Sea, 1982, 72” x 65” (o/c 1248) Curated by Marissa Roth Lost Man Blues: Jon Schueler – Art and War Lost Man Blues Romasaig, Scotland, September 1988 Oil on canvas 18 x 16 in / 45.72 x 40.64 cm (o/c 1549) The title of this painting refers to the loss of a plane in Schueler’s squadron on the return to England after a bombing mission over Germany. Lost Man Blues JON SCHUELER – Art and War Curated by Marissa Roth When reflecting on the arc of an artist’s life and career, we find that his or her own words and thoughts provide the most telling details and authentic backdrop to the work and convey its full breadth. Because of the physical nature of art, it can only tell part of the story at any one time. But the binding together of years of personal writings reveals the artistic journey in its totality and offers the most meaningful context. Jon Schueler (1916-1992), the esteemed prolific American Abstract Expressionist painter from Milwaukee, Wisconsin, was also a masterful writer. Over the course of three decades, he wrote thousands of pages and deliberately conserved them by date as a testimony of his life. This self-portrait in words - reflections, ruminations, personal letters and business correspondence - is an acutely self-aware record of his creative process and mirrors his breathtaking output as a painter. Through these writings lovingly edited by his widow Magda Salvesen, and editor Diane Cousineau, we hear his voice and understand his innermost creative struggles. -
The Adventure of the Stone of Scone - Ston the Return of Solar Pons, 1958
The Adventure of the Stone of Scone - Ston The Return of Solar Pons, 1958 Date Copper/December 25, 1930 Pattrick/December, 1935 The Case Parker is awakened at Pons just before 4 AM on Christmas morning. Bancroft is on his way over to Praed Street. Once he arrives, he tells them that the Stone of Scone, the ancient Coronation Stone of the Scottish people has been stolen from Westminster Abbey. It is a symbolic item and the English government wants it back with a minimum of embarrassment. Pons quickly determines that it was taken by three men and a woman and goes to work. Quotes This bids fair to be the merriest of Christmases! Comments Pons tells his brother that Bancroft must have come “on a matter of the utmost gravity.” He adds that it is not connected with the Foreign Office because of the hour. That seems a specious deduction, at best. Foreign Office affairs would certainly be likely to require immediate attention at any moment, twenty-four hours a day. Certainly, this is a police matter: the symbol of Scottish independence has been stolen. But Bancroft makes it clear that it is the government that is most concerned. Wouldn’t the issue be a Foreign Office matter as well? The Stone of Scone’s formal name is the Stone of Destiny, though the former name is used widely outside of Scotland. The kings of Scotland were crowned upon a throne built above the Stone of Destiny, which was “about twenty-six inches long and sixteen wide, and weights considerably over four hundred pounds, almost five.” Edward I conquered Scotland and took the stone back to England. -
2004/1 (8) 1 Art on the Line
Art on the line NEWS – The Age of Titian in Edinburgh The Age of Titian: Venetian Renaissance Art opinion of Professor Peter Humfrey, of the from Scottish Collections is a major exhibi- University of St Andrews and guest curator of tion planned for the National Gallery of the exhbition, will nicely complement those in Scotland in Edinburgh from 4 August to 5 Edinburgh. Another little-known work from a December 2004. It will bring together the Scottish public collection is Bonifacio’s Sacra National Gallery’s own group of Venetian Conversazione in the McManus Art Gallery Cinquecento pictures, loaned to it since 1945 in Dundee. by the Dukes of Sutherland, and Edinburgh’s “The exhibition will also draw on a num- other Venetian pictures (including important ber of Scottish private collections. Despite works by Cariani, Jacopo Bassano, Moroni the sales and dispersals of the later nine- and Veronese – and even perhaps by teenth and twentieth centuries, Scotland Giorgione) plus those in Scotland’s other remains rich in collections such as those of principal public art gallery, that of Glasgow the Marquess of Bute or the Earl of Wemyss, (Kelvingrove and Burrell Collection). formed by Scottish noblemen in the Regency Some of the former Sutherland pictures, and Victorian periods,” said Professor including Tintoretto’s Entombment and Humfrey. “Some of these collections are very Lotto’s Virgin and Child with Saints, and now little known, and among the works that have also Titian’s Venus Anadyomene (figure 1), been promised to the exhibition are have in the meantime been acquired by the Savoldo’s Shepherd and Romanino’s National Gallery.