Britain's Creative Greenhouse
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Drama Drama Documentary
1 Springvale Terrace, W14 0AE Graeme Hayes 37-38 Newman Street, W1T 1QA SENIOR COLOURIST 44-48 Bloomsbury Street WC1B 3QJ Tel: 0207 605 1700 [email protected] Drama The People Next Door 1 x 60’ Raw TV for Channel 4 Enge UKIP the First 100 Days 1 x 60’ Raw TV for Channel 4 COLOURIST Cyberbully 1 x 76’ Raw TV for Channel 4 BAFTA & RTS Nominations Playhouse Presents: Foxtrot 1 x 30’ Sprout Pictures for Sky Arts American Blackout 1 x 90’ Raw TV for NGC US Blackout 1 x 90’ Raw TV for Channel 4 Inspector Morse 6 x 120’ ITV Studios for ITV 3 Poirot’s Christmas 1 x 100’ ITV Studios for ITV 3 The Railway Children 1 x 100’ ITV Studios for ITV 3 Taking the Flak 6 x 60’ BBC Drama for BBC Two My Life as a Popat 14 x 30’ Feelgood Fiction for ITV 1 Suburban Shootout 4 x & 60’ Feelgood Fiction for Channel 5 Slap – Comedy Lab 8 x 30’ World’s End for Channel 4 The Worst Journey in the World 1 x 60’ Tiger Aspect for BBC Four In Deep – Series 3 4 x 60’ Valentine Productions for BBC1 Drama Documentary Nazi Megaweapons Series III 1 x 60’ Darlow Smithson for NGCi Metropolis 1 x 60’ Nutopia for Travel Channel Million Dollar Idea 2 x 60’ Nutopia Hostages 1 x 60’ Al Jazeera Cellblock Sisterhood 3 x 60’ Raw TV Planes That Changed the World 3 x 60’ Arrow Media Nazi Megaweapons Series II 1 x 60’ Darlow Smithson for NGCi Dangerous Persuasions Series II 6 x 60’ Raw TV Love The Way You Lie 6 x 60’ Raw TV Mafia Rules 1 x 60’ Nerd Nazi Megaweapons 5 x 60’ Darlow Smithson for NGCi Breakout Series 2 10 x 60’ Raw TV for NGC Paranormal Witness Series 2 12 x 60’ Raw TV -
Statement: Ofcom's Plan of Work 2021/22
Ofcom’s plan of work 2021/22 Making communications work for everyone Ofcom’s plan of work 2021/22 – Welsh translation STATEMENT: Publication Date: 26 March 2021 Contents Section 1. Chief Executive’s foreword 1 2. Overview 3 3. Our goals and priorities for 2021/22 9 4. Delivering good outcomes for consumers across the UK 31 Annex A1. What we do 37 A2. Project work for 2021/2022 39 Plan of Work 2021/22 1. Chief Executive’s foreword Ofcom is the UK’s communications regulator, with a mission to make communications work for everyone. We serve the interests of consumers and businesses across the UK’s nations and regions, through our work in mobile and fixed telecoms, broadcasting, spectrum, post and online services. Over the past year we have learned that being connected is everything. High-quality, reliable communications services have never mattered more to people’s lives. But as consumers shift their habits increasingly online, our communications sectors are transforming fast. It is an exciting moment for our industries and for Ofcom as a regulator - it requires long-term focus alongside speed and agility in response to change. Against this backdrop our statement sets out our detailed goals for the coming financial year, and how we plan to achieve them. On telecoms, Ofcom has just confirmed a new long-term framework for investment in gigabit- capable fixed networks. In the coming year, we will shift our focus to support delivery against this programme, alongside investment and innovation in 5G and new mobile infrastructure. Following legislation in Parliament, we will put in place new rules to hold operators to account for the security and resilience of their networks. -
Regulating the National Lottery
Section 5 Regulating the National Lottery The Third National Lottery Licence May 2021 The Third Licence Conditions 1. Grant of Licence 2. Definitions and Interpretation 3. Commencement 4. Handover from the Previous Licence 5. Service requirement 6. Prohibition of activities not related to the National Lottery 7. Consumer Protection 8. Retailer commission and retailer management 9. Independent section 6 licence applicants 10. Information and reporting 11. Payments to the Secretary of State 11A. Promotion of the National Lottery 12. Shareholders, other Connected parties and debt providers 13. Vetting 14. Control environment 15. Contractors 16. Employees 17. Performance monitoring 18. Handover on expiry or revocation of the Licence 19. Security for Players’ funds 20. Confidentiality and freedom of information 21. Intellectual Property 22. Data Protection 23. Licence extensions 24. No waiver 25. Severability 26. Governing Law and jurisdiction 27. Third Party rights 28. Notices 29. Survival Schedules Schedule 1 Definitions Schedule 2 Part 1 Games and facilities to be available in the first five weeks of the Licence Schedule 2 Part 2 Financial penalties Schedule 2 Part 3 Schedule 3 Handover from the Previous Licensee Schedule 4 Part 1 Ancillary activities that the Commission has consented to Schedule 4 Part 2 Further Conditions relating to Ancillary Activities Schedule 5 The Ancillary Activity Payment Schedule 6 Schedule 7 Codes of practice and strategies Schedule 8 Primary and Secondary Contributions Part 1 Definitions and interpretation Schedule -
AT2400 Alltouch® Remote Control How Do I Program the Mode Keys? What If None of the Codes Work? the Same Time, Regardless of the Current Mode
FCC Compliance Setting Up Your Remote (continued) User’s Guide Can I Change My Volume Control? Can I Change My Channel Control? This device complies with Part 15 of the FCC Rules. You can program your Volume and Mute keys to By default, the channel keys on your remote (CH+, Operation is subject to the following two conditions: function in one of two ways: CH-, digits 0-9, and Last) let you change channels (1) This device may not cause harmful interference, • To control the volume on a single device all on the set-top, the TV, or a VCR, depending on the and (2) this device must accept any interference the time current mode. You can disable or enable channel received, including interference that may cause control for the TV or VCR mode. Also, if you have ® • To control the volume on each device, AT2400 AllTouch undesired operation. reassigned your AUX key to control a second TV depending on the mode key that you press or VCR, you can disable or enable channel control Note Remote Control Note: The default setting is to control volume for that device as well. See Reassigning Mode This equipment has been tested and found to comply through your TV all the time. Keys, earlier in this section, for more information. with the limits for a class B digital device, pursuant Follow these steps to change the way your Volume If you disable the channel control for a TV or VCR, to Part 15 of the FCC Rules. These limits are and Mute keys function. -
Digital Television Transmitters: Pre-Switchover Network
Digital Television Transmitters: pre-switchover network This leaflet provides details of the Digital Terrestrial Television (DTT) transmitters which have not yet switched over to fully-digital operation (the 'low power' DTT network). Detailed information on post-switchover transmitter characteristics is available on the Ofcom website at www.ofcom.org.uk. Transmitters are grouped according to the ITV1 region that they broadcast, which will determine each transmitter's place in the digital switchover sequence. Details of the programme services carried in each multiplex are available on the Digital Television Group's website, www.dtg.org.uk/retailer. While this information is believed to be correct at the time of preparation, changes to the DTT network will occur, particularly as more transmitters switch to digital. For the latest information, please see the Ofcom website, www.ofcom.org.uk, or Digital UK's website, www.digitaluk.co.uk. Multiplex 1 Multiplex 2 Multiplex A Multiplex B Multiplex C Multiplex D Multiplex 1 Multiplex 2 Multiplex A Multiplex B Multiplex C Multiplex D BBC Digital 3&4 SDN BBC Arqiva Arqiva BBC Digital 3&4 SDN BBC Arqiva Arqiva Avg. Avg. Aerial ERP ERP ERP ERP ERP ERP Aerial ERP ERP ERP ERP ERP ERP Site Name NGR Aerial Site Name NGR Aerial Group (kW) (kW) (kW) (kW) (kW) (kW) Group (kW) (kW) (kW) (kW) (kW) (kW) Offset Offset Offset Offset Offset Offset Offset Offset Offset Offset Offset Height Offset Height Channel Channel Channel Channel Channel Channel Channel Channel Channel Channel Channel Channel Anglia Tyne Tees -
CONVERGENCE OR COLLISION? Navigating the Creative, Commercial and Regulatory Challenges Facing Media Over the Next Decade
WEDNESDAY 19 JANUARY 2011 SAÏD BUSINESS SCHOOL, UNIVERSITY OF OXFORD CONVERGENCE OR COLLISION? Navigating the creative, commercial and regulatory challenges facing media over the next decade guardian.co.uk/oxfordmediaconvention Event partner Event organisers PROGRAMME 08:50 REGISTRATION AND COFFEE 09:45 INTRODUCTION AND WELCOME Nick Pearce, director, ippr 09:50 A CITIZEN’S COMMUNICATION ACT: WHAT THE PUBLIC WANT FROM OUR MEDIA A short vox pop film 10:00 KEYNOTE SPEECH MEDIA POLICY: THE COALITION’S 10 YEAR PLAN Rt Hon Jeremy Hunt MP, secretary of state, culture, Olympics, media and sport 10:40 PLENARY PANEL MEDIA 2011: WHAT NEEDS TO CHANGE? A conversation between the public and providers In this, the Oxford Media Convention’s ninth year, we ask a panel of public representatives and a panel of providers to discuss and debate the current and future course of Britain’s media and creative industries. • How will public service provision, diversity, plurality and media literacy be preserved and promoted over the next decade? • How can public and private entities secure the UK’s position in the global media market place? • What does the future look like? How will audiences be consuming content, how will businesses be making money and what role will government have in shaping media policy and facilitating the creation of growth and infrastructure? In little over an hour and a half can these figures plot out a blueprint for creating an effective environment for growth and public provision? Moderator: Jon Snow, presenter, Channel 4 News Panel 1: Dawn Airey, president, CLT-UFA UK TV (part of the RTL Group) Richard Halton, chief executive, YouView Ashley Highfield, managing director & vice president, consumer & online UK, Microsoft Caroline Thomson, chief operating officer, BBC Panel 2: Sam Conniff, co-founder, Livity Mark Damazer, master, St. -
TP Vision Confirms Arrival of Freeview Play on Philips Android Tvs
News Release TP Vision confirms arrival of Freeview Play on Philips Android TVs TP Vision has confirmed the imminent arrival of Freeview Play to the company’s Philips Android TVs. Freeview Play is the UK’s fastest growing TV platform, launched in 2015, the platform now has over 7 million users. Freeview Play gives viewers access to live and on demand TV in one easy to use interface. The platform provides 85 live channels (including 15 in HD), as well as 20,000 hours of on-demand content from BBC iPlayer, ITV Hub, All 4, My 5, UKTV Play, CBS Catchup Channels UK and Horror Bites. TP Vision has been one of the strongest and most successful partners for Android TV having first introduced the platform back in 2014 and having committed nearly 50% of the company’s range of Philips sets to Android TV ever since – including the premium OLED and OLED+ ranges, frequently awarded the status of the Best TV available by the media, consumers and the trade. Philips Android TVs manufactured from now on will include firmware that enables Freeview Play by default. 2019 model year Philips Android TVs which are in-store or are already in use in consumer homes will receive an over-the-air software update which will prompt users to enable Freeview Play on the TV via easy onscreen instructions. In the case of any further questions, consumers can easily contact Philips’ Consumer Care info-line for help. Commenting on the inclusion of Freeview Play to Philips Android TVs, Martijn Smelt CMO for Europe at TP Vision said: ‘The addition of Freeview Play is the final piece that allows us to confidently say Philips Android TV sets offer the best overall package on the UK market. -
Page 01 Nov 02.Indd
SUNDAY 2 NOVEMBER 2014 • [email protected] • www.thepeninsulaqatar.com • 4455 7741 inside Star power helps COMMUNITY awaken Before • CHANSS-Qatar marks Kerala’s I Go to Sleep birthday P | 5 P | 8-9 WHEELS • 2015 Jeep Compass: Off-road look, without the muddy fenders P | 6 BOOKS • Black music, white culture and a legendary US highway P | 7 HEALTH • Zumba, pilates and their ilk are no longer a no-man’s land AOL’sAOL’Ls InstantInI stant MessengerMeM sssene ger ququietlyieetly P | 11 killedkillled offoff itsits chatroomschhatrt ooms inin 2010.20100 Yahoo Messenger axed its public chatrooms in 2012. And when MSN TECHNOLOGY Messenger closed shop on Friday in China, the last place where the • Apple criticised after service still operated, it marked the users’ private files conclusive end of the mainstream end up in the cloud chatroom era. P | 12 END OF LEARN ARABIC • Learn commonly used Arabic words CHATROOMS? and their meanings P | 13 2 PLUS | SUNDAY 2 NOVEMBER 2014 COVER STORY By Caitlin Dewey Just look at the earliest, successful forerun- realm of PLATO, people began to form highly per- ner to online chat — a program that academics sonal, social connections that had nothing to do acebook chose an odd time to launch invented, almost by accident, long before the birth with academics. In other words, they just wanted Rooms, its homage to the classic ‘90s of the World Wide Web. to chat. chatroom. AOL’s Instant Messenger, per- Talkomatic, the program’s appropriately retro “People met and got acquainted in Talkomatic, Fhaps the icon of the anonymous instant- name, was born out of PLATO, a computer-based and carried on romances via “term-talk” and messaging age, quietly killed off its chat rooms in education program at the University of Illinois, in Personal Notes,” one of its creators, David Woolley, 2010. -
Relational Geographies of Welfare Pykett, Jessica
University of Birmingham Representing Attitudes to Welfare Dependency: Relational Geographies of Welfare Pykett, Jessica DOI: 10.5153/sro.3453 License: Other (please specify with Rights Statement) Document Version Peer reviewed version Citation for published version (Harvard): Pykett, J 2014, 'Representing Attitudes to Welfare Dependency: Relational Geographies of Welfare', Sociological Research Online, vol. 19, no. 3, 23. https://doi.org/10.5153/sro.3453 Link to publication on Research at Birmingham portal Publisher Rights Statement: © Sociological Research Online, 1996-2014. Final published version available online at http://dx.doi.10.5153/sro.3453 Eligibility for repository checked June 2015 General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. When citing, please reference the published version. Take down policy While the University of Birmingham exercises care and attention in making items available there are rare occasions when an item has been uploaded in error or has been deemed to be commercially or otherwise sensitive. -
Welfare Commonsense, Poverty Porn and Doxosophy
Welfare Commonsense, Poverty Porn and Doxosophy by Tracey Jensen University of East London Sociological Research Online, 19 (3), 3 <http://www.socresonline.org.uk/19/3/3.html> DOI: 10.5153/sro.3441 Received: 30 Apr 2014 | Accepted: 11 Jul 2014 | Published: 15 Aug 2014 Abstract This article critically examine how Benefits Street - and the broader genre of poverty porn television - functions to embed new forms of 'commonsense' about welfare and worklessness. It argues that such television content and commentary crowds out critical perspectives with what Pierre Bourdieu (1999) called 'doxa', making the social world appear self-evident and requiring no interpretation, and creating new forms of neoliberal commonsense around welfare and social security. The article consider how consent for this commonsense is animated through poverty porn television and the apparently 'spontaneous' (in fact highly editorialized) media debate it generates: particularly via 'the skiver', a figure of social disgust who has re-animated ideas of welfare dependency and deception. Keywords: Classificatory Politics, Welfare Reform, Worklessness, Poverty Porn, Doxosophy, Media Culture Introduction: the year of poverty porn 1.1 2013 was the year when public debate about the welfare state apparently exploded - in the form of a new genre of television which has been tagged 'poverty porn'[1]. In July, and as part of its The Cost of Living season, the BBC broadcast We Pay Your Benefits (BBC 1, 2013), a programme which invited four 'taxpayers' to analyse the spending habits of four 'welfare claimants'[2] in order to assess whether the current rates of unemployment support are too high. In August, Channel 4, 2013 broadcast Benefits Britain 1949, setting benefit claimants the challenge of living by the benefit rules of 1949, the first year of the welfare state. -
How to Make a TV Advert on a Budget
How to Make a TV Advert on a Budget Hosted by SapientRazorfish, 10 May 2017 By Nandini Rao, Investment Writer In 2017, there is no escaping the mantra that marketing strategies should be mobile first. But according to Moz – the co-founder of creative agency Contented – nothing beats TV for advertisements. The problem, of course, is that TV ads can be massively expensive, putting them beyond the reach of many money-starved marketing departments. Which is why at a recent Financial Services Forum event, chair David Cowan asked Moz and David Sanderson, who heads SkyAdsmart, to talk about how companies can use TV ads to deliver targeted advertising on a budget. It’s not just about winning Oscars “TV can amplify the message that a company is trying to convey to its customer base,” said Moz. Emphasising that functionality is important, the Contended boss added that when working with a client on an advertisement, his company’s starting point is to identify three messages about the product or service that need to be conveyed in 30 seconds. TV commercials effectively legitimise content, according to Moz. While digitisation has liberalised the way in which content can be advertised on TV, there is some red tape involved. TV commercials must get the green light from Clearcast. According to regulatory requirements, anything claimed in a commercial has to be true. TV watchers know this so are reassured that what they see in an ad is very unlikely to be misleading. Using technology to customise ads With the panel focusing heavily on the changing role of tech, Cowan said that “Technology can magnify the power of TV ads.” Sanderson responded that Sky AdSmart does exactly this and offers advertisers a way to combine the world class content of TV with the digital world’s accountability and target. -
Channel Guide August 2018
CHANNEL GUIDE AUGUST 2018 KEY HOW TO FIND WHICH CHANNELS YOU HAVE 1 PLAYER PREMIUM CHANNELS 1. Match your ENTERTAINMENT package 1 2 3 4 5 6 2 MORE to the column 100 Virgin Media Previews 3 M+ 101 BBC One If there’s a tick 4 MIX 2. 102 BBC Two in your column, 103 ITV 5 FUN you get that 104 Channel 4 6 FULL HOUSE channel ENTERTAINMENT SPORT 1 2 3 4 5 6 1 2 3 4 5 6 100 Virgin Media Previews 501 Sky Sports Main Event 101 BBC One HD 102 BBC Two 502 Sky Sports Premier 103 ITV League HD 104 Channel 4 503 Sky Sports Football HD 105 Channel 5 504 Sky Sports Cricket HD 106 E4 505 Sky Sports Golf HD 107 BBC Four 506 Sky Sports F1® HD 108 BBC One HD 507 Sky Sports Action HD 109 Sky One HD 508 Sky Sports Arena HD 110 Sky One 509 Sky Sports News HD 111 Sky Living HD 510 Sky Sports Mix HD 112 Sky Living 511 Sky Sports Main Event 113 ITV HD 512 Sky Sports Premier 114 ITV +1 League 115 ITV2 513 Sky Sports Football 116 ITV2 +1 514 Sky Sports Cricket 117 ITV3 515 Sky Sports Golf 118 ITV4 516 Sky Sports F1® 119 ITVBe 517 Sky Sports Action 120 ITVBe +1 518 Sky Sports Arena 121 Sky Two 519 Sky Sports News 122 Sky Arts 520 Sky Sports Mix 123 Pick 521 Eurosport 1 HD 132 Comedy Central 522 Eurosport 2 HD 133 Comedy Central +1 523 Eurosport 1 134 MTV 524 Eurosport 2 135 SYFY 526 MUTV 136 SYFY +1 527 BT Sport 1 HD 137 Universal TV 528 BT Sport 2 HD 138 Universal